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Loew's Paradise Theatre
2413 Grand Concourse at 187th Street
The Bronx, N.Y. 10468
http://www.paradisetheaterevents.com/
Loew’s Paradise Theatre opened on September 7, 1929 with Warner Oland in "The Mysterious Dr. Fu-Manchu” on the screen, plus a Chester Hale stage presentation “Cameos” and British organist Harold Ramsey playing the 4-manual, 23-rank Robert Morton ‘Wonder Organ’.
The 23rd largest movie theatre ever to be built in the USA was commissioned by the Paramount/Publix chain and was to be named the Venetian Theatre. Paramount/Publix withdrew from the project shortly before construction began and it was taken over by New York’s largest movie theatre chain, Loew’s Inc. The design was adapted to become one of the five ‘Wonder Theatres’, named after the Robert Morton ‘Wonder Organ’ which was installed in each of them.
The first ‘Wonder Theatre’ had opened in January 1929, the Loew’s Valencia Theatre, in Jamaica, Queens. The Loew’s Paradise Theatre in the Bronx was joint-second to open, on the same day with Loew’s Kings Theatre, Brooklyn. These were followed by the Loew’s Jersey Theatre, Jersey City, NJ and finally the Loew’s 175th Street Theatre in Washington Heights, Manhattan.
The Loew’s Paradise Theatre was one of the last ‘Atmospheric’ style theatres built towards the end of the movie palace building boom. John Eberson, the architect who designed this $4,000,000 deluxe picture palace, was famed for his ‘Atmospheric’ theatres and the Bronx Paradise, is perhaps the greatest example of his work to survive since the demolition of the Paradise Theatre in Chicago (1928-1956).
Here on the Grand Concourse, where local ordinance forbids the use of large vertical signs, the facade is restrained and dignified. On top of the frontage, over the entrance, is the space originally occupied by a mechanical Seth Thomas clock, where hourly St. George slayed a fire-breathing dragon. As the Bronx Paradise fell foul to vandals in later years, the figure of St. George was stolen. A similar device, now renovated, was also installed at the Loew’s Jersey Theatre, Jersey City, N.J.
The main lobby, reached through a set of bronze doors from the outer lobby, features three domes in the ceiling containing painted murals depicting ‘Sound, Story and Film’. In the center of the north wall, beneath a statue of ‘Winged Victory’, was a large Carrara marble fountain featuring the figure of a child on a dolphin. At the base of the Grand Stair hung an oil painting of ‘Marie Antoinette as Patron of the Arts’ and a copy of artist Holbein’s ‘Anne of Cleves’.
The auditorium was designed to represent a 16th century Italian Baroque garden, bathed in Mediterranean moonlight, with stars twinkling in the ceiling as clouds passed by. Hanging vines, cypress trees, stuffed birds and Classical statues and busts lined the walls. The safety curtain was painted with a gated Venetian garden scene, which continued the garden effect around the auditorium when it was lowered.
After the Great Depression, live acts were dropped from the program schedule and the Paradise became a regular first run movie theatre. In the late 1940’s a concrete slab was installed over the orchestra pit to create four extra rows of seats. It covered the orchestra pit and organ console. The slab was lifted only once, in the 1960’s, to enable the removal of the organ console, which with the rest of the organ pipes has now been installed at the Loew’s Jersey Theatre, Jersey City, N.J., which had its original organ removed in 1949 (and that is now installed in the Arlington Theatre, Santa Barbara, Calif.).
Over the years, many features and fittings in the Paradise ‘disappeared’ and by the late 1960s it was on the market for redevelopment, opening only for evening performances. The theatre was twinned in December 1973, then in 1975 it was triplexed, and in 1981 it was divided into four screens, hiding practically all the original auditorium interior behind drop ceilings and panel walls.
The Paradise Theatre closed in 1994 and lay empty for six years. By November 2000, work had begun on a restoration, but this was halted due to an ownership rights dispute with the restorer. A new owner took control and completed the renovation, re-opening in October 2005 as a live theatre and special events venue, now named Utopia’s Paradise Theater.
On April 16, 1997, both the theatre's facade and interior were designated by the New York City Landmarks Preservation Commission. |
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Robert Morton Organ Co.
Van Nuys, Calif. (1929)
Electro-pneumatic action
4 manuals, 23 ranks
The Loew's chain purchased five identical (except for console ornamentation) "Wonder Mortons" for their deluxe New York area houses: the Valencia Theatre (1928) in Jamaica, Queens; the Paradise Theatre (1929) in the Bronx; the Kings Theatre (1929) in Brooklyn; the Jersey Theatre (1929) in Jersey City, N.J.; and the 175th Street Theatre (1930) in Manhattan.
At some point, the Loew's Paradise Wonder Organ was removed, first going to Nova Scotia for a time, then to Detroit, and then finally to Chicago where it was put into storage. A similar fate befell the identical Wonder Morton organ in the Loew's Jersey Theatre. However, as the Friends of the Loew's, a non profit group of volunteers, took over the shuttered Jersey Theatre and started the renovation of the building, Bob Balfour, a member of Garden State Theatre Organ Society, began to lobby the theatre group to install the Paradise organ. After a few years a deal was made and the organ society bought the Paradise organ and brought it to Jersey City; the organ was rebuilt and has been playable since July 2007. |
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Pedal – 32 notes
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32 |
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Resultant Bass |
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8 |
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Gamba |
16 |
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Tuba Profunda |
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8 |
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Viola Celeste |
16 |
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Oboe Horn |
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8 |
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Violin |
16 |
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Diaphone |
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8 |
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Celeste Violin |
16 |
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Solo Tibia Clausa |
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Bass Drum |
16 |
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Bourdon |
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Tympani |
16 |
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Gamba |
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Cymbal |
8 |
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Tuba Mirabilis |
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Snare Drums |
8 |
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English Horn |
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8 |
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Oboe Horn |
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Pedal 2nd Touch |
8 |
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Saxophone |
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Chimes |
8 |
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Diaphone Diapason |
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Bass Drum |
8 |
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Horn Diapason |
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Tympani |
8 |
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Tibia Plena |
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Cymbal |
8 |
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Solo Tibia Clausa |
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Crash Cymbal |
8 |
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Flute |
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Snare Drums |
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Accompaniment (Manual I) – 61 notes
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16 |
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Violin (TC) |
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2 2/3 |
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Twelfth |
16 |
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Celeste Violin (TC) |
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2 |
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Piccolo |
8 |
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Tuba Mirabilis |
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2 |
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Fifteenth |
8 |
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English Horn |
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Harp Marimba |
8 |
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Oboe Horn |
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Chrysoglott |
8 |
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French Horn |
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Xylophone |
8 |
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Saxophone |
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Snare Drums |
8 |
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Diaphonic Diapason |
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Wood Drums |
8 |
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Horn Diapason |
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Tom Tom |
8 |
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Solo Tibia Clausa |
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Tambourine |
8 |
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Foundation Tibia Clausa |
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Castanets |
8 |
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Flute |
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Chinese Gong |
8 |
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Gamba |
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16 |
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Accompaniment |
8 |
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Viola Celeste |
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8 |
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Accompaniment |
8 |
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Salicional |
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8 |
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Great |
8 |
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Concert Violin |
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8 |
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Solo |
8 |
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Celeste Violin |
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8 |
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Kinura |
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Accomp. 2nd Touch |
8 |
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Clarinet |
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8 |
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Tuba Mirabilis |
8 |
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Foundation Vox Humana |
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8 |
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English Horn |
4 |
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Tuba Mirabilis |
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8 |
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Diaphonic Diapason |
4 |
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Diaphonic Diapason |
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8 |
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Horn Diapason |
4 |
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Solo Tibia Clausa |
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8 |
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Solo Tibia Clausa |
4 |
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Flute |
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8 |
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Foundation Tibia Clausa |
4 |
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Gamba |
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4 |
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Tibia Plena |
4 |
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Viola Celeste |
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Chimes |
4 |
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Concert Violin |
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Triangle |
4 |
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Celeste Violin |
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Bird Whistle |
4 |
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Foundation Vox Humana |
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Great (Manual II) – 61 notes
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16 |
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Tuba Profunda |
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4 |
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Tuba Mirabilis |
16 |
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Oboe Horn |
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4 |
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Oboe Horn |
16 |
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Saxophone (TC) |
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4 |
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Diaphonic Diapason |
16 |
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Diaphone |
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4 |
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Horn Diapason |
16 |
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Tibia Plena (TC) |
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4 |
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Tibia Plena |
16 |
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Solo Tibia Clausa |
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4 |
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Solo Tibia Clausa |
16 |
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Bourdon |
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4 |
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Foundation Tibia Clausa |
16 |
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Gamba |
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4 |
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Flute |
16 |
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Concert Viol (TC) |
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4 |
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Gamba |
16 |
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Celeste Violin (TC) |
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4 |
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Viola Celeste |
16 |
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Foundation Vox Humana (TC) |
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4 |
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Concert Violin |
8 |
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Tuba Mirabilis |
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4 |
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Celeste Violin |
8 |
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English Horn |
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4 |
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Foundation Vox Humana |
8 |
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Oboe Horn |
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2 2/3 |
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Twelfth |
8 |
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Trumpet |
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2 |
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Piccolo |
8 |
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French Horn |
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2 |
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Fifteenth |
8 |
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Saxophone |
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1 3/5 |
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Tierce |
8 |
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Diaphonic Diapason |
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Harp Marimba |
8 |
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Horn Diapason |
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Chrysoglott |
8 |
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Tibia Plena |
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Glockenspiel |
8 |
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Solo Tibia Clausa |
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Orchestra Bells |
8 |
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Foundation Tibia Clausa |
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Xylophone |
8 |
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Flute |
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Chimes |
8 |
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Gamba |
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4 |
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Great |
8 |
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Viola Celeste |
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8 |
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Salicional |
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Great 2nd Touch |
8 |
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Concert Violin |
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16 |
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Tuba Profunda |
8 |
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Celeste Violin |
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16 |
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Oboe Horn |
8 |
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Kinura |
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16 |
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Diaphone |
8 |
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Clarinet |
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16 |
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Tibia Plena (TC) |
8 |
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Krumet |
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16 |
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Gamba |
8 |
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Foundation Vox Humana |
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Orchestral (Manual III) – 61 notes
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8 |
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Tuba Mirabilis |
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4 |
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Solo Tibia Clausa |
8 |
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English Horn |
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4 |
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Foundation Tibia Clausa |
8 |
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Oboe Horn |
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4 |
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Flute |
8 |
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Trumpet |
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4 |
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Concert Violin |
8 |
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French Horn |
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4 |
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Celeste Violin |
8 |
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Saxophone |
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2 |
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Piccolo |
8 |
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Diaphonic Diapason |
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2 |
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Violin |
8 |
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Horn Diapason |
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Harp Marimba |
8 |
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Solo Tibia Clausa |
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Chrysoglott |
8 |
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Flute |
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Glockenspiel |
8 |
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Salicional |
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Orchestra Bells |
8 |
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Concert Violin |
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Xylophone |
8 |
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Celeste Violin |
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Chimes |
8 |
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Kinura |
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16 |
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Orchestral |
8 |
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Clarinet |
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4 |
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Orchestral |
8 |
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Krumet |
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8 |
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Great |
4 |
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Tuba Mirabilis |
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Solo (Manual IV) – 61 notes
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8 |
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Tuba Mirabilis |
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8 |
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Kinura |
8 |
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English Horn |
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8 |
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Clarinet |
8 |
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Oboe Horn |
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8 |
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Krumet |
8 |
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Trumpet |
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8 |
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Solo Vox Humana |
8 |
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French Horn |
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4 |
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Tibia Plena |
8 |
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Saxophone |
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Harp Marimba |
8 |
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Diaphonic Diapason |
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Chrysoglott |
8 |
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Horn Diapason |
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Glockenspiel |
8 |
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Tibia Plena |
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Orchestra Bells |
8 |
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Solo Tibia Clausa |
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Xylophone |
8 |
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Foundation Tibia Clausa |
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Chimes |
8 |
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Flute |
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16 |
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Solo |
8 |
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Gamba |
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4 |
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Solo |
8 |
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Viola Celeste |
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16 |
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Great |
8 |
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Concert Violin |
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8 |
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Great |
8 |
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Celeste Violin |
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4 |
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Great |
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Tremolos
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Effect Buttons
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Left |
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Grand Crash |
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Tibia Plena |
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Cymbal |
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Foundation Tibia Clausa |
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Triangle |
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Foundation Vox Humana |
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Bird |
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Right |
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Sleigh Bells |
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Right Reeds |
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Telephone |
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Tuba Mirabilis |
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Door Bell |
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English Horn |
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Steamboat |
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Solo Tibia Clausa |
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Fire Gong |
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Solo Vox Humana |
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Bell Low |
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Bell High |
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Stop Key Colors
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Toe Levers
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Reeds and diapasons: red |
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Sforzando: |
1st touch stops |
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2nd touch percussions |
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Tibias, flutes, strings and couplers: white |
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Tremolos: black |
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Surf |
Traps: amber |
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Wind |
Tuned percussions: brown |
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Thunder |
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Aeroplane |
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Horse Hoof |
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Stop Analysis |
Foundation Chamber |
16 |
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Tuba Mirabilis |
73 pipes |
16 |
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Flute |
97 pipes |
16 |
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Oboe Horn |
85 pipes |
8 |
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Gamba |
73 pipes |
8 |
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Salicional |
73 pipes |
8 |
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Viola Celeste |
85 pipes |
8 |
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Tibia Clausa |
49 pipes |
8 |
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Horn Diapason |
61 pipes |
8 |
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French Horn |
61 pipes |
8 |
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Clarinet |
61 pipes |
8 |
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Krumet |
61 pipes |
8 |
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Vox Humana |
73 pipes |
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Solo Chamber |
16 |
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Diaphonic Diapason |
73 pipes |
16 |
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Tibia Clausa |
97 pipes |
8 |
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Tibia Plena |
73 pipes |
8 |
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Concert Violin |
85 pipes |
8 |
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Violin Celeste |
73 pipes |
8 |
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Violin Celeste II |
73 pipes |
8 |
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English Horn |
61 pipes |
8 |
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Trumpet |
61 pipes |
8 |
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Saxophone |
61 pipes |
8 |
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Kinura |
61 pipes |
8 |
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Vox Humana |
73 pipes |
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Sources:
Cinema Treasures website: http://cinematreasures.org/theaters/900
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Garden State Theatre Organ Society website: http://gstos.org/
Junchen, David L. Encyclopedia of the American Theatre Organ, Vol. II. Pasadena: Showcase Publications, 1985.
Illustrations:
Cinema Treasures website. Exterior color photo
by "Jean"
Garden State Theatre Organ Society website: http://gstos.org/:
Console of Robert-Morton organ for Loew's Paradise Theatre.
Mann, George. Undated b&w exterior. Courtesy Brad Smith. |
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