Estey Organ Company Studio
642 Fifth Avenue at 51st Street
New York, N.Y. 10020
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Estey Organ Company
Brattleboro, Vt. – Opus 3069 (1936)
Electro-pneumatic key action
2 manuals, 21 stops, 3 ranks
This small three-rank unit organ was installed in the Estey Organ Showroom. It had a detached console with celluloid keys, plain oak woodwork, and was voiced on 4" wind pressure. The Estey Shop Order states, "Bourdon & Gedackt – Holes in Stoppers from 2' C up. Tone fairly bright. Open – not Geigen quality. About 2/7 cut up. Viol d'Amour regular quality." |
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Great Organ (Manual I) – 61 notes, enclosed
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16 |
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Bourdon [A] |
97 |
4 |
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Octave |
B |
8 |
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Diapason [B] |
73 |
4 |
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Salicet |
C |
8 |
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Salicional [C] |
73 |
4 |
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Flute |
A |
8 |
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Gedeckt |
A |
2 |
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Piccolo |
A |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon |
A |
4 |
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Salicet |
C |
8 |
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Diapason |
B |
4 |
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Flute d'Amour |
A |
8 |
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Salicional |
C |
2 2/3 |
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Twelfth |
A |
8 |
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Gedeckt |
A |
2 |
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Piccolo |
A |
4 |
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Octave |
B |
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Tremulant |
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Pedal Organ – 32 notes, enclosed
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16 |
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Bourdon |
A |
8 |
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Salicional |
C |
8 |
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Diapason |
B |
8 |
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Flute |
A |
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Pedal Movements
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Balanced Swell Pedal |
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Balanced Crescendo Pedal |
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Estey Ad in The
Diapason (Jan 1931) |
Estey
Organ Company
Brattleboro, Vt. –Opus 2854 (1929)
Electro-pneumatic action
2 manuals, 23 stops, 3 ranks
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Interior of an Estey Grand Minuette |
Estey's Op. 2854 is believed to have been the white "Grand
Minuette" model, as seen in the top photo at right.
Estey's first example of a "Grand Minuette" (Op. 2800)
was built in 1929 for Connie's Inn in Harlem. The Grand Minuette
had three unified ranks on 8" wind pressure, and all of its
pipes were contained in a grand piano-type case that measured 8'4" long
by 5'5" wide by 3'3" high. The case and piano-type bench
of Op. 2800 were finished in Whitewood, ivory and gold. Following
are the specifications for Estey's Op. 2800 installed in Connie's
Inn. |
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Solo Melody (Manual II) –61
notes, enclosed
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16
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Bass Viol |
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4
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Octave |
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8
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Diapason |
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4
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Flute d'Amour |
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8
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Oboe (synthetic) |
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4
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Violina |
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8
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Clarinet (synthetic) |
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2 2/3
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Twelfth |
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8
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Tibia Clausa |
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2
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Piccolo |
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8
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Violin |
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1 3/5
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Tierce |
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8
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Saxophone (synthetic) |
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Accompaniment Organ(Manual
I) –61 notes, enclosed
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16
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Contra Violone |
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4
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Octave |
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8
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Diapason |
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4
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String |
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8
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Viola |
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4
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Flute |
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8
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Gedeckt |
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Pedal Organ –32
notes
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16
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Violone |
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8
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Flute |
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8
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'Cello |
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Accessories and Special Features
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General Tremolo |
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Current and wind lights |
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Balanced Swell Expression |
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4 spare contacts –Solo |
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Crescendo Pedal |
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4 spare contacts –Accomp. |
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5-note Chimes [E, F#, G#, A#, B] |
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4 spare contacts –Pedal |
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Stop
Analysis
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4
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Open Diapason |
61
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8
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Stopped Flute |
85
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16
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Salicional |
85
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Total
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231
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Estey Organ Company
Brattleboro, Vt. – Opus 2819 (1929)
Electro-pneumatic action
2 manuals, 29 stops, 3 ranks
The Estey Organ Company's Op. 2819 was an "Upright" model with three unified ranks on 8" wind pressure. In 2000, this organ was extant in the residence of Frederick Feibel, Ridgefield Park, N.J. |
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Accompaniment Organ (Manual I) – 61 notes, enclosed
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16 |
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Violone |
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Accomp. Second Touch |
8 |
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Vox Humana |
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8 |
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Tibia Clausa |
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8 |
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Viola |
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4 |
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Flute d'Amour |
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8 |
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Gedeckt |
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4 |
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Violina |
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4 |
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Vox Humana |
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2 2/3 |
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Twelfth |
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4 |
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String |
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2 |
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Piccolo |
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4 |
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Flute |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Tibia Clausa [TC] |
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4 |
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Vox Humana |
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16 |
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Bass Viol |
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4 |
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Flute d'Amour |
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8 |
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Vox Humana |
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4 |
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Violina |
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8 |
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Oboe (Synthetic) |
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2 2/3 |
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Twelfth |
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8 |
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Clarinet (Synthetic) |
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2 |
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Piccolo |
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8 |
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Tibia Clausa |
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1 3/5 |
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Tierce |
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8 |
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Violin |
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Tremolo |
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8 |
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Saxophone (Synthetic) |
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Pedal Organ – 32 notes
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16 |
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Contra Viol |
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8 |
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Flute |
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8 |
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Viola |
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Stop Analysis |
16 |
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String |
85 |
8 |
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Stopped Diapason |
85 |
8 |
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Vox Humana |
61 |
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Total |
231 |
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Estey Organ Company
Brattleboro, Vt. – Opus 2765 (1928)
Electro-pneumatic action
3 manuals, 53 stops, 39 ranks
In 1928, Estey enlarged their Op. 1690 of 1919 into a three-manual concert organ. The rebuilt organ was equipped with a separate two-manual residence/player console that could play selected ranks. |
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Great Organ (Manual II) – 61 notes, enclosed
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8 |
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Open Diapason * |
73 |
4 |
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Octave |
73 |
8 |
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Gross Flute * |
73 |
4 |
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Wald Flute [Melodia] |
— |
8 |
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Tibia Clausa |
73 |
2 2/3 |
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Twelfth [Octave] |
— |
8 |
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Melodia |
73 |
2 |
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Fifteenth [Octave] |
— |
8 |
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Gamba * |
73 |
8 |
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Tuba |
73 |
8 |
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Gemshorn * |
73 |
8 |
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French Trumpet |
73 |
8 |
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Gemshorn Celeste [TC] |
61 |
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4 |
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Flute Harmonic |
73 |
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Chimes P * |
— |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon [unit] |
97 |
8 |
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Quintadena |
73 |
8 |
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Stopped Diapason |
— |
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Dolce Cornet III ranks |
183 |
4 |
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Flute d'Amour |
— |
16 |
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Double Trumpet |
85 |
2 |
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Flautino |
— |
8 |
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Cornopean [Dbl. Tpt] * |
— |
8 |
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English Diapason * |
73 |
4 |
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Clarion [Dbl. Tpt] * |
— |
8 |
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Silver Flute |
73 |
8 |
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Oboe * |
73 |
8 |
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Viol d'Orchestre * |
73 |
8 |
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French Horn |
73 |
8 |
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Salicional * |
73 |
8 |
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Vox Humana * |
73 |
8 |
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Voix Celeste [TC] * |
61 |
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8 |
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Aeoline |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Contra Viol |
85 |
8 |
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Dulciana |
73 |
8 |
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Clarabella * |
73 |
4 |
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Flauto Traverso * |
73 |
8 |
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Unda Maris [TC] * |
61 |
2 |
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Piccolo [Fl. Trav.] * |
— |
8 |
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Spitz Flute |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Spitz Flute Celeste [Gem.Cel.] |
GT |
8 |
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Clarinet |
73 |
8 |
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Viol [Con. Viol] * |
— |
8 |
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Saxophone * |
73 |
8 |
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Viol Celeste |
61 |
8 |
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Muted Viol * |
73 |
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Pedal Organ – 32 notes
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16 |
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Double Open Diapason * |
32 |
8 |
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Dolce Flute |
SW |
16 |
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Bourdon * |
32 |
8 |
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Cello * |
CH |
16 |
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Bass Viol * |
CH |
16 |
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Double Trumpet |
SW |
16 |
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Gedeckt |
SW |
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* retained from Estey Op. 1690 (1919) |
Couplers
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Great to Great 16', 4' |
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Great to Pedal 8' |
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Swell to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Choir to Great 16', 8', 4' |
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Choir to Pedal 8' |
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Swell to Swell 16', 4' |
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Great Unison Separation † |
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Swell to Choir 16', 8', 4' |
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Swell Unison Separation † |
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Choir to Choir 16', 4' |
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Choir Unison Separation † |
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† "on" and "off" Piston |
Pedal Movements
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Balanced Great Pedal |
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Great to Pedal Reversible |
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Balanced Swell Pedal |
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Swell to Pedal Reversible |
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Balanced Choir Pedal |
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Sforzando Pedal |
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Balanced Adjustable Crescendo Pedal w/ ind. |
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Combinations
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Pistons No. 1-2-3-4-5-6-0 affecting Great Stops and Unison Couplers |
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Pedal Stops "on" and "off" Great |
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Pistons No. 1-2-3-4-5-6-0 affecting Swell Stops and Unison Couplers |
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Pistons No. 1-2-3-4-5-6-0 affecting Choir Stops and Unison Couplers |
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Pistons No. 1-2-3-4-0 affecting Pedal Stops and Unison Couplers, duplicated by Toe Studs |
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Pistons No. 1-2-3-4-5-6-0 affecting all Stops and Couplers |
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Tremolos
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Great Tremolo |
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Tibia Tremolo |
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Swell Tremolo |
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Vox Humana Tremolo |
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Choir Tremolo |
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Estey Organ Company
Brattleboro, Vt. – Opus 2041 (1922)
Electro-pneumatic key action
2 manuals, 8 stops, 8 ranks
Estey's Op. 2041 included case design #812 with the Oak #1 finish, and had 17 front pipes, bronzed. |
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Great Organ (Manual I) – 61 notes
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8 |
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Open Diapason [leathered] |
61 |
8 |
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Melodia |
61 |
8 |
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Dulciana |
61 |
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Swell Organ (Manual II) – 61 notes, enclosed
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8 |
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Salicional |
73 |
8 |
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Oboe [TC] |
61 |
8 |
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Stopped Diapason |
73 |
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Tremolo |
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4 |
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Flute Harmonic |
73 |
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Pedal Organ – 32 notes
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16 |
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Bourdon |
32 |
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Couplers
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Great to Pedal 8' |
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Great to Great 4', Unison |
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Swell to Pedal 8', 4' |
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Swell to Swell 16', Unison, 4' |
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Swell to Great 16', 8', 4' |
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Pedal Octaves |
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Pedal Movements
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Balanced Swell Pedal |
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Great to Pedal Reversible |
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Crescendo Pedal |
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Estey Organ Company
Brattleboro, Vt. – Opus 1690 (1919)
Electro-pneumatic key action
2 manuals
Specifications for this organ have not yet been located. In 1928, this organ was rebuilt and enlarged to be a three-manual concert organ with a separate two-manual residence console. |
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Estey Studio at 25 West 45th Street:
Estey Organ Company
Brattleboro, Vt. – Opus 1010 (1912)
Electro-pneumatic action
3 manuals, 32 stops, 28 ranks
This completely enclosed, three-manual organ was voiced for a small room, "to show the most refined tonal effects." The Pedal organ was augmented from the Great, and employed Estey's new patented [Haskell] basses which enabled those stops to be placed under a ceiling only eleven feet high. An Estey Automatic Roll Player could play 58 and 85 note rolls. The organ was ultimately sold to J.W. Baxter, of Greenwich, Conn. |
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Great Organ (Manual II) – 61 notes, enclosed
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16 |
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Contra Viol |
61 |
8 |
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Gemshorn |
61 |
8 |
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Open Diapason |
61 |
4 |
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Wald Flute |
61 |
8 |
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Gross Flute [ext. Ped. O.D.] |
31 |
8 |
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Saxophone [reedless] |
61 |
8 |
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Melodia |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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8 |
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String P |
61 |
8 |
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Cornopean |
61 |
8 |
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String Vibrato P [TC] |
49 |
8 |
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Oboe [reedless] |
61 |
8 |
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String F |
61 |
8 |
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Vox Humana |
61 |
8 |
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String Vibrato F [TC] |
49 |
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Tremolo |
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8 |
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Gedackt |
61 |
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Harp |
GT |
4 |
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Flauto Traverso |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason |
61 |
2 |
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Piccolo |
61 |
8 |
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Echo Muted Viol |
61 |
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Solo Flute Mixture III ranks |
183 |
8 |
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Echo Celeste [TC] |
49 |
8 |
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Clarinet [reedless] |
61 |
8 |
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Clarabella |
61 |
8 |
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Vox Humana |
61 |
8 |
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Unda Maris [TC] |
49 |
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Tremolo |
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4 |
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Flute d'Amour |
61 |
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Harp |
GT |
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Pedal Organ – 30 notes (Augmented), enclosed
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16 |
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Open Diapason |
42 |
8 |
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Flute [Open Diap.] |
— |
16 |
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Bourdon |
30 |
8 |
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Violoncello |
GT |
16 |
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Violone |
GT |
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Couplers
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Great to Pedal |
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Swell 16', Unison, 4' |
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Swell to Pedal |
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Choir 16', Unison, 4' |
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Choir to Pedal |
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Great to Automatic |
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Swell to Great 16', 8', 4' |
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Swell to Automatic |
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Choir to Great 16', 8', 4' |
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Choir to Automatic |
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Swell to Choir 16', 8', 4' |
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Pedal to Automatic |
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Combinations
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Pistons No. 1-2-3 |
affecting Great Stops |
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Pistons No. 1-2-3-4 |
affecting Swell Stops |
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Pistons No. 1-2-3 |
affecting Choir Stops |
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Pistons No. 1-2-3 |
affecting Pedal Stops |
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Pedal Movements
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Balanced Swell Pedal |
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Great to Pedal Reversible |
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Balanced Choir [and Great?] Pedal |
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Sforzando Reversible |
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Balanced Crescendo Pedal |
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Estey Studio at 25 West 45th Street:
Estey
Organ Company
Brattleboro, Vt. –Opus 912 (1911)
Electro-pneumatic action
2 manuals
Specifications for this organ have not yet been located. |
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Estey Organ Company
Brattleboro, Vt. – Opus 315 (1906)
Electro-pneumatic action?
2 manuals, 13 stops, 13 ranks
The front pipes, all from the Great Organ, included 17 pipes from the Open Diapason and 10 from the Dulciana. Pipecounts listed below are suggested, based on similar Estey organs of the time. |
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Great Organ (Manual I) – 61 notes
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8 |
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Open Diapason |
61 |
4 |
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Principal |
61 |
8 |
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Dulciana |
61 |
4 |
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Flute d'Amour |
61 |
8 |
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Melodia |
61 |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon Bass |
12 |
8 |
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Stopped Diapason |
61 |
16 |
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Bourdon Treble [TC] |
49 |
4 |
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Flute Harmonic |
61 |
8 |
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Violin Diapason |
61 |
8 |
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Oboe |
61 |
8 |
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Salicional |
61 |
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[Tremolo] |
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8 |
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Vox Celeste [TC] |
49 |
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Pedal Organ – 30 notes
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16 |
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Bourdon |
30 |
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Couplers
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Great to Pedal |
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[Swell to Great] |
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Swell to Pedal |
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Sources:
Carnahan, John. Factory Shop Order for Estey Organ, Op. 1010 (1912).
Carnahan, John. Factory Shop Order for Estey Organ, Op. 2189 (1929).
Carnahan, John. Factory Shop Order for Estey Organ, Op. 2765 (1928).
Carnahan, John. Factory Shop Order for Estey Organ, Op. 3069 (1936).
The Estey Pipe Organ web site: www.esteyorgan.com
Lewis, James. Factory Specifications of Estey Organ, Op. 2765 (1928).
Lewis, James. Specifications of Estey Organ, Op. 315 (1906).
Lewis, James. Specifications of Estey Organ, Op. 2041 (1922).
"New Ideas Shown in Display Organ," The Diapason (unknown date). Courtesy Jonathan Bowen.
Trupiano, Larry. Specifications of Estey Organ, Op. 2819 (1929).
Illustrations:
Estey Organ Company ad, The Diapason (Dec. 1931). Courtesy Larry Trupiano.
The Estey Pipe Organ web site. "Upright Minuette" model. |
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