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Abyssinian Baptist Church
132 West 138th Street ("Odell M. Clark Place")
New York, N.Y. 10030
http://www.abyssinian.org
The Abyssinian Baptist Church was organized in 1808, a time when slavery was a fact of life in America. Though slavery had been flickering in New York, the early church members were the survivors of the half freedom status of the New York Colony. A few black Americans and members of the First Baptist Church, then located on Gold Street, refused to accept racially segregated seating for worship. Out of this protest, Rev. Thomas Paul, a minister from Boston, founded the Abysinnian Baptist Church at 44 Anthony Street, now Worth Street. It was the first African-American Baptist Church in New York State. After several years, the church moved to Broadway Tabernacle, then to Thompson Street and Spring Street Hall.
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Saying goodbye to the old church on Waverly Place (1907) |
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In 1856, the church again sought a permanent place of worship and purchased property at 166 Waverly Place, during an era when Greenwich Village was an African-American hub in the city.
Following the black population uptown, the church moved, in 1902, to 242 West 40th Street, into the former Fourth German Mission Reformed Dutch Church.
In 1908, the Rev. Adam Clayton Powell, Sr., began a long tenure as Abyssinian's pastor. Under Rev. Powell's leadership, Abyssinian moved to Harlem, building the present church at 132 West 138th Street. The Tudor Gothic building, contructed between 1922-23 at a cost of $400,000, was designed by Charles W. Bolton & Son, and features European stained glass windows and a pulpit of Italian marble. Following his father's retirement in 1937, the Rev. Adam Clayton Powell, Jr., became Abyssinian's charismatic and influential pastor. Membership in the church swelled to 10,000, making it the largest and most influential black church in New York, and the largest Baptist church in the world. Adam Clayton Powell, Jr. is remembered as an ardent part of the Black Revolution, a New York City councilman, and the first African-American elected to the House of Representatives, where he served for fourteen terms.
Today, Abyssinian Baptist Church continues its leadership role in Harlem through the Abyssinian Development Corporation, which funds the creation of apartment units for the elderly and homeless in conjunction with the New York City Partnership.
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Schantz Organ Company
Orrville, Ohio – Opus 1498 (1978)
Electro-pneumatic action
5 manuals, 68 registers, 50 stops, 66 ranks
The organ in Abyssinian Baptist Church was built in 1978 by the Schantz Organ Company of Orrville, Ohio. Schantz installed the enclosed Swell and Choir divisions in chambers on either side of the wide choir loft. In front of the chamber openings that face the choir are exposed pipes of the unenclosed Great division, while the unenclosed Positiv division is on a chest centered behind the choir seating. The Antiphonal division is unenclosed on a chest below the large stained glass window of the rear gallery. Schantz provided a five-manual drawknob console that is placed at the left side of the choir loft. Specifications were designed in collaboration with Frederick Swann, John Weaver, and Dr. Jewell Thompson, organist of the church. John Weaver played the dedicatory recital. |
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Great Organ (Manual II) – 61 notes, unenclosed (3" wind pressure)
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16 |
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Quintaton [exposed 4' up] |
61 |
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Scharf III ranks |
183 |
8 |
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Principal [exposed 4' up] |
61 |
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Great 16' |
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8 |
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Bourdon |
61 |
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Unison Off |
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4 |
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Octave |
61 |
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Great 4' |
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4 |
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Spitzflöte |
61 |
8 |
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Trompette Harmonique |
CH |
2 |
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Flachflöte |
61 |
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Chimes [enc. in CH] |
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Fourniture IV ranks |
244 |
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Swell Organ (Manual III) – 61 notes, enclosed (6" wind pressure)
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16 |
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Rohrbourdon |
73 |
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Plein Jeu III ranks * |
183 |
8 |
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Rohrflöte (fr. 16') |
— |
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Cymbale II ranks |
122 |
8 |
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Gamba * |
61 |
16 |
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Basson |
73 |
8 |
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Gamba Celeste (TC) * |
49 |
8 |
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Trompette |
73 |
8 |
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Flauto Dolce * |
61 |
8 |
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Basson (fr. 16') |
— |
8 |
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Flute Celeste (TC) |
49 |
8 |
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Vox Humana |
61 |
4 |
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Principal |
61 |
4 |
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Clairon (fr. Trompette) |
— |
4 |
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Flute Ouverte |
61 |
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Tremulant |
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2 2/3 |
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Nazard (TC) |
49 |
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Swell 16' |
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2 |
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Blockflöte |
61 |
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Unison Off |
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1 3/5 |
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Tierce (TC) |
49 |
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Swell 4' |
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Choir Organ (Manual I) – 61 notes, enclosed (5" wind pressure)
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8 |
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Clarabella * |
61 |
8 |
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8 |
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Dulciana * |
61 |
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Tremulant |
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8 |
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Unda Maris (TC) * |
49 |
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4 |
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Spitzprincipal |
73 |
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Choir 16' |
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4 |
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Gedeckt * |
61 |
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Unison Off |
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2 |
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Spitzprincipal (fr. 4') |
— |
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Choir 4' |
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8 |
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Clarinet * |
61 |
8 |
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Trompette Harmonique [15"] |
61 |
8 |
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Positiv Organ (Manual IV) – 61 notes, exposed (3" wind pressure)
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8 |
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Nasonflöte |
61 |
8 |
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Rohrschalmei [enc. in CH] |
61 |
4 |
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Koppelflöte |
61 |
8 |
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English Horn |
CH |
2 |
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Principal |
61 |
8 |
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French Horn |
CH |
1 1/3 |
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Quinte |
61 |
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Tremulant |
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Tertian II ranks (TC) |
98 |
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Positiv 16' |
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Zimbel III ranks |
183 |
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Unison Off |
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Antiphonal Organ (Manual V) – 61 notes, exposed (3" pressure)
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8 |
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Bourdon |
61 |
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Antiphonal 16' |
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4 |
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Octave |
61 |
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Antiphonal 4' |
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Mixture III ranks |
183 |
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Pedal Organ – 32 notes
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16 |
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Open Diapason * |
32 |
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Fourniture III ranks * |
96 |
16 |
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Contrebasse |
56 |
32 |
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Contra Posaune |
68 |
16 |
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Bourdon * |
44 |
16 |
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Posaune (fr. 32') |
96 |
16 |
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Quintaton |
GT |
16 |
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Basson |
SW |
16 |
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Rohrbourdon |
SW |
8 |
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Trompette (fr. 32') |
— |
8 |
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Principal (fr. Contrebass) |
— |
4
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Clairon (fr. 32') |
— |
8 |
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Bourdon (fr. 16') |
— |
4 |
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Rohrschalmei |
POS |
8 |
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Rohrflöte |
SW |
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4 |
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Choralbass (fr. Contrebass) |
— |
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Antiphonal Pedal |
4 |
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Waldflöte * |
44 |
16 |
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Bourdon (ext. ANT) |
12 |
2 |
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Waldflöte * (fr. 4') |
— |
8 |
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Principal |
44 |
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Grand Cornet VI ranks |
derived |
4 |
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Choralbass (fr. Principal) |
— |
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Rauschquinte II ranks * |
64 |
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* retained from M.P. Möller organ, Op. R-396 (1950) |
Couplers
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Great to Pedal 8' |
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Positiv to Great 16', 8' |
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Swell to Pedal 8', 4' |
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Antiphonal to Great 8' |
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Choir to Pedal 8', 4' |
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Great to Choir 8' |
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Positiv to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Antiphonal to Pedal 8' |
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Positiv to Choir 8' |
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Swell to Great 16', 8', 4' |
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Antiphonal to Choir 8' |
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Choir to Great 16', 8', 4' |
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Antiphonal to Positiv 8' |
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Adjustable Combinations
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Antiphonal Organ |
Pistons 1-2-3-4-5 (thumb) |
Positiv Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6-7-8 (toe) |
Entire Organ |
Pistons 1-2-3-4-5-6-7-8-9-10-11-12-13-14 (thumb & toe) |
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General Cancel (thumb) |
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Set (thumb) |
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Reversibles
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Antiphonal to Pedal (thumb & toe) |
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32' Posaune (thumb & toe) |
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Positiv to Pedal (thumb & toe) |
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Tutti (thumb & toe) |
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Swell to Pedal (thumb & toe) |
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Great to Pedal (thumb & toe) |
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Choir to Pedal (thumb & toe) |
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Expression
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Balanced Pedal – Swell Organ |
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Balanced Pedal – Choir Organ |
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Crescendo Pedal |
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M. P. Möller, Inc.
Hagerstown, Md. – Opus R-396 (1950)
Electro-pneumatic action
3 manuals, 38 registers, 30 stops, 35 ranks
On October 9, 1950, the M.P. Möller company was contracted to rebuild and enlarge their Op. 3516 from 1923. Möller releathered the primary and expression actions, installed tuning slides on all metal pipes, cleaned and tonally regulated all pipes, and supplied a new 7½ HP Kinetic blower. A new, detached three-manual drawknob console was also installed. |
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Great Organ (Manual II) – 61 notes, enclosed with Choir (7" wind pressure)
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8 |
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Diapason [old SW Diapason] |
73 |
2 2/3 |
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Octave Quint * |
61 |
8 |
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Melodia |
73 |
2 |
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Super Octave * |
61 |
8 |
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Erzähler |
73 |
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Mixture III ranks * |
183 |
4 |
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Octave |
61 |
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Tremolo |
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4 |
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Harmonic Flute |
73 |
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Swell Organ (Manual III) – 61 notes, enclosed (6" wind pressure)
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16 |
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Bourdon |
73 |
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Fourniture III ranks * |
183 |
8 |
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Diapason [old CH Diapason] |
73 |
8 |
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Trumpet * |
73 |
8 |
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Gedeckt |
73 |
8 |
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Oboe |
73 |
8 |
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Gamba [old Viole d'Orchestre] |
73 |
8 |
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Vox Humana |
73 |
8 |
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Gamba Celeste (TC) |
61 |
4 |
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Clarion * |
73 |
4 |
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Principal * |
73 |
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Tremolo |
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4 |
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Wald Flute [moved from GT] |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed (5" wind pressure)
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8 |
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Violone [old GT Violoncello] |
73 |
2 2/3 |
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Nazard [old Flute d'Amour] |
61 |
8 |
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Clarabella |
73 |
8 |
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Clarinet * |
73 |
8 |
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Dulciana |
73 |
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Tremolo |
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8 |
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Unda Maris (TC) [old Aeoline] |
61 |
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Pedal Organ – 32 notes (7" wind pressure)
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16 |
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Diapason |
44 |
8 |
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Bass Flute [ext. 16' Bourdon] |
— |
16 |
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Bourdon |
44 |
4 |
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Super Octave [ext. 8' Principal] |
— |
16 |
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Lieblich Gedeckt |
SW |
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Mixture II ranks * |
64 |
10 2/3 |
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Quint [from 16' Bourdon] |
— |
16 |
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Posaune [ext. SW Trumpet] |
12 |
8 |
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Principal |
44 |
8 |
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Trumpet |
SW |
8 |
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Octave Bass [ext.16' Diapason] |
— |
4 |
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Clarion |
SW |
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* new pipes added in 1950 |
Couplers
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Normal compliment of couplers |
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Adjustable Combinations
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Swell Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Full Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb & toe) |
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General Cancel (thumb) |
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Pedal Movements
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Great to Pedal Reversible (duplicated by manual piston) |
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Swell to Pedal Reversible (duplicated by manual piston) |
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Choir to Pedal Reversible (duplicated by manual piston) |
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Balanced Expression Pedal – Great-Choir Organs |
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Balanced Expression Pedal – Swell Organ |
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Balanced Crescendo Pedal |
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Sforzando Reversible (duplicated by manual piston) |
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Accessories
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Action Current Indicator Light – White |
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Expression Indicator Light for each Expression Pedal – White |
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Crescendo Indicator Light – Green |
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Sforzando Indicator Light – Red |
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Wicks Organ Company
Highland, Ill. – Opus 1843 (1938)
Direct-Electric ® action
2 manuals, 5 ranks
A small two-manual organ was installed in the Chapel of Abyssinian Baptist Church. Specifications for this organ have not yet been located. |
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1923 photo showing Möller pipe facades |
M. P. Möller, Inc.
Hagerstown, Md. – Opus 3516 (1923)
Electro-pneumatic action
3 manuals, 27 registers, 24 stops, 24 ranks
The original organ in the present church was built in 1923 by M.P. Möller of Hagerstown, Md. Melville Charlton played the dedicatory recital on the evening of June 11, 1923. |
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Great Organ (Manual II) – 61 notes, enclosed with Choir
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8 |
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Open Diapason |
73 |
4 |
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Principal |
61 |
8 |
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Doppel Flute |
73 |
4 |
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Wald Flute |
61 |
8 |
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Violoncello |
61 |
8 |
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Tuba |
73 |
8 |
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Melodia |
73 |
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8 |
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Erzähler |
73 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
8 |
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Aeoline |
73 |
8 |
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Open Diapason |
73 |
4 |
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Flute Harmonic |
73 |
8 |
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Gedeckt |
73 |
8 |
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Oboe |
73 |
8 |
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Viole d'Orchestre |
73 |
8 |
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Vox Humana |
73 |
8 |
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Celeste (TC) |
61 |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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English Open Diapason |
73 |
8 |
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Dulciana |
73 |
8 |
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Clarabella |
73 |
4 |
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Flute d'Amour |
73 |
8 |
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Gamba |
73 |
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Tremolo |
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Pedal Organ – 32 notes
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16 |
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Double Open Diapason |
44 |
8 |
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Octave Bass [ext. 16' Diap.] |
— |
16 |
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Bourdon |
44 |
8 |
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Bass Flute [ext. 16' Bourdon] |
— |
16 |
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Lieblich Gedeckt |
SW |
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Organ in church located at 166 Waverly Place:
Labagh & Kemp
New York City (1885)
Mechanical action
2 manuals, 10 stops
The church on Waverly Place had an organ built in 1885 by Labagh & Kemp of New York City. This organ had ten stops (Great 5, Swell 4, Pedal 1). The organ was extant in 1915. Specifications for this organ have not yet been located. |
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Sources:
Abyssinian Baptist Church web site: http://www.abyssinian.org
The Diapason (March 1924). Stoplist for M.P. Möller, Op. 3516 (1923). Courtesy Jeff Scofield.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Trupiano, Larry. Information about Labagh & Kemp organ (1885).
Trupiano, Larry. Factory Specifications of M.P. Möller, Op. R-369 (1950).
Illustrations:
www.jadebug.com web site. Interior showing organ pipes (2003).
Lawson, Steven E. Exterior.
Library of Congress Prints and Photographs Division. 1907 photo of church on Waverly Place.
Wurts Bros. (New York). Church interior (1924). From the Collection of the Museum of the City of New York. |
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