 |
Click on most images to enlarge |
Church of the Holy Trinity (Inwood)
(Episcopal) 20 Cumming Street
New York, N.Y. 10034 http://www.holytrinityinwood.org
Holy Trinity Protestant Episcopal Church of Harlem was founded in 1868, shortly after the close of the American Civil War. The first church, located on the corner of Fifth Avenue and 125th Street, was designed by John W. Welch and built from 1869-70. A great fire in 1888 destroyed the building, and the land was sold to Temple Israel.
|
 |
|
Lenox Avenue & 122nd Street |
A new church, on the southwest corner of Lenox Avenue and 122nd Street, was designed by William A. Potter and completed in 1888. Built on a 100-by-150-foot site, Potter's imposing Romanesque Revial church complex included a rectory and extensive parish house. The exterior was faced with rough red granite trimmed with sandstone, and over the entrance is a massive square tower topped by a pyramidal roof. The interior provided seating for 1,000, and featured transept galleries supported by iron columns and a vaulted ceiling. In 1925, a devastating fire gutted the church interior and destroyed an organ installed in 1923. At the time, Harlem was in a population flux as a growing black American population moved to the area. In response, many white residents sold their magnificent brownstones and relocated elsewhere. The vestry of Holy Trinity Church, in keeping with prevailing thoughts at the time, decided to take the opportunity afforded by the fire to sell the church and relocate.
 |
|
Proposed Church and Rectory
by John Russell Pope, architect |
|
|
|
|
 |
|
Present Church interior |
In 1927, after much discussion, Holy Trinity agreed to merge with a small but dynamic mission church in Inwood, called Holy Redeemer, at Seaman Avenue and Isham. The simple wood frame church of Holy Redeemer stood where the tennis courts of Inwood Hill Park now stand. Financially there was a merger, but most parishioners came from the Holy Redeemer Parish. With the generous proceeds from the sale of the old Harlem church location, new land was purchased on the corner of Cumming Street and Seaman Avenue. There, the church planned to erect a tall Gothic Moderne church with towering flèche, but then the stock market crashed and the Depression began. Plans were suspended, and the parish moved forward with only the lower portion of the planned sanctuary and a community house, as designed by Springsteen & Goldhammer and built in 1935. The upper sanctuary and rectory were never constructed. |
|
|
|
|
|
|
|
|
Austin Organ Company
Hartford, Conn. – Opus 1591 (1928)
Electro-pneumatic action
2 manuals, 11 stops, 7 ranks
This two-manual Austin organ is entirely enclosed in one chamber. |
|
|
|
|
|
|
|
|
Great Organ (Manual I) – 61 notes, enclosed
|
8 |
|
Open Diapason |
73 |
8 |
|
Dulciana |
73 |
8 |
|
Stopped Diapason |
SW |
4 |
|
Harmonic Flute |
SW |
|
|
|
|
|
|
|
|
Swell Organ (Manual II) – 61 notes, enclosed |
8 |
|
Stopped Diapason |
73 |
4 |
|
Harmonic Flute |
73 |
8 |
|
Salicional |
73 |
8 |
|
Oboe |
73 |
8 |
|
Vox Celeste |
73 |
|
|
Tremolo |
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes |
16 |
|
Bourdon [ext.] |
12 |
|
|
|
|
16 |
|
Dulciana [ext.] |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Organ in previous church on Lenox Avenue and 122nd Street:
Hillgreen, Lane & Company
Alliance, Ohio – Opus 724 (1923)
Electro-pneumatic action
3 manuals, 57 stops, 43 ranks
On May 15, 1923, a contract was signed with the Hillgreen, Lane & Company of
Alliance, Ohio, to repair and improve the 1888 Hook & Hastings organ. Hillgreen,
Lane reused most of the old pipes, providing additional chests and pipes to extend
most manual ranks to 61 or 73 notes, and the pedal ranks to 32 notes. A total
of seven new ranks were added, including three in the Swell, and four in a new
enclosed Auxiliary division located in the North Gallery. The rebuilt organ was
converted to electro-pneumatic action, and a new electric console was installed.
Total cost of the project was $8,800.00. This organ burned when a fire gutted
the church interior in 1925. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed
with Choir
|
16 |
|
Diapason |
73 |
2 2/3 |
|
Twelfth |
58 |
8 |
|
Major Diapason |
73 |
2 |
|
Fifteenth |
58 |
8 |
|
Minor Diapason |
73 |
|
|
Mixture IV ranks |
232 |
8 |
|
Viola di Gamba |
73 |
8 |
|
Trumpet |
73 |
8 |
|
Double Flute |
73 |
16 |
|
Tuba |
AUX |
8 |
|
Major Flute |
AUX |
8 |
|
Tuba |
AUX |
4 |
|
Flute Harmonique |
73 |
4 |
|
Tuba Clarion |
AUX |
4 |
|
Octave |
73 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
|
Bourdon |
73 |
4 |
|
Minor Flute |
AUX |
8 |
|
Diapason |
73 |
4 |
|
Flauto Traverso |
73 |
8 |
|
Salicional |
73 |
2 |
|
Flagelolet |
73 |
8 |
|
Violin * |
73 |
|
|
Dolce Cornet III ranks |
174 |
8 |
|
Dolce Celeste [old Aeoline] |
73 |
8 |
|
Cornopean |
73 |
8 |
|
Aeoline * |
73 |
8 |
|
Oboe |
73 |
8 |
|
Viole d'Orchestre |
AUX |
8 |
|
Vox Humana * |
73 |
8 |
|
Viole Celeste |
AUX |
8 |
|
Tuba |
AUX |
8 |
|
Major Flute |
AUX |
4 |
|
Tuba Clarion |
AUX |
8 |
|
Stopped Flute |
73 |
|
|
Tremolo |
|
4 |
|
Violetta |
AUX |
|
|
Vox Humana Tremolo |
|
4 |
|
Violetta Celeste |
AUX |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed with Great
|
8 |
|
Violin Diapason |
73 |
4 |
|
Violetta |
AUX |
8 |
|
Dulciana |
73 |
4 |
|
Violetta Celeste |
AUX |
8 |
|
Unda Maris |
58 |
4 |
|
Minor Flute |
AUX |
8 |
|
Viole d'Orchestre |
AUX |
4 |
|
Flute d'Amour |
73 |
8 |
|
Viole Celeste |
AUX |
2 |
|
Flautino |
AUX |
8 |
|
Major Flute |
AUX |
8 |
|
Clarinet |
73 |
8 |
|
Melodia |
73 |
|
|
Tremolo |
|
8 |
|
Quintadena |
73 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes, enclosed
|
32 |
|
Resultant [Diap. + Bdn.] |
— |
8 |
|
Flute [ext. 16' Diapason] |
12 |
16 |
|
Diapason |
32 |
8 |
|
Tuba |
AUX |
16 |
|
Major Bourdon |
32 |
16 |
|
Trombone |
32 |
16 |
|
Minor Bourdon |
SW |
|
|
|
|
|
|
|
|
|
|
|
|
Auxiliary Organ – 61 notes, enclosed [located in North Gallery]
|
16 |
|
Tuba * |
85 |
8 |
|
Viole d'Orchestre * |
85 |
8 |
|
Tuba |
— |
4 |
|
Violetta |
— |
4 |
|
Tuba Clarion |
— |
8 |
|
Viole Celeste * |
73 |
8 |
|
Major Flute * |
85 |
4 |
|
Violetta Celeste |
— |
4 |
|
Minor Flute |
— |
|
|
Tremolo |
|
2 |
|
Flautino |
— |
|
|
* ranks added by Hillgreen, Lane (1923) |
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8' |
|
|
|
Great to Swell 8' |
|
|
Swell to Pedal 8', 4' |
|
|
|
Swell to Choir 16', 8', 4' |
|
|
Choir to Pedal 8' |
|
|
|
Great 4', Unison Separation |
|
|
Pedal to Pedal 8' |
|
|
|
Swell 16', 4', Unison Separation |
|
|
Swell to Great 16', 8', 4' |
|
|
|
Choir 16', 4', Unison Separation |
|
|
Choir to Great 16', 8', 4' |
|
|
|
|
|
|
|
|
|
|
|
|
|
Combinations
|
|
|
Operated by pistons and adjustable at the keyboard. |
|
|
5 pistons under each manual, controlling all stops and couplers. |
|
|
15 pistons in all. |
|
|
|
|
|
|
|
|
Pedal Movements
|
|
|
Great to Pedal Reversible |
|
Swell Expression |
|
|
Auxilliary Expression |
|
Great & Choir Expression |
|
|
Crescendo |
|
Sforzando |
|
|
|
|
|
|
|
|
|
|
Organ in previous church at Lenox Avenue and 122nd Street:
Hook & Hastings Co.
Boston, Mass. – Opus 1392 (1888)
Mechanical action
3 manuals, 31 stops, 36 ranks
For their new church on Lenox Avenue, an organ was built in 1888 by the Hook & Hastings company of Boston. The following stoplist was documented by Gustav F. Döhring, the Eastern Representative for Hillgreen, Lane & Co., who also wrote that the organ had tracker action, "but the draw stops are pneumatic." |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 58 notes
|
16 |
|
Open Diapason |
58 |
4 |
|
Flute Harmonique |
58 |
8 |
|
Open Diapason |
58 |
2 2/3 |
|
Twelfth |
58 |
8 |
|
Viola di Gamba |
58 |
2 |
|
Fifteenth |
58 |
8 |
|
Doppel Flute |
58 |
|
|
Mixture IV ranks |
232 |
4 |
|
Octave |
58 |
8 |
|
Trumpet |
58 |
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 58 notes, enclosed
|
16 |
|
Bourdon |
58 |
4 |
|
Flauto Traverso |
58 |
8 |
|
Open Diapason |
58 |
2 |
|
Flageolet |
58 |
8 |
|
Stopped Diapason |
58 |
|
|
Dolce Cornet III ranks |
174 |
8 |
|
Salicional |
58 |
8 |
|
Cornopean |
58 |
8 |
|
Quintadena |
58 |
8 |
|
Oboe |
58 |
4 |
|
Violina |
58 |
|
|
Tremulant |
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 58 notes
|
8 |
|
Geigen Principal |
58 |
4 |
|
Fugara |
58 |
8 |
|
Dulciana |
58 |
2 |
|
Piccolo |
58 |
8 |
|
Melodia |
58 |
8 |
|
Clarinet |
58 |
|
|
|
|
|
|
|
|
Pedal Organ – 27 notes
|
16 |
|
Open Diapason |
27 |
8 |
|
Violoncello |
27 |
16 |
|
Bourdon |
27 |
16 |
|
Trombone |
27 |
|
|
|
|
|
|
|
|
Couplers
|
|
|
Swell to Great |
|
|
|
Swell to Pedal |
|
|
|
Swell to Choir |
|
|
|
Great to Pedal |
|
|
|
Choir to Great |
|
|
|
Choir to Pedal |
|
|
|
|
|
|
|
|
|
|
|
Organ in previous church at Fifth Avenue and 125th Street:
J.H. & C.S. Odell & Co.
New York City – Opus 179 (1880)
Mechanical action
2 manuals, 20 stops, 22 ranks
On June 21, 1880, Holy Trinity Church of Harlem contracted with J.H. & C.S. Odell to build a new organ for the rebuilt church building. The handwritten Agreement is unusual in that it was executed on paper measuring approximately 12 by 18 inches. Odell stated that the organ was "To have Two Manuals and a Pedal of Two Octaves and five notes." The organ would be "inclosed [sic] in a suitable case with speaking pipes in front handsomly [sic] decorated in gold and colors..." Odell indicated that the organ would be complete and ready for use on or before November 1st, 1880, for the sum of $3,750 less 2½ per cent. |
|
|
|
|
|
|
|
|
Great Organ (Manual I) – 58 notes
|
16 |
|
Bourdon [wood] |
58 |
4 |
|
Principal |
58 |
8 |
|
Open Diapason |
58 |
3 |
|
Twelfth |
58 |
8 |
|
Gamba |
58 |
2 |
|
Fifteenth |
58 |
8 |
|
Melodia (Doppel Flöte) [wood] |
58 |
|
|
Mixture, 3 ranks |
174 |
8 |
|
Dolce |
58 |
8 |
|
Trumpet (Harmonic treble) |
58 |
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 58 notes, enclosed
|
8 |
|
Open Diapason |
58 |
4 |
|
Fugara |
58 |
8 |
|
Salicional |
58 |
2 |
|
Piccolo |
58 |
8 |
|
Stopd Diapason [wood] |
58 |
8 |
|
Oboe |
58 |
4 |
|
Flute Harmonic |
58 |
|
|
Tremulant |
|
|
|
|
|
|
|
|
|
Pedal Organ – 30 notes
|
16 |
|
Grand Dbl. Op. Diap. [wood] |
30 |
8 |
|
Violoncello |
30 |
16 |
|
Grand Bourdon [wood] |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers &c
|
|
|
Patent Reversible coupler |
|
Swell to Pedal |
|
|
Swell to Great |
|
Bellows Signal |
|
|
Great to Pedal |
|
Balance Swell Pedal |
|
|
|
|
|
Patent Pneumatic Compositions
|
1 |
|
Full Great Organ |
5 |
|
Gamba, Melodia & Dolce |
2 |
|
Full to Mixture |
6 |
|
Gamba & Dolce |
3 |
|
Full to Principal |
7 |
|
Melodia |
4 |
|
All the eight-feet stops |
8 |
|
Dolce |
|
|
|
|
|
|
|
|
|
|
Organ in previous church at Fifth Avenue and 125th Street: Levi U. Stuart
New York City (1870)
Mechanical action
3 manuals, 29 stops, 31 ranks
Levi U. Stuart, half-brother to organbuilder Richard Ferris, built his last three-manual organ for the original Church of the Holy Trinity, Harlem, located on Fifth Avenue at 125th Street. The church and organ were destroyed by fire in 1880. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 58 notes
|
16 |
|
Double Open Diapason |
58 |
2 |
|
Fifteenth |
58 |
8 |
|
Open Diapason |
58 |
|
|
Sesquialtera, 3 ranks |
174 |
8 |
|
Melodia (wood) |
58 |
8 |
|
Trumpet |
58 |
4 |
|
Principal |
58 |
4 |
|
Clarion |
58 |
3 |
|
Twelfth |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 58 notes, enclosed |
16 |
|
Bourdon (wood) |
58 |
8 |
|
Hautboy |
58 |
8 |
|
Open Diapason |
58 |
8 |
|
Cornopean |
58 |
8 |
|
Stop Diapason (wood) |
58 |
8 |
|
Vox Humana |
58 |
4 |
|
Harmonic Flute |
58 |
|
|
Vox Tremulant |
|
2 |
|
Fifteenth |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 58 notes |
8 |
|
Stop Diapason (wood) |
58 |
4 |
|
Flute |
58 |
8 |
|
Salicional |
58 |
2 |
|
Piccolo |
58 |
8 |
|
Dulciana |
58 |
8 |
|
Cremona |
58 |
4 |
|
Principal |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 29 notes |
16 |
|
Double Open Diapason |
29 |
8 |
|
Violoncello |
29 |
16 |
|
Gamba |
29 |
16 |
|
Bombard |
29 |
12 |
|
Quint |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers
|
|
|
Swell and Great |
|
Great and Pedal |
|
|
Swell and Choir |
|
Swell and Pedal |
|
|
Choir and Great |
|
Choir and Pedal |
|
|
|
|
|
Mechanicals
|
|
|
Vox Tremulant |
|
|
|
|
|
|
|
Bellows Alarm |
|
|
|
|
|
|
|
|
|
|
|
|
|
Composition Stops
|
|
|
Full |
|
|
|
|
|
|
|
Chorus |
|
|
|
|
|
|
|
Solo |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sources: Austin Organs Inc. website: www.austinorgans.com
Cram, Ralph Adams. American Church Building of To-Day. New York: Architectural Book Publishing Company, Inc., 1929.
Dolkart, Andrew S. and Gretchen S. Sorin. Touring Historic Harlem: Four Walks in Northern Manhattan. New York: New York Landmarks Conservancy, 1997.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004. Holy Trinity Episcopal Church website: www.holytrinityinwood.org/ Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977. "
Spectacular Blaze Razes Holy Trinity," The New York Times, April 16, 1925. Stern, Robert A.M., Thomas Mellins, and David Fishman. New York 1880: Architecture and Urbanism in the Gilded Age. New York City: The Monacelli Press, 1999.
Trupiano, Larry. Contract and specifications of J.H. & C.S. Odell organ, Op. 179 (1880).
Trupiano, Larry. Factory Specifications of Hillgreen, Lane & Co. organ, Op. 724 (1923).
Trupiano, Larry. Specifications of Hook & Hastings organ, Op. 1391 (1888).
Trupiano, Larry. Specifications of Levi U. Stuart organ (1870).
Illustrations:
Cram, Ralph Adams. American Church Building of To-Day. Drawing of proposed church by John Russell Pope, architect.
Holy Trinity Episcopal Church: photo of church on Lenox Avenue.
LaJolla, Diego: Photos of Austin Organ, Op. 1591 (1928); present church. |
|
|
|
|
|
|
|
|
|
| NYC AGO Home Page | Back to NYC Organ Project List |
|