Daniel Roth
International Performer of the Year 2015
|
 |
|
photo credit: Sjaak Verboom |
Daniel Roth has been widely acclaimed as one of the leading
French organ virtuosos, and has held several prestigious positions
as an artist and teacher. At age twenty he made his debut at
the organ of the Basilique du Sacré Coeur in
Paris, as assistant to his teacher, Madame Falcinelli. He later
succeeded
her as Titular Organist, a post he held until 1985, when he was
appointed Titular Organist at Saint Sulpice, the famous Paris
church where his predecessors were Charles-Marie Widor, Marcel
Dupré and
Jean-Jacques Grunenwald.
A former student at the Paris Conservatory, his teachers have
included Marie-Claire Alain and Maurice Duruflé. Daniel
Roth has won several competitions, among them the Grand Prix
de Chartres in 1971 for both interpretation and improvisation.
From
1974 to 1976 Daniel Roth held the position of Artist-in-Residence
of the National Shrine of the Immaculate Conception in Washington,
D.C. Upon his return
to France, he resumed his teaching position at the Conservatory of Marseille,
which he held until 1979 when he was appointed to the Conservatory of Strasbourg,
a post he filled for nine years. From 1988 until the summer of 1995, Mr.
Roth taught at the Musikhochshule in Saarbrücken; he then
served as Professor of Organ at the Musikhochschule in
Frankfurt am Main, succeeding Edgar Krapp
and Helmut Walcha, until his retirement in 2007.
 |
|
photo credit: Joe Vitacco |
|
Renowned for his brilliant
interpretations of organ literature and for his thrilling improvisations
which are regularly included in his concert programs,
Daniel Roth
has concertized extensively throughout Europe, Great Britain, The United
States, Scandinavia, Japan and Korea. In addition to his regular tours,
he has come
to North America on several occasions as guest artist for various conventions:
the
Third International Congress of Organists (Washington, D.C. and Philadelphia),
the national convention of the Royal Canadian College of Organists (Montreal)
and
the national convention of The American Guild of Organists held in Detroit.
He has also served as visiting artist/instructor at Yale University, where
he gave
private lessons, presented a lecture and performed a recital at Woolsey
Hall.
Mr. Roth has earned the Chevalier de la Légion d’Honneur,
Officier des Arts et Letters, and he was named an Honorary
Fellow of the Royal College
of Organists. In July 2006 he was awarded the “Europäische
Kirchenmusik” prize
by the Europäische Kirchenmusik Festival in Schwäbisch-Gmünd,
Germany. Other musicians who have received this prize include Krystof
Penderecki, Arvo Pärt, and Petr Eben.
A prolific composer as well
as performer, Mr. Roth has written works for organ solo, flute and
organ, choir and organ, orchestra, and for
piano,
organ and
orchestra. He has also composed three transcriptions for organ: Rédemption and Symphonie
en ré mineur by César Franck, and Scherzo (from Six
Duos for Harmonium and Piano) by Camille St-Saëns, which
are published by Leduc, Delatour, Schott-Mainz, Bärenreiter, Novello,
Association Boëllmann-Gigout, Butz
(Bonn), and Joubert (Paris). Several Daniel Roth works have been commissioned
by Kenneth Star in Boston, Philip Brunelle in Minneapolis, the towns
of Ingolstadt and Ludwigshafen (Germany), the Music Festival San Sebastian,
Spain, and the
Festival of Dudelange (Luxembourg), and are available on CD and DVD.
In January of 1999, he was honored with a concert entirely dedicated
to his compositions
at the Church of the Madeleine in Paris. Later that year he was awarded
the Prix Florent Schmitt by the Institut de France, Académie
des Beaux-Arts for his compositions. In 2004 the city of Ludwigshafen
commissioned
him to compose
a work for orchestra; the tone poem Licht im Dunkel, which
received its world premiere in May 2005 performed by the Staatsphilharmonie
Rheinland-Pfalz,
under
the baton of Daniel Roth’s son, François-Xavier Roth.
Its first performance in Paris took place the following year during
the
St-Etienne-du Mont Festival.
Mr. Roth later added a second and third movement to turn Licht
im Dunkel into a Tryptique for piano, organ and orchestra
(I L’Espérance;
II L’Amour;
III La Joie). “La Joie” was premiered in 2008 during the
César
Franck-Tage-Philharmonie Essen (Germany) conducted by Emmanuel Plasson.
The complete Tryptique, now published by Schott, will receive its world
premiere on April
18, 2010, during the dedication of the new Metzler organ in the Church
of Saint Anne in Düren, Germany (near Köln).
Daniel Roth has
numerous recordings to his credit from companies of JAV Recordings,
Erato, Philips, Arion, Pathé-Marconi, EMI, Wergo, Motette-Ursina,
Priory and Aeolus. He has won several “Diapason d’Or” from
the French magazine Diapason.
Daniel Roth is represented in North America by Karen McFarlane
Artists, Inc.
See also Daniel Roth's personal website at http://www.danielroth.fr/
Daniel
Roth
Organist
Church of St. Francis Xavier
Tuesday, March 28, 2017
|
|
|
|
|
P
R O G R A M
|
|
|
|
|
Fantasie and
Fugue in g minor,
BWV 5420 |
Johann
Sebastian Bach
(1685–1750)
|
|
|
Prière
|
César
Franck
(1822–1890)
|
|
|
Scherzo (from
Symphonie No. 2) |
Louis Vierne
(1870–1937)
|
|
|
Gloria Patri (from
Livre d'orgue pour le Magnificat) |
Daniel Roth
(b. 1942)
|
|
|
Symphonie
No. 6 in g minor, Op. 42, No.
2 |
|
Allegro |
|
Adagio |
|
Intermezzo |
|
Cantabile |
|
Final |
|
Charles-Marie
Widor
(1844–1937)
|
|
|
Karen McFarlane
Artists, Inc.
This recital is graciously underwritten by
the Peragallo Organ Company
|
|
|
|
|
|