|
|
|
Click on images to enlarge |
Church of the Blessed Sacrament
(Roman Catholic)
152 West 71st Street
New York, N.Y. 10023
http://www.blessedsacramentnyc.com
The Parish of the Blessed Sacrament was founded in 1887 by Father Matthew A. Taylor, a 34-year-old priest appointed by Archbishop Corrigan. Father Taylor transformed the Havemeyer's stable, formerly located on the north side of West 72nd Street, and the first Mass was on Easter Sunday, 1887. Father Taylor’s devotion to the Blessed Sacrament is the source for the parish’s name, although the Archbishop suggested that the parish might be dedicated to St. Matthew.
The first Church of the Blessed Sacrament was located on 71st Street, just west of the current church, and was a red brick Italianate building designed by Napoleon Le Brun & Sons. Ground was broken for that first church building in July 1887, and the following Christmas it was opened for services. Archbishop Corrigan dedicated the church the following month. In 1903, Blessed Sacrament’s parochial school was opened under the charge of the Sisters of Charity of Mount St. Vincent.
As the upper west side grew as a residential district, the old Blessed Sacrament church, which held 800 people, proved inadequate. Father Taylor, who was named a monsignor in February 1914, died in August 1914 at age 61 after serving as Blessed Sacrament’s pastor for 27 years. Reverend Thomas F. Myhan succeeded Monsignor Taylor as Blessed Sacrament’s second pastor. Father Myhan almost immediately undertook the building of a new church and school. Gustave E. Steinbach, a 37-year-old graduate of Columbia University School of Architecture, was chosen as the architect for the new church and school. In designing Blessed Sacrament, Steinback was inspired by Sainte Chapelle in Paris, a small gothic chapel built by Louis IX in the 1240s to house relics from the Holy Land.
Plans had been drawn and virtually completed when Father Myhan died suddenly on October 8, 1916 at age 52 after serving as pastor for only two years. His successor, Monsignor William J. Guinan, at once took steps to bring Father Myhan’s plans to fruition. The old Blessed Sacrament church was torn down in 1917. That same year, the cornerstones of the new church and school were laid. On September 8, 1919, the new school on 70th Street, behind the present church, was opened. The following Christmas, just 32 years after the original church was opened, Monsignor Guinan celebrated the first Mass in the current Church of the Blessed Sacrament. |
|
|
|
|
|
|
|
|
Casavant Frères, Limitée
St. Hyacinthe, Québec, Canada – Opus 2018 (1950)
Rebuilding and additions by James A. Konzelman Organs
Maplewood, N.J. (2005)
Electro-pneumatic key action
Solid State combination action (64 levels)
Solid State switching and coupling
3 manuals, 55 registers, 40 stops, 46 ranks
The present organ, originally built in 1950 by Casavant Frères of Canada, was rebuilt in 2005 by James A. Konzelman Organs, of Maplewood, N.J. Konzelman rescaled and revoiced many ranks, added new pipework, releathered chests, and rebuilt the wind regulators and the electro-pneumatic Swell and Choir expression mechanisms. The Casavant console received an overhaul with new drawknob terraces and name boards, new all-electric drawknob units and tilting tablets, new manual piston rails and pistons, new toe pistons, and a new pedalboard. Also installed was a new Solid State relay and switching system, a new Solid State capture combination action, and a new 6.5 HP Ventus blower. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes (7-1/4" and 5-1/2" wind pressure)
|
16 |
|
Double Principal |
68 |
2 2/3 |
|
Quint |
61 |
8 |
|
Principal |
68 |
2 |
|
Octave |
61 |
8 |
|
Rohrflöte * |
68 |
1 3/5 |
|
Terz |
61 |
8 |
|
Flûte Harmonique |
68 |
1 1/3 |
|
Mixture IV ranks * |
244 |
4 |
|
Octave |
68 |
8 |
|
Trompete * |
61 |
4 |
|
Nachthorn * |
68 |
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed (6-1/4" wind pressure)
|
16 |
|
Bourdon |
68 |
2 |
|
Octave |
61 |
8 |
|
Geigen |
68 |
1 3/5 |
|
Tierce * |
61 |
8 |
|
Gedeckt |
68 |
1 |
|
Mixture IV ranks * |
244 |
8 |
|
Salicional |
68 |
16 |
|
Basson |
73 |
8 |
|
Voix Celeste (GG) |
61 |
8 |
|
Trompette * |
68 |
4 |
|
Principal |
68 |
8 |
|
Hautbois (fr. Basson) * |
— |
4 |
|
Flauto Traverso |
68 |
4 |
|
Clairon * |
61 |
2 2/3 |
|
Nasat |
61 |
|
|
Tremulant |
|
2 |
|
Blockflöte * |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed (6" wind pressure)
|
16 |
|
Contra Viola |
92 |
4 |
|
Fugara (fr. 16') |
— |
8 |
|
Diapason |
68 |
4 |
|
Silver Flute |
68 |
8 |
|
Processional Diapason # |
61 |
2 |
|
Piccolo |
61 |
8 |
|
Concert Flute |
68 |
8 |
|
Trompete |
PED |
8 |
|
Viola (fr. 16') |
— |
8 |
|
Clarinet |
68 |
8 |
|
Erzähler |
68 |
|
|
Tremulant |
|
8 |
|
Erzähler Celeste (TC) + |
49 |
8 |
|
Trompette en Chamade |
preparation |
|
|
|
|
|
|
# in
Sanctuary |
|
|
|
|
|
+ former Gt. Gemshorn |
Pedal Organ – 32 notes
|
32 |
|
Contra Bourdon |
56 |
8 |
|
Cello (fr. Contra Viol) |
— |
16 |
|
Open Wood Diapason |
32 |
8 |
|
Stopped Flute (fr. 32') |
— |
16 |
|
Double Principal |
GT |
4 |
|
Choral Bass (fr. Principal) |
— |
16 |
|
Violone |
44 |
32 |
|
Posaune (ext.) |
digital |
16 |
|
Contra Viol |
CH |
16 |
|
Posaune * |
56 |
16 |
|
Bourdon (fr. 32') |
— |
16 |
|
Basson |
SW |
16 |
|
Lieblich Gedeckt |
SW |
8 |
|
Trompete (fr. Posaune) |
— |
8 |
|
Principal |
44 |
4 |
|
Klarine (fr. Posaune) |
— |
|
|
|
|
|
|
|
|
|
|
* new pipework added by Konzelman Organs |
Couplers
|
|
|
Great to Pedal 8' |
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
Choir to Swell 8' |
|
|
Choir to Pedal 8', 4' |
|
Great to Great 4' |
|
|
Swell to Great 16', 8', 4' |
|
Swell to Swell 16', 4' |
|
|
Choir to Great 16', 8', 4' |
|
Choir to Choir 16', 4' |
|
|
|
|
|
|
|
|
Adjustable Combination
Pistons
|
|
|
Swell Organ |
Pistons 1-8 (thumb) |
Great Organ |
Pistons 1-8 (thumb) |
Choir Organ |
Pistons 1-8 (thumb) |
Pedal Organ |
Pistons 1-8 (thumb; 3-4 dup. by toe) |
General |
Pistons 1-16
(thumb; 1-3 dup. by toe) |
|
General Cancel (thumb) |
|
Set (thumb) |
|
|
|
|
|
Reversibles
|
|
|
Great to Pedal (thumb & toe) |
|
Choir to Great (thumb) |
|
|
Swell to Pedal (thumb & toe) |
|
Swell to Choir (thumb) |
|
|
Choir to Pedal (thumb & toe) |
|
Tutti (thumb) |
|
|
Swell to Great (thumb) |
|
|
|
|
|
|
|
Balanced Pedals
|
|
|
Great Expression (non-functional) |
|
Swell Expression |
|
|
Choir Expression |
|
Crescendo |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
Casavant Frères console, Op. 2018 |
Casavant Frères, Limitée
St. Hyacinthe, Québec, Canada – Opus 2018 (1950)
Electro-pneumatic key and stop action
3 manuals, 45 registers, 36 stops, 45 ranks
Within 25 years of its installation, the 1925 Estey organ had sustained water damage and was replaced by a new organ built by Casavant Frères, Limitée of St. Hyacinthe, Québec, Canada. The 1950 Casavant (Opus 2018) utilized a great deal of the Estey pipework, but introduced new mixtures, the Great 16' Principal, the Choir 4' Silver Flute, and the Pedal 16' Trombone. Casavant located the enclosed Great in the former Solo box. Casavant also repitched the entire organ to A=440. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed (7" wind pressure)
|
16 |
|
Double Open Diapason |
68 |
4 |
|
Octave |
61 |
8 |
|
Open Diapason No. 1 |
68 |
|
|
Grave Mixture II ranks |
122 |
8 |
|
Open Diapason No. 2 |
68 |
|
|
Mixture V ranks |
305 |
8 |
|
Stopped Diapason |
68 |
8 |
|
Trumpet |
68 |
8 |
|
Gemshorn |
68 |
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed (6" wind pressure)
|
16 |
|
Bourdon |
68 |
2 |
|
Fifteenth |
61 |
8 |
|
Open Diapason |
68 |
|
|
Mixture V ranks |
305 |
8 |
|
Gedeckt |
68 |
16 |
|
Contra Fagotto |
68 |
8 |
|
Salicional |
68 |
8 |
|
Cornopean |
68 |
8 |
|
Voix Celeste (GG) |
61 |
8 |
|
Oboe |
68 |
4 |
|
Octave |
68 |
4 |
|
Clarion |
68 |
4 |
|
Flauto Traverso |
68 |
|
|
Tremulant |
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed (6" wind pressure)
|
16 |
|
Contra Viole |
80 |
4 |
|
Fugara |
68 |
8 |
|
Diapason |
68 |
4 |
|
Silver Flute |
68 |
8 |
|
Processional Diapason * |
61 |
2 |
|
Piccolo |
61 |
8 |
|
Concert Flute |
68 |
8 |
|
Clarinet |
68 |
8 |
|
Viole (fr. 16') |
— |
|
|
Tremulant |
|
8 |
|
Erzähler |
68 |
|
|
|
|
|
|
|
|
* in Sanctuary |
Pedal Organ – 32 notes
|
32 |
|
Contra Bourdon |
56 |
8 |
|
Stopped Flute (fr. 32') |
— |
16 |
|
Open Diapason |
32 |
8 |
|
Cello (fr. Violone) |
— |
16 |
|
Bourdon (fr. 32') |
— |
8 |
|
Principal |
44 |
16 |
|
Bourdon |
SW |
4 |
|
Diapason (fr. Principal) |
— |
16 |
|
Violone |
44 |
16 |
|
Fagotto |
SW |
16 |
|
Contra Viole |
CH |
16 |
|
Trombone |
32 |
16 |
|
Open Diapason |
GT |
|
|
Chimes |
CH |
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8' |
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
Choir to Swell 8' |
|
|
Choir to Pedal 8', 4' |
|
Great to Great 4' |
|
|
Swell to Great 16', 8', 4' |
|
Swell to Swell 16', 4' |
|
|
Choir to Great 16', 8', 4' |
|
Choir to Choir 16', 4' |
|
|
|
|
|
|
|
|
Adjustable Combination Pistons
|
|
|
Swell Organ |
Pistons 1-5 (thumb) |
Great Organ |
Pistons 1-5 (thumb) |
Choir Organ |
Pistons 1-5 (thumb) |
Pedal Organ |
Pistons 1-5 (toe, right side) |
General |
Pistons 1-6 (toe, left side) |
|
General Cancel (thumb) |
|
Set (thumb) |
|
|
|
|
|
|
|
|
|
Reversible Pistons
|
|
|
Great to Pedal (thumb & foot) |
|
Swell to Choir |
|
|
Swell to Pedal |
|
Full Organ (thumb & foot) |
|
|
Choir to Pedal |
|
|
|
|
Swell to Great |
|
Adjuster |
|
|
Choir to Great |
|
Release |
|
|
|
|
|
|
|
|
Balanced Pedals
|
|
|
Great Expression |
|
Choir Expression |
|
|
Swell Expression |
|
Crescendo |
|
|
|
|
|
|
|
|
Indicators
|
|
|
Crescendo |
|
|
|
Wind |
|
|
|
Full Organ |
|
|
|
Voltmeter |
|
|
|
|
|
|
|
|
|
|
|
Estey Organ Company
Brattleboro, Vt. – Opus 2420 (1925); rev. 1937
Electro-pneumatic action
4 manuals, 99 registers, 69 stops, 86 ranks
In 1937, the Estey Company revised the design of Op. 2420 from 1925. Estey added several new ranks, replaced and added chests, and altered the case. The luminous console, which had proven to be unsatisfactory, was replaced by a new four-manual drawknob console with ivory keys. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed (3½" and 5" pressure)
|
16 |
|
Double Diapason * |
61 |
3 1/5 |
|
Gross Tierce * |
61 |
16 |
|
Bourdon (ext. St. Diap.) |
12 |
2 2/3 |
|
Twelfth # New |
61 |
8 |
|
Open Diapason I # New |
61 |
2 |
|
Super Octave # New |
61 |
8 |
|
Open Diapason II # New |
61 |
2 |
|
Fifteenth * |
61 |
8 |
|
Open Diapason III * |
61 |
|
|
Harmonics IV ranks # New |
244 |
8 |
|
Stopped Diapason # New |
61 |
|
|
Mixture V ranks # New |
305 |
8 |
|
Gamba * |
61 |
8 |
|
Trumpet * New |
73 |
8 |
|
Gemshorn # New |
61 |
4 |
|
Clarion (fr. Trumpet) |
— |
5 1/3 |
|
Quint * |
61 |
8 |
|
|
4 |
|
Octave # New |
61 |
|
|
|
4 |
|
Principal * |
61 |
|
|
# 3½" pressure * 5" pressure |
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed (6" pressure)
|
16 |
|
Bourdon |
73 |
2 2/3 |
|
Nazard New |
61 |
8 |
|
Open Diapason I |
73 |
2 |
|
Fifteenth New |
61 |
8 |
|
Open Diapason II |
73 |
|
|
Mixture V ranks New |
305 |
8 |
|
Gedeckt |
73 |
16 |
|
Contra Fagotto |
73 |
8 |
|
Spitz Flute New |
73 |
8 |
|
Cornopean New |
73 |
8 |
|
Spitz Flute Celeste (TC) New |
61 |
8 |
|
Trompette New |
73 |
8 |
|
Quintadena |
73 |
8 |
|
Oboe New |
73 |
8 |
|
Salicional |
73 |
4 |
|
Clarion New |
73 |
8 |
|
Voix Celeste (TC) |
61 |
8 |
|
Vox Humana (sep. box) |
73 |
8 |
|
Aeoline New |
73 |
|
|
Tremulant |
|
4 |
|
Octave |
73 |
8 |
|
|
4 |
|
Traverse Flute |
73 |
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed (6" pressure)
|
16 |
|
Contra Viol |
109 |
2 2/3 |
|
Nazard |
61 |
8 |
|
Open Diapason |
73 |
2 |
|
Piccolo [harmonic] |
61 |
8 |
|
Concert Flute |
73 |
1 3/5 |
|
Tierce |
— |
8 |
|
Flute a Cheminee New |
73 |
|
|
Dolce Cornet III rks [old SW] |
183 |
8 |
|
Dulciana [old Swell] |
73 |
8 |
|
Trumpet New |
85 |
8 |
|
Erzahler New |
73 |
8 |
|
Clarinet |
73 |
8 |
|
Erzahler Celeste (TC) New |
61 |
4 |
|
Clarion (fr. Trumpet) |
— |
8 |
|
Muted Violes II ranks |
134 |
|
|
Tremulant |
|
8 |
|
Viol d'Amour (fr. 16') |
— |
16 |
|
Harp (TC) |
SW |
4 |
|
Silver Flute [harm.] New |
73 |
8 |
|
Harp |
SW |
4 |
|
Fugara (fr. 16') |
— |
|
|
Chimes |
SW |
|
|
|
|
|
|
|
|
Solo Organ (Manual IV) – 61 notes, enclosed (10" pressure)
|
8 |
|
Stentorphone |
73 |
16 |
|
Tuba Profunda |
97 |
8 |
|
Philomela |
73 |
8 |
|
Tuba (fr. 16') |
— |
8 |
|
Gross Gamba |
73 |
4 |
|
Tuba Clarion (fr. 16') |
— |
8 |
|
Gamba Celeste |
73 |
8 |
|
Tuba Mirabilis [15"] New |
73 |
8 |
|
Flute Ouverte |
73 |
|
|
Tremulant |
|
8 |
|
French Horn New |
73 |
|
|
Chimes |
SW |
8 |
|
Orchestral Oboe |
73 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes (6" pressure)
|
32 |
|
Double Open Diapason New |
56 |
8 |
|
Violoncello |
SO |
32 |
|
Sub Bourdon |
68 |
8 |
|
Viola |
— |
16 |
|
Open Diapason I |
44 |
5 1/3 |
|
Octave Quint (fr. Quint) |
— |
16 |
|
Open Diapason II (fr. 32') |
— |
6 2/5 |
|
Tierce (fr. Dbl. O.D.) |
GT |
16 |
|
Bourdon (fr. 32') |
— |
4 |
|
Octave Flute (fr. Dbl. O.D.) |
— |
16 |
|
Violone |
44 |
4 |
|
Flute (fr. Sub Bdn) |
— |
16 |
|
Open Diapason |
GT |
2 |
|
Super Octave (fr. Principal) |
— |
16 |
|
Lieblich Bourdon |
SW |
|
|
Mixture IV ranks |
128 |
16 |
|
Contra Gamba (ext. SO) |
12 |
32 |
|
Bombarde |
44 |
16 |
|
Contra Viola |
CH |
16 |
|
Ophecleide (fr. 32') |
— |
10 2/3 |
|
Quint |
44 |
16 |
|
Tuba Profunda |
SO |
8 |
|
Octave (fr. Op. Diap. I) |
— |
16 |
|
Contra Fagotto |
SW |
8 |
|
Flute (French Horn) |
SO |
8 |
|
Tuba |
SO |
8 |
|
Principal |
44 |
4 |
|
Clarion |
SO |
8 |
|
Stopped Flute (fr. 32') |
— |
|
|
Chimes |
SW |
8 |
|
Gedeckt |
SW |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8', 4' |
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
Solo to Choir 16', 8', 4' |
|
|
Choir to Pedal 8', 4' |
|
Solo to Swell 16', 8', 4' |
|
|
Solo to Pedal 8', 4' |
|
Great to Solo 8' |
|
|
Pedal to Pedal 4' |
|
Great to Great 16', 4', Unison |
|
|
Swell to Great 16', 8', 4' |
|
Swell to Swell 16', 4', Unison |
|
|
Choir to Great 16', 8', 4' |
|
Choir to Choir 16', 4', Unison |
|
|
Solo to Great 16', 8', 4' |
|
Solo to Solo 16', 4', Unison |
|
|
|
|
|
|
|
|
Combination Pistons
|
|
|
Pistons No. 1-2-3-4-5-6-7-8-0 |
affecting Great stops & couplers |
|
|
Pistons No. 1-2-3-4-5-6-7-8-9-10-0 |
affecting Swell stops & couplers |
|
|
Pistons No. 1-2-3-4-5-6-7-8-0 |
affecting Choir stops & couplers |
|
|
Pistons No. 1-2-3-4-5-6-0 |
affecting Solo stops & couplers |
|
|
Pistons No. 1-2-3-4-5-6-0 |
affecting Pedal stops & couplers (1-6 dup. by toe) |
|
|
Pistons No. 1-2-3-4-5-6-7-8-9-10 |
Generals to all stops & couplers (1-6 dup. by toe) |
|
|
|
6 pedal comb. to first 6 pistons on any manual |
|
|
General Release piston |
|
|
|
|
|
|
|
|
|
Pedal Movements
|
|
|
Balanced Great Expression Pedal |
|
Great to Pedal Reversible |
|
|
Balanced Swell Expression Pedal |
|
Swell to Pedal Reversible |
|
|
Balanced Choir Expression Pedal |
|
Choir to Pedal Reversible |
|
|
Balanced Solo Expression Pedal |
|
Solo to Pedal Reversible |
|
|
Balanced Crescendo Pedal |
|
Sforzando Reversible |
|
|
|
|
|
|
|
|
Special Features
|
|
|
Wind Indicator |
|
Sforzando Indicator |
|
|
Crescendo Indicator |
|
Master Swell Switch |
|
|
|
|
|
|
|
|
|
|
Estey Organ Company
Brattleboro, Vt. – Opus 2420 (1925)
Electro-pneumatic action
4 manuals, 96 registers, 61 stops, 69 ranks
The original organ for the present church was built in 1925 by the Estey Organ Company of Brattelboro, Vt. as their Opus 2420. Estey provided a four-manual "Luminous Roller" console which had celluloid manual keys and stops controls that illuminated when pushed on. Estey also built a large and ornate organ case to house the large instrument in the gallery of the church. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed (6" pressure)
|
16 |
|
Double Diapason * |
73 |
4 |
|
Harmonic Flute |
73 |
16 |
|
Bourdon (ext. Doppel Flute) |
12 |
2 2/3 |
|
Twelfth |
61 |
8 |
|
First Diapason * |
73 |
2 |
|
Fifteenth |
61 |
8 |
|
Second Diapason |
73 |
|
|
Sesquialtera II ranks |
146 |
8 |
|
Third Diapason |
73 |
|
|
Fourniture V ranks |
305 |
8 |
|
Gross Flute |
73 |
8 |
|
Trumpet |
61 |
8 |
|
Doppel Flute |
73 |
|
|
Chimes F |
27 tubular bells |
|
8 |
|
Gamba |
73 |
|
|
Chimes P |
|
4 |
|
Octave |
73 |
|
|
* unenclosed |
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed (6" pressure) |
16 |
|
Bourdon |
73 |
4 |
|
Flauto Traverso |
73 |
16 |
|
Dulciana |
109 |
4 |
|
Dulciana (fr. 16') |
— |
8 |
|
First Diapason |
73 |
2 |
|
Flautino |
61 |
8 |
|
Second Diapason |
73 |
2 |
|
Dulciana (fr. 16') |
— |
8 |
|
Hohl Flute |
73 |
1 |
|
Dulciana (fr. 16') |
— |
8 |
|
Chimney Flute |
73 |
|
|
Dolce Cornet III ranks |
183 |
8 |
|
Gedeckt |
73 |
16 |
|
Contra Fagotto |
73 |
8 |
|
Quintadena |
73 |
8 |
|
Cornopean |
73 |
8 |
|
Viol d'Orchestre |
73 |
8 |
|
Oboe |
73 |
8 |
|
Viol Celeste (TC) |
61 |
4 |
|
Clarion |
73 |
8 |
|
Salicional |
73 |
8 |
|
Vox Humana |
73 |
8 |
|
Voix Celeste (TC) |
61 |
|
|
Tremulant |
|
8 |
|
Dulciana (fr. 16') |
— |
16 |
|
Harp
(TC) |
— |
4 |
|
Octave |
73 |
8 |
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed (6" pressure) |
16 |
|
Contra Viol |
109 |
4 |
|
Flute d'Amour |
73 |
8 |
|
Diapason |
73 |
4 |
|
Fugara (fr. 16') |
— |
8 |
|
Concert Flute |
73 |
2 |
|
Piccolo (harmonic) |
61 |
8 |
|
Gedeckt |
73 |
16 |
|
Bass Clarinet |
73 |
8 |
|
Flauto Dolce |
73 |
8 |
|
Clarinet |
73 |
8 |
|
Flauto Celeste (TC) |
61 |
8 |
|
Physharmonica [free reeds] |
73 |
8 |
|
Viol d'Amour (fr. 16') |
— |
|
|
Tremulant |
|
8 |
|
Gemshorn |
73 |
16 |
|
Harp (TC) |
SW |
8 |
|
Muted Viol II ranks |
134 |
8 |
|
Harp |
SW |
|
|
|
|
|
|
|
|
Solo Organ (Manual IV) – 61 notes, enclosed (10" pressure) |
8 |
|
Stentorphone |
73 |
8 |
|
French Horn |
73 |
8 |
|
Philomela |
73 |
16 |
|
Tuba Profunda |
97 |
8 |
|
Gross Gedeckt |
73 |
8 |
|
Tuba (fr. 16') |
— |
8 |
|
Gross Gamba |
73 |
4 |
|
Tuba Clarion (fr. 16') |
— |
8 |
|
Gamba Celeste |
73 |
8 |
|
Tuba Mirabilis [15"] |
73 |
8 |
|
Flute Ouverte |
73 |
|
|
Chimes F |
GT |
8 |
|
Orchestral Oboe |
73 |
|
|
Chimes P |
GT |
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes (10" pressure) |
64 |
|
Gravissima [Resultant] |
— |
8 |
|
Gedeckt (fr. 32') |
— |
32 |
|
Double Open Diapason |
56 |
8 |
|
Viola (fr. 32') |
— |
32 |
|
Contra Bourdon |
68 |
8 |
|
Still Gedeckt |
SW |
32 |
|
Contra Violone |
56 |
4 |
|
Octave Flute (fr. 32') |
— |
16 |
|
First Diapason (fr. 32') |
— |
|
|
Sesquialtera II ranks (ext.
GT) |
24 |
16 |
|
Second Diapason |
GT |
|
|
Fourniture V ranks (ext.
GT) |
50 |
16 |
|
Contra Gamba (ext. SO) |
12 |
32 |
|
Bombarde * (ext.
Tuba Mir.) |
12 |
16 |
|
Bourdon (fr. 32') |
— |
16 |
|
Ophicleide * (ext.
Tuba Mir.) |
12 |
16 |
|
Second Bourdon |
SW |
16 |
|
Trombone (ext. GT Tpt.) |
12 |
16 |
|
Dulciana |
SW |
16 |
|
Tuba Profunda |
SO |
16 |
|
Violone (fr. 32') |
— |
16 |
|
Contra Fagotto |
SW |
16 |
|
Contra Viol |
CH |
8 |
|
Tuba Mirabilis |
SO |
8 |
|
Octave (fr. 32') |
— |
8 |
|
Tuba |
SO |
8 |
|
Violoncello (Gamb. Cel. II) |
SO |
4 |
|
Tuba Clarion |
SO |
8 |
|
Bass Flute (fr. 32') |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8', 4' |
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
Solo to Choir 16', 8', 4' |
|
|
Choir to Pedal 8', 4' |
|
Solo to Swell 16', 8', 4' |
|
|
Solo to Pedal 8', 4' |
|
Great to Solo 8' |
|
|
Pedal to Pedal 4' |
|
Great to Great 4', Unison |
|
|
Swell to Great 16', 8', 4' |
|
Swell to Swell 16', 4', Unison |
|
|
Choir to Great 16', 8', 4' |
|
Choir to Choir 16', 4', Unison |
|
|
Solo to Great 16', 8', 4' |
|
Solo to Solo 16', 4', Unison |
|
|
|
|
|
|
|
|
Combination Pistons
|
|
|
Pistons No. 1-2-3-4-5-6-7-8 |
affecting Great & Pedal stops |
|
|
Pistons No. 1-2-3-4-5-6-7-8-9-10 |
affecting Swell & Pedal stops |
|
|
Pistons No. 1-2-3-4-5-6-7-8 |
affecting Choir & Pedal stops |
|
|
Pistons No. 1-2-3-4-5-6 |
affecting Solo & Pedal stops |
|
|
Pistons No. 1-2-3-4-5-6-7-8-9-10 |
Universals affecting all stops and couplers |
|
|
Pistons No. 1-2-3-4 |
Universals on Toe Studs |
|
|
|
|
|
|
|
|
Pedal Movements
|
|
|
Balanced Great Expression Pedal |
|
Great to Pedal Reversible |
|
|
Balanced Swell Expression Pedal |
|
Swell to Pedal Reversible |
|
|
Balanced Choir Expression Pedal |
|
Choir to Pedal Reversible |
|
|
Balanced Solo Expression Pedal |
|
Solo to Pedal Reversible |
|
|
Balanced Crescendo Pedal |
|
Sforzando Reversible |
|
|
|
|
|
|
|
|
Special Features
|
|
|
Wind Indicator |
|
Sforzando Indicator |
|
|
Crescendo Indicator |
|
Master Swell Switch |
|
|
|
|
|
|
|
|
|
|
Organ in original church located on 72nd Street, west of Broadway:
J.H. & C.S. Odell & Co.
New York City – Opus 233 (1887)
Mechanical action
2 manuals, 15 registers, 13 stops, 13 ranks
The original Blessed Sacrament Church contained an organ built in 1887 by J.H. & C.S. Odell of New York City. This Odell organ was their opus 233, a "Size No. 9" stock model having two manuals and a 27-note pedalboard, with a case measuring 16 feet high, 11 feet 3 inches wide, and 7 feet 3 inches deep. Odell's handwritten contract, dated August 18, 1887, states that the organ would cost $1,925, and that Odell would try to have the organ installed and playable on or about October 1, 1887. When the present church was built in 1919-20, the Odell organ was moved. Around 1925, when Estey, Op. 2420 was installed, the Odell organ was moved to First Reformed Church in Astoria. |
|
|
|
|
|
|
|
|
Great Organ (Manual I) – 58 notes
|
8 |
|
Open Diapason |
58 |
4 |
|
Wald Flute (TC) |
46 |
8 |
|
Keraulophon (grooved bass) |
46 |
4 |
|
Octave |
58 |
8 |
|
Melodia (TC) |
46 |
2 |
|
Fifteenth |
58 |
8 |
|
Unison Bass |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual II) – 58 notes, enclosed
|
8 |
|
Open Diapason |
58 |
4 |
|
Violina |
58 |
8 |
|
Dulciana (TC) |
46 |
2 |
|
Flautino |
58 |
8 |
|
Clarionet Flute (TC) |
46
|
8 |
|
Oboe (TC) |
46 |
8 |
|
Stopped Bass |
12 |
|
|
Tremolo |
|
|
|
|
|
|
|
|
|
Pedal Organ – 27 notes
|
16 |
|
Bourdon (large scale) |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
Mechanical Registers
|
|
|
Swell to Great |
|
|
Patent Reversible [Great to Pedal] |
|
|
Swell to Pedal |
|
|
Bellows Signal |
|
|
Great to Pedal |
|
|
Balance Swell Pedal |
|
|
|
|
|
|
|
|
Composition Pedals on Great Organ
|
|
|
Piano |
|
|
|
|
|
|
|
Forte |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sources:
Blessed Sacrament Church website: http://www.blessedsacramentnyc.com
Carnahan, John. Factory Shop Order for Estey organ, Op. 2420 (1925).
Casavant Frères, Ltée. Factory Specification (Nov. 25, 1949) of Casavant Frères organ, Op. 2018. Courtesy Stanley Scheer.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
The Estey Pipe Organ website: www.esteyorgan.com
Trupiano, Larry. J.H. & C.S. Odell Company Contract (Aug. 20, 1887) with "Size No. 9" specifications of Odell Organ, Op. 233 (1887).
Illustrations:
The American Organist (Jan. 1951). Case of Estey organ, Op. 2420 (1925).
Casavant Frères Archives. Console of Casavant Frères organ, Op. 2018 (1950). Courtesy Jeff Scofield.
The Estey Pipe Organ web site. Case and console of Estey organ, Op. 2420 (1925).
Rust, John. Organ case and rebuilt Casavant console.
Scofield, Jeff. 1937 drawknob console of Estey Organ, Op. 2420 (1925). |
|
|
|
|
|
|
|
|
|
|
|