American Woman's Association Clubhouse
353 West 57th Street
New York, N.Y. 10019
Organ Specifications:
• III/15 Aeolian Company, Op. 1793 (1931) – Auditorium Division
• 0/16 Aeolian Company, Op. 1794 (1931) – Lounge Division |
The American Woman’s Association was the final product of an amalgamation and mutation of various clubs and societies that supported and championed the advancement and efforts of women in both professional and cultural spheres. Throughout its 63 years of existence, the AWA provided safe lodgings, social outlets, and increased financial stability for independent women. A crucial element of the woman’s movement, the AWA boasted famous feminists such as Eleanor Roosevelt among its members. The AWA finally dissolved in 1974 after a period of waning activity. Dorothea Hopfer, a former president of the organization, claimed that this was because it had “served its purpose” in championing equal opportunities and protecting the rights of women.
The American Woman’s Association was initially known as the Vacation Committee which, founded in 1911, was a branch of the Woman’s Department of the National Civic Federation. The Vacation Committee was occupied with the Vacation Savings Fund, implemented to help women who did not receive salaried vacation time. Members of the Vacation Committee encouraged women across the country to buy stamps which eventually accrued enough interest to provide profitable vacations for the investors. Around this time, members of the Vacation Committee decided that they wanted to provide female friendly lodgings at a moderate cost for members willing to pay. Those who lodged were called the “taxpayers committee.” Lodgings were on W. 36th St. In 1915, the Vacation Committee split from the National Civic Federation, and Gertrude Robinson Smith became the first president of the now independent organization. In 1922, the Vacation Committee officially became the American Woman’s Association and stopped the vacation savings fund. They had raised more than $1,300,000 through the program. By 1927, members of the Association were searching for a more permanent home, and raised the funds to start their very own clubhouse on West 57th Street.
Around this time, the Friendship Dinner Group was started as a subsection of the AWA to foster a feeling of friendship and camaraderie between women. AWA was the blanket association that ran the Friendship Dinner Group, but other unaffiliated groups participated in it as well. In 1931, meetings of the Friendship Dinner Group began to present the AWA Award for Eminent Achievement to women making strides as leaders in their respective fields. The AWA was very involved with war relief efforts. During World War I, the AWA opened up temporary housing at headquarters for soldiers on leave from the battlefields and ran temporary work rooms in which unemployed women could make supplies for the frontlines and support their families. During World War II, the AWA formed the Red Cross Group, which trained volunteers from the AWA as nurses and sent them overseas, as well as providing supplies for the medical professionals serving in the war. The AWA commissioned reports on financial stability and independence among American women, including “100 Women Look at the Future.” In the 1950s, the AWA began to participate in larger, nationwide groups such as the National Council of Women of the United States and the National Committee on Household Employment (for which Dorothy Barko, president of the AWA, was treasurer.) Participation in the AWA dwindled in the 1960s and 1970s, and it functioned more as a social club than as the figurehead of the woman’s movement as it had in the past. In 1974, the AWA was officially dissolved. |
|
|
|
|
|
|
|
|
|
 |
|
Auditorium (The Diapason, Nov. 1, 1931) |
|
|
|
Another view of the Auditorium |
Auditorium Division
Aeolian Company
New York City – Opus 1793 (1931)
Electro-pneumatic action
3 manuals, 33 stops, 15 ranks
Concertola Duo-Art Player
Playable from a Three Manual and Pedal Keyboard Console, and with Duo-Art Records from a Concertola Cabinet permitting the playing of a program of ten selections.
The organ was dedicated on October 4, 1931, with a program given by Dr. Alexander Russell, director of music at Princeton University. Russell performed works by Bach, Franck, Martini and others to illustrate the orchestral colors of the organ. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed (6" wind pressure)
|
8 |
|
Diapason |
73 |
8 |
|
Tromba |
73 |
8 |
|
Dulciana |
73 |
8 |
|
Clarinet |
73 |
8 |
|
Dolce Flute |
73 |
|
|
Tremolo |
|
8 |
|
Concert Flute [unit] |
85 |
8 |
|
Harp |
) |
61 Tones |
Celesta |
) |
|
4 |
|
Wald Flute [from Con. Fl.] |
— |
4 |
|
2 2/3 |
|
Nazard [from Con. Fl.] |
— |
8 |
|
|
2 |
|
Piccolo [from Con. Fl.] |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed (6" wind pressure)
|
16 |
|
Lieblich Gedeckt [unit] |
97 |
8 |
|
Trumpet |
73 |
8 |
|
Diapason |
73 |
8 |
|
Oboe |
73 |
8 |
|
Viole |
73 |
8 |
|
Vox Humana |
73 |
8 |
|
Viole Celeste |
73 |
|
|
Tremolo |
|
8 |
|
Salicional |
73 |
8 |
|
Harp |
GT |
8 |
|
Spanish Flute [from 16'] |
— |
4 |
|
Celesta |
GT |
4 |
|
Flute d'Amour [from 16'] |
— |
8 |
|
Chimes |
GT |
2 |
|
Flageolet [from 16'] |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes (Derived from Great)
|
8 |
|
Diapason |
GT |
8 |
|
Tromba |
GT |
8 |
|
Dulciana |
GT |
8 |
|
Clarinet |
GT |
8 |
|
Dolce Flute |
GT |
|
|
Tremolo |
|
8 |
|
Concert Flute |
GT |
8 |
|
Harp |
GT |
4 |
|
Wald Flute |
GT |
4 |
|
Celesta |
GT |
2 |
|
Piccolo |
GT |
8 |
|
Chimes |
GT |
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
(6" wind pressure)
|
16 |
|
Violone |
32 |
8 |
|
Flute [from Concert Flute] |
GT |
16 |
|
Bourdon [ext. GT Con. Fl.] |
12 |
8 |
|
Gedeckt |
SW |
16 |
|
Lieblich Gedeckt |
SW |
8 |
|
Chimes |
GT |
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8', 4' |
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
Great 16', Unison Release |
|
|
Choir to Pedal 8' |
|
Swell 16', Unison Release, 4' |
|
|
Swell to Great 16', 8', 4' |
|
Choir 16', Unison Release, 4' |
|
|
Choir to Great 16', 8', 4' |
|
|
|
|
|
|
|
Combination Pistons
Adjustable at the Console and visibly affects the registers. Double touch Pistons
marked * affect Pedal combination of same number on second touch. Pedal and
General Pistons duplicated by Pedal Plungers (except 0).
|
|
|
Great |
Pistons 1*-2*-3*-4*-5-0* |
Swell |
Pistons 1*-2*-3*-4*-5-0* |
Choir |
Pistons 1*-2*-3*-4*-5-0* |
Pedal |
Pistons 1-2-3-4-0 |
General |
1-2-3-4-0 |
|
All Off |
|
Combination Set Piston, with Key Lock |
|
|
|
|
|
|
Accessories
|
|
|
Great-Choir Expression Pedal |
|
|
|
|
Swell Expression Pedal |
|
|
|
|
Crescendo Pedal with indicator light |
|
|
|
|
Sforzando Reversible (piston & plunger) with indicator light |
|
|
Great to Pedal Reversible (piston & plunger) |
|
|
Swell to Pedal Reversible (piston & plunger) |
|
|
Harp and Celesta P and F |
|
|
Harp and Celesta with and without Dampers |
|
|
|
|
|
|
|
|
|
|
|
|
|
Tudor Lounge (The Diapason, Nov. 1, 1931) |
Lounge Division
Aeolian Company
New York City – Opus 1794 (1931)
Electro-pneumatic action
0 manuals, 22 stops, 16 ranks
The organ in the Lounge on the third floor was an Aeolian Company Style 151 that would normally be played by a three manual console. For this installation the console was omitted but the organ was playable with Duo-Art Records from a Concertola Cabinet permitting the playing of a concert of ten selections. By means of electrical amplification the tone of this division when played with Duo-Art Records can be heard in the Auditorium as an Echo or Antiphonal Organ.
|
|
|
|
|
|
|
Great Organ – 61 notes, enclosed (5" wind pressure)
|
8 |
|
Diapason |
73 |
8 |
|
Trumpet |
73 |
8 |
|
String F |
73 |
8 |
|
Clarinet |
73 |
8 |
|
String P |
73 |
|
|
Tremolo |
|
8 |
|
Flute F |
73 |
8 |
|
Harp |
) |
61 Tones |
Celesta |
) |
|
8 |
|
Flute P |
73 |
4 |
|
4 |
|
Flute (high) |
73 |
8 |
|
|
|
|
|
|
|
|
|
|
Swell Organ – 61 notes, enclosed (5" wind pressure)
|
8 |
|
String F |
73 |
2 |
|
Flageolet |
— |
8 |
|
String F Vibrato |
73 |
8 |
|
Oboe |
73 |
8 |
|
String PP [sic] |
73 |
8 |
|
Vox Humana |
73 |
8 |
|
String P Vibrato |
73 |
|
|
Tremolo |
|
16 |
|
Flute (deep) [unit] |
85 |
|
|
Harp |
|
8 |
|
Spanish Flute |
— |
|
|
Celesta |
|
4 |
|
Flute (high) |
— |
|
|
Chimes |
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes, enclosed (5" wind pressure)
|
16 |
|
Flute (deep) F |
44 |
8 |
|
Flute P |
GT |
16 |
|
Flute (deep) P [ext. GT] |
12 |
8 |
|
Chimes |
GT |
8 |
|
Flute F [from 16'] |
— |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sources:
"American Woman's Association: 1911-1981". Barnard College Archives: http://www.bcedtech.com/barnardarchives/?tag=henry-hudson-hotel-new-york
"New Organ Dedicated," The New York Times (Oct. 5, 1931).
Smith, Rollin. The Aeolian Pipe Organ and its Music. Richmond: The Organ Historical Society, 1998.
Trupiano, Larry. Factory Specifications (July 6, 1931) of Aeolian Company organs, Op. 1793 and 1794.
Illustrations:
The Diapason (Nov. 1, 1931). Auditorium stage; Tudor Lounge. Courtesy Larry Trupiano.
eBay.com. Undated Postcard of Auditorium/Ballroom in AWA Clubhouse.
Undated Postcard of AWA Clubhouse on West 57th Street. Courtesy of the Barnard College Archives. |
|
|
|
|
|
|
|
|
|
|
|