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New York Institute for Special Education
999 Pelham Parkway
The Bronx, N.Y. 10469
http://www.nyise.org/
The New York Institution for the Blind held its first class for blind children in the United States when it opened its doors on March 15, 1832. It started out in a single room in lower Manhattan and moved to a large estate donated by James Boorman in 1832. At the time, the Bowman estate was out in the country on a site now near Ninth avenue and 34th Street.
In 1924, the Institute moved to the present campus, relocating from congested Manhattan to a 17.5-acre bucolic location in the Bronx. As early as 1859 the management had recognized that the present site was inadequate, but no new location was found. As a result of this delay, “civilization” threatened to swallow the Institute. By the late nineteenth century, the once-tranquil site had trolley lines on three sides, while an elevated railroad crossed in front of the building. The noise made it extremely difficult to teach, for most instruction was given orally. At last, an undeveloped 35-acre site was acquired in north Manhattan around a hill then called Mount Hope (now Washington Heights). Development was delayed by the Civil War and by a weak economy. Eventually, it became apparent that the growth of New York City had made the land too valuable to be used as a school. While searching for another site, some of the land was leased out. The most unusual tenant, from 1903-1912, was a baseball team, the New York Highlanders, which later became known as the New York Yankees.
When part of the DeWitt family estate in Bronxville was made available in 1909, the Institution’s problem seemed to be solved. The Managers had not, however, allowed for the opposition of the good citizens of Bronxville, many of whom were aghast at the thought of having the Institute as a neighbor. Some even compared it to Sing Sing, the notorious prison. This location had to be abandoned, and the next proposed site, in Yonkers, also failed.
Success was at last achieved in February 1917, when part of a farm on Pelham Parkway in the Bronx was sold to the Board of Managers. Ground was officially broken on April 15, 1923, and on June 12th that year, the cornerstone was laid for the largest building, now called the Schermerhorn Building.
Today this site, with its 200,000 square feet of space and 14 buildings, brings to mind an ivy-league campus. There, the children have the oppor-tunity to be independent within a safe and secure environment. Among its many special facilities are an indoor swimming pool, a therapeutic pool, bowling alley, gymnasium, large library, health service and playground. Facilities designed especially for blind children include a well-equipped resource center for library work and computer training.
In 1986 a vision for the future of the Institute was formalized by one more change of name: Founded in 1831 as “The New York Institution for the Blind,” in 1912 the name was changed to “The New York Institute for the Education of the Blind.” From July 22, 1986, the new corporate name became “The New York Institute for Special Education (NYISE).” |
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Austin Organs Inc.
Hartford, Conn. – Opus 1235-A (1958)
Electro-pneumatic action
3 manuals, 51 registers, 37 stops, 43 ranks
In 1958, the Austin company rebuilt the existing 1924 Austin organ. Pipecounts listed below are estimated, based on similar Austin organ of the era. |
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Great Organ (Manual II) – 61 notes
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16 |
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Gemshorn |
85 |
2 |
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Super Octave |
61 |
8 |
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Diapason |
61 |
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Fourniture III ranks |
183 |
8 |
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Bourdon |
73 |
8 |
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Trumpet |
61 |
8 |
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Dulciana |
61 |
4 |
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Clarion |
61 |
4 |
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Principal |
61 |
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Chimes |
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4 |
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Gemshorn (fr. 16') |
— |
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Sub |
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4 |
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Koppelflöte (fr. Bourdon) |
— |
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Unison Off |
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2 2/3 |
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Octave Quint |
61 |
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Super |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Rohrbourdon |
68 |
16 |
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Fagotto |
80 |
8 |
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Geigen Principal |
68 |
8 |
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Trumpet |
68 |
8 |
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Rohrflöte |
68 |
8 |
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Oboe (fr. Fagotto) |
— |
8 |
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Salicional |
68 |
8 |
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Vox Humana |
68 |
8 |
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Voix Celeste (GG) |
61 |
4 |
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Clarion |
68 |
4 |
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Principal |
68 |
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Tremulant |
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4 |
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Waldflöte |
68 |
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Vox Tremulant |
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2 2/3 |
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Rohrnasat |
61 |
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Sub |
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2 |
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Flautino |
61 |
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Unison Off |
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1 1/3 |
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Larigot |
61 |
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Super |
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Plein Jeu III ranks |
183 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Viola |
68 |
1 3/5 |
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Tierce |
61 |
8 |
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Bourdon |
68 |
8 |
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Krummhorn |
68 |
8 |
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Dulciana |
68 |
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Tremulant |
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8 |
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Unda Maris (GG) |
61 |
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Sub |
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4 |
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Koppelflöte |
68 |
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Unison Off |
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2 2/3 |
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Nasard |
61 |
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Super |
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2 |
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Blockflöte |
61 |
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Pedal Organ – 32 notes
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16 |
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Principal |
32 |
4 |
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Geigen (fr. 8') |
— |
16 |
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Gemshorn |
GT |
4 |
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Flute |
GT |
16 |
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Rohrbourdon |
SW |
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Mixture III ranks |
96 |
10 2/3 |
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Quint |
— |
16 |
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Trombone (ext. GT) |
12 |
8 |
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Geigen |
44 |
16 |
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Fagotto |
SW |
8 |
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Gemshorn |
GT |
8 |
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Trumpet |
GT |
8 |
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Rohrbourdon |
SW |
4 |
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Clarion |
GT |
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Austin Organ Company
Hartford, Conn. – Opus 1235 (1924)
Electro-pneumatic action
3 manuals, 32 stops
For the Institute's new auditorium at the Bronx campus, the Austin Organ Company was selected to build a three-manual organ in 1924. Specifications for this organ have not yet been located. |
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Organ in auditorium at the previous location in Manhattan: J.H. & C.S. Odell & Co.
New York City – Opus 422 (1906)
Tubular-pneumatic action
3 manuals, 23 stops, 23 ranks
In 1906, the J.H. & C.S. Odell Company of New York City was contracted to build a new organ for the Institute's auditorium. The three-manual organ had twenty-three ranks and employed tubular-pneumatic action. From the photo shown above, it seems that the existing organ case was retained but modified by the addition of pipe flats on both sides. |
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Great Organ (Manual II) – 61 notes
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8 |
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Open Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Dulciana |
61 |
2 |
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Super Octave |
61 |
8 |
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Melodia |
61 |
8 |
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Trumpet |
61 |
4 |
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Flute Harmonique |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed |
8 |
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Open Diapason |
61 |
4 |
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Violina |
61 |
8 |
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Salicional |
61 |
4 |
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Rohr Flöte |
61 |
8 |
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Vox Celeste [TC] |
61 |
2 |
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Piccolo |
61 |
8 |
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Aeoline |
49 |
8 |
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Oboe |
61 |
8 |
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Stopped Diapason |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed |
8 |
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Violin Diapason |
61 |
4 |
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Flauto Traverso |
61 |
8 |
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Dulce |
61 |
8 |
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Concert Flute |
61 |
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Pedal Organ – 30 notes |
16 |
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Double Open Diapason |
30 |
8 |
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Violoncello |
30 |
16 |
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Bourdon |
30 |
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Swell to Great |
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Great to Pedal |
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Choir to Great |
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Choir to Pedal |
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Swell to Choir |
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Swell to Pedal |
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Swell to Swell 4' |
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Piston Combination Movements
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1. |
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Great Organ Forte |
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4. |
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Swell Organ Forte |
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2. |
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Great Organ Mezzo |
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5. |
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Swell Organ Mezzo |
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3. |
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Great Organ Piano |
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6. |
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Swell Organ Piano |
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Pedal Movements |
1. |
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Crescendo-Sforzando Pedal. (This Pedal to control entire organ, bringing on and off all speaking stops in the order of their power, slowly and gradually or with great rapidity at will of organist.) |
2. |
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Balanced Swell Pedal |
3. |
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Great to Pedal Reversible |
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Mechanical Accessories |
1. |
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Swell Organ Tremulant |
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3. |
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Wind Indicator |
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3. |
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Crescendo Indicator |
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Organ in the previous location in Manhattan: Levi U. Stuart
New York City (1870)
Mechanical action
2 manuals
In 1870, Levi U. Stuart of New York City replaced the Hall & Labagh organ with a new instrument. Specifications for this organ have not yet been located. |
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Organ in the previous location in Manhattan: Hall & Labagh
New York City (1844)
Mechanical action
The first known organ for the Institute for the Blind was built in 1844 by Hall & Labagh of New York City. Specifications for this organ have not yet been located. |
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Sources:
Mellor, C. Michael. 175 Years of Doing Good. New York: New York State Institute for Special Education, 2007.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
New York Institute for Special Education website: http://www.nyise.org/
Scofield, Jeff. Specification of Austin Organ, Op. 1235-A
(1958).
Trupiano, Larry. Factory Specification of J.H. & C.S.
Odell organ, Op. 422, 1906).
Illustrations:
The American Organist, February 1956: console of Austin Organ, Op. 1235-A (1958).
New York Institute for Special Education website.
Wurts Bros. (New York, N.Y.). 1925 photo of interior showing Austin Organ, Op. 1235 (1924). |
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