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Church of All Saints
(Roman Catholic)
47 East 129th Street at Madison Avenue
New York, N.Y. 10035
The ornate Venetian Gothic building for All Saints Church was designed by James Renwick, Jr., who was also the architect for St. Patrick's Cathedral, Grace Episcopal Church, and the Smithsonian Institution. Dedicated in 1893, the imposing and quite grand church is often called the "St. Patrick's of Harlem", and is noted for its patterned brickwork, terra cotta details, wheel windows at the clerestory level, and tall bell tower. The vaulted interior is also rich in details, including comfortable hand-carved pews, murals and stained glass.
All Saints Church was built as a parish for the neighborhood's Irish immigrants. Today, All Saints' congregation is predominantly African-American and Nigerian.
The Church of All Saints was designated by the Landmarks Preservation Commission in January 2007. |
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Welte-Tripp Organ Corp.
Sound Beach, Conn. – Opus 317 (1931)
Electro-pneumatic action
4 manuals, 69 registers, 61 stops, 70 ranks
In 1931, the original Roosevelt organ at All Saints Church was enlarged and electrified
by the Welte-Tripp Organ Corp. of Sound Beach, Conn. Welte-Tripp retained most
of the Roosevelt pipe work, added a new Solo Division in the east triforium adjacent
to the gallery, and installed a new four-manual drawknob console.
Donald Schwing rebuilt the organ in the 1980s.
As of 2009, this monumental and historic organ was found to be playable but in need of restoration. |
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Great Organ (Manual II) – 61 notes
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16 |
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Open Diapason |
61 |
4 |
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Hohl Flöte |
61 |
8 |
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1st Open Diapason |
61 |
2 2/3 |
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Twelfth [Oct. Quint orig. voicing] |
61 |
8 |
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2nd Open Diapason |
61 |
2 |
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Fifteenth [Sup. Oct. orig. voicing] |
61 |
8 |
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Doppel Flöte |
61 |
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Mixture IV-V ranks |
293 |
8 |
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Principal Flute |
61 |
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Scharff III ranks |
183 |
8 |
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Viola di Gamba |
61 |
8 |
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Tromba [Trumpet revoiced] |
61 |
4 |
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Octave |
61 |
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Tremolo |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
4 |
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Flute Harmonique |
61 |
8 |
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Open Diapason |
61 |
2 |
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Flageolet |
61 |
8 |
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Stopped Flute [St. Diap.] |
61 |
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Cornet III-IV ranks |
232 |
8 |
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Salicional |
61 |
16 |
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Posaune [Fagotto revoiced] |
61 |
8 |
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Voix Celeste |
61 |
8 |
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Cornopean [new on new chest] |
61 |
8 |
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Viole d'Orchestre |
61 |
8 |
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Oboe |
61 |
8 |
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Viole Celeste |
61 |
8 |
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Vox Humana |
61 |
8 |
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Quintadena |
61 |
4 |
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Clarion [new on new chest] |
61 |
4 |
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Octave |
61 |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Contra Gamba [1-12 new] |
61 |
4 |
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Fugara |
61 |
8 |
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Geigen Principal |
61 |
4 |
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Rohr Flute [Flute d'Amour] |
61 |
8 |
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Concert Flute |
61 |
2 |
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Harmonic Piccolo |
61 |
8 |
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Dulciana |
61 |
8 |
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Clarinet |
61 |
8 |
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Unda Maris [rep. Quintadena] |
61 |
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Tremolo |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Stentorphone |
61 |
8 |
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Cor Anglais |
61 |
8 |
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Gamba |
61 |
8 |
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French Horn |
61 |
8 |
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Gamba Celeste |
61 |
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Tremolo |
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8 |
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Tuba Mirabilis [hooded] |
61 |
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Chancel Organ (floating) – 61 notes, enclosed
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8 |
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Open Diapason |
61 |
4 |
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Flute Harmonique |
61 |
8 |
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Doppel Flöte |
61 |
8 |
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Trompette (1892 Trumpet) |
61 |
8 |
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Salicional |
61 |
8 |
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Vox Humana |
61 |
8 |
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Voix Celeste |
61 |
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Tremolo |
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4 |
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Octave |
61 |
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Pedal Organ – 32 notes
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16 |
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Open Diapason |
32 |
8 |
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Flute |
32 |
16 |
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Bourdon |
32 |
8 |
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Geigen Principal [Gamba] |
SO |
16 |
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Violone |
32 |
32 |
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Contre Bombarde * |
56 |
16 |
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Chancel Bourdon |
32 |
16 |
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Trombone (fr. 32') |
— |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Posaune |
SW |
16 |
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Contra Basso [ext. SO Gamba] |
12 |
8 |
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Tromba (fr. 32') |
— |
16 |
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Contra Gamba |
CH |
4 |
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Clarion (fr. 32') |
— |
10 2/3 |
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Quint |
32 |
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* Roosevelt 16' Trombone rank rebuilt, revoiced, extended. |
8 |
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Cello [wood] |
32 |
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Couplers & Accessories (rocking tablets)
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Above knobs of left jamb: |
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Above top manual: |
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Choir to Pedal 8', 4' |
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Master Swell |
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Great to Pedal 8', 4' |
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16' Stop Off |
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Swell to Pedal 8', 4' |
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16' Coupler Off |
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Solo to Pedal 8', 4' |
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4' Coupler Off |
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Chancel to Pedal 8', 4' |
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Swell 16', 4' |
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Swell 8' Off |
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Solo to Swell 16', 8', 4' |
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Choir 8' Off |
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Choir Off / Chancel On |
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Above knobs of right jamb: |
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Solo 16', 4' |
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Choir to Great 16', 8', 4' |
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Chancel to Solo 8' |
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Swell to Great 16', 8', 4' |
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Choir 16', 4' |
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Solo to Great 16', 8', 4' |
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Swell to Choir 16', 8', 4' |
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Chancel to Great 16', 8', 4' |
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Solo to Choir 16', 8', 4' |
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Chancel 16', 4' |
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Adjustable Combinations
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Choir Organ |
Pistons 1-2-3-4 & Cancel (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6 & Cancel (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6 & Cancel (thumb) |
Solo Organ |
Pistons 1-2-3 & Cancel (thumb) |
Chancel Organ |
Pistons 1-2-3 & Cancel (thumb) |
Pedal Organ |
Pistons 1-2-3 (toe) |
Entire Organ |
Pistons 1-2-3-4-5-6 (thumb & toe), General Cancel (thumb) |
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Reversibles
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Choir to Pedal (thumb) |
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16' Stop Off (thumb) |
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Great to Pedal (thumb & toe) |
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16' Coupler Off (thumb) |
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Swell to Pedal (thumb) |
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4' Coupler Off (thumb) |
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Chancel to Pedal (thumb) |
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Full Organ (thumb & toe) |
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Swell to Great (thumb & toe) |
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Expression
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Balanced Swell Pedal |
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Balanced Solo Pedal |
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Balanced Choir Pedal |
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Register Crescendo Pedal |
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Frank Roosevelt
New York City – No. 525 (1892)
Tubular-pneumatic action
3 manuals, 50 stops, 59 ranks
The original organ in All Saints Church was built by Frank Roosevelt of New York
City in 1892, and was in fact the last organ to be finished by the Roosevelt
Organ Works. A detached three-manual, terraced drawknob console controlled the
main organ, while the Chancel division, located above a side altar, was connected
and winded by electricity. Highy decorated façade pipes were originally
painted in olive green, raw umber, blue-grey, teal green, and black. In addition,
designs were stenciled over the paint, then gold and silver leaf was applied.
The impressive organ case, built of quarter-sawn white oak, is 35 feet wide and
12 feet deep; its front pipes frame the large rose window, while the center section
is cantilevered 5 feet from the main case and 9 feet above the choir loft. |
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Great Organ (Manual II) – 61 notes, partially enclosed with Choir
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16 |
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Double Open Diapason * |
61 |
4 |
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Hohl Flute |
61 |
8 |
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1st Open Diapason * |
61 |
2 2/3 |
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Octave Quint |
61 |
8 |
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2nd Open Diapason * |
61 |
2 |
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Super Octave |
61 |
8 |
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Viol d'Gamba |
61 |
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Mixture, 4 ranks |
244 |
8 |
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Principal Flöte |
61 |
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Scharff, 3 ranks |
183 |
8 |
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Doppel Flöte |
61 |
8 |
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Trumpet |
61 |
4 |
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Octave |
61 |
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* in façade |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon Bass |
12 |
4 |
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Flute Harmonique |
61 |
16 |
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Bourdon Treble (TC) |
49 |
2 |
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Flageolet |
61 |
8 |
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Open Diapason |
61 |
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Cornet, 3, 4, and 5 ranks |
257? |
8 |
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Spitz Flöte |
61 |
16 |
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Contra Fagotto |
61 |
8 |
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Salicional |
61 |
8 |
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Cornopean |
61 |
8 |
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Vox Celeste |
61 |
8 |
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Oboe |
61 |
8 |
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Stopped Diapason |
61 |
8 |
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Vox Humana |
61 |
4 |
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Octave |
61 |
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Tremulant |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Contra Gamba |
61 |
4 |
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Fugara |
61 |
8 |
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Geigen Principal |
61 |
4 |
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Flute d'Amour |
61 |
8 |
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Dolce |
61 |
2 |
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Piccolo Harmonique |
61 |
8 |
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Concert Flute |
61 |
8 |
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Clarinet |
61 |
8 |
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Quintadena |
61 |
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Tremulant |
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Chancel Organ – 61 notes, enclosed
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8 |
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Open Diapason |
61 |
4 |
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Flute Harmonic |
61 |
8 |
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Doppel Flöte |
61 |
8 |
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Trumpet |
61 |
8 |
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Salicional |
61 |
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Tremulant |
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8 |
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Unda Maris |
61 |
16 |
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Pedal Bourdon |
30 |
4 |
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Octave |
61 |
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Manual Octaves |
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Pedal Organ – 30 notes
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16 |
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Open Diapason |
30 |
10 2/3 |
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Quint |
30 |
16 |
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Violone |
30 |
8 |
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Violoncello |
30 |
16 |
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Bourdon |
30 |
16 |
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Trombone |
30 |
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Couplers
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Swell to Great |
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Swell to Pedal |
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Choir to Great |
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Great to Pedal |
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Swell to Choir |
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Choir to Pedal |
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Swell to Great Octave |
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Chancel Octave |
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Chancel to Pedal |
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Pedal Movements
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2 Combinations on Great |
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Great to Pedal Reversible |
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2 Combinations on Choir |
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Pedal Ventile |
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3 Combinations on Swell |
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Balance Swell Pedal |
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2 Combinations on Chancel |
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Balance Great & Choir Pedal |
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Sources:
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Fortune, Shelley. "Still searching for a Harlem landmark", The New York Amsterdam News (May 26, 2005).
Mohr, Louis F. Specifications (Oct. 25, 1929) of Roosevelt Organ, Op. 525 (1892). Courtesy Larry Trupiano.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977.
"The Organ at All Saints Roman Catholic Church," published
by All Saints Church.
Illustrations:
Lewis, James. B&W photo of Roosevelt Organ, Op. 525 (1892).
Rust, John. Exterior; interior; Welte-Tripp Organ, Op. 317 (1931). |
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