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Exposition of Architecture and Allied Arts
Grand Central Palace
Lexington Avenue between 46rd and 47th Streets
New York, N.Y. 10017
The Exposition of Architecture and Allied Arts was held from February 21 to March 5, 1927, in the Grand Central Palace, an exhibition hall occupying the entire block front on Lexington Avenue between 46th and 47th Streets. This thirteen-story building, which opened in 1911, was the first one to be completed of several imposing structures planned by the New York Central Railroad to cover the track yards on both sides of Lexington Avenue, north of the station to 50th Street. Three floors were devoted to exhibition and entertainment purposes, while the other ten floors were occupied by large industrial concerns.
Over the years, the Grand Central Palace was the scene for many auto and flower shows and other public events. The 1911 building was the successor to the old Grand Central Palace, located at Lexington Avenue between 43rd and 44th Streets, that opened in 1893. The original 1893 building was razed to make way for improvements to the tracks leading into the new Grand Central Terminal that was completed in 1913. The Grand Central Palace of 1911 was torn down in 1964 and replaced by a 47-story office building known as 245 Park Avenue. |
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Welte-Mignon Corp.
Poughkeepsie, N.Y. (1927)
Electro-pneumatic action
3 manuals, 101 registers, 9 ranks
From a brochure published by the Welte-Mignon Corporation:
"The Organ in the Exposition of Architecture and Allie Arts, Grand Central Palace, New York, February 21 to March 5, 1927, is a WELTE Orchestral Unit, built for the Wakefield Theatre, [Bronx] New York, to which the Welte reproducing action has been applied temporarily, for this exhibition only. The manual console is of a modified unit type, the reproducing action in this instance being in a small separate console.
"Provision is made in the console for an Echo Organ, for which there is no place in the Grand Central Palace, but which will be installed in the theatre. The specification follows:" |
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Pedal – 32 notes
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32 |
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Acoustic Bass |
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Bass Drum (band) |
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16 |
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Diaphone |
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Cymbal |
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16 |
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Bourdon |
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Bass Drum (orchestra) |
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8 |
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Trumpet |
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Snare Drum, roll |
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8 |
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Diapason |
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8 |
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Tibia Clausa |
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Second Touch |
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8 |
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Cello |
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8 |
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Chimes |
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8 |
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Flute |
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Chinese Gong |
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8 |
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Viola |
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Bass Drum (band) |
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4 |
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Cornet |
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Cymbal |
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4 |
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Violin |
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Tympani |
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Accompaniment (Manual I) – 61 notes
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16 |
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Bourdon |
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Muffled Drum |
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8 |
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Trumpet |
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Chinese Block, roll |
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8 |
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Diapason Phonon |
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Chinese Block, tap |
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8 |
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Tibia Clausa |
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Tom Tom |
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8 |
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Violin |
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Castanet |
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8 |
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Clarinet |
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Tambourine |
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8 |
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Vox Humana |
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Shuffle |
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8 |
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Kinura |
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8 |
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Flute |
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Second Touch |
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8 |
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Viola |
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8 |
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Trumpet |
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4 |
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Tibia Flute |
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8 |
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Diapason Phonon |
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4 |
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Violin |
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8 |
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Tibia Clausa |
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4 |
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Vox Humana |
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8 |
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Clarinet |
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4 |
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Forest Flute |
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4 |
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Tibia Flute |
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4 |
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Viola |
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2 |
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Glockenspiel |
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2 |
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Piccolo |
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8 |
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Chimes |
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4 |
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Celesta |
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Snare Drum, roll |
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4 |
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Xylophone |
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Chinese Block, roll |
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2 |
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Glockenspiel |
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Triangle |
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Snare Drum, roll |
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Bird |
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Snare Drum, tap |
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Solo (Manual II) – 61 notes
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16 |
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Trombone |
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4 |
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Cornet |
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16 |
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Tibia Clausa |
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4 |
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Octave |
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16 |
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Contre Viole |
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4 |
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Tibia Flute |
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16 |
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Bass Clarinet |
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4 |
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Violin |
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16 |
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Vox Humana |
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4 |
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Forest Flute |
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8 |
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Trumpet |
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4 |
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Viola |
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8 |
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Diapason Phonon |
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2 2/3 |
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Nazard |
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8 |
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Tibia Clausa |
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2 |
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Fifteenth |
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8 |
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Violin |
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2 |
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Piccolo |
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8 |
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Clarinet |
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1 3/5 |
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Tierce |
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8 |
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Orchestral Oboe |
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4 |
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Celesta |
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8 |
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Vox Humana |
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4 |
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Xylophone |
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8 |
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Kinura |
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2 |
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Glockenspiel |
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8 |
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Flute |
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2 |
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Orchestra Bells |
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8 |
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Viola |
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Percussion (Manual III) – 32 notes
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8 |
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Tibia Clausa |
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4 |
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Celesta |
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4 |
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Solo Piccolo |
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4 |
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Xylophone |
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8 |
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Trumpet |
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2 |
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Xylophone |
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8 |
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Clarinet |
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2 |
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Glockenspiel |
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8 |
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Kinura |
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2 |
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Orchestra Bells |
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8 |
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Vox Humana |
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8 |
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Chimes |
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8 |
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Harp |
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Vibratos
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Main, left |
Main, right |
Vox Humana |
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Adjustable Combinations
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5 toe pistons affecting pedal |
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7 double touch pistons affecting accompaniment and pedal |
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7 double touch pistons affecting solo and accompaniment |
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5 pistons affecting percussion manual |
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3 cancel pistons affecting respective manual groups |
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Vibrato cancel piston |
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Traps
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Pistons |
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Drum piston; military drums and cymbal, manual and pedal |
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Trap cancel piston |
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Pedals |
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Chinese Gong: roll, first touch; stroke, second touch |
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Grand Crash |
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Toe Pistons |
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Triangle |
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Two Birds |
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Push Buttons |
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Two Birds (duplicating toe pistons) |
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Two Sleigh Bells, different notes |
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Accessories
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Two balanced expression pedals |
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Celesta sustaining pedal |
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Balanced crescendo pedal |
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Muffled drum pedal |
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Sforzando |
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Signal button |
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Chimes soft pedal |
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Signal light |
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Chimes sustaining pedal |
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Change-title button (dup. by toe) |
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Stop Analysis |
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Name |
Pitch |
Pipes |
Pedal |
Accomp. |
Solo |
Perc. |
B |
Trumpet |
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73 |
8-4 |
8-8 |
16-8-4-16 |
8 |
A |
Diapason Phonon |
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85 |
16-8 |
8-8 |
8-4-8 |
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B |
Tibia Clausa |
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73 |
8 |
8-4-8-4 |
16-8-4 |
8-4 |
A |
Violin |
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85 |
8-4 |
8-4 |
16-8-4-2 |
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A |
Clarinet |
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61 |
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8-8 |
16-8 |
8 |
A |
Orchestral Oboe |
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Syn |
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8 |
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B |
Vox Humana |
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73 |
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8-4 |
16-8 |
8 |
A |
Kinura |
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61 |
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8 |
8 |
8 |
A |
Flute |
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101 |
32R-16-8 |
16-8-4-2 |
8-4-2 2/3-2-1 3/5 |
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A |
Viola |
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73 |
8 |
8-4 |
8-4 |
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B |
Celesta |
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49 |
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4 |
4 |
8-4 |
B |
Xylophone |
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37 |
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4 |
4 |
4-2 |
A |
Glockenspiel |
} |
Orchestra Bells |
} |
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37 |
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2-2 |
2 |
2 |
A |
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2 |
2 |
A |
Chimes |
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20 |
8 |
8 |
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8 |
A |
Bass Drum/Band Orch. |
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x-x |
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B |
Tympani |
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x |
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B |
Cymbal |
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x-x |
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B |
Chinese Gong |
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x |
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B |
Snare
Drum |
{ Tap |
{ Roll |
{ Muffled |
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x |
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B |
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x |
x-x |
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B |
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x |
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B |
Triangle |
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x |
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B |
Tom Tom |
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x |
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B |
Castanet |
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x |
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B |
Tambourine |
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x |
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B |
Chinese Block, Tap |
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x |
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B |
Chinese Block, Roll |
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x-x |
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B |
Shuffle |
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x |
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B |
Bird |
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x |
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NOTE: Italic figures indicate second touch. |
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Sources:
"A Great New Building," The New York Times (Feb. 27, 1893).
"New Grand Central Palace," The New York Times (May 20, 1911).
Welte-Mignon Corp. brochure describing Welte Orchestral Unit organ (1927). Courtesy James Lewis.
"Work Begun on Razing Grand Central Palace," The New York Times (June 5, 1964).
Illustration:
Undated postcard: Grand Central Palace, New York City. |
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