Click on images to enlarge Cathedral of Saint Patrick (Roman Catholic) Fifth Avenue at 51st Street New York, N.Y. 10022 http://www.saintpatrickscathedral.org Organ Specifications: Fifth Avenue at 51st Street (since 1879): ► V/135 Geo. Kilgen & Son (1928-30); rev. Paragallo (1993) ► IV/114 Geo. Kilgen & Son, Op. 5918 (1930) – Gallery and Echo ► III/23 Geo. Kilgen & Son, Op. 3920 (1928) – Chancel ► II/23 J.H. & C.S. Odell, Op. 175 (1880) – Chancel ► IV/56 George Jardine & Son (1879) – Gallery 290 Mulberry Street (1809-1879): Present Building (since 1868) – See Old St. Patrick's Cathedral ► III/46 Henry Erben & Co. (1866-68) First Building (1809-burned 1866): • Henry Erben & Co. (1852) • Hall & Erben (1824)               Original Cathedral   The original St. Patrick's Cathedral, located at 260 Mulberry Street, was built between 1809-1815 on land used as the cemetery of St. Peter's Church. The cathedral's Irish Catholic parishioners were often at odds with local agitators. In 1836, a mob attempted to ransack the cathedral, but defenders cut holes in the wall for their muskets and posted sentries outside, successfully thwarting damage to the cathedral. Although the cathedral was then the largest religious structure in the city, Archbishop John J. Hughes envisioned a new and grander cathedral uptown, to serve as a "public architectural monument of the present and prospective greatness of this metropolis." In 1852, land was purchased far uptown on the relatively-uninhabited Fifth Avenue, and the cornerstone for a new cathedral was laid in 1858 by Archbishop Hughes. Meanwhile, a fire in 1866 caused great damage to the original cathedral, but it was rebuilt and rededicated in 1868. Construction on the new cathedral ground to a halt during the years of the Civil War (c.1860-65), but Archbishop John McCloskey (who in 1875 became the first American Cardinal) resumed work in 1865. Upon the consecration of the new cathedral in 1879, the old cathedral became a parish church and is known today as "Old St. Patrick's Cathedral".   The new cathedral's twin-towered Gothic design, by James Renwick Jr., and William Rodrigue, Archbishop Hughes' brother-in-law, was influenced by Cologne Cathedral, which was being completed after a hiatus of several centuries. Archbishop Michael Corrigan added the towers on the West Front in 1888 and began work on the east addition, including the Lady Chapel, as designed by Charles Mathews, in 1901. Cardinal Hayes completed an extensive renovation of the interior between 1927 and 1931 when the great organ was installed and the sanctuary was enlarged. St. Patrick's Organ Case in Jardine & Son ad (1883) A History of the Organs The original organ in Saint Patrick's Cathedral was built in 1879 by Geo. Jardine & Son, one of New York's organ builders during the later half of the 19th century. In 1926, Pietro Yon was appointed Organist/Director of Music, and plans were initiated to replace the Jardine organ. The St. Louis firm of Geo. Kilgen & Son was contracted to build two new instruments according to designs heavily influenced by Mr. Yon. The Kilgen company first installed the Chancel Organ in 1928. Its 1,480 pipes are encased in the north Ambulatory, diagonally across from the console. The Chancel Organ complements the Gallery Organ in the playing of hymns and also provides the music for services held in the Lady Chapel. During the installation period and concurrent renovation of the cathedral in 1927-31, a concrete-reinforced extension to the original gallery was constructed to accommodate the new Gallery Organ. In 1930, the Grand Gallery Organ, with one of the nation's most glorious wood façades adorned with angels and Latin inscriptions, was completed.   Gallery Organ Case   Tonal changes were made to the organs in the 1940s and 50s by Charles Courboin, the Belgian-born virtuoso who succeeded Pietro Yon. Courboin was organist at St. Patrick's Cathedral from 1943-1973, and had been organist for the John Wanamaker stores in Philadelphia and New York. In the 1970s, John Grady, cathedral organist from 1970-1990 and also organist of the Metropolitan Opera, instigated the revoicing of many reeds and the addition of the Trompette en Chamade. In 1993, after more than 60 years of daily use, a complete refurbishing of both organs was begun. First, two identical five-manual drawknob consoles were constructed and installed in 1993 by Robert M. Turner Organs, Hacienda Heights, Calif. Next, wood craftsmen cleaned, repaired and oiled the hand-carved organ façade. Paragallo Pipe Organ Company of Paterson, NJ, was awarded the contract to clean and restore all of the pipework, as well as the chests and wind systems. The façade pipes were returned to their original finish, with a protective coating added to prevent oxidation. Finally, the Echo organ, situated in the south triforium near the crossing, underwent tonal modifications, including the addition of a new principal chorus and a solo trumpet stop; it is now called the Nave Organ. The combined Gallery, Nave and Chancel organs have 177 stops with a total of more than 9,000 pipes. Both organs can be played from either five-manual console.           Geo. Kilgen & Son St. Louis, Mo. Grand Gallery Organ – Opus 5918 (1930); rev. Peragallo (1993) Chancel Organ – Opus 3920 (1928); rev. Peragallo (1993) Electro-pneumatic action Twin 5-manual drawknob consoles, 200 stops, 135 ranks                 GRAND GALLERY ORGAN                 Gallery Great Organ (Manual II) – 61 notes (6" pressure) 16   Diapason [unit] 85 4   Erzähler — 16   Violone [unit] 85 2 2/3   Quinte 61 8   First Diapason 61 2   Fifteenth 61 8   Second Diapason — 2   Claribel Flute 61 8   Violoncello — 1 3/5   Tierce 61 8   Viola Sorda 61 1 1/3   Larigot 61 8   Gemshorn 61     Fourniture IV ranks 244 8   Flute harmonique + 73     Cymbale IV ranks 244 8   Bourdon 61 16   Posaune [8" pressure] 61 5 1/3   Gross Quinte 61 8   Trompette 61 4   Principal 61 8   Trumpet 73 4   Octave — 4   Clarion [Trumpet] — 4   Flute Octaviante [Fl.H.] + —   Great MIDI 4   Clarabella 61                   Gallery Swell Organ (Manual III) – 61 notes, enclosed (6" pressure) 16   Salicional 97 4   Salicet — 16   Bourdon 97 2   Super Octave 61 8   Diapason 73 1 1/3   Larigot 61 8   Violin Diapason [unit] 85   Fourniture V ranks 305 8   Viola da Gamba 73     Cymbale III ranks 183 8   Viole d'Orchestre 73 16   Contra Fagotto 73 8   Viole Celeste 73 8   Trompette 73 8   Flute Harmonique 73 8   Corno di Bassetto 73 8   Clarinet Flute — 8   Oboe 73 8   Salicional — 8   Vox Humana 73 8   Voix Celeste 73 4   Clarion 73 4   Prestant —     Tremolo 4   Octave [Vln. Diap.] — 8   Trompette en Chamade SO 4   Forest Flute 73   Swell MIDI 4   Dolce Flute [Clarinet Fl.] —                   Gallery Choir Organ (Manual I) – 61 notes, enclosed (6" pressure) 16   Contra Viola [unit] 85 4   Flauto Traverso 73 16   Quintaton [unit] 97 4   Rohrflöte 73 8   Diapason 73 4   Violetta — 8   Geigen Diapason 73 2   Super Viola — 8   Doppelflöte 73 2   Piccolo 61 8   Gamba 73   Mixture III ranks 183 8   Viola — 8   Schalmei 73 8   Concert Flute [unit] 85 8   Orchestral Oboe 73 8   Flute Celeste [TC] 61 8   Clarinet 73 8   Quintadena —     Tremolo 73 8   Cor de Nuit 73     Harp + digital 8   Cor de Nuit Celeste 73   Celesta + digital 4   Fugara — 8   Trompette en Chamade SO             Gallery Solo Organ (Manual IV) – 61 notes, enclosed (10" pressure; 20" reeds) 16   Contra Gamba [unit] 85 8   Tuba — 8   Stentorphone 73 8   French Horn 73 8   Solo Flute 73 8   English Horn 73 8   Gross Gamba — 4   Tuba Clarion — 8   Gamba Celeste [TC] 61   Tremolo 4   Octave 73 8   Trompette en Chamade 61 4   Flute Ouverte [Solo Flute] —        [unenclosed, 33" pressure] 1 3/5   Tierce 61   Chimes 25 tubes     Mixture III ranks 183   Harp CH 16   Tuba Profunda [unit] 97   Celesta CH 8   Trompette 73   Solo MIDI               Gallery String Organ (floating) – 61 notes, enclosed (6" pressure) 16   Contra Salicional [unit] 97 4   Violina 73 8   Viola 73 4   Salicet — 8   Viola Celeste [TC] (sharp) 61 2   Salicet — 8   Viole d'Orchestre 73   Tremolo 8   Salicional —   Zimbelstern + 10 bells 8   Voix Celeste [TC] (flat) 61                   Gallery Pedal Organ – 32 notes (6" pressure) 64   Gravissima derived 8   Gamba SO        [derived from 32 Diapason] 8   Cello GT 32   Diapason [open wood, 4"] 44 8   Gedeckt SW      [E.M. Skinner; 1-12 in north triforium] 4   Super Octave — 32   Contra Violone ° + digital 4   Flute — 32   Bourdon ° + digital   Mixture V ranks 160 16   Principal — 16   Tuba Profunda SO 16   First Diapason [unit] 56 16   Posaune GT 16   Second Diapason GT 16   Contra Fagotto SW 16   Violone GT 8   Posaune  GT 16   Bourdon [unit] 56   Pedal MIDI 16   Contra Gamba SO       16   Viola CH  Jeux de Bombardes (in south triforium) 16   Salicional SW 32   Contra Bombarde [unit] # 68 16   Dolce Bass 32 16   Bombarde — 16   Bourdon SW 8   Trompette — 8   Octave — 4   Clairon — 8   Flute [Bourdon] —   # unenclosed, 18" pressure             Nave Organ (Manual V) – 61 notes, partially enclosed (5" pressure) – south triforium crossing 16   Bourdon [unit] ** 97 8   Trompette Harmonique + ** — 8   Diapason ** 73 8   Trumpet 73 8   Bourdon * — 8   Oboe Horn 73 8   Melodia 73 8   Vox Humana 73 8   Gamba 73 4   Clairon Harmonique + ** — 8   Gamba Celeste [TC] 61 8   Triforium Trumpet + ** 61 4   Octave ** 61        [unenclosed, 18" pressure] 4   Stopped Flute ** — 8   Trompette en Chamade SO 4   Violetta 73   Tremolo   2   Super Octave ** 61   Chimes 25 tubes     Fourniture IV ranks ** 244       16   Bombarde [unit] + ** 85   ** unenclosed               Nave Pedal Organ – 32 notes 16   Sub Bass 32 8   Trompette Harmonique NAV 16   Bourdon [unit] 44 8   Triforium Trumpet NAV 8   Flute —   Chimes NAV 16   Bombarde NAV               + new stops added 1994-97             CHANCEL ORGAN             Chancel Great Organ (Manual II) – 61 notes, enclosed 16   Diapason 73 4   Octave — 8   First Diapason * 61 4   Flute CH 8   Second Diapason [ext. 16] — 2   Flautino CH 8   Bourdon 61     Mixture III ranks 183 8   Melodia CH 8   Trumpet 73 8   Viola da Gamba CH 4   Clarion — 8   Dulciana 73   * unenclosed               Chancel Swell Organ (Manual III) – 61 notes, enclosed 16   Lieblich Gedeckt [unit] 97 2   Principal — 8   Gedeckt — 2   Gedecktflöte — 8   Salicional 73 8   Cornopean 73 8   Voix Celeste [TC] 61 8   Oboe 73 4   Harmonic Flute 61 8   Vox Humana 73 4   Gedeckt —   Tremolo 4   Salicet —                   Chancel Choir Organ (Manual I) – 61 notes, enclosed 16   Bass Flute [TC] — 4   Gambette — 16   Dulciana [TC] — 4   Flute GT 8   Diapason GT 4   Dulcet GT 8   Viola da Gamba 73 2   Flautino GT 8   Melodia 85 8   Orchestral Oboe [synthetic] — 8   Dulciana GT 8   Clarinet 73 4   Principal GT   Tremolo             Chancel Pedal Organ – 32 notes 32   Resultant derived 8   Gamba CH 16   Diapason [ext. GT] 12 8   Gedeckt SW 16   Bourdon [unit] 44 16   Double Trumpet GT 16   Lieblich Gedeckt SW 8   Trumpet GT 8   Bass Flute — 4   Clarion GT                 Gallery Console (Turner, 1993)   Chancel Console (Turner, 1993)             Geo. Kilgen & Son St. Louis, Mo. – Opus 5918 (1930) – West Gallery and Echo Electro-pneumatic action 4 manual stopkey console, 157 stops, 114 ranks                 Great Organ (Manual II) – 61 notes 16   Diapason [unit] 85 4   Diapason — 16   Bourdon [unit] 85 4   Principal 61 8   First Diapason 61 4   Clarabel Flute 61 8   Second Diapason — 4   Flute Harmonic 61 8   Horn Diapason 61 4   Violina Sorda — 8   Philomela 61 2 2/3   Nazard — 8   Clarabella 73 2   Flute Octaviante — 8   Gamba 61     Ripieno IV ranks 244 8   Doppel Flute 61 16   Posaune 61 8   Violoncello 61 8   Tromba [unit] 73 8   Gedeckt — 4   Tromba Clarion — 8   Viol d'Amour 61   Chimes SO           Swell Organ (Manual III) – 61 notes, enclosed 16   Salicional [unit] 97 4   Salicional — 16   Bourdon [unit] 97 4   Forest Flute 73 8   Diapason Phonon 73 4   Dolce Flute — 8   Open Diapason 73 2   Flautino 61 8   Small Diapason [unit] 85     Ripieno V ranks 305 8   Stopped Flute 73   Dolce Cornet III ranks 183 8   Flute Harmonic 73 16   Fagotto 73 8   Viol d'Gamba 73 8   Cornopean 73 8   Viol d'Orchestre 73 8   Corno di Bassetto 73 8   Viol Celeste 73 8   Oboe [unit] 85 8   Salicional — 4   Oboe Clarion — 8   Voix Celeste 73 16   Vox Humana [unit] 85 8   Clarinet Flute — 8   Vox Humana — 4   Prestant — 4   Vox Humana — 4   Violina 73   String Organ             Choir Organ (Manual I) – 61 notes, enclosed 16   Quintaton [unit] 85 4   Flauto Traverso — 16   Contra Viole [unit] 97 4   Flûte à Chiminée 73 8   English Diapason 73 4   Salicet 73 8   Violin Diapason 73 4   Violetta — 8   Tibia Minor 73   Tertian II ranks 122 8   Concert Flute [unit] 85 2   Super Viola 61 8   Flute Celeste [TC] 61 2   Piccolo — 8   Viola Horn 73 8   French Horn 73 8   Quintadena — 8   Clarinet 73 8   Cor de Nuit 73 8   Orchestral Oboe 73 8   Cor de Nuit Celeste 73   Harp Celesta 61 bars 8   Viole? —   String Organ ST             Solo Organ (Manual IV) – 61 notes, enclosed 16   Contra Gamba [unit] 85 4   Fugara 73 8   Stentorphone 73 16   Tuba Profunda [unit] 97 8   Flauto Major 73 8   Tuba Sonora 73 8   Gross Gamba — 8   Tuba Harmonic — 8   Gamba Celeste [TC] 61 8   English Horn [Orchestral] 73 8   Clarabella 73 8   Solo Trumpet [Brass] 73 8   Concerto Viola II ranks 134 4   Tuba Clarion — 4   Octave 73   Chimes 25 tubes 4   Flute Ouverte 73   String Organ ST             String Organ (floating) – 61 notes, enclosed 16   Contra Salicional [unit] 97 8   Violina Sarda 73 8   Viol d'Orchestre 73 8   Sordo Celeste [TC] 61 8   Viol Celeste, sharp [TC] 61 4   Violina 73 8   Salicional — 4   Salicet — 8   Voix Celeste, flat [TC] 61   Grand Celeste             Pedal Organ – 32 notes 64   Gravissima derived 8   Diapason — 32   Diapason [unit] [unit] 44 8   Violone — 32   Resultant Bourdon derived 8   Bass Flute — 16   Principal — 8   'Cello — 16   Diaphone 32 4   Octave — 16   First Diapason 56 4   Flute — 16   Second Diapason —   Ripieno Great GT 16   Violone [unit] 44   Ripieno Swell SW 16   First Bourdon [unit] 56 32   Bombarde [unit] 56 16   Second Bourdon SW 16   Bombarde — 16   Contra Gamba SO 16   Tuba Profunda SO 16   Salicional SW 16   Posaune GT 16   Viola CH 16   Fagotta SW 16   Dolce Bass 32 8   Bombarde — 10 2/3   Quint —     String Organ ST             Echo Organ (floating) – 61 notes (in South Gallery chamber) 16   Bourdon [unit] 97 4   Flute d'Amour — 8   Open Diapason 73 4   Flauto Amabile 73 8   Violin Diapason 73 2 2/3   Flute Nazard — 8   Tibia Major 73 2   Flautino — 8   Melodia 73   Echo Ripieno V ranks 305 8   Echo Gamba 73 8   Trumpet 73 8   Gemshorn 73 8   Oboe Horn 73 8   Gemshorn Celeste [TC] 61 8   Keraulophon 73 8   Echo Flute — 8   Vox Humana 73 8   Vox Angelica 73   Chimes 25 tubes 8   Vox Aetheria [TC] 61   Tremolo 4   Violina 73                 Echo Pedal Organ– 32 notes 16   Sub Bass [unit] 44 8   'Cello [Echo Gamba] — 16   Bourdon [ext. Tibia Major] 12 8   Dolce Flute [man. Bourdon] EC 16   Still Gedeckt —   Ripieno V ranks EC 8   Bass Flute [Tibia] — 16   Posaune [ext. Trumpet] 12             Geo. Kilgen & Son St. Louis, Mo. – Opus 3920 (1928) – Chancel Electro-pneumatic action 3 manual stopkey console, 46 stops, 23 ranks             Great Organ (Manual II) – 61 notes, enclosed with Choir except as noted 16   Diapason 73 4   Octave — 8   First Open Diapason * 61 4   Flute — 8   Second Open Diapason — 2   Flute Octaviante — 8   Philomela * 61 8   Tuba [unit] 73 8   Viol de Gamba CH 4   Tuba Clarion — 8   Melodia CH   Ripieno V ranks 305 8   Dulciana 73   * not under expression             Swell Organ (Manual III) – 61 notes, enclosed 16   Bourdon [unit] 97 4   Flute d'Amour — 8   Open Diapason 73 4   Violina — 8   Stopped Diapason — 2   Flautina — 8   Salicional 73 8   Cornopean 73 8   Voix Celeste [TC] 61 8   Oboe 73 8   Aeoline 73 8   Vox Humana 73             Choir Organ (Manual I) – 61 notes, enclosed with Great 16   Bass Flute [TC] — 4   Flute — 16   Contra Dulciana [TC] GT 4   Fugara — 8   Open Diapason GT 4   Dulcet GT 8   Violoncello 73 2   Piccolo — 8   Melodia [unit] 85 8   Orchestral Oboe [synthetic] — 8   Quintadena 73 8   Clarinet 73 8   Dulce GT   Chimes 25 tubes             Pedal Organ – 32 notes 32   Resultant derived 8   Bass Flute — 16   Open Diapason [ext. GT] 12 8   Dulce Flute — 16   Bourdon [unit] 44 8   Violoncello — 16   Lieblich Gedeckt SW   Ripieno —                 Ripieno Great Ripieno, 5 ranks to draw: Pedal Ripieno as specified in Great with: 8   Open Diapason   16   Open Diapason   8   Second Open Diapason   8   Violoncello   8   Melodia   8   Bass Flute   4   Octave         2   Flute Octaviante                     J.H. & C.S. Odell New York City – Opus 175 (1880) Mechanical action 2 manuals, 20 stops, 23 ranks In 1880, a Chancel organ was installed by J.H. & C.S. Odell. The following specification was recorded in an organ notebook by Lynnwood Farnam (1885-1930), noted concert organist of the early 20th century.                 Great Organ (Manual I) – 58 notes 16   Bourdon 58 4   Principal 58 8   Open Diapason 58 2 2/3   Twelfth 58 8   Melodia 58 2   Fifteenth 58 8   Gamba 58     Mixture, 3 ranks 174 8   Dolce 58 8   Trumpet 58             Swell Organ (Manual II) – 58 notes, enclosed 8   Open Diapason 58 4   Flute Harmonique 58 8   Salicional 58 2   Piccolo 58 8   Stopped Diapason 58 8   Oboe 58 4   Fugara 58                     Pedal Organ– 30 notes 16   Open Diapason 30 8   Violoncello 30 16   Bourdon 30                       Couplers and Accessories     Great to Pedal       Tremulant       Swell to Pedal       Bellows Signal     Swell to Great       3 composition pedals to Great     Great to Pedal reversible [bet. manuals]   Balanced Swell pedal             St. Patrick's Organ Case, shown in Jardine & Son catalogue George Jardine & Son New York City (1879) Mechanical action 4 manuals, 51 stops, 56? ranks The first organ in the new St. Patrick's Cathedral was built by Jardine & Son of New York City in 1879. A notice placed by the firm in the June 28, 1879 issue of the American Art Journal stated, "The organ was built in the new open style, displaying all the pipes, symmetrically grouped, highly decorated in the Gothic style and richly gilded...There are four enormous pair of bellows, blown by French treadles, which require four men to handle them. Patent vacuum pallets overcome the tremendous wind pressure, rendering the touch pliable..." The uncased organ arranged the larger basses at the sides, with the smaller pipes and a sunburst display of flared-reed pipes in the center. Surprisingly, although sizes of both the organ and room warranted it, the organ lacked any 32' stops.                 Great Organ (Manual II) – 61 notes 16   Double Open Diapason 61 3   Nazard 61 16   Grand Open Diapason 61 2   Doublette 61 8   Open Diapason 61 2   Fife 61 8   Stopped Diapason 61   Plein Jeu, 5 ranks 305 8   Gamba 61 16   English Horn 61 4   Prestant 61 8   Trumpet 61 4   Night Horn 61 4   Clarion 61             Swell Organ (Manual III) – 61 notes, enclosed 16   Bourdon 61 2   Piccolo 61 16   Open Diapason 61   Cornet [3 ranks?] 183? 8   Dolce 61 8   Cornopean 61 8   Viola d'Amour 61 8   Hautboy and Bassoon 61 8   Stopped Diapason 61 8   Vox Humana 61 4   Principal 61     Tremulant   4   Pyramid Flute 61                     Choir Organ (Manual I) – 61 notes 8   Pyramid Diapason 61 4   German Flute 61 8   Clarabella 61 4   Violin 61 8   Lieblich Gedackt 61 2   Flageolet 61 8   Dulciana 61 8   Cremona 61 8   Keraulophone 61                     Solo Organ/Clavier de Bombardes (Manual IV) – 61 notes 8   Pyramid Diapason 61 16   Bombarde 61 8   Flute à Pavillon 61 8   Horn 61 4   Flute Harmonic 61 8   Tuba Mirabilis 61 2   Fife 61 8   Posaune 61             Pedal Organ – 32 notes 16   Open Diapason 32 8   Violoncello 32 16   Gamba 32 4   Flute 32 16   Bourdon 32 16   Trombone 32 10 2/3   Quint 32                   Sources:      Archdiocese of New York website: www.ny-archdiocese.org/pastoral/cathedral_about.html          Biswanger, Ray. Music in the Marketplace: the Story of Philadelphia's Historic Wanamaker Organ. Bryn Mawr: The Friends of the Wanamaker Organ, Inc., 1999.      Cameron, Peter T., "A Chronology of the Organ Builders Working in New York City from the Mid-eighteenth Century to the Early Twentieth Century", an article in The Bicentennial Tracker. Richmond: Organ Historical Society, Inc., 1976.      The Diapason, August 1, 1927. Specifications of Geo. Kilgen & Son organs: Chancel – Op. 3920 (1928) and Gallery – Op. 5918 (1930); courtesy Jeff Scofield.      Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.      Farnam, Lynnwood. "Organ Notebook," pp. 1422 (specification of 1880 Odell organ, op. 175). John de Lancie Library, The Curtis Institute of Music, Philadelphia; Sally Branca, archivist; courtesy Jonathan Bowen.      Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977. Photos:      Baker, Mike: Cathedral exterior. www.bakerlite.co.uk/. Used with permission.      The Diapason, July 1930. Kilgen Gallery Organ console; courtesy Jeff Scofield.      Garvey, David: Kilgen Gallery Organ case. Used with permission.      Geo. Jardine & Son catalog: Jardine organ case. Courtesy Jonathan Bowen.      Lawson, Steven E.: Turner consoles in gallery and chancel; Kilgen Gallery Organ case.             | NYC AGO Home Page | Back to NYC Organ Project List |