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Church of the Messiah and Incarnation
(Reformed Episcopal)
80 Greene Avenue corner Clermont Avenue
Brooklyn, N.Y. 11238
Organ Specifications:
80 Greene Avenue corner Clermont Avenue (1865-1969)
► IV/57 Austin Organ Company, Op. 962 (1920)
• II/ George Jardine & Son (1886)
• Ferris & Stuart (1865)
Adelphi Street (1859-1865)
Second building (1859-1865)
• unknown
First building (1852-1859)
• unknown |
The Church of the Messiah was founded in 1848 or 1849, and was the first Episcopal church in the area to follow the low-church principles of what would become the Reformed Episcopal Church. In 1852, a small wooden chapel was built on Adelphi Street, but after seven years it was necessary to build a larger brick church next door. The number of members continued to increase and in 1863 the incomplete Greene Avenue Presbyterian Church was purchased. In 1865, the congregation moved into their newly completed church, and the previous wooden chapel and brick church on Adelphi Street were sold to St. Mark's Protestant Episcopal Church.
James H. Giles is believed to have designed the Greene Avenue church, which is similar to the Lafayette Avenue Presbyterian Church, built in 1860-62 by Grimshaw & Morrill, in that it has two unequal towers flanking a prominent facade, and features round arches. In 1890, the church was renovated by architect R.H. Robertson, who added a beehive spire on the taller tower. Robertson also built the ornate porch, designed a new chapel, and redecorated the chancel in the Byzantine style.
At some point, the name was changed to "Church of the Messiah and Incarnation," most likely due a merger with the Church of the Incarnation.
On February 10, 1969, the church was destroyed in a five-alarm fire. More than 40 companies and 200 men, some from Manhattan, were called to the scene, but efforts were hampered by snowdrifts and high winds. |
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Austin Organ Company
Hartford, Conn. – Opus 962 (1920)
Electro-pneumatic action
4 manuals, 74 stops, 57 ranks
The following stoplist was recorded by Lynnwood Farnam (1885-1930), noted concert organist of the early 20th century, who kept organ "notebooks" with specifications of the many organs he visited or played. Farnam did not give pipecounts but they are suggested below, based on similar Austin organs of the era. |
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Great Organ (Manual II) – 61 notes, partially enclosed with Choir
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16 |
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Major Diapason * |
61 |
4 |
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Octave |
61 |
8 |
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Principal Diapason * |
61 |
4 |
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Harmonic Flute |
61 |
8 |
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English Diapason * |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Gross Gedeckt * |
61 |
2 |
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Fifteenth |
61 |
8 |
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Small Diapason |
61 |
8 |
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Trumpet |
61 |
8 |
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Clarabella |
61 |
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* unenclosed |
8 |
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Viole d'Amour |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
4 |
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Flauto Traverso |
73 |
8 |
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Diapason Phonon |
73 |
2 |
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Flageolet |
61 |
8 |
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English Diapason |
73 |
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Dolce Cornet III ranks |
183 |
8 |
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Rohr Flöte |
73 |
16 |
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Oboe Horn |
85 |
8 |
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Chimney Flute |
73 |
8 |
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Oboe [ext.] |
— |
8 |
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Viole d'Orchestre |
73 |
4 |
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Oboe Clarion [ext.] |
— |
8 |
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Viole Celeste |
73 |
8 |
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Cornopean |
73 |
8 |
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Vox Seraphique [TC] |
61 |
8 |
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Vox Humana |
61 |
8 |
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Aeoline |
73 |
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[Tremolo] |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Contra Dulciana |
85 |
4 |
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Flute d'Amour |
73 |
8 |
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Open Diapason |
73 |
2 |
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Piccolo Harmonique |
61 |
8 |
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Geigen Principal |
73 |
8 |
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Clarinet |
73 |
8 |
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Concert Flute |
73 |
8 |
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Cor Anglais |
73 |
8 |
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Unda Maris [TC] |
61 |
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Tremolo |
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8 |
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Quintadena |
73 |
4 |
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8 |
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Dulciana |
— |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Stentorphone |
73 |
8 |
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Tuba |
73 |
8 |
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Flauto Major |
73 |
8 |
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French Horn |
73 |
8 |
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Gross Gamba |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Gamba Celeste |
73 |
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Tremolo |
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4 |
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Flute Ouverte |
73 |
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Solo–Echo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Cor de Nuit (Gemshorn) |
73 |
4 |
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Fern Flöte |
73 |
8 |
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Gedeckt |
73 |
8 |
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Vox Humana |
61 |
8 |
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Viole Aetheria |
73 |
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Tremolo |
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8 |
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Vox Angelica [TC] |
61 |
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Chimes |
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Great–Echo Organ (Manual II) – 61 notes, enclosed (duplexed from Solo-Echo)
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8 |
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Cor de Nuit (Gemshorn) |
EC |
4 |
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Fern Flöte |
EC |
8 |
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Gedeckt |
EC |
8 |
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Vox Humana |
EC |
8 |
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Viole Aetheria |
EC |
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Tremolo |
EC |
8 |
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Vox Angelica [TC] |
EC |
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Chimes |
EC |
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Pedal Organ – 32 notes
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32 |
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Contra Bourdon |
44 |
8 |
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Gross Flute [ext. Op. Diap.] |
— |
16 |
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Open Diapason (wood) |
56 |
8 |
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Violoncello [ext.] |
— |
16 |
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Violone |
44 |
8 |
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Dolce Flute |
SW |
16 |
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Bourdon |
— |
4 |
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Super Octave [ext.] |
— |
16 |
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Gedeckt |
SW |
16 |
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Trombone |
44 |
16 |
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Dulciana |
CH |
16 |
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Fagotto |
SW |
16 |
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Bourdon |
EC |
8 |
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Tuba [ext.] |
— |
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Accessories
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Hand-Pistons |
Foot-Pistons |
8 adjustable pistons – General |
4 adjustable foot-pistons – Pedal |
4 adjustable pistons – Solo |
4 adjustable foot-pistons – General |
4 adjustable pistons – Solo-Echo |
Great to Pedal reversible |
8 adjustable pistons – Swell |
Solo to Great reversible |
6 adjustable pistons – Great |
Solo to Pedal reversible |
2 adjustable pistons – Great-Echo |
Sforzando reversible |
8 adjustable pistons – Choir |
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2 pistons coupling all swells to master pedal |
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George Jardine & Son
New York City (1886)
Mechanical action
2 manuals
Specifications of this organ have not yet been located. |
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Ferris & Stuart
New York City (1865)
Mechanical action
Specifications of this organ have not yet been located. |
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Sources:
"Church Razed as Snow and Wind Slow Firefighters,"The New York Times (Feb. 11, 1969).
Farnam, Lynnwood. "Organ Notebook," p. 1438. Specification of Austin organ, Op. 962 (1920). John de Lancie Library, The Curtis Institute of Music, Philadelphia; Sally Branca, archivist. Courtesy Jonathan Bowen.
Stern, Robert A.M., Thomas Mellins, and David Fishman. New York 1880: Architecture and Urbanism in the Gilded Age. New York City: The Monacelli Press, 1999.
Illustrations:
Brooklyn Daily Eagle, Brooklyn Public Library, Brooklyn Collection. Exterior and interior. |
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