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Convent Avenue Baptist Church
420 West 145th Street at Convent Avenue
New York, N.Y. 10031
www.conventchurch.org
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Convent Avenue Baptist Church was founded on February 4, 1942 by Dr. John W. Saunders, formerly pastor of the Walker Memorial Baptist Church. Two years earlier, Dr. Saunders, already in his seventies, had formed a group known as the "Kingdom Builders." The Kingdom Builders held services in the former Congress Casino Dance Hall and the old Baptist Temple in Harlem.
In 1942, the Kingdom Builders, with a $50,000 mortgage, purchased the former Washington Heights Baptist Church, located on the southeast corner of Convent Avenue and 145th Street. Built from 1897-99 to designs by Lamb & Rich, the Neo-Gothic edifice is faced in blocks of Georgia white marble. The façade includes a porch with three entrances, above which is a large stained glass window; to the left of the porch is a crenulated square tower with rounded corners. The spacious auditorium was planned to accomodate about 1,000 persons in oak pews on the main floor and three galleries. Behind the pulpit platform is oak paneling, three sections of which could be retracted to reveal a stained glass screen (which is extant). As originally built, a portion of the pulpit floor could be lowered by mechanical device and slid underneath the front to reveal the baptismal pool below. An arched alcove behind the pulpit platform contains the organ and choir loft.
Convent Avenue Baptist Church is the site of an annual commemoration of the Rev. Martin Luther King, Jr., whose last appearance in New York was at this church on March 26, 1968, nine days before he was assassinated. |
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Southfield Organ Builders, Inc.
Springfield, Mass. (1992-onward)
Electro-pneumatic slider and unit action
Digital stops by Walker Digital
4 manuals, 107 stops, 79 pipe ranks
Beginning in 1992 and continuing as funding was available, the 1968 Möller organ has been rebuilt and enlarged by Southfield Organ Builders of Springfield, Mass. New electro-pneumatic slider chests have been installed in the Great and Swell divisions, allowing more room for additional ranks, and the old Antiphonal has been transformed into a Gallery Great division that includes a vintage 16' Open Wood rank that is playable in the pedal. Southfield built a new four-manual console in the style of Aeolian-Skinner that incorporates Harris drawknobs and solid state control systems. Owing to a lack of space in the two small chancel chambers, digital stops have been used for the entire Solo division, Pedal 32s, percussions, and others; the digital stops are by Walker Technical Company of Zionsville, Pa. As designed, the Southfield "hybrid" or "combo" organ will have 128 ranks and 114 speaking stops when completed. |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
prep. |
1 1/3 |
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Fourniture IV ranks |
244 |
8 |
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Principal |
61 |
16 |
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Basson |
prep. |
8 |
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Bourdon |
61 |
8 |
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Trompette |
61 |
8 |
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Flute Harmonique |
61 |
4 |
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Clairon |
prep. |
8 |
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Geigen |
prep. |
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Tremolo |
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8 |
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Geigen Celeste |
prep. |
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Chimes [25 notes] |
digital |
4 |
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Octave |
61 |
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Harp |
CH |
4 |
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Koppelflöte |
61 |
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Sub |
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4 |
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Spitz Geigen |
prep. |
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Unison Off |
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2 2/3 |
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Twelfth |
61 |
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Super |
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2 |
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Fifteenth |
61 |
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MIDI on Great |
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2 |
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Blockflöte |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt [unit] |
73 |
2 |
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Waldflöte |
61 |
16 |
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Gambe [unit] |
73 |
1 3/5 |
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Terz |
61 |
8 |
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Open Diapason |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Rohrflöte |
— |
2 |
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Dolce Mixture III-V ranks |
? |
8 |
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Flauto Dolce |
73 |
1 1/3 |
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Plein Jeu IV ranks |
244 |
8 |
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Flute Celeste [TC] |
61 |
16 |
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Contre Trompette |
61 |
8 |
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Gamba |
— |
8 |
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Trompette |
61 |
8 |
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Gamba Celeste |
61 |
8 |
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Hautbois |
61 |
8 |
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Viole |
digital |
8 |
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Vox Humana |
61 |
8 |
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Viole Celeste |
digital |
4 |
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Clairon |
61 |
4 |
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Principal |
61 |
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Tremolo |
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4 |
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Traverse Flute |
61 |
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Harp |
CH |
4 |
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Flauto Dolce [ext.] |
— |
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Sub |
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4 |
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Flute Celeste [ext.] |
— |
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Unison Off |
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2 2/3 |
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Nasat |
61 |
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Super |
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Choir Organ (Manual I) – 61 notes, enclosed
[currently unplayable]
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16 |
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Echo Diapason |
digital |
1 3/5 |
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Tierce |
61 |
16 |
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Spitzflöte |
digital |
1 1/3 |
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Larigot |
61 |
8 |
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Viola Pomposa |
61 |
2/3 |
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Zimbel III ranks |
183 |
8 |
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VIola Celeste |
61 |
16 |
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Dulzian |
61 |
8 |
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Concert Flute |
61 |
8 |
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Petite Trompette |
61 |
8 |
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Flute d'Orchestre |
61 |
8 |
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Cromorne |
prep. |
8 |
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Erzähler |
73 |
4 |
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Rohr Schalmei |
61 |
8 |
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Erzähler Celeste [TC] |
61 |
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Tremolo |
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8 |
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Viol d'Amore |
digital |
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Chimes |
GT |
8 |
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Viol Celeste |
digital |
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Harp [61 notes] |
digital |
4 |
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Spitz Principal |
61 |
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Sub |
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4 |
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Flute d'Amore |
61 |
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Unison Off |
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4 |
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Kleine Erzähler [ext.] |
— |
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Super |
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4 |
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Kleine Celeste [ext.] |
— |
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MIDI on Choir |
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2 2/3 |
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Nasard |
61 |
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Zimbelstern |
digital |
2 |
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Zauberflöte |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Geigen Diapason |
digital |
8 |
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Orchestral Oboe |
digital |
8 |
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Doppelflöte |
digital |
8 |
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Corno di Bassetto |
digital |
4 |
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Flute Triangulaire |
digital |
8 |
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Cor Anglais |
digital |
2 2/3 |
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Flute Conique |
digital |
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Tremolo |
digital |
8 |
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Orchestral Trumpet |
digital |
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Chimes |
GT |
8 |
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French Horn |
digital |
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Harp |
CH |
8 |
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Oboe d'Amore |
digital |
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Carillon [25 notes] |
digital |
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Gallery Great Organ (Manual IV) – 61 notes, unenclosed
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8 |
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Montre |
61 |
8 |
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Cornet V ranks |
305 |
8 |
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Cor de Nuit |
61 |
1 1/3 |
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Cymbale IV ranks |
244 |
8 |
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Violon |
61 |
8 |
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Krummhorn |
61 |
8 |
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Gemshorn |
73 |
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Tremolo |
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8 |
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Gemshorn Celeste |
73 |
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Sub |
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4 |
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Prestant |
61 |
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Unison Off |
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4 |
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Flute Couverte |
61 |
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Super |
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4 |
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Spitz Octave [ext.] |
— |
16 |
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Festival Trumpet |
prep. |
4 |
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Octave Celeste [ext.] |
— |
8 |
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Festival Trumpet |
prep. |
2 2/3 |
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Quinte |
61 |
4 |
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Festival Trumpet |
prep. |
2 |
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Doublette |
61 |
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Zimbelstern |
digital |
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Pedal Organ – 32 notes
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32 |
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Contre Diapason |
digital |
8 |
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Geigen |
prep. |
32 |
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Contre Bourdon |
digital |
4 |
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Choral Bass |
prep. |
32 |
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Contre Gambe |
digital |
4 |
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Nachthorn |
prep. |
16 |
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Principal |
32 |
2 |
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Principal |
prep. |
16 |
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Open Wood [Gallery] |
44 |
2 |
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Mixture III ranks |
prep. |
16 |
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Diapason |
GT |
32 |
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Contra Trombone |
digital |
16 |
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Echo Diapason |
CH |
32 |
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Contre Fagotto |
digital |
16 |
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Bourdon [Gallery] |
prep. |
16 |
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Trombone [unit] |
56 |
16 |
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Spitzflöte |
CH |
16 |
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Contre Trompette |
SW |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Basson |
GT |
16 |
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Gambe |
SW |
16 |
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Dulzian |
CH |
8 |
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Principal |
prep. |
8 |
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Tromba |
— |
8 |
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Diapason [Gallery] |
— |
8 |
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Trompette |
GT |
8 |
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Bourdon [Gallery] |
prep. |
8 |
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Cromorne |
CH |
8 |
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Spitzflöte |
CH |
4 |
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Clairon |
— |
8 |
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Rohrflöte |
SW |
4 |
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Rohr Schalmei |
CH |
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Couplers
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Great to Pedal 8', 4' |
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Gal. Great to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Pedal to Great 8' |
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Choir to Pedal 8', 4' |
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Choir to Swell 16', 8', 4' |
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Solo to Pedal 8', 4' |
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Solo to Swell 16', 8', 4' |
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Gal. Great to Pedal 8', 4' |
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Gal. Great to Swell 16', 8', 4' |
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Pedal Divide |
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Great to Choir 16', 8', 4' |
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Swell to Great 16', 8', 4' |
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Swell to Choir 16', 8', 4' |
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Choir to Great 16', 8', 4' |
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Solo to Choir 16', 8', 4' |
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Solo to Great 16', 8', 4' |
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Gal. Great to Choir 16', 8', 4' |
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Adjustable Combinations (32 memory levels)
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Solo Organ |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb) |
Gallery Great Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Pedal Organ |
Pistons 1-2-3-4 (thumb) 5-6-7-8 (thumb & toe) |
Entire Organ |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb) |
Entire Organ |
Pistons 11-12-13-14-15-16-17-18-19-20 (thumb & toe) |
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General Cancel (thumb) |
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Set (thumb) |
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Reversibles
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Great to Pedal (thumb & toe) |
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32' Contre Trombone (thumb & toe) |
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Swell to Pedal (thumb & toe) |
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32' Contre Fagotto (toe) |
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Choir to Pedal (thumb & toe) |
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32' Contre Diapason (thumb) |
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Solo to Pedal (thumb & toe) |
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32' Contre Bourdon (thumb) |
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Gal. Great to Pedal (thumb & toe) |
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Festival Trumpets on Solo Express. |
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Swell to Great (thumb) |
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Festival Trumpets to Solo (thumb) |
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Choir to Great (thumb) |
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Festival Trumpets to Swell (thumb) |
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Gal. Great to Great (thumb) |
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Festival Trumpets to Great (thumb) |
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Solo to Great (thumb) |
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Festival Trumpets to Choir (thumb) |
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Solo to Swell (thumb) |
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Festival Trumpets to Pedal (thumb) |
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Swell to Choir (thumb) |
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Gal. Great Tutti (thumb & toe) |
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Gal. Great to Choir (thumb) |
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Tutti (thumb & toe) |
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Solo to Choir (thumb) |
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All Swells to Swell (thumb) |
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Silencer Controls (with indicator lights)
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Tremolos Off |
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Mixtures Off |
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Celestes Off |
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Reeds Off |
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Pedal 32s Off |
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Harp Dampers On |
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Manual 16s Off |
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Harp Forte |
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4' Couplers Off |
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Carillon Forte |
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Miscellaneous Controls (rocking tablets above top manual)
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All Swells to Swell |
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Festival Trumpets on Solo Express. |
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Chancel (green) |
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Festival Trumpets on Solo |
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Both (black) |
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Festival Trumpets on Swell |
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Gallery (red) |
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Festival Trumpets on Great |
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Tower Carillon |
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Festival Trumpets on Choir |
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Sanctuary Carillon |
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Festival Trumpets on Pedal |
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Both |
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Expression
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Balanced Swell Pedal |
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Balanced Solo Pedal |
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Balanced Choir Pedal |
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Crescendo (4 levels) |
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M. P. Möller, Inc.
Hagerstown, Md. – Opus 10390 (1968)
Electro-pneumatic action
4 manuals, 47 stops, 45 ranks
In 1968, M.P. Möller was contracted to build a new organ for the church. The enclosed Swell and Choir divisions were installed in chambers that opened into the choir loft, and in front of the chamber openings were cantilevered chests for the exposed pipes of the Great division. In the rear gallery was the exposed and unenclosed Antiphonal division that included a Festival Trumpet on 6" pressure. The four-manual drawknob console was installed in the center of the chancel choir loft. |
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Great Organ (Manual II) – 61 notes, unenclosed and exposed (3½" pressure)
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8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Bourdon |
61 |
8 |
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Trompette |
61 |
4 |
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Octave |
61 |
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4 |
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Spitzflöte |
61 |
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Great Unison Off |
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2 |
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Doublette |
61 |
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Great 4' |
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Swell Organ (Manual III) – 61 notes, enclosed (4" pressure)
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16 |
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Rohrflöte [unit] |
73 |
8 |
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Trompette |
61 |
8 |
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Rohrflöte |
— |
8 |
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Vox Humana |
61 |
8 |
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Viole de Gambe |
61 |
4 |
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Clairon |
61 |
8 |
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Viole Celeste [GG] |
54 |
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Tremulant |
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4 |
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Principal |
61 |
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Swell 16' |
2 |
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Waldflöte |
61 |
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Swell Unison Off |
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Plein Jeu IV ranks |
244 |
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Swell 4' |
16 |
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Basson [L/2] |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed (3½" pressure)
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8 |
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Gedeckt |
61 |
8 |
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Krummhorn |
61 |
8 |
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Erzähler |
61 |
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Tremulant |
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8 |
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Erzähler Celeste [TC] |
49 |
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4 |
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Koppelflöte |
61 |
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Choir 16' |
2 2/3 |
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Nazard |
61 |
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Choir Unison Off |
2 |
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Blockflöte |
61 |
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Choir 4' |
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1 3/5 |
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Tierce |
61 |
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Antiphonal Organ (Manual IV) – 61 notes, unenclosed and exposed (3½" pressure)
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8 |
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Bourdon |
61 |
8 |
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Festival Trumpet [6" w.p.] |
61 |
8 |
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Salicional |
61 |
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Antiphonal Unison Off |
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4 |
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Octave |
61 |
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Antiphonal 4' |
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Mixture II-IV ranks |
190 |
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Pedal Organ – 32 notes (3½" and 4" pressure)
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16 |
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Contrebasse [unit] |
44 |
4 |
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Rohrflöte |
SW |
16 |
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Bourdon [unit] |
44 |
2 |
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Octavin |
— |
16 |
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Rohrgedeckt |
SW |
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Mixture II ranks |
64 |
10 2/3 |
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Quint [fr. Bourdon] |
— |
32 |
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Bombarde [unit, 1-12 L/2] |
56 |
8 |
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Principal |
— |
16 |
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Bombarde |
— |
8 |
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Bourdon |
— |
16 |
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Basson |
SW |
8 |
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Rohrflöte |
SW |
8 |
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Bombarde |
— |
4 |
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Choralbass [unit] |
44 |
4 |
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Basson |
SW |
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Couplers
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Great to Pedal 8 |
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Choir to Great 16, 8, 4 |
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Swell to Pedal 8, 4 |
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Antiphonal to Great 8, 4 |
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Choir to Pedal 8, 4 |
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Antiphonal to Swell 8 |
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Antiphonal to Pedal 8 |
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Swell to Choir 16, 8, 4 |
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Swell to Great 16, 8, 4 |
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Antiphonal to Choir 8 |
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Adjustable Combinations
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Antiphonal Organ |
Pistons 1-2-3-4 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6 (thumb & toe) |
General |
Pistons 1-2-3-4-5-6-7-8 (thumb & toe) |
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General Cancel (thumb) |
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Setter (thumb) |
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Reversibles
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Great to Pedal (thumb & toe) |
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Antiphonal to Pedal (thumb & toe) |
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Swell to Pedal (thumb & toe) |
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Sforzando (thumb & toe) |
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Choir to Pedal (thumb & toe) |
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Mechanicals
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Balanced Pedal – Choir |
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Crescendo Indicator Light (green) |
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Balanced Pedal – Swell |
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Sforzando Indicator Light (red) |
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Crescendo Pedal |
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Sources:
Convent Avenue Baptist Church web site: www.conventchurch.org/
Dolkart, Andrew S. and Gretchen S. Sorin. Touring Historic Harlem: Four Walks in Northern Manhattan. New York: New York Landmarks Conservancy, 1997.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004 .
Hickman, Cynthia. Harlem Churches At the End of the 20th Century. New York City: Dunbar Press, 2001.
Melrose, David. Planned specifications of Southfield Organ. Courtesy Jeff Scofield.
Scofield, Jeff. Factory Specification of M.P. Möller Organ, Op. 10390 (1968).
Trupiano, Larry. Console layout drawing of M.P. Möller Organ, Op. 10390 (1968).
"The Washington Heights Baptist Church to be Formally Opened," The New York Times (Oct. 8, 1898).
Illustrations:
Lawson, Steven E. Exterior; interior; Southfield Organ. |
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