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Click on images to enlarge |
Fifth Avenue Presbyterian Church
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The original organ for Fifth Avenue Prebyterian Church was built in 1855 by Geo. Jardine & Son of New York City. When the present church was built in 1873-75, Jardine was asked to move and rebuild the organ, adding the 32' Double Diapason which is still in use today. In 1893, a new organ of 3 manuals and 44 stops was built by John Odell of New York City. Both the Jardine and Odell organs were powered by a hydraulic motor—a steam engine pumped water to a tank above the tower's E. Howard & Co. clock, then the water flowed by gravity to a basement cistern, operating the feeders of the bellows. A gradual conversion to electric power followed. In 1913, Ernest M. Skinner of Boston was awarded the contract to build his Opus 206, a new four-manual and pedal organ for the Sanctuary plus a two-manual organ for the Lecture Room. Skinner also carved the magnificent non-speaking case which strongly resembles that of the organ in St. Bartholomew's, Armley, Leeds. Skinner altered the organ in 1945 and again in 1955. In 1961, Austin Organs, Inc. of Hartford, CT installed the present organ.
Noteworthy organists at Fifth Avenue Presbyterian Church have included William Mason (Lowell's son), Eugene Thayer, Harold Gleason, W. Lynnwood Farnam, Robert S. Baker, Richard Bouchett, William Whitehead, and Terence Flanagan. |
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Wicks Console (1996) |
Austin Organs, Inc.
Hartford, CT – Opus 2347 (1961), as of 2003
Electro-pneumatic action
4 manuals, 135 stops, 117 pipe ranks
26 digital stops, 4 combination pipe and digital ranks |
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The present Sanctuary Organ was built by Austin Organs, Inc. of Hartford, CT, in 1961 as their Opus 2347. It originally had 120 ranks, 18 of which were retained from the previous E.M. Skinner organ. The 1959 contract, totalling $132,300, called for a newly-designed Austin drawknob console with a capture combination action and imported English ivory keyboards, and modifications to the Skinner case to provide room for a choir and instrumentalists. Dr. Robert Baker, organist and choirmaster of the church from 1953-62, served as consultant. The Fifth Avenue organ was one of a "quartet" of large and important Austin organs installed in the 1960s in New York City, the others being at Brick Presbyterian, First Presbyterian and the Church of the Heavenly Rest.
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In 1996, a new solid-state 4-manual drawknob console was built by the Wicks Organ Company of Highland, IL, retaining the ivory keyboards from the previous Austin console. In 1998, the Austin Organ Company rebuilt and releathered the mechanisms of the instrument. Daniel L. Angerstein tonally revoiced the organ in 1999, replacing several pipe ranks and providing new digital ranks.
Following is the specification as of 2003. |
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Great Organ (Manual II) – 61 notes |
16 |
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Violone |
61 |
2 |
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Fifteenth |
61 |
16 |
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Bourdon |
digital |
2 |
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Waldflöte |
61 |
8 |
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Diapason |
61 |
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Fourniture V ranks |
305 |
8 |
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Spitz Principal |
61 |
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Klein Mixtur III ranks |
183 |
8 |
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Gemshorn |
61 |
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Scharf III ranks |
183 |
8 |
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Bourdon |
61 |
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Sesquialtera II ranks |
122 |
4 |
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Octave |
61 |
16 |
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Double Trumpet |
61 |
4 |
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Spitzflöte |
61 |
8 |
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Trumpet |
61 |
4 |
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Lieblichflöte |
61 |
4 |
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Clarion |
61 |
2 2/3 |
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Twelfth |
61 |
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Tremulant |
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Swell Organ (Manual III) – 61 notes, enclosed |
16 |
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Lieblich Gedeckt * |
61 |
4 |
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Voix Angelique II ranks * |
122 |
16 |
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Contra Dulciana * |
61 |
2 |
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Flageolet |
61 |
8 |
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Geigen Principal |
61 |
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Plein Jeu V ranks |
305 |
8 |
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Hohlflöte |
61 |
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Cymbale III ranks |
183 |
8 |
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Gedeckt |
61 |
16 |
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Petite Trompette [ext.] |
12 |
8 |
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Viole de Gambe |
61 |
8 |
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Trompette |
61 |
8 |
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Voix Celeste |
61 |
8 |
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Cornopean |
61 |
8 |
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Erzähler |
61 |
8 |
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Oboe |
61 |
8 |
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Erzähler Celeste [GG] |
54 |
8 |
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Vox Humana |
61 |
8 |
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Dulciana II ranks |
122 |
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Vox Humana Tremulant |
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8 |
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Unda Maris [TC] |
49 |
4 |
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Clarion |
61 |
4 |
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Geigen Octave |
61 |
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Tremulant |
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4 |
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Rohrflöte |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed |
16 |
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Quintaton |
digital |
1 3/5 |
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Tierce |
61 |
8 |
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Viola |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Viola Celeste |
61 |
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Mixture III ranks |
183 |
8 |
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Rohrgedeckt |
61 |
16 |
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Bass Clarinet |
61 |
8 |
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Flûte conique |
61 |
8 |
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Trumpet |
digital |
8 |
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Flûte celeste [GG] |
54 |
8 |
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Clarinet [ext.] |
12 |
4 |
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Principal |
61 |
4 |
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Rohrschalmei |
61 |
4 |
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Nachthorn |
61 |
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Celesta |
digital |
2 2/3 |
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Nazard |
61 |
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Tremulant |
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2 |
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Spindle Flute |
61 |
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Positive Organ (floating) – 61 notes |
8 |
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Spitzflöte |
61 |
1 |
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Sifflöte |
61 |
8 |
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Nason Flute |
61 |
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Mixture IV ranks |
244 |
4 |
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Prinzipal |
61 |
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Zymbel III ranks |
183 |
4 |
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Koppelflöte |
61 |
8 |
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Krummhorn |
61 |
2 |
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Oktav |
61 |
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Tremulant |
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1 1/3 |
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Quint |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed |
8 |
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Flûte harmonique |
digital |
8 |
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French Horn |
61 |
8 |
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Cello |
61 |
8 |
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Flügel Horn |
61 |
8 |
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Cello Celeste |
61 |
8 |
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English Horn |
61 |
4 |
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Orchestral Flute |
61 |
4 |
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Clarion |
61 |
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Harmonics VII ranks |
427 |
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Chimes |
digital |
16 |
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Contre Bombarde * |
61 |
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Cymbelstern |
digital |
16 |
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Basset Horn |
digital |
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Tremulant |
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8 |
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Bombarde |
61 |
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Tuba Organ (floating) – 61 notes [25" wind pressure] |
16 |
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Tuba Magna [TC] |
— |
4 |
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Tuba Magna [ext.] |
12 |
8 |
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Tuba Magna |
61 |
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Pedal Organ – 32 notes |
32 |
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Double Diapason [ext.] |
12 |
4 |
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Choral Bass |
32 |
32 |
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Contra Gamba [ext.] |
12 |
4 |
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Blockflöte [ext.] |
12 |
32 |
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Contre Bourdon [ext.] |
12 |
4 |
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Lieblichflöte |
SW |
16 |
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Diapason |
32 |
2 |
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Blockflöte [ext.] |
12 |
16 |
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Principal |
32 |
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Mixture IV ranks |
128 |
16 |
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Gamba * |
32 |
32 |
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Grand Cornet VII rks [derived] |
44 |
16 |
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Violone |
GT |
32 |
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Contre Bombarde [ext.] |
12 |
16 |
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Subbass |
32 |
16 |
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Posaune |
32 |
16 |
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Bourdon |
GT |
16 |
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Bombarde * |
SO |
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16 |
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Lieblich Gedeckt |
SW |
16 |
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Double Trumpet |
GT |
16 |
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Dulciana * |
SW |
16 |
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Petite Trompette |
SW |
16 |
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Quintaton * |
CH |
16 |
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Clarinet |
CH |
10 2/3 |
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Gross Quint |
32 |
8 |
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Posaune [ext.] |
12 |
8 |
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Octave |
32 |
8 |
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Trumpet |
GT |
8 |
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Spitz Flöte |
32 |
4 |
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Posaune [ext.] |
12 |
8 |
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Bourdon |
32 |
4 |
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Clarion |
GT |
8 |
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Gedeckt |
SW |
4 |
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Krummhorn |
POS |
5 1/3 |
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Quint [ext.] |
12 |
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Chimes |
SO |
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Antiphonal Organ (floating) – 61 notes, enclosed |
8 |
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Diapason |
digital |
4 |
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Octave |
digital |
8 |
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Melodia |
digital |
2 |
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Zauberflöte |
digital |
8 |
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Muted Viole |
digital |
8 |
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Corno di Amore |
digital |
8 |
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Viole Celeste |
digital |
8 |
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Vox Humana |
digital |
8 |
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Flute Celeste II ranks |
digital |
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Tremulant |
digital |
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Antiphonal Pedal Organ (floating) – 32 notes, enclosed |
32 |
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Sanftbass |
digital |
8 |
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Open Bass |
digital |
16 |
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Violone |
digital |
8 |
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Still Gedeckt |
digital |
16 |
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Rohrgedeckt |
digital |
16 |
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Fagotto |
digital |
16 |
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Flûte conique |
digital |
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* |
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combination digital and pipe ranks |
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Austin Organs, Inc.
Hartford, CT – Opus 2347 (1961)
Electro-pneumatic action
4 manuals, 118 stops, 121 ranks
Following is the specification as designed by Austin in 1961. |
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Great Organ (Manual II) – 61 notes |
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First Chorus: |
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Second Chorus: |
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16 |
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Violone |
61 |
8 |
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Spitzprinzipal |
61 |
8 |
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Diapason |
61 |
8 |
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Gemshorn |
61 |
8 |
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Bourdon |
61 |
8 |
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Spitzflöte |
61 |
4 |
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Octave |
61 |
4 |
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Quintaton |
61 |
2 2/3 |
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Twelfth |
61 |
2 |
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Waldflöte |
61 |
2 |
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Fifteenth |
61 |
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Klein Mixtur III ranks |
183 |
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Fourniture V ranks |
305 |
16 |
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Double Trumpet |
61 |
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Scharf III ranks |
183 |
8 |
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Trumpet |
61 |
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Sesquialtera II ranks |
122 |
4 |
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Clarion |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed |
16 |
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Lieblich Gedeckt |
68 |
4 |
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Rohrflöte |
68 |
16 |
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Contra Dulciana |
68 |
4 |
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Dulcet |
68 |
8 |
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Geigenprinzipal |
68 |
2 |
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Flageolet |
61 |
8 |
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Hohlflöte |
68 |
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Plein Jeu V ranks |
305 |
8 |
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Gedeckt [ext.] |
12 |
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Cymbale III ranks |
183 |
8 |
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Viole de Gambe |
68 |
16 |
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Contra Fagotto |
68 |
8 |
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Voix Celeste |
68 |
8 |
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Trompette |
68 |
8 |
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Erzähler |
68 |
8 |
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Fagotto [ext.] |
12 |
8 |
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Erzähler Celeste [GG] |
61 |
8 |
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Oboe |
68 |
8 |
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Dulciana |
68 |
4 |
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Clairon |
68 |
8 |
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Unda Maris [TC] |
56 |
8 |
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Vox Humana |
61 |
4 |
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Geigenoctav |
68 |
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Tremulant |
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Choir Organ (Manual I) – 61 notes, enclosed |
16 |
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Quintaton |
68 |
2 |
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Spindelflöte |
61 |
8 |
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Rohrgedeckt |
68 |
1 3/5 |
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Tierce |
61 |
8 |
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Viola |
68 |
1 1/3 |
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Larigot |
61 |
8 |
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Viola Celeste |
68 |
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Mixture III ranks |
183 |
8 |
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Flute Conique |
68 |
16 |
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Bass Clarinet [ext.] |
12 |
8 |
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Flute Celeste [GG] |
61 |
8 |
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Trumpet |
68 |
4 |
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Principal |
68 |
8 |
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Clarinet |
68 |
4 |
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Nachthorn |
68 |
4 |
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Rohrschalmei |
68 |
2 2/3 |
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Nazard |
61 |
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Tremulant |
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Positiv Organ (floating) – 61 notes |
8 |
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Nason Flute |
61 |
1 |
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Sifflöte |
61 |
8 |
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Spitzflöte |
61 |
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Mixture IV ranks |
244 |
4 |
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Prinzipal |
61 |
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Zymbel III ranks |
183 |
4 |
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Koppelflöte |
61 |
8 |
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Krummhorn |
61 |
2 |
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Oktav |
61 |
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Tremulant |
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1 1/3 |
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Quint |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed |
8 |
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Concert Flute |
68 |
8 |
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Flügel Horn |
68 |
8 |
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Violincello |
68 |
16 |
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Contra Bombarde |
68 |
8 |
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Cello Celeste |
68 |
8 |
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Bombarde |
68 |
4 |
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Harmonic Flute |
68 |
4 |
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Clairon |
68 |
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Grand Chorus VII ranks |
427 |
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Tremulant |
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8 |
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English Horn |
68 |
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8 |
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French Horn |
68 |
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Tuba Organ (floating) – 61 notes [25" wind pressure] |
16 |
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Tuba Magna [TC] |
— |
4 |
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Tuba Magna [ext.] |
12 |
8 |
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Tuba Magna |
61 |
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Pedal Organ – 32 notes |
32 |
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Double Open Diapason |
32 |
4 |
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Choral Bass |
32 |
32 |
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Contre Bourdon |
32 |
4 |
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Blockflöte [ext.] |
32 |
32 |
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Contra Gamba |
12 |
4 |
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Lieblichflöte |
SW |
16 |
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Open Diapason [ext.] |
12 |
2 |
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Blockflöte [ext.] |
12 |
16 |
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Principal |
32 |
16 |
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Grand Cornet VII [derived] |
64 |
16 |
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Bourdon |
32 |
16 |
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Mixture IV ranks |
128 |
16 |
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Violone |
32 |
32 |
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Contre Bombarde |
32 |
16 |
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Gamba [ext.] |
12 |
16 |
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Posaune |
32 |
16 |
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Quintaton |
CH |
16 |
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Bombarde |
SO |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Double Trumpet |
GT |
16 |
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Dulciana |
SW |
16 |
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Fagotto |
SW |
10 2/3 |
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Gross Quint |
32 |
16 |
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Clarinet |
Ch2 |
8 |
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Octave |
32 |
8 |
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Posaune [ext.] |
12 |
8 |
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Spitzflöte |
32 |
8 |
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Trumpet |
GT |
8 |
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Bourdon [ext.] |
12 |
4 |
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Posaune [ext.] |
12 |
8 |
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Quintaton |
CH |
4 |
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Clarion |
SO |
8 |
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Gedeckt |
SW |
4 |
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Krummhorn |
PO |
5 1/3 |
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Quint [ext.] |
12 |
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Chimes |
SO |
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Skinner Organ Case (1913) |
Ernest M. Skinner Organ Company
Boston, MA – Opus 206 (1913)
Electro-pneumatic action
4 manuals, 87 stops, 70 ranks
In 1913, a new organ was built by Ernest Skinner, who also carved the present organ case. The choir loft built into the case was at this time much smaller, housing only a quartet of singers used to lead the congregation.
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Great Organ (Manual II) – 61 notes |
16 |
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Diapason [ext. PED] |
61 |
8 |
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Erzahler |
61 |
8 |
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Bourdon |
61 |
4 |
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Octave |
61 |
8 |
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First Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Second Diapason |
61 |
8 |
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Fifteenth |
61 |
8 |
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Third Diapason |
61 |
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Mixture III ranks |
183 |
8 |
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Philomela |
PED |
16 |
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Ophicleide * |
61 |
8 |
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Clarabella |
61 |
8 |
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Tromba * |
61 |
8 |
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Waldflöte |
61 |
4 |
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Clarion * |
61 |
8 |
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Viol d'Amour |
61 |
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* enclosed in Choir |
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Swell Organ (Manual III) – 61 notes, enclosed |
16 |
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Bourdon |
73 |
4 |
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Violin |
73 |
16 |
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Dulciana |
73 |
4 |
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Flute |
73 |
8 |
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First Diapason |
73 |
2 |
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Flautino |
61 |
8 |
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Second Diapason |
73 |
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Dolce Cornet III ranks |
183 |
8 |
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Claribel Flute |
73 |
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Mixture |
183 |
8 |
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Gedackt |
73 |
16 |
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Contra Posaune |
73 |
8 |
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Salicional |
73 |
8 |
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Cornopean |
73 |
8 |
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Voix Celestes |
73 |
8 |
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French Trumpet |
73 |
8 |
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Spitzfloete |
73 |
8 |
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Oboe |
73 |
8 |
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Aeoline |
73 |
8 |
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Vox Humana |
73 |
8 |
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Unda Maris [TC] |
61 |
4 |
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Clarion |
73 |
4 |
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Octave |
73 |
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Tremolo |
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Choir Organ (Manual I) - 61 notes, enclosed |
16 |
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Gamba |
73 |
2 |
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Piccolo |
61 |
8 |
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Diapason |
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