 |
Click on images to enlarge |
Basilica of Our Lady of Perpetual Help
(Roman Catholic)
526 59th Street at Fifth Avenue
Brooklyn, N.Y. 11220
http://www.olphbkny.org
 |
|
Original church |
|
The Roman Catholic parish of Our Lady of Perpetual Help was established by the Redemptorist Fathers in 1893 to serve residents in the Sunset Park area of Brooklyn. The territory of the parish was small, just a sliver of land from 54th Street on the North to 60th Street on the South and from Fort Hamilton Parkway on the East to the bay. The Redemptorists had bought an entire city block the previous November at a cost of $40,000. On December 8, 1893, the first parish Masses were celebrated in the wooden rectory, with a congregation of 350 present. A wooden frame church followed as the place of worship.
After several years, plans were made for a larger church. The Lower Church of the new building was opened in 1905. Twenty years later, in 1925, the
cornerstone was laid for the Upper Church, and the completed church was opened in 1928. Architect F. Joseph Untersee designed the church, which is Romanesque with a limestone exterior.
On Saturday, November 1, 1969, Our Lady of Perpetual Help Church was inaugurated as a minor basilica of the Roman Catholic Church. |
|
|
|
|
|
|
|
Geo. Kilgen & Son
St. Louis, Mo. – Opus 3496 (1927)
Electro-pneumatic action
4 manuals, 71 registers, 41 stops, 43 ranks
The following account of the present organ was published in the December 1927 issue of The Diapason, then the official journal of the American Guild of Organists:
An interesting installation is the four-manual Kilgen organ being erected in the Church of Our Lady of Perpetual Help in Brooklyn, New York, at 526 Fifty-ninth Street. The rector, the Rev. Francis Gallagher, C.S.S.R., is considered one of the leading authorities in the country on organs and church music. Much time was spent by Father Gallagher and his architect, the late F. Joseph Untersee of Boston, in designing both church and organ chambers. Consulting with Alfred G. Kilgen, vice-president of the firm of George Kilgen & Son, Inc., and other officers of the company, a four-manual has been designed which will enable this church to take a leading part in the liturgical music of Greater New York. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed with Choir
|
16 |
|
Open Diapason |
73 |
4 |
|
Octave |
61 |
8 |
|
First Open Diapason |
61 |
4 |
|
Forest Flute (fr. Melodia) |
— |
8 |
|
Second Open Diapason (ext) |
— |
2 2/3 |
|
Flute Quint (fr. Melodia) |
— |
8 |
|
Third Open Diapason |
61 |
2 |
|
Flute Octaviante (fr. Melodia) |
— |
8 |
|
Grossflöte |
61 |
8 |
|
Tromba |
73 |
8 |
|
Gambe |
61 |
4 |
|
Clarion (fr. Tromba) |
— |
8 |
|
Melodia |
85 |
|
|
Chimes |
|
8 |
|
Gemshorn |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed |
16 |
|
Bourdon |
73 |
4 |
|
Flute d'Amour (fr. Stp. Fl.) |
— |
8 |
|
Diapason Phonon |
73 |
4 |
|
Violina (fr. VDO) |
— |
8 |
|
Small Diapason |
73 |
2 |
|
Flautina (fr. Stp. Fl.) |
— |
8 |
|
Stopped Flute |
85 |
|
|
Cornet III ranks |
183 |
8 |
|
Claribel Flute |
73 |
16 |
|
Fagotto |
85 |
8 |
|
Viole d'Orchestre |
85 |
8 |
|
Cornopean |
73 |
8 |
|
Voix Celeste |
73 |
8 |
|
Oboe (fr. Fagotto) |
— |
8 |
|
Salicional |
73 |
8 |
|
Vox Humana |
73 |
8 |
|
Aeoline |
73 |
4 |
|
Clarion Dolce (fr. Fagotto) |
— |
4 |
|
Prestant |
73 |
|
|
Tremolo |
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed with Great
|
16 |
|
Quintaton |
85 |
4 |
|
Fugara (ext) |
— |
8 |
|
Violone Diapason |
73 |
4 |
|
Flauto Traverso (fr. Con. Fl) |
— |
8 |
|
Violoncello |
73 |
2 |
|
Piccolo (fr. Con. Fl) |
— |
8 |
|
Concert Flute |
85 |
8 |
|
English Horn |
73 |
8 |
|
Flute Celeste (TC) |
61 |
8 |
|
Clarinet |
73 |
8 |
|
Quintadena (fr. 16') |
— |
8 |
|
Orchestral Oboe (Syn) |
— |
8 |
|
Dulciana |
73 |
|
|
Tremolo |
|
8 |
|
Unda Maris (TC) |
61 |
|
|
|
|
|
|
|
|
|
|
|
Solo Organ (Manual IV) – 61 notes, enclosed
|
16 |
|
Contra Tibia |
97 |
16 |
|
Tuba Profunda |
97 |
8 |
|
Stentophone |
73 |
8 |
|
Tuba Harmonica (fr. 16') |
— |
8 |
|
Gross Gamba |
85 |
8 |
|
Cor Anglais |
73 |
8 |
|
Gamba Celeste (TC) |
61 |
4 |
|
Tuba Clarion (fr. 16') |
— |
8 |
|
Tibia Clausa (fr. 16') |
— |
|
|
Tremolo |
|
4 |
|
Gambette (fr. 8') |
— |
|
|
|
4 |
|
Tibia (fr. 16') |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
|
32 |
|
Open Diapason (resultant) |
— |
8 |
|
Octave (fr. 1st Op. Diap) |
— |
16 |
|
First Open Diapason |
44 |
8 |
|
Bass Flute (fr. Bourdon) |
— |
16 |
|
Second Open Diapason |
GT |
8 |
|
Cello |
SO |
16 |
|
Bourdon |
44 |
16 |
|
Tuba Profunda |
SO |
16 |
|
Violone |
32 |
16 |
|
Bassoon |
SW |
16 |
|
Tibia |
SO |
8 |
|
Tromba |
GT |
16 |
|
Lieblich Gedeckt |
SW |
|
|
|
|
|
|
|
|
|
|
|
|
Organ in Lower Church:
Konzelman Organs
Maplewood, N.J. (2002)
Electro-pneumatic action
2 manuals, 32 registers, 13 stops, 16 ranks
In 2002, Konzelman Organs of Maplewood, N.J., was commissioned to move the organ back to the transept. Konzelman provided four new ranks of pipes and modified the existing case. |
|
|
|
|
|
|
|
|
Great Organ (Manual I) – 61 notes
|
8 |
|
Principal |
61 |
8 |
|
Trompette |
SW |
8 |
|
Rohrflöte |
61 |
8 |
|
Hautbois |
SW |
8 |
|
Gedeckt |
SW |
|
|
Great to Great 16' |
|
8 |
|
Viola |
SW |
|
|
Great to Great 4' |
|
8 |
|
Viola Celeste (TC) |
SW |
|
|
Swell to Great 16' |
|
4 |
|
Octave |
61 |
|
|
Swell to Great 8' |
|
2 |
|
Super Octave |
61 |
|
|
Swell to Great 4' |
|
|
|
Mixture IV ranks |
244 |
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual II) – 61 notes, enclosed
|
8 |
|
Gedeckt |
73 |
8 |
|
Trompette * |
73 |
8 |
|
Viola * |
61 |
8 |
|
Hautbois (fr. Basson) |
— |
8 |
|
Viola Celeste (TC) * |
49 |
4 |
|
Clairon (fr. Trompette) |
— |
4 |
|
Principal |
73 |
|
|
Tremulant |
|
4 |
|
Flûte |
— |
|
|
Swell to Swell 16' |
|
2 |
|
Octave |
— |
|
|
Swell to Swell 4' |
|
|
|
Plein Jeu IV ranks |
preparation |
|
|
|
|
16 |
|
Basson * |
73 |
|
|
|
|
|
|
|
|
|
|
* new ranks (2002) |
Pedal Organ – 32 notes
|
32 |
|
Resultant |
derived |
4 |
|
Choral Bass (fr. 16' Prin.) |
— |
16 |
|
Principal |
56 |
16 |
|
Basson |
SW |
16 |
|
Bourdon |
44 |
8 |
|
Trompette |
SW |
8 |
|
Principal (fr. 16') |
— |
4 |
|
Hautbois |
SW |
8 |
|
Bourdon (fr. 16') |
— |
|
|
Great to Pedal 8' |
|
8 |
|
Gedeckt |
SW |
|
|
Swell to Pedal 8' |
|
8 |
|
Viola |
SW |
|
|
|
|
|
|
|
|
|
|
|
Organ in Lower Church:
Mann & Trupiano
New York City (1970s)
Electro-pneumatic action
3 manuals, 36 registers, 34 stops, 39 ranks
In the 1970s, the old Charles Maier organ was rebuilt by Mann & Trupiano
who moved the organ to a central location behind the altar. Mann & Trupiano
reused much of the Maier organ but put the pipework on new ventil chests.
The organ had beautifully diapered facade pipes and a richly ornamented, quartered
oak casework below the impost. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) –61
notes, enclosed except 16' & 8' with basses in façade
|
16
|
|
Open Diapason |
61
|
4
|
|
Hohl Flute |
61
|
8
|
|
Open Diapason |
61
|
2 2/3
|
|
Octave Quinte |
61
|
8
|
|
Doppel Flute |
61
|
2
|
|
Super Octave |
61
|
8
|
|
Viola d'gamba (tin) |
61
|
1 3/5
|
|
Mixture III-IV ranks |
232
|
4
|
|
Octave |
61
|
8
|
|
Trumpet |
61
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) –61
notes, enclosed
|
16
|
|
Bourdon |
61 |
4 |
|
Harmonic Flute |
61
|
8
|
|
Open Diapason |
61 |
2 |
|
Flageolet |
61
|
8
|
|
Spitz Flute |
61 |
2 2/3 |
|
Dolce Cornet III ranks |
183
|
8
|
|
Stopped Diapason |
61 |
8 |
|
Cornopean |
61
|
8
|
|
Salicional (tin) |
61 |
8 |
|
Oboe |
61
|
8
|
|
Vox Celeste (tin) |
61 |
8 |
|
Vox Humana |
61
|
4
|
|
Gemshorn |
61 |
|
|
Tremulant |
|
|
|
|
|
|
|
|
|
Choir Organ (Manual
I) –61
notes, enclosed
with Great and located behind
|
8 |
|
Geigen Principal |
61 |
4 |
|
Flute d'Amour |
61 |
8 |
|
Concert Flute |
61 |
2 |
|
Piccolo |
61 |
8 |
|
Dolce |
61 |
8 |
|
Clarinet |
61 |
8 |
|
Unda Maris (TC) |
49 |
|
|
Tremulant |
|
|
|
|
|
|
|
|
|
Pedal Organ –30
notes
|
16
|
|
Open Diapason (wood) |
30
|
102/3
|
|
Quinte (fr. SW Bourdon) |
—
|
16
|
|
Bourdon |
30
|
8
|
|
Violoncello (tin) |
30
|
16
|
|
Lieblich Gedeckt |
SW
|
16
|
|
Trombone |
30
|
|
|
|
|
|
|
|
|
Organ in original wooden church:
Charles Maier
New York City (c.1893)
Mechanical action?
2 manuals
The first organ for Our Lady of Perpetual Help was built by Charles Maier of New York City, and possibly dated from the time the building was opened in 1893. This organ was moved to the Lower Church of the new building and installed in a transept.
Specifications of this organ have not yet been located. |
|
|
|
|
|
|
|
|
Sources:
"Among the Catholic Parishes. The New Redemptorist Church To Be Dedicated—Other Notes," The Brooklyn Eagle (Jan. 14, 1893).
Basilica of Our Lady of Perpetual Help website: http://www.olphbkny.org
The Diapason (Dec. 1927). Specification
of Kilgen organ, Op. 3496 (1927). Courtesy Jeff Scofield.
Konzelman, James. Stoplist of Konzelman organ (2002).
"Mystery Worshipper", Ship of Fools website: http://shipoffools.com/Mystery/2005/948.html
Trupiano, Larry. Electronic correspondence (Feb.
10, 2010) and stoplist of Charles Maier organ.
Illustrations:
eBay.com.: Postcard (1910) of original church.
Geo. Kilgen & Son Brochure (1953. Interior showing Kilgen Organ, Op. 3496 (1927). Courtesy Jeff Scofield.
sunsetpark.com web site. Exterior |
|
|
|
|
|
|
|
|
|