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Radio City Music Hall
1260 Avenue of the Americas at 50th Street
New York, N.Y.
10020
http://www.radiocity.com
When Radio City Music Hall was planned in the early 1930s, S.L. Roxy Rothafel, chief of architecture and construction for the hall and its sister Center Theater (at Sixth and 49th), planned to install the largest theater organ ever built. He was best acquainted with the Kimball Organ Co., having given this firm the contract for three organs at the great theater bearing his name on Seventh Avenue, so Kimball was contacted to bid on a large organ for the Music Hall. Legend has it that the Rockefeller board of trustees felt that the most prestigious theater in the country should have an organ built by the country's top theater organ company, so the contract was eventually awarded to the Wurlitzer Company of North Tonowanda, N.Y. Strange as it may seem, the Kimball specification was retained, even though the organ was built by Wurlitzer; this may have been the influence of Roxy, but what really transpired is unknown today. Although Kimball built many theater organs, they never built the pure, thoroughbred theater organ that Wurlitzer did, and their organs often retained a concert nature. A typical theater organ's Great division would contain every available stop except the loudest reeds, but Radio City's 19-rank Great (house right) resembles Kimball's concert organs, being based on an independent principal chorus with pitches from 16' to mixtures. The Orchestral division (also house right) of 23 ranks, contains a secondary principal chorus, reeds 16' and 8', and a string chorus, resembling a concert Swell division. The Solo division (house left) of 13 ranks houses the most powerful stops, including a tuba and diaphonic diapason on 25" wind, a posthorn on 15", a tibia clausa extending to 32', and a large-scale wooden bombarde 32'. The Solo also contains the tuned percussions and traps. Another unusual feature is the inclusion of an independent 16' contra bass (56 pipes) in the pedal, again following Kimball's notion of a concert organ.
The organ is played by two identical four-manual consoles which are completely independent of each other and can sustain separate registrations, unlike the more usual installation in which a second console was a slave to the first. Its 58 ranks and 4,178 pipes are installed in eight chambers divided on either side of the stage. A recent rebuilding included solid-state control systems throughout and the ability to locate either or both consoles at any point on the stage, the orchestra pit elevator, or the original alcove positions. A complete MIDI interface has been installed. (Based on an article by RCMH organist, the late David Messineo.) |
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Stage Right Console |
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Stage Left Console |
Wurlitzer Organ Company
North Tonawanda, N.Y. – Opus 2179 (1932)
Electro-pneumatic action
2 identical consoles, 4 manuals, 58 ranks |
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Great (Manual II) – 61 notes
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32 |
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Double Lieblich Gedeckt (TC) |
2 2/3 |
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12th and 15th II |
16 |
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Trombone |
2 |
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Super Octave |
16 |
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Muted Diapason |
2 |
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Flautina |
16 |
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Lieblich Gedeckt |
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Mixture IV ranks |
8 |
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Trumpet |
8 |
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Grand Piano |
8 |
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Tuba Sonora |
8 |
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Cathedral Chimes |
8 |
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Tromba |
4 |
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Xylophone |
8 |
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Diapason |
2 |
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Glockenspiel |
8 |
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Melophone |
8 |
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Harp |
8 |
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Open Diapason (1st) |
4 |
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Celesta |
8 |
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Open Diapason (2nd) |
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Snare Drum |
8 |
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Violin Diapason |
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8 |
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Tibia Clausa |
Great Second Touch |
8 |
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Tibia Minor |
16 |
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English Post Horn |
8 |
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Muted Diapason |
16 |
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Tuba Profunda |
8 |
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French Horn |
16 |
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Contre Tibia Clausa |
8 |
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Viola |
16 |
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Basset Horn [TC] |
8 |
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Concert Flute |
16 |
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Bass Clarinet [TC] |
8 |
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Lieblich Gedeckt |
16 |
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English Horn |
8 |
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Dulciana |
8 |
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Tuba Mirabilis |
8 |
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Unda Maris |
8 |
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English Post Horn |
8 |
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Vox Humana |
8 |
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Tuba Sonora |
8 |
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Vox Humana II |
8 |
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Diapason |
4 |
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Tromba Clarion |
4 |
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Tibia Flute |
4 |
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Octave |
4 |
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Harmonic Flute |
4 |
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Muted Octave |
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Snare Drum |
4 |
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Tibia Minor |
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Chinese Block |
4 |
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Tranverse Flute |
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Triangle |
4 |
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Flute d'Amour |
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Orchestral (Manual III) – 61 notes
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16 |
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Wald Horn |
8 |
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Violins II |
16 |
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Violin Diapason |
8 |
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Spitzflute Celeste II ranks |
16 |
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Bourdon |
8 |
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Muted Violins II |
16 |
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Vox Humana (TC) |
8 |
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Concert Flute |
16 |
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Vox Humana II (TC) |
8 |
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Dulciana |
8 |
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English Post Horn |
8 |
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Unda Maris |
8 |
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Trumpet |
8 |
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Vox Humana |
8 |
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Tuba Sonora |
8 |
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Vox Humana II |
8 |
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Diapason |
4 |
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Clarion |
8 |
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Melophone |
4 |
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Octave |
8 |
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Horn Diapason |
4 |
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Tibia Minor |
8 |
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Violin Diapason |
4 |
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Tranverse Flute |
8 |
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Wald Horn |
4 |
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Harmonic Flute |
8 |
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Tibia Clausa |
4 |
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Flute d'Amour |
8 |
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Tibia Minor |
4 |
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Vox Humana |
8 |
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Basset Horn |
4 |
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Vox Humana II |
8 |
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Orchestral Oboe |
2 2/3 |
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Nazard |
8 |
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Clarinet |
2 |
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Piccolo |
8 |
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Saxophone |
2 |
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Harmonic Piccolo |
8 |
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French Horn |
2 |
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Flautina |
8 |
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Kinura |
1 3/5 |
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Tierce |
8 |
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English Horn |
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Mixture VI |
8 |
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Oboe Horn |
8 |
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Grand Piano |
8 |
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Gamba |
8 |
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Marimba |
8 |
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Gamba Celeste |
8 |
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Marimba Harp |
8 |
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Salicional |
4 |
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Xylophone |
8 |
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Vox Celeste |
2 |
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Glockenspiel |
8 |
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Viola |
8 |
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Harp |
8 |
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Violin 'Cello |
4 |
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Celesta |
8 |
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'Cello Celeste |
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Solo (Manual IV) – 61 notes
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16 |
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English Post Horn |
8 |
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Viola |
16 |
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Tuba Profunda |
8 |
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Violin 'Cello |
16 |
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Wald Horn |
8 |
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'Cello Celeste |
16 |
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Contra Tibia Clausa |
8 |
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Violins II |
16 |
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Basset Horn (TC) |
8 |
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Concert Flute |
16 |
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Bassoon (TC) |
8 |
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Vox Humana |
16 |
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Bass Clarinet (TC) |
8 |
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Vox Humana II |
16 |
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Bass Saxophone (TC) |
4 |
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Cornet |
16 |
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Kinura (TC) |
4 |
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Clarion |
16 |
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English Horn |
4 |
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Tibia Flute |
16 |
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Violone |
4 |
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Tibia Minor |
16 |
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Contra Viole |
4 |
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Harmonic Flute |
16 |
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Vox Humana (TC) |
4 |
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Octave Viola |
16 |
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Vox Humana II (TC) |
4 |
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Cello |
8 |
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Tuba Mirabilis |
4 |
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Violins II |
8 |
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English Post Horn |
2 2/3 |
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Tibia Twelfth |
8 |
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Trumpet |
2 2/3 |
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Flute Twelfth |
8 |
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Tuba Sonora |
2 |
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Tibia Piccolo |
8 |
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Wald Horn |
2 |
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Piccolo |
8 |
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Diapason |
2 |
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Harmonic Piccolo |
8 |
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Melophone |
8 |
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Grand Piano |
8 |
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Violin Diapason |
4 |
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Grand Piano |
8 |
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Tibia Clausa |
8 |
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Cathedral Chimes |
8 |
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Tibia Minor |
8 |
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Marimba |
8 |
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Basset Horn |
8 |
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Marimba Harp |
8 |
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Orchestral Oboe |
4 |
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Xylophone |
8 |
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Clarinet |
2 |
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Xylophone |
8 |
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Saxophone |
2 |
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Glockenspiel |
8 |
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French Horn |
2 |
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Orchestral Bells |
8 |
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Kinura |
8 |
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Harp |
8 |
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English Horn |
4 |
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Celesta |
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Accompaniment (Manual I) – 61 notes
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16 |
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Wald Horn |
8 |
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Grand Piano |
16 |
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Bass Clarinet (TC) |
4 |
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Grand Piano |
16 |
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Contra Viola |
8 |
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Marimba |
16 |
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Lieblich Gedeckt |
8 |
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Marimba Harp |
16 |
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Double Dulciana (TC) |
4 |
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Xylophone |
8 |
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Tuba Sonora |
2 |
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Glockenspiel |
8 |
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Tromba |
8 |
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Harp |
8 |
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Violin Diapason |
4 |
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Celesta |
8 |
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Wald Horn |
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Snare Drum |
8 |
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Tibia Clausa |
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Tambourine |
8 |
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Tibia Minor |
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Castanets |
8 |
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Muted Diapason |
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Chinese Block |
8 |
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Orchestral Oboe |
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Tom-Tom |
8 |
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Clarinet |
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Shuffle |
8 |
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French Horn |
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8 |
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Kinura |
Accompaniment Second Touch |
8 |
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English Horn |
8 |
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Melophone |
8 |
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Viola |
8 |
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English Post Horn |
8 |
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Violins II |
8 |
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Tuba Sonora |
8 |
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Concert Flute |
8 |
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Tromba |
8 |
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Lieblich Gedeckt |
8 |
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Diapason |
8 |
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Dulciana |
8 |
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Tibia Clausa |
8 |
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Unda Maris |
8 |
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Basset Horn |
8 |
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Vox Humana |
8 |
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Clarinet |
8 |
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Vox Humana II |
8 |
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Saxophone |
4 |
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Clarion |
8 |
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'Cellos II |
4 |
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Muted Octave |
8 |
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English Horn |
4 |
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Octave Viola |
8 |
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Cathedral Chimes |
4 |
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Violins II |
2 |
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Glockenspiel |
4 |
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Transverse Flute |
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Snare Drum |
4 |
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Flute d'Amour |
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Chinese Block |
4 |
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Dulciana |
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Triangle |
4 |
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Unda Maris |
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Bird |
4 |
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Vox Humana |
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4 |
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Vox Humana II |
Accompaniment Pizzacato Touch |
2 2/3 |
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Nazard |
8 |
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English Post Horn |
2 |
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Piccolo |
8 |
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Tuba Sonora |
2 |
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Flautina |
8 |
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Melophone |
2 |
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Dolcetin |
8 |
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Tibia Clausa |
1 3/5 |
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Tierce |
8 |
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Saxophone |
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8 |
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'Cellos II |
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Pedal – 32 notes
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64 |
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Gravissima |
8 |
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Violins III |
32 |
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Bombarde |
8 |
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Concert Flute |
32 |
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Sub Bass |
8 |
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Lieblich Gedeckt |
16 |
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English Post Horn |
4 |
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Cornet |
16 |
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Tuba Profunda |
4 |
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Tromba Clarion |
16 |
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Trombone |
4 |
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Super Octave |
16 |
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Diaphone |
4 |
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Tibia Minor |
16 |
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Wald Horn |
4 |
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Open Flute |
16 |
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Contra Bass |
4 |
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'Cello |
16 |
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Contra Tibia Clausa |
4 |
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'Cello Celeste |
16 |
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Violone |
4 |
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Violins III |
16 |
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Violin Diapason |
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Mixture III |
16 |
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Muted Diapason |
16 |
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Grand Piano |
16 |
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Contra Viola |
8 |
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Grand Piano |
16 |
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French Horn |
8 |
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Cathedral Chimes |
16 |
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English Horn |
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Thunder Drum |
16 |
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Bourdon |
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Bass Drum |
16 |
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Lieblich Gedeckt |
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Cymbals |
10 2/3 |
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Tuba Quint |
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Snare Drum |
10 2/3 |
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Quint |
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8 |
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Tuba Mirabilis |
Pedal Second Touch |
8 |
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English Post Horn |
32 |
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Bombarde |
8 |
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Tuba Sonora |
32 |
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Sub Bass |
8 |
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Tromba |
10 2/3 |
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Tuba Quint |
8 |
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Diapason |
8 |
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Cathedral Chimes |
8 |
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Octave |
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Thunder Drum |
8 |
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Wald Horn |
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Bass Drum |
8 |
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Tibia Clausa |
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Tympani |
8 |
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Violin 'Cello |
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Cymbals |
8 |
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'Cello Celeste |
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Persian Cymbals |
8 |
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Violin Diapason |
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Chinese Gong |
8 |
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Tibia Minor |
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Triangle |
8 |
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Muted Diapason |
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Grand Crash |
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Sources:
Junchen, David L. The WurliTzer Pipe Organ – An Illustrated History. Compiled and edited by Jeff Weiler. Indianapolis: The American Theatre Organ Society, 2005.
Messineo, David. Article on the organ in Radio City Music Hall.
Photos:
Steven E. Lawson: organ consoles |
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