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Church of Our Saviour
(Roman Catholic)
59 Park Avenue at 38th Street
New York, N.Y. 10016
http://www.oursaviournyc.org
The Roman Catholic Church of Our Saviour was established in 1955, making it one of the youngest parishes in Manhattan. Its striking Romanesque edifice on Park Avenue, designed by Paul W. Reilly and built in 1959, is also one of the newer Roman Catholic church buildings. The church is notable for its many carvings and statuary, the creations of Henry J. Pizzutello, who led the largest church stone-carving project in New York City since St. Bartholomew's Church was built. |
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Schantz Organ Company
Orrville, Ohio – Opus 2259 (2005)
Electro-pneumatic action
Solid-State combination action
3 manuals, 49 registers, 32 stops, 37 ranks
The organ in the rear gallery was built in 2005 by the Schantz Organ Company of Orrville, Ohio. Schantz installed their Op. 2259 in two chambers, one on either side of the choir area. Several ranks from the previous M.P. Möller organ, Op. 9213 (1959) were incorporated in this new instrument. Schantz provided a movable three-manual drawknob console. |
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Great Organ (Manual II) – 61 notes
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16 |
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Geigen Diapason |
73 |
1 3/5 |
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8 |
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Open Diapason |
61 |
1 1/3 |
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Mixture IV ranks |
244 |
8 |
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Geigen (fr. 16') |
— |
8 |
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61 |
8 |
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61 |
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Tremulant |
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4 |
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Principal |
61 |
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Great 16' |
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4 |
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Nachthorn * |
61 |
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Unison Off |
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2 2/3 |
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Twelfth |
61 |
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Great 4' |
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2 |
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Fifteenth |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt * |
73 |
1 3/5 |
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Tierce |
61 |
8 |
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Violin Diapason |
61 |
2 |
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Plein Jeu IV ranks |
244 |
8 |
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Viole de Gambe * |
61 |
16 |
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Bassoon |
61 |
8 |
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Voix Celeste (TC) * |
49 |
8 |
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Trumpet |
61 |
8 |
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Rohrflöte * (fr. 16') |
— |
8 |
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Oboe |
61 |
4 |
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Octave |
61 |
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Tremulant |
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4 |
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Nason Flute |
61 |
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Swell 16' |
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2 2/3 |
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Nasard |
61 |
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Unison Off |
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2 |
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Octavin |
61 |
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Swell 4' |
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Choir/Solo Organ (Manual I) – 61 notes, enclosed
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8 |
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Harmonic Flute |
61 |
8 |
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Oboe |
SW |
8 |
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Dolcan * |
61 |
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Tremulant |
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8 |
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Dolcan Celeste (TC) * |
49 |
8 |
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Tuba Magna |
61 |
4 |
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Concert Flute |
61 |
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Choir/Solo 16' |
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8 |
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Cor Anglais * |
61 |
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Unison Off |
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8 |
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Clarinet |
61 |
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Choir/Solo 4' |
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Pedal Organ – 32 notes
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32 |
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Contra Bourdon (ext.) |
digital |
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4 |
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Choral Bass |
32 |
16 |
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Contrabass |
56 |
4 |
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Open Flute (fr. Contrabass) |
— |
16 |
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Geigen Diapason |
GT |
32 |
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Contra Bassoon (ext. SW) |
digital |
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16 |
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44 |
16 |
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Double Trumpet (ext. GT) |
12 |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Bassoon |
SW |
8 |
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Octave (fr. Contrabass) |
— |
8 |
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Trumpet |
GT |
8 |
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Geigen |
GT |
4 |
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Oboe |
SW |
8 |
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Subbass (fr. 16') |
— |
8 |
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Tuba Magna |
SO |
8 |
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Gedeckt |
SW |
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* from previous M.P. Möller organ, Op. 9213 (1959) |
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Couplers
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Great to Pedal 8', 4' |
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Choir/Solo to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Choir/Solo to Swell 8' |
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Choir/Solo to Pedal 8', 4' |
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Swell to Choir/Solo 16', 8', 4' |
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Swell to Great 16', 8', 4' |
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Great to Choir/Solo 8' |
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Adjustable Combinations
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Swell Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Choir/Solo Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Full Organ |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb & toe) |
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General Cancel (thumb) |
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Set (thumb) |
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Reversibles
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Swell to Pedal (thumb) |
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Swell to Great (thumb) |
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Great to Pedal (thumb & toe) |
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Full Organ I (thumb & toe) |
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Choir/Solo to Pedal (thumb) |
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Full Organ II (thumb & toe) |
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Mechanicals
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Balanced Swell Pedal |
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Crescendo Indicator |
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Balanced Choir/Solo Pedal |
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Full Organ I Indicator |
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Crescendo Pedal |
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Full Organ II Indicator |
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Wind Indicator |
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Transposer with Indicator |
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M. P. Möller, Inc.
Hagerstown, Md. – Opus 9213 (1959)
Electro-pneumatic action
3 manuals, 35 registers, 26 stops, 35 ranks
The original organ in the Church of Our Saviour was built in 1959 by M.P. Möller, Inc., as designed by Ernest White. Revisions were made by Glück Orgelbau in 1992, and again in 1993-94 by Peter Batchelder. Following is a description taken from the leaflet for the Solemn Blessing of the organ:
The pipes . . . are located in spacious chambers on either side of the choir gallery. Hand-carved grille work executed by the Joseph Noe Studios, covers the tone openings both into the nave and the gallery.
In designing the Church, the architect, Paul Reilly, successfully achieved an acoustic condition which is particularly sympathetic to the musical requirements of the Sacred Liturgy. Just as the visual impact of the Church interior is one of space, light and rich color, so also the auditory timpact of the chant and hymns, of the antiphon and processional is enhanced by the lofty spatial dimensions. This warm resonance creates and ideal acoustical setting for the organ.
In tonal design, this instrument is a truly American organ. Based on time-proved principles from many lands, it is capable of interpreting the full range of the organ literature from the Renaissance to the present day. The selection of tone colors, and the individual voicing treatment of the pipes have produced a natural and gentle soronity appropriate for choral accompaniment. Each division of the organ has a characteristic harmonic development, or ensemble. The Principal chorus of the Great provides a dynamic anchor, the flues and reeds of the Swell are scaled and voiced along French lines to add a fiery brilliance, and the Choir is developed as a German Positiv. An independent Pedal gives a solid foundation to the whole instrument. Flutes and strings on each manual provide softer accompanimental colors.
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Great Organ (Manual II) – 61 notes
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16 |
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Quintaton |
61 |
2 |
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Waldflöte |
61 |
8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Bourdon |
61 |
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Unison Off |
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4 |
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Octave |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Flûte á Chemineé |
73 |
8 |
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Trompette |
61 |
8 |
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Flûte á Cheminée
(fr. 16') |
— |
4 |
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Hautbois |
61 |
8 |
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Viole de Gamba |
61 |
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Tremulant |
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8 |
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Viole Celeste (TC) |
49 |
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Swell 16' |
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4 |
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Prestant |
61 |
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Unison Off |
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Plein Jeu V ranks |
305 |
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Swell 4' |
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16 |
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Cor Anglais |
61 |
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Choir–Positiv Organ (Manual I) – 61 notes, enclosed
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8 |
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Gedeckt |
61 |
2 |
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Prinzipal |
61 |
8 |
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Dolcan |
61 |
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Sesquialtera II ranks |
122 |
8 |
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Dolcan Celeste (TC) |
49 |
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Zimbel II ranks |
122 |
4 |
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Nachthorn |
61 |
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Tremulant |
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Pedal Organ – 32 notes
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16 |
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Subbass |
44 |
4 |
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Koppelflöte |
44 |
16 |
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Quintaton |
GT |
2 |
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Koppelflöte (fr. 4') |
— |
16 |
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Flûte á Chemineé |
SW |
16 |
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Trumpet |
44 |
8 |
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Prinzipal |
32 |
16 |
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Cor Anglais |
SW |
8 |
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Subbass (fr. 16') |
— |
8 |
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Trumpet (fr. 16') |
— |
8 |
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Flûte á Chemineé |
SW |
4 |
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Cor Anglais |
SW |
4 |
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Octave |
32 |
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Couplers
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Great to Pedal 8' |
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Choir to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Great to Swell 8' |
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Choir to Pedal 8', 4' |
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Choir to Swell 8' |
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Swell to Great 16', 8', 4' |
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Swell to Choir 16', 8', 4' |
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Adjustable Combinations
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Great Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6 (toe) |
General |
Pistons 1-2-3-4-5-6 (thumb & toe) |
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General Cancel (thumb) |
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Setter (thumb) |
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Reversibles
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Great to Pedal (thumb & toe) |
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Choir to Pedal (thumb & toe) |
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Swell to Pedal (thumb & toe) |
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Sforzando (thumb & toe) |
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Expression
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Balanced Swell Pedal |
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Balanced Choir Pedal |
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Crescendo Pedal |
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Sources:
The American Organist (April 1960). Specification of M.P. Möller organ, Op. 9213 (1959).
Church of Our Saviour website: http://www.oursaviournyc.org/
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Illustrations:
Lawson, Steven E. Exterior; Interior; Schantz organ, Op. 2259 (2005). |
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