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Hotel Astor
1511-1515 Broadway, between 44th and 45th Streets
New York, N.Y. 10036
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The Palm Garden ("L'Orangerie") |
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The Hotel Astor was a venerable institution in the heart of Times Square for more than six decades. Plans for the grand hotel were conceived in 1900 by William C. Muschenheim and his brother, Frederick A. Muschenheim, at a time when the area—then known as Longacre Square—was beyond the fringe of metropolitan life. It would be a few years before the new subway would extend up Fourth Avenue, across Forty-second Street, and northward along Broadway. The New York Times publisher Adolph S. Ochs had moved the paper's operations to a new tower on 42nd Street in the middle of Longacre Square, and Ochs persuaded Mayor George B. McClellan, Jr. to build a subway station there and rename it Times Square. The theatre district would soon occupy magnificent new auditoriums along Forty-second Street, and electric lighting transformed this strip of Broadway into the "Great White Way."
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Roof Garden |
Built at a cost of $7,000,000 on land leased from William Waldorf Astor (great-grandson of John Jacob Astor, the fur trader), the 11-story, 35,000-square-feet Hotel Astor was designed in the French Renaissance "Beaux Arts" style by architects Charles W. Clinton and William H. Russell, who imitated many features from the old Waldorf=Astoria on Thirty-fourth Street. The Hotel Astor opened in September 1904, dazzling guests with its enormous public rooms, most decorated with themes. A year later the elaborate roof garden was opened.
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Large Ballroom |
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The Large Ballroom (or Banquet Hall), located on the ninth floor, was opened with a dinner in connection with the Hudson-Fulton celebration. Measuring 50 feet wide by 85 feet long, the Banquet Hall was decorated in the style of Louis XV and featured a high groined arch ceiling in ivory white and old gold, supported by grouped caryatides. A gallery ran along the south and west sides, affording a fine view of the room, which could accomodate 500 diners. The smaller ballroom, seating 250, was decorated in the later Louis XVI period and could be joined with the larger ballroom as needed. Still another adjoining room, "The College Hall," could also be opened into the ballroom so that up to 1100 persons could be seated. The Palm Garden, or "L'Orangerie," located in the rear of the ninth floor lobby, was intended to represent an Italian garden. Its ceiling, painted to represent a Mediterranean sky, was partly concealed by vine-covered pergolas. Blue lighting, hanging lamps draped in vines, swaying fern baskets, and scenic pictures of the out-of-doors further enhanced the perception. The Hotel Astor was demolished in 1967 to accomodate One Astor Plaza, a 50-story office tower. |
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Austin Organ Company
Hartford, Conn. – Opus 252 (1910)
Electro-pneumatic action
4 manuals, 87 stops, 76 ranks
3 four-manual consoles (two movable)
controlling all organs
Automatic player
In the photo at right of the balcony console, each manual has six pistons: one "release" (cancel) plus five adjustable combinations. To the left of the keyboards are four rows of five buttons; it is possible but not certain that these were the setters for Austin's primitive adjustable combination action. |
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AUDITORIUM ORGAN |
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Great Organ (Manual I) – 61 notes
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16 |
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Major Diapason (w & m) |
61 |
4 |
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Octave |
61 |
8 |
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Principal Diapason |
61 |
4 |
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Harmonic Flute |
61 |
8 |
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Small Diapason |
61 |
8 |
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Dulciana |
61 |
8 |
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Viole d'Amour |
61 |
8 |
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Vox Angelica [TC] |
49 |
8 |
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Gross Floete (wood) |
61 |
8 |
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Trumpet |
61 |
8 |
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Doppel Floete (wood) |
61 |
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8 |
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Claribel Flute (wood) |
61 |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon (wood) |
73 |
4 |
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Flauto Traverso (wood) |
73 |
8 |
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Diapason Phonon |
73 |
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Dolce Cornet, 3 ranks |
183 |
8 |
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Violin Diapason |
73 |
2 |
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Flageolet (metal) |
61 |
8 |
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Viole d'Orchestre |
73 |
16 |
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Contra Posaune |
73 |
8 |
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Echo Salicional |
73 |
8 |
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Cornopean |
73 |
8 |
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Viole Celeste |
73 |
8 |
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Oboe |
73 |
8 |
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Vox Seraphique [TC] |
61 |
8 |
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Vox Humana |
73 |
8 |
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Hohl Floete (wood) |
73 |
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Harps [sic] |
GT |
4 |
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Violina |
73 |
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Tremulant |
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Orchestral Organ (Manual III) – 61 notes, enclosed
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16 |
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Contra Viole |
73 |
4 |
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Flute d'Amour (w & m) |
73 |
8 |
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Geigen Principal |
73 |
2 |
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Piccolo |
61 |
8 |
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Dulciana |
73 |
16 |
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Double Oboe Horn |
73 |
8 |
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Concert Flute (wood) |
73 |
8 |
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Clarinet |
73 |
8 |
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Unda Maris (wood) [TC] |
61 |
8 |
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Cor Anglais |
73 |
8 |
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Quintadena |
73 |
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Tremulant |
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Solo Organ (Manual IV) – 61 notes, enclosed
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16 |
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Violone (wood) |
73 |
4 |
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Flute Overte (wood) |
61 |
8 |
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Grand Diapason |
73 |
16 |
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Tuba Major [unit] |
85 |
8 |
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Melodia (wood) |
73 |
8 |
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Harmonic Tuba * [ext.] |
— |
8 |
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Flauto Major (wood) |
73 |
4 |
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Tuba Clarion * [ext.] |
— |
8 |
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Dulciana |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Gross Gamba |
73 |
8 |
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French Trumpet |
73 |
8 |
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Gamba Celeste |
73 |
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4 |
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Principal |
73 |
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Pedal Organ – 32 notes ("Augmented")
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32 |
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Magnaton [ext.] |
12 |
16 |
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Bourdon (wood) |
32 |
16 |
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Magnaton |
32 |
16 |
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Lieblich Gedacht (wood) |
SW |
16 |
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Open Diapason (wood) |
44 |
8 |
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Gross Flute [ext. 16' O.D.] |
— |
16 |
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Second Diapason (w & m) |
GT |
8 |
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Flute Dolce (wood) |
SW |
16 |
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Violone (wood) |
44 |
8 |
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Violoncello [ext. 16'] |
— |
16 |
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Contra Viole |
OR |
16 |
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Trombone |
32 |
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L'ORANGERIE ROOM ORGAN |
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Orchestral Organ (Manual III) – 61 notes, all enclosed
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8 |
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Open Diapason |
73 |
8 |
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Clarinet |
73 |
8 |
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Concert Flute (wood) |
73 |
8 |
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Vox Humana |
73 |
8 |
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Viole d'Amour |
73 |
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Zylophone [sic] |
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8 |
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Unda Maris (wood) [TC] |
61 |
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Chimes |
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4 |
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Octave |
73 |
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Carillons |
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4 |
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Harmonic Flute |
73 |
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Tremulant |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Lieblich Bourdon (wood) |
73 |
2 |
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Piccolo |
61 |
8 |
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Horn Diapason |
73 |
8 |
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Horn |
73 |
8 |
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Rohr Floete (wood) |
73 |
8 |
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Saxophone |
73 |
8 |
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Viole d'Orchestre (tin) |
73 |
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Harp |
OR |
8 |
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Viole Celeste (tin) |
73 |
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Chimes |
OR |
4 |
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Flauto Traverso (wood) |
73 |
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Tremulant |
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4 |
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Violina |
73 |
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Pedal Organ – 32 notes ("Augmented")
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16 |
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Major Bass (wood) |
44 |
8 |
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Violoncello |
SW? |
16 |
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Lieblich Gedacht (wood) |
SW |
8 |
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Flute [ext. 16' Maj. Bass?] |
— |
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Couplers
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Swell to Pedal 8', 4' |
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Solo to Great 16', 8', 4' |
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Great to Pedal 8' |
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Swell to Orchestral 16', 8', 4' |
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Orchestral to Pedal 8' |
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Solo to Orchestral 8' |
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Solo to Pedal 8' |
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Swell 16', Unison Off, 4' |
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Swell to Great 16', 8', 4', 2' |
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Orchestral 16', Unison Off, 4' |
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Orchestral to Great 16', 8', 4' |
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Solo 16', Unison Off, 4' |
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Adjustable Combinations |
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Solo Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Orchestral Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Pedal Organ |
Pistons 1-2-3-4 (foot) |
Entire Organ |
(none listed) |
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Accessories
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Balanced Crescendo Pedal, not moving registers, adjustable |
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Balanced Swell Pedal, operating on Auditorium and L'Orangerie Organs |
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Balanced Orchestral Pedal, operating on Auditorium and L'Orangerie Organs |
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Balanced Solo Pedal |
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Sforzando Pedal, not moving registers, adjustable |
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Great to Pedal, Reversible |
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Solo to Great, Reversible |
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Sources:
"The Hotel Astor," Architects and Builders Magazine (Nov. 1904).
"Hotel Astor Builder Anticipated Growth," The New York Times (Jan. 12, 1930).
"The Hotel Astor and Associated Curios." The Astor Collection; University of Virginia web site: http://xroads.virginia.edu/~MA04/ranger/astor_collection/newyork.html
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Trupiano, Larry. Austin Organ Company brochure with specifications of Austin organ, Op. 252 (1910).
Illustrations:
Austin Organ Company brochure. Hotel Astor Ballroom. Courtesy Jeff Scofield.
Lewis, James. Ballroom console of Austin organ, Op. 252 (1910). Courtesy Jeff Scofield.
New York Architecture Images web site: www.nyc-architecture.com |
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