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St. Barnabas Church
(Roman Catholic)
409 East 241st Street at Martha Avenue
The Bronx, N.Y. 10470
http://StBarnabasBronx.org
The parish of St. Barnabas was established on June 11, 1910, to serve residents of the Woodlawn and McLean Heights areas of the Bronx. Archbishop John M. Farley appointed Rev. Michael A.. Reilly as first pastor. The Romanesque church building could originally accomodate 700 persons and was dedicated in November 1911 by Archbishop Farley. |
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Peragallo Pipe Organ Company
Paterson, N.J. (2009)
Solid-state key and combination action
3 manuals, 35 stops (35 digital), 42 pipe ranks
The organ in St. Barnabas Church was revised in 2009 by the Peragallo Pipe Organ Company of Paterson, N.J. Peragallo provided a new three-manual drawknob console to control the hybrid organ that has 42 pipe ranks from the previous Hutchings/Odell instrument plus 35 digital stops by Walker Technical Company of Zionsville, Pa. |
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Great Organ (Manual II) – 61 notes, unenclosed
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16 |
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Violone |
digital |
1 3/5 |
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Seventeenth |
61 |
8 |
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First Open Diapason |
61 |
1 1/3 |
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Fourniture IV ranks |
244 |
8 |
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Second Open Diapason |
digital |
16 |
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Posaune |
digital |
8 |
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Melodia |
61 |
8 |
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Trumpet |
61 |
8 |
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Bourdon |
digital |
4 |
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Clarion |
digital |
8 |
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Gamba |
61 |
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Chimes [Mayland] |
25 tubes |
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4 |
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Principal |
digital |
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Great Sub
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4 |
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Octave |
61 |
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Great Unison Off |
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4 |
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Harmonic Flute |
61 |
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Great Super |
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2 2/3 |
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Twelfth |
61 |
8 |
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Tromba Fierro |
CH |
2 |
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Fifteenth |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
2 |
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Scharf III ranks |
183 |
8 |
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Open Diapason |
61 |
16 |
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Basson |
61 |
8 |
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Stopped Diapason |
61 |
8 |
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Trompette |
61 |
8 |
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Salicional |
61 |
8 |
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Hautbois |
digital |
8 |
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Voix Celeste (TC) |
49 |
4 |
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Clarion |
digital |
8 |
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Flauto Celeste Aida II ranks |
digital |
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Tremulant |
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4 |
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Principal |
61 |
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Swell Sub |
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4 |
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Wald Flute |
61 |
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Swell Unison Off |
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2 |
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Octave |
61 |
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Swell Super |
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Plein Jeu IV ranks |
digital |
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Positiv Organ (Manual I) – 58 notes, unenclosed
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8 |
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Gedeckt |
58 |
8 |
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Cromorne |
58 |
8 |
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Dulciana |
58 |
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Tremulant |
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8 |
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Unda Maris (TC) |
46 |
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Positiv Unison Off |
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4 |
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Spitz Flute |
58 |
16 |
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Bombarde Harmonique (TC) |
— |
2 |
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Principal |
58 |
8 |
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Trompette Harmonique |
58 |
1 1/3 |
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Larigot |
58 |
4 |
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Clairon Harmonique |
— |
1 |
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Octave |
58 |
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Choir Organ (Manual I) – 61 notes, expressive
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16 |
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Erzähler |
digital |
2 |
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Gemshorn |
digital |
8 |
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Spitz Principal |
digital |
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Sesquialtera II ranks |
digital |
8 |
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Rohrflöte |
digital |
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Ripieno IV ranks |
digital |
8 |
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Viola de Gamba |
digital |
8 |
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Tromba Fiero |
digital |
8 |
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Gamba Celeste |
digital |
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Tremulant |
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8 |
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Erzähler Celeste II ranks |
digital |
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Harp |
digital |
4 |
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Principal |
digital |
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Choir Sub |
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4 |
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Flute |
digital |
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Choir Unison Off |
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4 |
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Flauto Dolcissimo II ranks |
digital |
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Choir Super |
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Pedal Organ – 32 notes
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32 |
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Contra Bourdon |
digital |
4 |
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Doppel Flute * |
digital |
32 |
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Contra Violone |
digital |
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Mixture III ranks |
96 |
16 |
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Open Wood |
digital |
32 |
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Contra Bombarde |
44 |
16 |
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Open Diapason |
32 |
32 |
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Contra Posaune |
digital |
16 |
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Bourdon |
digital |
16 |
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Bombarde (from 32') |
— |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Posaune |
digital |
16 |
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Violone |
digital |
8 |
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Bombarde |
POS |
8 |
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Principal |
32 |
4 |
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Chalumeau * |
digital |
8 |
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Flöte |
digital |
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Tremulant [affects * stops only] |
8 |
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Still Gedeckt |
SW |
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Deagan Tower Chimes |
digital |
4 |
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Choral Bass |
32 |
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Couplers
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Great to Pedal 8', 4' |
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Choir to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Positiv to Great 8' |
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Choir to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Positiv to Pedal 8' |
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Great to Choir 8' |
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Swell to Great 16', 8', 4' |
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Positiv to Swell 8' |
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Adjustable Combinations
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Great Organ |
1-2-3-4-5-6 (thumb) |
Swell Organ |
1-2-3-4-5-6 (thumb) |
Positiv Organ |
1-2-3-4-5-6 (thumb) |
Choir Organ |
1-2-3-4-5-6 (thumb) |
Pedal Organ |
1-2-3-4-5-6 (toe) |
Entire Organ |
1-2-3-4-5-6-7-8-9-10-11-12-13-14 (thumb; 1-12 dup. by toe) |
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Reversibles
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Great to Pedal (thumb & toe) |
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Swell MIDI 1 (thumb) |
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Swell to Pedal (thumb & toe) |
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Swell MIDI 2 (thumb) |
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Positiv to Pedal (thumb) |
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Great MIDI 1 (thumb) |
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Choir to Pedal (thumb & toe) |
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Great MIDI 2 (thumb) |
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32' Contra Bourdon (toe) |
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Choir MIDI 1 (thumb) |
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32' Contra Violone (toe) |
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Choir MIDI 2 (thumb) |
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32' Contra Bombarde (toe) |
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Pedal MIDI 1 (thumb) |
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Sforzando (thumb & toe) |
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Pedal MIDI 2 (thumb) |
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Cymbelstern (toe) |
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Sequencer Next (thumb & toe) |
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Sequencer Previous (thumb) |
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Accessories
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Balanced Swell Pedal |
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Balanced Choir Pedal |
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Crescendo Pedal |
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MIDI System – Rodgers MX200 Sound Module |
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Viscount RD70 – record/playback/sequencer |
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Walker Combination Action (300 levels) and transposer |
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George S. Hutchings
Boston, Mass. – Opus 220 (1890); as rev. (1988)
Electro-pneumatic action
3 manuals, 44 registers, 37 stops, 44 ranks
The 1890 Hutchings organ at St. Barnabas Church, originally
installed in the South Street Presbyterian Church of Morristown,
N.J., was moved and rebuilt in 1948 by the J.H. & C.S. Odell firm
as their Op. 598. In 1988, after
four decades of service in its new location, Anthony
Meloni & Associates were contracted for the restoration of the slider
chests, replacement of pull-down action and reservoirs,
addition of 16' Pedal reed, modification of specifications,
and the restoration and addition
of a 9-stop Odell slider chest as the new Positiv division.
Jack Steinkampf voiced the reeds, and Gil Adams did the
finish voicing. A used three-manual
Klann console replaced the two-manual 1949 Odell console,
which was rebuilt by Ed Odell and sold to St. Luke's Episopal
Church in Maryland. |
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Great Organ (Manual II) – 61 notes
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16 |
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Double Open Diapason |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Open Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Melodia |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Viola de Gamba |
61 |
1 1/3 |
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Fourniture IV ranks |
244 |
4 |
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Octave |
61 |
8 |
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Trumpet |
61 |
4 |
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Harmonic Flute |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
2 |
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Octave |
61 |
8 |
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Open Diapason |
61 |
2 |
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Scharf III ranks |
183 |
8 |
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Stopped Diapason |
61 |
16 |
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Basson |
61 |
8 |
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Salicional |
61 |
8 |
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Hautbois |
61 |
8 |
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Celeste (TC) |
49 |
4 |
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Clairon |
61 |
4 |
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Principal |
61 |
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Tremulant |
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4 |
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Wald Flute |
61 |
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Positiv Organ (Manual I) – 58 notes
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8 |
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Gedeckt |
58 |
1 |
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Octave |
58 |
8 |
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Dulciana |
58 |
8 |
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Cromorne |
58 |
8 |
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Unda Maris (TC) |
46 |
8 |
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Bombarde |
58 |
4 |
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Spitz Flute |
58 |
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Tremulant |
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2 |
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Principal |
58 |
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Chimes |
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1 1/3 |
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Larigot |
58 |
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Pedal Organ – 32 notes
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32 |
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Bourdon (ext. SW Lieblich) |
12 |
8 |
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Gedeckt |
SW |
32 |
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Resultant |
— |
4 |
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Choral Bass |
32 |
16 |
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Double Open Diapason |
GT |
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Mixture III ranks |
96 |
16 |
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Bourdon |
30 |
32 |
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Bombarde (ext. PO) |
12 |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Bombarde [on old Vcl chest] |
30 |
8 |
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Octave |
32 |
8 |
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Bombarde |
POS |
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Jaeckel Organs, Inc.
Duluth, Minn. – Opus 8 (1985)
Mechanical action
1 manual, 4 stops, 4 ranks
Well-tempered tuning: Kirnberger III
A continuo organ, built in 1985 by Jaeckel Organs of Duluth, MN, was placed in the gallery of St. Barnabas Church. In 1988, the organ was sold back to Jaeckel Organs, who then moved the organ to Lamb of God Lutheran Church in Houston, TX. Following the closure of that church, the organ was moved to First Evangelical Lutheran Church in Houston.
The four stops are divided between c25 and c#26, and are controlled by levers on either side of keys. Natural keys are of bone; sharps are of ebony. Open pipes are cone-tuned; Rohrflöte pipes are tuned by ears and have soldered-on tops. The cabinet, of fumed rift- and quarter-sawn solid white oak with scroll-cut pipe shades, also contains the blower and bellows; the façade cabinet doors included can help focus the sound. |
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Manual – 54 notes (c1–f54)
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8 |
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Rohrflöte |
54 |
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4 |
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Prinzipal |
54 |
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2 |
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Oktav |
54 |
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1 1/3 |
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Quint |
54 |
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George S. Hutchings
Boston, Mass. – Opus 220 (1890)
Electro-pneumatic action
2 manuals, 27 stops, 29 ranks
Specifications as installed by J.H. & C.S. Odell – Opus 598 (1948)
In 1948, the organ originally built in 1890 by George Hutchings
(Opus 220) for the South Street Presbyterian Church of Morristown, N.J.,
was acquired by St. Barnabas Church. The contract dated July 20, 1948
for $10,700 was awarded to the J.H. & C.S. Odell Company, then of
Yonkers, N.Y., to move and rebuild the organ. The scope of Odell's work,
which was their Opus 598, included rebuilding the windchests, cleaning
all pipework, corrective revoicing, a new console, minor modifications
to the facade, and some new components for the wind system, plus installation. |
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Great Organ (Manual I) – 61 notes
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16 |
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Double Open Diapason * |
29 |
4 |
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Octave |
61 |
8 |
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Open Diapason |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Viola Di Gamba |
61 |
2 |
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Fifteenth |
61 |
8 |
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Melodia |
61 |
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Mixture III ranks |
183 |
8 |
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Dulciana |
61 |
8 |
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Trumpet |
61 |
4 |
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Flute Harmonic |
61 |
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* 32 notes from Pedal |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
4 |
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Violina |
61 |
8 |
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Open Diapason |
61 |
2 |
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Flageolet |
61 |
8 |
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Salicional |
61 |
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Dolce Cornet III ranks |
183 |
8 |
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Aeoline |
61 |
8 |
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Cornopean |
61 |
8 |
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Stopped Diapason |
61 |
8 |
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Oboe |
61 |
8 |
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Quintadena |
61 |
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Tremulant |
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4 |
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Wald Flute |
61 |
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Pedal Organ – 30 notes (32-note pedalboard added in 1949)
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16 |
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Double Open Diapason |
30 |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Bourdon |
30 |
8 |
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Violoncello |
30 |
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Couplers
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Great to Pedal |
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Great to Great 4' |
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Swell to Pedal |
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Swell to Swell 4' |
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Swell to Great 16', 8', 4' |
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Pedal to Pedal Octaves |
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Piston Combinations (visibly moving stops, adjustable at console)
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Pistons No. 1-2-3-4 Operating on Great & Pedal Organs and Couplers |
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Pistons No. 1-2-3-4 Operating on Swell & Pedal Organs and Couplers |
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Pedal Movements
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Crescendo Pedal |
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Great to Pedal Reversible |
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Balanced Swell Pedal |
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Accessories
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Wind Indicator |
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Crescendo Indicator |
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Unknown Builder
Mechanical action
2 manuals, 14 stops, 14 ranks
The original organ in the church was built by an unknown builder, but we have the following specification which was recorded (Sept. 1918) by Louis F. Mohr & Co., an organ service concern in the area. Mohr noted the organ had tracker action and manual/pedal compasses of 58/27 – so we can assume the organ was from the late 1800s and was acquired second-hand. The organ had an oak case with 25 front pipes in gold. Mohr wrote "W.F. Smith Yonkers" at the top of the page, so it may be that the organ was set up by Mr. Smith. |
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Great Organ (Manual I) – 58 notes
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8 |
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Open Diapason |
58 |
8 |
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Dulciana |
58 |
8 |
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Oboe Gamba |
58 |
4 |
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Octave |
58 |
8 |
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Unison Bass |
12 |
2 |
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Piccolo |
58 |
8 |
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Doppel Flöte (TC) |
46 |
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Swell Organ (Manual II) – 58 notes, enclosed
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8 |
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Open Diapason |
58 |
8 |
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Aeoline |
58 |
8 |
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St. Diapason Bass |
12 |
4 |
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Flute |
58 |
8 |
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St. Diapason Treble (TC) |
46 |
8 |
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Trumpet |
58 |
8 |
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Salicional |
58 |
8 |
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Vox Humana |
58 |
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Pedal Organ – 27 notes
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16 |
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Bourdon |
27 |
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Couplers
("4 Couplers")
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Great to Pedal |
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Swell to Great |
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Swell to Pedal |
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Swell to Great Octaves? |
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Pedal Movements
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Balanced Swell Pedal |
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Accessories
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Tremulant |
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Bellows Signal |
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Electric Motor |
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Sources:
The Catholic Church in the United States of America: Undertaken to Celebrate the Golden Jubilee of His Holiness, Pope Pius X, Vol. III. New York: The Catholic Editing Company, 1914.
Estey Pipe Organs website: http://esteyorgan.com/
Fierro, Thomas M. Stoplist of organ as of 2007;
specification of present organ (2009).
Jaeckel, Dan. Specification of Jaeckel organ,
Op. 8 (1985).
Jaeckel Organs, Inc. website: http://www.jaeckelorgans.com/
Mohr, Louis F. & Co. Specification (Sept.
1918) of unknown organ. Courtesy Larry Trupiano.
Odell, Edward. Specification of J.H. & C.S.
Odell organ, Op. 598 (1948).
St. Barnabas Church website: http://StBarnabasBronx.org
Shelley, Thomas J. The Bicentennial History of the Archdiocese of New York 1808-2008. Strasbourg: Éditions du Signe, 2007.
Illustrations:
Fierro, Thomas M. Church exterior; Hutchings organ case; Peragallo console (2009).
Jaeckel Organs, Inc. Jaeckel Continuo organ. |
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