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Church of the Pilgrims
(Congregational)
113 Remsen Street at Henry Street
Brooklyn, N.Y. 11201
On January 25, 1844, a small group met to discuss the establishment of an ecclesiastical society that would become the Church of the Pilgrims. After sufficient subscriptions were secured to meet projected expenses, the site at the corner of Remsen and Henry Streets was purchased, and construction began on the edifice. The society hired Richard Upjohn, an architect known for "Ecclesiological" Gothic churches for "High Church" Episcopal congregations, to design their church. The resulting edifice, which was built from 1844-46, has been termed a medieval equivalent of a New England meetinghouse, and is regarded as the first Romanesque Revival church in the United States. On July 2, 1844, the cornerstone was laid in the presence of a large assembly, "but it was not until the building was measurably completed, that on the evening of the 22nd of December, the 224th anniversary of the landing of the Pilgrims at Plymouth, seventy-one persons assented publicly to articles of faith, entered into covenant with each other and with God, and were recognized by a Council as a church of Christ." Following this organization, the society was legally constituted two days later, on December 24, 1844. Due to various and unforeseen construction delays, the church was not opened for sacred use until May 12, 1846. In the next month, the society called the Rev. Richard S. Storrs, Jr., of Brookline, Mass., to be its first pastor, and he was installed in November of that year. In June 1847, nine members requested to be dismissed so that they, along with others, could establish the Plymouth Church, which was organized soon after. Over the years, the Church of the Pilgrims would help establish or support other Congregational churches in Brooklyn and its vicinity.
In the summer of 1869, work began on a large and costly addition that would extend to the east along Remsen Street for a total of one hundred and eighty feet. Designed by Leopold Eidlitz, who had once worked for Richard Upjohn, this new building would provide an additional 450 seats in the church, a much larger lecture room, more Sunday school rooms, and various rooms for classes and meetings.
In 1934, the Church of the Pilgrims merged with Plymouth Church, forming the Plymouth Church of the Pilgrims. At that time, the Tiffany windows were removed and installed in Plymouth Church's Hillis Hall. In 1944, the old Church of the Pilgrims was purchased by Our Lady of Lebanon Maronite Rite Roman Catholic Church. |
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Austin Organ Company
Hartford, Conn. – Opus 259 (1909)
Electro-pneumatic action
3 manuals, 25 stops, 23 ranks, 1,525 pipes
In 1909, the Austin Organ Company extensively rebuilt and electrified the 1870 E. & G.G. Hook organ (Op. 519) as their Opus # 259. Austin reused about half of the Hook pipework (discarding the mixtures and ranks above 4' pitch), raised the pressure to 5", and added a new pipe at the bottom of most ranks to rescale and repitch the pipes to A435. Several new ranks were added, including the signature Austin Cornopean 8' in the Swell. The Austin contract contained a clause insisted upon by the Church of the Pilgrims that the new instrument (including the large Austin Universal Chests) must fit within the 1870 Hook case.
As of 2009, this organ is extant but unplayable in Our Lady of Lebanon Cathedral, who have owned the building since 1944. |
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Great Organ (Manual II) – 61 notes (5" pressure)
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16 |
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Open Diapason (wood) |
61 |
8 |
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Gamba |
61 |
8 |
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Open Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Gross Flute (wood) |
61 |
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Chimes |
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Swell Organ (Manual III) – 61 notes, enclosed (5" pressure)
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16 |
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Lieblich Gedeckt |
73 |
4 |
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Flauto Traverso (wood) |
73 |
8 |
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Open Diapason |
73 |
2 |
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Flautino |
61 |
8 |
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Doppel Flute (wood) |
73 |
8 |
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Cornopean |
73 |
8 |
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Viole d'Orchestre (tin) |
73 |
8 |
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Oboe |
73 |
8 |
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Viole d'Amour |
73 |
8 |
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Vox Humana |
73 |
8 |
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Vox Celeste [TC] |
61 |
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Tremolo |
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Choir Organ Manual I) – 61 notes, enclosed (5" pressure)
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8 |
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Melodia (wood) |
73 |
4 |
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Flute d'Amour (wood & metal) |
73 |
8 |
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Dulciana |
73 |
8 |
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Clarinet |
73 |
8 |
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Quintadena |
73 |
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Tremolo |
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Pedal Organ – 32 notes (5" pressure)
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16 |
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Open Diapason (wood) |
32 |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Bourdon (wood) |
44 |
8 |
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Gross Flute [ext. Bourdon] |
— |
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Couplers
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Great to Pedal 8', 4' |
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Choir to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Choir to Pedal 8' |
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Swell to Swell 16', 4' |
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Swell to Great 16', 8', 4' |
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Choir to Choir 16', 4' |
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Adjustable Combinations
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Pistons No. 1-2-3-4 |
affecting Swell Organ |
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Pistons No. 1-2-3-4 |
affecting Great Organ |
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Pistons No. 1-2-3-4 |
affecting Choir Organ |
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Pistons No. 1-2-3-4 |
affecting Pedal Organ |
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Pistons No. 1-2-3-4 |
Generals |
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Pedal Movements
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Balanced Choir Pedal |
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Balanced Swell Pedal |
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Crescendo Pedal |
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Sforzando Pedal |
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E. &. G. G. Hook
Boston, Mass. – Opus 519 (1870)
Mechanical action
3 manuals, 37 stops, 43 ranks |
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Great Organ (Manual II) – 58 notes
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16 |
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Open Diapason |
58 |
2 2/3 |
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Twelfth |
58 |
8 |
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Open Diapason |
58 |
2 |
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Fifteenth |
58 |
8 |
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Viola di Gamba |
58 |
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Mixture, 3 ranks |
174 |
8 |
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Viola d'Amour |
58 |
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Acuta, 3 ranks |
174 |
8 |
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Doppel Flöte (wood) |
58 |
16 |
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Trumpet |
58 |
4 |
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Flute Harmonique |
58 |
8 |
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Trumpet |
58 |
4 |
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Octave |
58 |
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Swell Organ (Manual III) – 58 notes, enclosed
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16 |
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Bourdon (wood) |
58 |
4 |
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Violina |
58 |
8 |
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Open Diapason |
58 |
2 |
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Flautina |
58 |
8 |
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Stopped Diapason |
58 |
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Mixture, 3 ranks |
174 |
8 |
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Keraulophon |
58 |
8 |
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Cornopean |
58 |
4 |
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Flauto Traverso (wood) |
58 |
8 |
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Oboe and Bassoon |
58 |
4 |
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Octave |
58 |
8 |
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Vox Humana |
58 |
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Solo Organ (Manual I) – 61 notes
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8 |
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Geigen Principal |
58 |
4 |
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Flute d'Amour (wood & metal) |
58 |
8 |
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Dulciana |
58 |
2 |
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Piccolo |
58 |
8 |
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Melodia (wood, with stp. bass) |
58 |
8 |
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Clarionet (with sliding bells) |
58 |
4 |
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Fugara |
58 |
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Pedale Organ – 27 notes
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16 |
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Open Diapason (wood) |
27 |
8 |
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Violoncello |
27 |
16 |
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Bourdon (wood) |
27 |
16 |
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Trombone (wood) |
27 |
10 2/3 |
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Quint (wood) |
27 |
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Mechanical Registers
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Great to Pneumatic coupler * |
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Solo to Pedale coupler |
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Swell to Pneumatic coupler * (SW to GT) |
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Swell to Solo Coupler |
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Solo to Pneumatic coupler * (SO to GT) |
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Swell Tremulant |
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Great to Pedale coupler |
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Bellows Signal |
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Swell to Pedale coupler |
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* small thumb knobs above Great manual |
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Pedal Movements
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Great Piano Combination |
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Pedal to operate Solo stops |
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Great Forte Combination |
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Pedal to operate Great to Pedale |
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Swell Piano Combination |
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Pedal to operate Swell Tremulant |
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Swell Forte Combination |
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Adjustable Swell Pedal |
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Thomas Appleton
Boston, Mass. (1846)
Mechanical action
3 manuals, 45 stops
The original organ for the Church of the Pilgrims was built in 1846 by Thomas Appleton of Boston. Specifications of this organ have not yet been located. In 1869, this organ was sold to the South Congregational Church of Chicago, and was rebuilt or simply moved by Wm. A. Johnson as his Op. 295. South Congregational built a new church in 1881, and the Appleton organ was moved to Memorial Baptist Church. |
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Sources:
Elsworth, John Van Varick. The Johnson Organs. Harrisville, NH: The Boston Organ Club Chapter of the Organ Historical Society, 1984.
Historical and Descriptive Sketch of the Church of the Pilgrims, Brooklyn, N.Y. Brooklyn: H.M. Gardner, Jr., 1871.
Marini, The Very Rev. Francis J. Notes on the organs.
Morrone, Francis. An Architectural Guidebook to Brooklyn. Brooklyn: Gibbs Smith, 2001.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
"The New Organ in the Church of the Pilgrims," Brooklyn Eagle (Nov. 29, 1870) 2.
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Stiles, Henry Reed. History of the City of Brooklyn: Including the Old Town and Village of Brooklyn, the Town of Bushwick, and the Village and City of Williamsburgh. Brooklyn: pub. by subscription, 1863.
Van Pelt, William T., comp. The Hook Opus List, 1829-1916 in Facsimile. Richmond: The Organ Historical Society, 1991.
Illustration:
Brooklyn Daily Eagle, Brooklyn Collection, Brooklyn Public Library. Photo (c.1920) of exterior. |
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