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Church of the Holy Trinity
(Evangelical Lutheran Church in America)
3 West 65th Street at Central Park West
New York, N.Y. 10003
http://www.holytrinitynyc.org
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47 West 21st Street (1868-1902) |
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The Evangelical Lutheran Church of the Holy Trinity was founded in 1868 by a group that split from St. James Lutheran Church. At the time, the majority of Lutherans in New York City were German, but Holy Trinity was one of a very few English-speaking Lutheran congregations. Holy Trinity's first church was at 47 West 21st Street, in the edifice built in 1836 for St. Paul's Reformed Dutch Church. The society remained at this location until 1904.
The present Gothic Revival church was designed by Schickel & Ditmars and built from 1902–04. Holy Trinity Church is within the "Upper West Side/Central Park West Historic District", as designated in 1990 by the New York City Landmarks Preservation Commission.
Holy Trinity is widely known for its Bach Vespers series, begun in 1968 by then-organist John Weaver, the first instance in America where the cantatas of Bach could be heard on their appointed day in the context of the liturgical calendar. Cantatas, as well as other appropriate music, are performed by the professional Bach Choir and Bach Players from late Fall through Easter.
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1904 interior of present building |
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2005 interior of present building |
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Paul Fritts & Company
Tacoma, Wash. – Opus 16 (1994); installed (2011)
Mechanical action
2 manuals, 20 stops, 20 ranks
The mechanical-action organ in the gallery was built in 1994 by Paul Fritts & Company of Tacoma, Wash., for Bethany Lutheran Church in Tulsa, Okla. After Bethany closed their doors in August 2011, the organ was reclaimed by Paul Fritts, who then transported the instrument to New York City. Holy Trinity Church has secured a long-term lease on the organ, with plans to commission a larger Fritts instrument in the future.
The inaugural recital was played by Joan Lippincott on December 6, 2011. Ms. Lippincott was organist and choirmaster of Holy Trinity Lutheran from 1962-64, after which she was on the faculty of Westminster Choir College of Rider University, Princeton, N.J., for many years.
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Manual I – 58 notes
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16 |
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Quintadena |
58 |
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Nasat/Cornet II ranks |
116 |
8 |
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Principal |
58 |
2 |
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Octave |
58 |
8 |
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Rohrflöte |
58 |
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Mixture IV ranks |
232 |
4 |
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Octave |
58 |
8 |
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Trompet |
58 |
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Manual II – 58 notes
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8 |
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Rohrflöte * |
— |
2 |
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Waldflöte |
58 |
8 |
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Violdigamba |
58 |
1 1/3 |
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Sifflöte |
58 |
4 |
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Spitzflöte |
58 |
8 |
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Dulcian |
58 |
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Pedal Organ – 30 notes
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16 |
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Subbaß |
30 |
4 |
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Octave * |
— |
8 |
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Principal |
30 |
16 |
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Posaune |
30 |
8 |
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Gedackt * |
— |
8 |
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Trompet * |
— |
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* Transmissions |
Couplers
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Manual II to Manual I |
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Manual I to Pedal |
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Manual II to Pedal |
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Vladimir Sobatka Olomouc, Czech Republic (2007)
Mechanical action
1 manual, 3 stops, 3 ranks
The positiv organ, built by Vladimir Sobatka of the Czech Republic in 2007, is comprised of three stops: flute copula 8’ and 4’, and principal 4’. Its case is made of natural oak (to match the woodwork in the nave); the keys are walnut, with accidentals of maple. The mechanical action organ plays at A= 390, 415, and 440, allowing it to function with both modern and early instruments. Dedicated on Reformation Sunday, October 28, 2007, and coinciding with the beginning of the Bach Vespers 40th Anniversary season, the positiv will be used to a large extent in the church's Bach Vespers series for the presentation of Bach cantatas and other works. |
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Manual
(51 notes)
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8 |
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Flute copula |
51 |
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4 |
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Flute copula |
51 |
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4 |
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Principal |
51 |
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Robert M. Turner Organs Hacienda Heights, Calif. (1976)
Electro-pneumatic action
3 manuals, 71 registers, 54 stops, 73 ranks
In 1976, the gallery organ was extensively rebuilt by Robert M. Turner of Hacienda Heights, Calif. Turner retained the 1903 Skinner organ case and reworked many pipes from Ernest M. Skinner's organs of 1903 and 1929, and Aeolian-Skinner's work done in 1951 and 1962. The organ was also revoiced to play on a lower wind pressure. Turner provided all new playing action, new principal choruses and reeds, an independent pedal division, and a new movable drawknob console. By the late 2000s, the organ had deteriorated to the point that another rebuilding was necessary. Ultimately, the church decided to replace the organ with a second-hand instrument by Paul Fritts. |
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Great Organ (Manual I) – 61 notes
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16 |
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Bourdon |
61 |
1 1/3 |
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Cornet III ranks (TC) |
147 |
8 |
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Principal |
61 |
1 1/3 |
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Mixture IV-V ranks |
293 |
8 |
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Flûte Harmonique |
61 |
16 |
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Posaune |
61 |
8 |
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Bourdon |
61 |
8 |
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Trompette |
61 |
4 |
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Spitzflöte |
61 |
4 |
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Clairon |
61 |
4 |
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Octave |
61 |
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Tremulant |
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4 |
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Koppelflöte |
61 |
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Great Unison Off |
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2 |
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Super Octave |
61 |
8 |
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Trompette en chamade |
61 |
2 |
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Spitzflöte |
61 |
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Positif Organ (Manual II) – 61 notes, enclosed
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8 |
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Principal |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Holzgedeckt |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Dulciana |
61 |
1 |
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Sifflöte |
61 |
8 |
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Unda Maris (TC) |
49 |
1 |
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Scharf V ranks |
305 |
4 |
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Principal |
61 |
8 |
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Trompette |
61 |
4 |
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Spillflöte |
61 |
8 |
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Cromorne |
61 |
2 2/3 |
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Nazard |
61 |
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Tremulant |
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2 |
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Octave |
61 |
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Positif Unison Off |
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2 |
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Blockflöte |
61 |
8 |
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Trompette en chamade |
GT |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Gedeckt Bass |
61 |
2 |
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Flûte Douce (fr. 8') |
— |
8 |
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Viola |
61 |
1 1/3 |
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Mixture III-IV ranks |
232 |
8 |
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Viola Céleste |
61 |
1/3 |
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Cymbel III ranks |
183 |
8 |
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Gedeckt |
61 |
16 |
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Basson |
73 |
8 |
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Flûte Douce |
85 |
8 |
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Trompette |
61 |
8 |
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Flûte Céleste (TC) |
73 |
8 |
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Basson-Hautbois (fr. 16') |
— |
4 |
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Principal |
61 |
8 |
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Voix Humaine |
61 |
4 |
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Rohrflöte |
61 |
4 |
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Clairon |
61 |
4 |
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Flûte Douce (fr. 8') |
— |
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Tremulant |
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4 |
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Flûte Céleste (fr. 8') |
— |
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Swell Unison Off |
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2 |
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Octave |
61 |
8 |
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Trompette en chamade |
GT |
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Pedal Organ – 32 notes
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32 |
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Untersatz (ext. Subbass) |
12 |
32 |
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Basson * |
SW |
16 |
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Principal |
32 |
16 |
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Bombarde |
32 |
16 |
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Subbass |
32 |
16 |
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Posaune |
56 |
16 |
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Gedeckt Bass |
SW |
16 |
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Basson |
SW |
8 |
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Principal |
32 |
8 |
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Trompette (fr. Posaune) |
— |
8 |
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Pommer |
32 |
8 |
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Basson/Hautbois |
SW |
8 |
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Gedeckt |
SW |
4 |
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Clairon (fr. Posaune) |
— |
4 |
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Octave |
32 |
4 |
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Hautbois |
SW |
4 |
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Nachthorn |
44 |
8 |
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Trompette en chamade |
GT |
2 |
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Nachthorn (fr. 4') |
— |
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* 1-12 Basse de Cornet |
2 |
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Mixture V ranks |
155 |
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Couplers
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Great to Pedal |
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Positif to Great |
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Swell to Pedal |
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Great to Positif |
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Positif to Pedal |
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Swell to Positif |
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Swell to Great |
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Adjustable Combinations
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Swell Organ |
Pistons 0-1-2-3-4-5-6 (thumb) |
Great Organ |
Pistons 0-1-2-3-4-5-6 (thumb) |
Positif Organ |
Pistons 0-1-2-3-4-5-6 (thumb) |
Pedal Organ |
Pistons 0-1-2-3-4-5-6 (thumb & toe) |
General |
Pistons 0-1-2-3-4-5-6-7-8-9-10 (thumb & toe) |
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General Cancel (thumb) |
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Setter (thumb) |
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Reversibles
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Swell to Pedal (thumb & toe) |
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Great to Positif (thumb) |
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Great to Pedal (thumb & toe) |
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Swell to Positif (thumb) |
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Positif to Pedal (thumb & toe) |
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Tutti I (thumb & toe) |
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Swell to Great (thumb) |
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Tutti II (thumb & toe) |
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Expression
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Balanced Swell Pedal |
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Balanced Positif Pedal |
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Crescendo Pedal |
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Robert M. Turner Organs
Hacienda Heights, Calif. (1974)
Direct-electric action
1 manual, 3 stops, 3 ranks
In 1974, Robert M. Turner built a portativ organ that had electric action and three stops. Turner would later rebuild the gallery organ in 1976. This organ was replaced by a new instrument built by Vladimir Sobatka in 2007.
Manual – 61 notes
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8 |
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Gedeckt |
61 |
4 |
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Rohrflöte |
61 |
2 |
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Prinzipal |
61 |
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Aeolian-Skinner Organ Company
Boston, Mass. – Opus 785-B (1962)
Electro-pneumatic action
3 manuals, 46 registers, 33 stops, 46 ranks
In 1962, the organ was rebuilt and enlarged by the Aeolian-Skinner Company as Op. 785-B. Aeolian-Skinner also installed a new three-manual drawknob console at this time. |
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Great Organ (Manual II) – 61 notes
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8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Bourdon |
61 |
8 |
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Trompette Harmonique |
CH |
4 |
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Octave |
61 |
4 |
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Clarion Harmonique |
CH |
4 |
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Zauberflöte |
61 |
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Chimes |
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2 |
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Fifteenth |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Gedeckt |
73 |
2 |
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Octavin |
61 |
8 |
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Rohrflöte |
73 |
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Mixture III-V ranks |
269 |
8 |
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Viola |
73 |
16 |
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Fagot |
73 |
8 |
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Viola Céleste |
73 |
8 |
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Trompette |
73 |
8 |
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Flute Celeste II ranks |
134 |
4 |
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Clarion |
73 |
4 |
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Prestant |
73 |
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Tremulant |
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4 |
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Flute Triangulaire |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Cor de Nuit |
73 |
1 3/5 |
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Tierce |
61 |
8 |
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Dulciana |
73 |
1 1/3 |
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Larigot |
61 |
8 |
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Unda Maris (TC) |
61 |
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Acuta IV ranks |
244 |
4 |
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Koppelflöte |
61 |
8 |
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Krummhorn |
73 |
2 2/3 |
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Nazard |
61 |
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Tremulant |
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2 |
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Blockflöte |
61 |
8 |
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Trompette Harmonique |
73 |
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Pedal Organ – 32 notes
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32 |
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Bourdon |
68 |
4 |
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Flöte (fr. 32') |
— |
16 |
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Kontrabass |
44 |
2 |
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Blockflöte |
CH |
16 |
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Bourdon (fr. 32') |
— |
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Mixture III ranks |
96 |
16 |
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Gedeckt |
SW |
16 |
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Bombarde (ext. CH) |
12 |
8 |
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Principal (Kontrabass) |
— |
16 |
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Fagot |
SW |
8 |
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Bourdon (fr. 32') |
— |
8 |
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Krummhorn |
CH |
8 |
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Gedeckt |
SW |
4 |
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Krummhorn |
CH |
4 |
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Choralbass |
32 |
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Chimes |
GT |
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Skinner Organ Company
Boston, Mass. – Opus 785 (1929)
Electro-pneumatic action
3 manuals, 32 registers, 26 stops, 30 ranks
Showing tonal changes by
Aeolian-Skinner Organ Company
Boston, Mass. – Opus 785-A (1951)
In 1929, the Skinner Organ Company installed a new organ, Op. 785, with electro-pneumatic action. It seems likely that some of the pipes from the 1903 organ were incorporated into the new instrument. The Aeolian-Skinner Organ Company, successor to the Skinner Organ Company, returned in 1951 to make tonal replacements (Op. 785-A). |
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Great Organ (Manual II) – 61 notes
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16 |
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Bourdon [ext. Ped.] |
17 |
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Grave Mixture II ranks |
122 |
8 |
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1st Diapason [rep. by Bourdon *] |
61 |
8 |
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Tromba + |
61 |
8 |
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2nd Diapason |
61 |
8 |
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French Horn + |
61 |
8 |
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Clarabella |
61 |
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Chimes |
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4 |
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Octave |
61 |
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+ enclosed with Choir |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
4 |
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Flute Triangulaire |
73 |
8 |
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Diapason [rep. by Viola *] |
73 |
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Mixture III ranks |
183 |
8 |
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Rohrflöte |
73 |
8 |
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Cornopean [rep. by Trompette *] |
73 |
8 |
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Salicional |
73 |
8 |
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Oboe d'Amore |
73 |
8 |
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Voix Celeste |
73 |
8 |
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Vox Humana |
73 |
8 |
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Flute Celeste II ranks |
134 |
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Tremolo |
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8 |
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Aeoline |
73 |
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* Op. 785-A |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Flute |
73 |
8 |
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Clarinet |
73 |
8 |
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Dulciana |
73 |
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Tremolo |
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8 |
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Unda Maris (TC) |
61 |
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Harp |
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4 |
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Flute |
73 |
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Celesta |
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Pedal Organ – 32 notes
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16 |
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Open Diapason |
44 |
8 |
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Gedeckt (fr. Bourdon) |
— |
16 |
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Bourdon |
44 |
8 |
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Still Gedeckt |
SW |
16 |
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Echo Lieblich |
SW |
16 |
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Trombone (ext. GT) |
12 |
8 |
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Octave (fr. Op. Diap.) |
— |
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Chimes |
GT |
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E.M. Skinner Organ Case |
Skinner & Cole Organ Company
The Ernest M. Skinner Co.
Boston, Mass. – Opus 113 (1903)
Electro-pneumatic action
3 manuals, 38 registers, 29 stops, 29 ranks
The contract for the original organ in the present building was awarded to the Skinner & Cole Organ Co., reflecting a short-lived partnership between Ernest M. Skinner and James Cole which lasted only a few months during 1903. Skinner bought the contract when the partnership was dissolved (in the latter part of 1903), and this organ was the first opus number listed in the Skinner files.
Skinner had planned to use tubular-pneumatic action for this organ, but instead employed electro-pneumatic action. The combination action was "blind" in that it did not visibly move stops. Both the Swell and Choir divisions were enclosed in one swell box.
The organ was dedicated by Mr. Gaston Dethier, organist, assisted by Mrs. W. W. Niles, soprano, and Mr. Harry McClaskey, tenor, on Thursday evening, March 2, 1905. |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
61 |
8 |
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Erzaehler |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Gross Floete |
61 |
8 |
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Cornopean |
SW |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
4 |
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Flauto Traverso |
61 |
8 |
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Diapason |
61 |
4 |
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Violina |
61 |
8 |
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Concert Flute |
61 |
2 |
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Piccolo Harmonique |
61 |
8 |
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Salicional |
61 |
16 |
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Fagotto |
61 |
8 |
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Voix Celestes |
61 |
8 |
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Cornopean |
73 |
8 |
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Aeoline |
61 |
8 |
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Oboe |
61 |
8 |
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Gedackt |
61 |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed
with Swell
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8 |
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Violin Diapason |
61 |
4 |
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Violina |
SW |
8 |
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Melodia |
61 |
2 |
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Flautino |
61 |
8 |
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Dulciana |
61 |
8 |
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Clarinet |
61 |
8 |
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Dulcet |
61 |
8 |
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Oboe |
SW |
8 |
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Aeoline |
SW |
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Tremolo |
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4 |
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Wald Floete [Flute on contract] |
61 |
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Pedal Organ – 30 notes
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16 |
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Diapason |
42 |
8 |
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Bass Flute (fr. Diapason) |
— |
16 |
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Bourdon |
42 |
8 |
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Gedackt (fr. Bourdon) |
— |
16 |
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Gedackt |
SW |
8 |
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'Cello * |
SW |
10 2/3 |
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Quinte |
— |
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* Salicional + Voix Celestes |
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Couplers
(operated by tilting tablets)
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Great to Pedal 8' |
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Great to Swell 8' |
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Swell to Pedal 8' |
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Swell to Choir 8' |
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Choir to Pedal 8' |
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Great to Great 16', 4' |
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Swell to Great 8' |
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Swell to Swell 16', 4' |
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Choir to Great 16', 8' |
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Choir to Choir 16' |
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Combinations
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Swell and Pedal |
Pistons 1-2-3-4-5-6-0 (thumb) |
Great and Pedal |
Pistons 1-2-3-4-5-0 (thumb) |
Choir and Pedal |
Pistons 1-2-3-4-0 (thumb) |
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General Release |
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Pedal Release |
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Pedal Movements
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Balanced Swell and Choir Pedal |
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Great to Pedal Reversible |
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Balanced Crescendo Pedal |
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Organ in previous church located at 47 West 21st Street:
William H. Davis or Ferris & Stuart
New York City (1862)
Mechanical action
1 manual, 12 stops
This organ was built for St. Paul's Dutch Reformed Church and may have been used when Holy Trinity Lutheran Church took over the building. According to the American Musical Directory of 1861, the organ in the Twenty-first Street Reformed Church had an organ with "1 bank keys, 12 stops, 1½ octaves pedals. Built by W. H. Davis." Other sources show that this organ was built in 1862 by Ferris & Stuart of New York City. Specifications for this organ have not yet been located. |
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Sources:
Aeolian-Skinner Archives website: http://aeolianskinner.organsociety.org/
American Musical Directory. New York: Thomas Hutchinson, 1861.
Bach Vespers at Holy Trinity website: http://www.bachvespersnyc.org/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Haberstroh, Richard. The German Churches of Metropolitan New York: A Research Guide. New York: The New York Genealogical & Biographical Society, 2000.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Holy Trinity Lutheran Church
website: http://www.holytrinitynyc.org
Kinzey, Allen. Shop notes for Ernest M. Skinner & Co. organ, Op. 113 (1903).
Kinzey, Allen, and Sand Lawn. E.M. Skinner/Aeolian-Skinner Opus List (New Revised Edition). Richmond: The Organ Historical Society, 1997.
"Organ Recital by Mr. Gaston Dethier," dedication program (Mar. 2, 1905). Courtesy Larry Trupiano.
Paul Fritts & Company website: http://www.frittsorgan.com/
"Stop, Open and Reed – a Periodical Presentation of Pipe Organ Progress". Boston: Skinner Organ Company, 1922-1927.
Trupiano, Larry. Electronic correspondence (July 7, 2010) regarding action and combinations of Ernest M. Skinner & Co. organ, Op. 113 (1903).
Illustrations:
Bach Vespers at Holy Trinity
website. Sobatka Positiv (2007)
Holy Trinity Lutheran Church Archives
Lawson, Steven E. Paul Fritts & Company organ, Op. 16 (1994).
Rust, John. Interior; Robert M. Turner gallery organ; Robert M. Turner portativ organ. |
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