|
 |
|
Click on images to enlarge |
Lafayette Avenue Presbyterian Church
85 South Oxford Street at Lafayette Avenue
Brooklyn, N.Y. 11217 http://www.lapcbrooklyn.org
The Lafayette Avenue Presbyterian Church in the historic Fort Greene section of Brooklyn was founded in 1857. Brooklyn was then one of the largest cities in the country, not to become a borough of New York City until January 1, 1898. At the time, the issue of slavery dominated the national debate, and the church was known from the outset as a “temple of abolition.” The early leadership and congregation, although mostly white, staked out a position squarely on the side of racial progress. They sometimes provided a meeting space for outspoken abolitionists, including Frederick Douglass, Sojourner Truth and Harriet Tubman. Escaped slaves were provided shelter in the tunnels deep below the building. Today, the multi-racial and multi-cultural church serves a thriving community, and was named as one of the 300 Outstanding Protestant churches in the US by the Lily Endowment.
 |
|
Exterior in 1906 |
|
The church's interior is notable for its mahogany panelling and 13 stained-glass windows designed by Louis Comfort Tiffany. In the 1970s, the church commissioned Hank Prussing, a young artist from the Pratt Institute, to paint a giant mural around the upper balcony, reflecting the diversity of the community and the church. Prussing went out into the streets and took photographs of the neighborhood people and activity, which he used in painting the massive swirling sea of community life titled, “Mighty Cloud of Witnesses,” a phrase from the letter to the Hebrews. |
|
|
|
|
|
|
|
|
Austin Organs Inc.
Hartford, Conn. – Opus 302-A (1910)
New console (1958); specifications as rebuilt (1968)
Electro-pneumatic action
4 manuals, 59 stops, 56 ranks
The organ at Lafayette Avenue Presbyterian Church today is based on the original 1910 instrument built by the Austin Organ Company. A new Austin console was installed in 1958, and in 1968 the disposition of the organ was altered and new stops added. The console was moved to the Sanctuary floor in the mid-1970s.
In 2009 the church launched a capital campaign to repair and renovate the Austin Organ. Click here to view photos and details of the Organ Project campaign. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes |
16 |
|
Diapason [façade] |
61 |
2 |
|
Fifteenth |
61 |
8 |
|
Principal |
61 |
|
|
Mixture IV ranks |
244 |
8 |
|
Harmonic Flute |
61 |
8 |
|
Trumpet [unit] |
73 |
8 |
|
Viole d'Amour |
61 |
4 |
|
Clarion |
— |
4 |
|
Octave |
61 |
|
|
Great Unison Off |
|
4 |
|
Doppelflöte |
61 |
|
|
Great 4 |
|
2 2/3 |
|
Twelfth |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed |
16 |
|
Bourdon |
73 |
16 |
|
Contra Fagotto |
73 |
8 |
|
Geigen Diapason |
73 |
8
|
|
Trompette |
73 |
8 |
|
Rohrgedeckt |
73 |
8 |
|
Hautbois |
73 |
8 |
|
Salicional |
73 |
4 |
|
Chalumeau |
73 |
8 |
|
Voix Celeste [TC] |
61 |
8 |
|
Vox Humana |
73 |
4 |
|
Principal |
73 |
|
|
Tremolo |
|
4 |
|
Flauto Traverso |
73 |
|
|
Swell 16 |
|
2 |
|
Flageolet |
61 |
|
|
Swell Unison Off |
|
|
|
Sesquialtera II ranks |
122 |
|
|
Swell 4 |
|
|
|
Plein Jeu III ranks |
183 |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed |
16 |
|
Contra Viole |
73 |
1 3/5 |
|
Tierce |
61 |
8 |
|
Gedeckt |
73 |
8 |
|
Krummhorn |
61 |
8 |
|
Dolce |
73 |
8 |
|
Trumpet |
GT |
8 |
|
Dolce Celeste [TC] |
61 |
|
|
Tremolo |
|
4 |
|
Koppelflöte |
73 |
|
|
Choir 16 |
|
4 |
|
Quintaton |
73 |
|
|
Choir Unison Off |
|
2 2/3 |
|
Nazard |
61 |
|
|
Choir 4 |
|
2 |
|
Blockflöte |
61 |
|
|
Blank tab |
|
|
|
|
|
|
|
|
|
Positiv Organ (Manual IV) – 61 note chests, unenclosed |
8 |
|
Nason Flute |
61 |
|
|
Tremolo |
|
4 |
|
Nachthorn |
61 |
|
|
|
2 |
|
Principal |
61 |
|
|
Positiv 16 |
|
1 1/3 |
|
Larigot |
61 |
|
|
Positiv Unison Off |
|
1 |
|
Sifflöte |
61 |
|
|
Positiv 4 |
|
|
|
Cymbel III ranks |
183 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes |
32 |
|
Resultant |
— |
4 |
|
Fifteenth [from 8' Octave] |
— |
16 |
|
Open Diapason |
32 |
4 |
|
Bourdon |
— |
16 |
|
Violone |
32 |
|
|
Mixture III ranks |
96 |
16 |
|
Bourdon [unit] |
56 |
16 |
|
Trumpet [ext. GT] |
12 |
16 |
|
Contra Viole |
CH |
16 |
|
Contra Fagotto |
SW |
16 |
|
Lieblich Gedeckt |
SW |
8 |
|
Trumpet |
GT |
8 |
|
Octave [unit] |
44 |
4 |
|
Krummhorn |
CH |
8 |
|
Bourdon |
— |
|
|
Chimes |
PO |
8 |
|
Dulciana |
CH |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8', 4' |
|
Positiv to Great 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
Positiv to Swell 8' |
|
|
Choir to Pedal 8', 4' |
|
Swell to Choir 16', 8', 4' |
|
|
Positiv to Pedal 8', 4' |
|
Positiv to Choir 8' |
|
|
Swell to Great 16', 8', 4' |
|
Swell to Positiv 8', 4' |
|
|
Choir to Great 16', 8', 4' |
|
Great to Positiv 8' |
|
|
|
|
|
|
|
|
Adjustable Combinations
(hold and set)
|
|
|
Positiv Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6 (toe) |
Full Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb & toe); 9-10-11-12 (thumb only) |
|
General Cancel (thumb) |
|
Piston Retainer (thumb) |
|
Pedal on Any Manual Piston ADJ (tab) |
|
|
|
|
|
|
|
|
|
Reversibles
|
|
|
Positiv to Pedal (thumb & toe) |
|
Positiv to Great (thumb) |
|
|
Swell to Pedal (thumb & toe) |
|
Swell to Great (thumb) |
|
|
Great to Pedal (thumb & toe) |
|
Choir to Great (thumb) |
|
|
Choir to Pedal (thumb & toe) |
|
32 Resultant (toe) |
|
|
Sforzando (thumb & toe) |
|
Signal (toe) |
|
|
|
|
|
Expression
|
|
* |
Balanced Swell Pedal |
|
Vox Humana Shades Open/Closed |
|
* |
Balanced Choir Pedal |
|
[switch on right jamb] |
|
* |
Crescendo Pedal |
|
|
|
|
* with red/white indicator key |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Austin Organ Company
Hartford, Conn. – Opus 302 (1910)
Electro-pneumatic action
4 manuals, 50 stops, 46 ranks
In 1910, the Austin Organ Company of Hartford, Conn. built a new organ for Lafayette Avenue Presbyterian, retaining the original mahogany case and several ranks from the 1886 Hook & Hastings organ. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes |
16 |
|
Major Diapason [facade] |
61 |
8 |
|
Doppel Flute |
61 |
8 |
|
Principal Diapason |
61 |
4 |
|
Octave |
61 |
8 |
|
Small Diapason |
61 |
4 |
|
Harmonic Flute |
61 |
8 |
|
Viole d'Amour |
61 |
8 |
|
Trumpet |
61 |
8 |
|
Gamba |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed |
16 |
|
Bourdon |
73 |
|
|
Dolce Cornet 3, 4 & 5 ranks |
? |
8 |
|
Diapason Phonon |
73 |
16 |
|
Contra Fagotto |
73 |
8 |
|
Stopped Flute |
73 |
8 |
|
Cornopean |
73 |
8 |
|
Clarabella |
73 |
8 |
|
Vox Humana * |
73 |
8 |
|
Salicional |
73 |
|
|
Tremulant |
|
8 |
|
Voix Celeste [TC] |
61 |
|
|
Swell Sub |
|
8 |
|
Aeoline |
73 |
|
|
Swell Unison Off |
|
4 |
|
Flauto Traverso |
73 |
|
|
Swell Octave |
|
2 |
|
Flageolet [from Cornet] |
— |
|
|
* valve tremulant & separate box |
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed |
16 |
|
Contra Viole |
73 |
2 |
|
Piccolo |
61 |
8 |
|
Geigen Principal |
73 |
8 |
|
Clarinet |
73 |
8 |
|
Concert Flute |
73 |
|
|
Tremulant |
|
8 |
|
Quintadena |
73 |
|
|
Choir Sub |
|
8 |
|
Dulciana |
73 |
|
|
Choir Unison Off |
|
8 |
|
Unda Maris [TC] |
61 |
|
|
Choir Octave |
|
4 |
|
Flute d'Amour |
73 |
|
|
|
|
|
|
|
|
|
|
|
|
Solo Organ (Manual IV) – 61 notes, enclosed |
8 |
|
Grand Diapason |
73 |
4 |
|
Tuba Clarion |
— |
8 |
|
Flauto Major |
73 |
|
|
Tremulant |
|
8 |
|
Gross Gamba |
73 |
|
|
|
4 |
|
Flute Ouverte |
73 |
|
|
Solo Sub |
|
16 |
|
Tuba Profunda [unit] |
85 |
|
|
Solo Unison Off |
|
8 |
|
Tuba Harmonic |
— |
|
|
Solo Octave |
|
8 |
|
Orchestral Oboe |
73 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ (Augmented) – 32 notes
|
32 |
|
Magnaton |
32 |
8 |
|
Violoncello |
SO |
16 |
|
Open Diapason [unit] |
44 |
8 |
|
Dulciana |
CH |
16 |
|
Violone |
32 |
16 |
|
Tuba Profunda |
SO |
16 |
|
Bourdon |
32 |
16 |
|
Contra Fagotto |
SW |
16 |
|
Lieblich Gedeckt |
SW |
8 |
|
Harmonic Tuba |
SO |
8 |
|
Gross Flute [from Op. Diap.] |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers
|
|
|
Swell to Pedal 8', 4' |
|
Choir to Great 16', 8', 4' |
|
|
Great to Pedal 8' |
|
Solo to Great 8', 4' |
|
|
Choir to Pedal 8' |
|
Solo to Swell 8' |
|
|
Solo to Pedal 8' |
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Great 16', 8', 4' |
|
Great to Solo 8' |
|
|
|
|
|
|
|
|
Adjustable Combinations
|
|
|
Solo stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Swell stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Great stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Choir stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Pedal stops & couplers |
Pistons 1-2-3-4 (foot) |
|
|
|
|
|
|
|
|
|
Accessories
|
|
|
Balanced Crescendo Pedal & Indicator |
|
Great to Pedal Reversible |
|
|
Balanced Swell Pedal |
|
Swell to Pedal Reversible |
|
|
Balanced Choir Pedal |
|
Solo to Great Reversible |
|
|
Balanced Solo Peda |
|
Sforzando Pedal |
|
|
|
|
|
|
|
|
|
|
Hook & Hastings Co.
Boston, Mass. – Opus 1313 (1886)
Mechanical action
3 manuals, 40 stops, 47 ranks, 2,568 pipes
The second organ in the present building was built in 1886 by Hook & Hastings of Boston. This organ was formally dedicated on Thursday evening, December 2, 1886, with a concert under the direction of Mr. John Hyatt Brewer, organist of the church, assisted by Mr. C. Wenham Smith, organist of the First Baptist Church; Mr. Frank Taft, organist of the Clinton Avenue Congregational Church; Miss Marie Van, Soprano of the church; and Miss Emma Wilkinson, Contralto of the church.
DESCRIPTION OF THE ORGAN.
This Organ is from the celebrated factory of Messrs. Hook & Hastings, of Boston, Mass., being the 1313th instrument they have built. This house enjoys a reputation which has been won by the long continued excellence, and magnitude of their works. These include a great number of large and costly organs in every important city in the United States, and especially some of the most remarkable instruments ever built in America.
The exterior of Organ is of an original and beautiful design formed by several groups of large pipes, above a belt moulding with finely moulded panels beneath. The two principal groups of pipes project boldly and are supported on corbels.
The decoration of the pipes is in deep crimson and blue on a gold ground, giving an effect of rare elegance and good taste.
In the treatment of the tone portion great care has been taken to produce a thoroughly symmetrical and well balanced instrument.
In each of the four distinctive varieties of tone—Diapason, String, Flute and Reed—the characteristic qualities are fully developed, and in combination, their richness, sonority and blending effect is as strongly marked. In varieties of tone, and the wealth of mechanical appliances for bringing the whole instrument under the perfect and easy control of the Organist, this Organ is excelled by none, and it stands as a whole without a superior in its class.
The bellows are operated by a powerful water motor, located in the cellar of the Church.
Click on the images below to view pages of the 1886 Organ Dedication programme book:
|
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 58 notes |
16 |
|
Open Diapason |
58 |
4 |
|
Flute Harmonique |
58 |
8 |
|
Open Diapason |
58 |
4 |
|
Principal |
58 |
8 |
|
Viola da Gamba |
58 |
2 2/3 |
|
Twelfth |
58 |
8 |
|
Doppel Flute (wood) |
58 |
2 |
|
Fifteenth |
58 |
8 |
|
Gemshorn |
58 |
|
|
Mixture 4 ranks |
242 |
8 |
|
Viol d'Amour |
58 |
8 |
|
Trumpet |
58 |
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 58 notes, enclosed |
16 |
|
Bourdon Bass (wood) |
12 |
4 |
|
Flauto Traverso (wood) |
58 |
16 |
|
Bourdon Treble (wood) [TC] |
46 |
4 |
|
Violina |
58 |
8 |
|
Open Diapason |
58 |
4 |
|
Octave |
58 |
8 |
|
Salicional |
58 |
2 |
|
Flageolette |
58 |
8 |
|
Dolce |
58 |
|
|
Dolce Cornet 5 ranks |
290 |
8 |
|
Stopped Diapason (wood) |
58 |
8 |
|
Cornopean |
58 |
8 |
|
Clarabella (wood) |
58 |
8 |
|
Oboe with Bassoon |
58 |
8 |
|
Quintadena |
58 |
8 |
|
Vox Humana |
58 |
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 58 notes |
8 |
|
Geigen Principal |
58 |
4 |
|
Fugara |
58 |
8 |
|
Dulciana |
58 |
2 |
|
Piccolo Harmonique |
58 |
8 |
|
Concert Flute (wood) |
58 |
8 |
|
Clarinet |
58 |
4 |
|
Flute d'Amour (wood & metal) |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 30 notes |
16 |
|
Open Diapason (wood) |
30 |
10 2/3 |
|
Quint Flöte (wood) |
30 |
16 |
|
Violone (wood) |
30 |
8 |
|
Violoncello |
30 |
16 |
|
Bourdon (wood) |
30 |
16 |
|
Trombone |
30 |
|
|
|
|
|
|
|
|
Mechanical Registers |
|
|
Great organ separation |
|
Great to Pedal coupler |
|
|
Swell to Great coupler |
|
Swell to Pedal coupler |
|
|
Choir to Great coupler |
|
Choir to Pedal coupler |
|
|
Swell to Great Super octave coupler |
|
Swell Tremolo |
|
|
Swell to Choir coupler |
|
Choir Tremolo |
|
|
|
|
|
|
Bellows Signal |
|
|
|
|
|
|
|
|
|
Pedal Movements |
|
|
Forte Combination Great |
|
Forte Combination Choir |
|
|
Mezzi Combination Great |
|
Piano Combination Choir |
|
|
Piano Combination Great |
|
Reversible Pedal (Great to Pedal) |
|
|
Fort Combination Swell |
|
Crescendo Pedal |
|
|
Mezzi Combination Swell |
|
Adjustable Swell Pedal |
|
|
Piano Combination Swell |
|
|
|
|
|
|
|
|
|
|
|
|
William A. Johnson
Westfield, Mass. – Opus 164 (1864)
Mechanical action
3 manuals, 42 ranks
The original organ in the present church building was built in 1864 by William A. Johnson of Westfield, Mass. Specifications of this organ have not yet been located. |
|
|
|
|
|
|
|
|
|
|
George Jardine & Son
New York City (<1863)
Mechanical action
Specifications of this organ have not yet been located. |
|
|
|
|
|
|
|
|
|
|
Sources:
The Diapason (Nov. 1910). Stoplist of Austin Organ, Op. 302 (1910). Courtesy Jeff Scofield.
"Dr. Cuyler's New Organ," The Brooklyn Eagle (Nov. 28, 1886).
Lafayette Avenue Presbyterian Church web site: http://www.lapcbrooklyn.org
Lafayette Avenue Presbyterian Church Organ Project web site: http://www.lafayetteorgan.com
Lee, Gary. "Brooklyn's Bridge to the Past," The Washington Post (Mar. 7, 2001).
The New Music Review (Nov. 1910):601. Specifications of Austin Organ, Op. 302 (1910).
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Stiles, Henry R.History of the City of Brooklyn. Including the Old Town and Village of Brooklyn, The Town of Bushwick, and The Village and City of Williamsburgh. 1867-70.
Van Pelt, William T., comp. The Hook Opus List, 1829-1916 in Facsimile. Richmond: The Organ Historical Society, 1991.
Illustrations:
The Brooklyn Daily Eagle.Brooklyn Public Library, Brooklyn Collection. Exterior photo of church (1906).
Glück, Sebastian M. Organ case (from below) and console of Austin Organ, Op. 302-A (1968).
Lafayette Avenue Presbyterian Church web site. Organ case (1910).
Lafayette Avenue Presbyterian Church Organ Project web site. Organ case (c.2008); 1958 Austin organ console. |
|
|
|
|
|
|
|
|
|
| NYC AGO Home Page | Back to NYC Organ Project List |
|
|