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Thomas Hunter Hall (Lexington Ave Side) |
Hunter College
695 Park Avenue
New York, N.Y. 10065
http://www.hunter.cuny.edu
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The New York Normal College (1874) |
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Hunter College has its origins in the 19th-century movement for normal school training which swept across the United States. Hunter descends from the Female Normal and High School (later renamed the Normal College of the City of New York), organized in New York City in 1870. Founded by Irish immigrant Thomas Hunter, who was president of the school during the first 37 years, it was originally a women's college for training teachers. The school, which was housed in an armory and saddle store at Broadway and East Fourth Street in Manhattan, was open to all qualified women, irrespective of race, religion or ethnic background. At the time most women's colleges had racial or ethno-religious admissions criteria.
Created by the New York State Legislature, Hunter was deemed the only approved institution for those seeking to teach in New York City. The school incorporated an elementary and high school for gifted children, where students practiced teaching. In 1887, a kindergarten was established as well. (Today, the elementary school and the high school still exist at a different location, and are now called the Hunter College Campus Schools.)
During Thomas Hunter's tenure as president of the school, Hunter became known for its impartiality regarding race, religion, ethnicity, financial or political favoritism; its pursuit of higher education for women; its high entry requirements; and its rigorous academics. The first female professor at the school, Helen Gray Cone, was elected to the position in 1899.[5] The college's student population quickly expanded, and the college subsequently moved uptown, in 1873, into a new Gothic structure, now known as Thomas Hunter Hall, on Lexington Avenue between 68th and 69th Streets. The hall was probably designed by the architect Snyder.
In 1888 the school was incorporated as a college under the statutes of New York State, with the power to confer the degree of A.B. This led to the separation of the school into two "camps": the "Normals", who pursued a four-year course of study to become licensed teachers, and the "Academics", who sought non-teaching professions and the Bachelor of Arts degree. After 1902 when the "Normal" course of study was abolished, the "Academic" course became standard across the student body.
Expansion
In 1914 the Normal College became Hunter College in honor of its first president. At the same time, the college was experiencing a period of great expansion as increasing student enrollments necessitated more space. The college reacted by establishing branches in the boroughs of Brooklyn, Queens, and Staten Island. By 1920, Hunter College had the largest enrollment of women of any municipally financed college in the United States. In 1930, Hunter's Brooklyn campus merged with City College's Brooklyn campus, and the two were spun off to form Brooklyn College.
Between 1938 and 1939 the garden at Park Avenue was given up for the construction of the north building. The expansion also destroyed a large part of the neo-gothic original structure, fusing them together. Only the back part facing Lexington Avenue between 68th and 69th street remain from the original building.
Hunter College is anchored by its main campus at East 68th Street and Lexington Avenue, a modern complex of three towers — the East, West, and North Buildings — and Thomas Hunter Hall, all of which are interconnected by skywalks. The college's official street address is 695 Park Avenue, New York, NY 10065. (Formerly bearing the ZIP code of 10021, the code changed on July 1, 2007 in accordance with the United States Postal Service's plan to split the 10021 ZIP code.)[9] It claims a Park Avenue address by virtue of the North Building, which stretches from 68th to 69th Streets along Park Avenue.
The main campus is situated within walking distance of Central Park, as well as many of New York's most prestigious cultural institutions, including the Metropolitan Museum of Art, the Asia Society Museum, and the Frick Collection. 68th Street - Hunter College on the IRT Lexington Avenue Line is directly underneath. Adjacent to the staircase to the station, in front of the West Building, sits an iconic Hunter sculpture, “Tau”, created by late Hunter professor and respected artist Tony Smith.
The main campus is home to the School of Arts and Sciences and the School of Education. It features numerous facilities that serve not only Hunter, but the surrounding community, and is particularly well known as a center for the arts. The Assembly Hall, which seats more than 2,000, is a major performance site; the Sylvia and Danny Kaye Playhouse, a 675-seat proscenium theatre, has over 100,000 visitors annually and hosts over 200 performances each season; the Ida K. Lang Recital Hall is a fully equipped concert space with 148 seats; the Frederick Loewe Theatre, a 50 x 54-foot (16 m) black box performance space is the site of most department performances; and the Bertha and Karl Leubsdorf Art Gallery hosts professionally organized art exhibits.[10]
Thomas Hunter Hall was originally built in 1912-14 as a high school connected to Normal College (later Hunter College High School), and was designed by C. B. J. Snyder. A large part of the building was razed to make way for the North Building, built in 1938-1941 |
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Console under stage extension (2013) |
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Auditorium Stage |
Organ in Auditorium:
Aeolian-Skinner Organ Co., Inc.
Boston, Mass. – Opus 1005 (1940)
Electro-pneumatic action
3 manuals, 61 registers, 54 stops, 66 ranks
The organ in the Auditorium of Hunter College was a rebuild and enlargement of the Skinner Organ Co. organ, Op. 349 (1922), formerly located in Skinner's New York studio on Fifth Avenue. Due to extensive damage the organ is no longer playable, but the console is extant under a stage extension. |
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Great Organ (Manual II) – 61 notes
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16 |
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Quintaton |
61 |
2 |
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Super Oktave |
61 |
8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Diapason * |
61 |
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Cymbal III ranks |
183 |
8 |
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Bourdon * |
61 |
8 |
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Trumpet * |
61 |
8 |
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Spitzflöte |
61 |
8 |
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Tuba |
CH |
8 |
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Concert Flute |
CH |
8 |
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French Horn |
CH |
4 |
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Principal |
61 |
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4 |
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Rohrflöte |
61 |
8 |
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Harp (TC) |
CH |
2 2/3 |
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Quint |
61 |
4 |
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Celesta |
CH |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
4 |
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Flute |
73 |
8 |
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Diapason |
73 |
2 |
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Fifteenth |
61 |
8 |
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Gedeckt |
73 |
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Mixture III ranks |
183 |
8 |
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Voix Celeste II ranks |
146 |
16 |
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Fagotto |
73 |
8 |
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Aeoline |
73 |
8 |
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Trumpet |
73 |
8 |
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Unda Maris (TC) |
61 |
8 |
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Corno d'Amore |
73 |
8 |
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Flauto Dolce |
73 |
4 |
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Clarion |
73 |
8 |
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Flute Celeste (TC) |
61 |
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Tremolo |
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4 |
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Octave |
73 |
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Choir–Solo Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason |
73 |
16 |
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Bassoon |
61 |
8 |
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Cello |
73 |
8 |
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French Horn |
61 |
8 |
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Concert Flute |
73 |
8 |
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English Horn |
61 |
8 |
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Voix Celeste II ranks |
146 |
8 |
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Orchestral Oboe |
61 |
8 |
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Dulciana |
73 |
8 |
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Clarinet |
61 |
4 |
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Gemshorn |
73 |
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Tremolo |
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4 |
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Chimney Flute |
73 |
8 |
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Tuba |
61 |
2 2/3 |
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Nazard |
61 |
8 |
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2 |
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Piccolo |
61 |
4 |
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Celesta |
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1 3/5 |
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Tierce |
61 |
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Pedal Organ – 32 notes
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16 |
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Contre Basse |
32 |
8 |
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Still Gedeckt |
SW |
16 |
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Violone |
32 |
4 |
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Principal |
32 |
16 |
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Bourdon |
32 |
4 |
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Nachthorn |
32 |
16 |
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Sub Bass * |
32 |
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Mixture IV ranks |
128 |
16 |
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Echo Lieblich |
SW |
32 |
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Contra Trombone (ext. 16') ** |
12 |
8 |
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Principal |
32 |
16 |
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Trombone |
44 |
8 |
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Gedeckt |
32 |
8 |
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Tromba (fr. 16') |
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* Added as 1005-A in 1946 |
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** Added as 1005-B in 1947 |
Couplers
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Great to Pedal 8' |
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Choir-Solo to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Swell to Choir–Solo 16', 8', 4' |
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Choir-Solo to Pedal 8', 4' |
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Swell to Swell 16', 4' |
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Swell to Great 16', 8', 4' |
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Choir–Solo to Choir–Solo 16', 4' |
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Adjustable Combinations
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Swell Organ |
Pistons 1-2-3-4-5-6-7-8 |
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Great Organ |
Pistons 1-2-3-4-5-6-7-8 |
Ped. to Man. Combs. On & Off |
Choir–Solo Organ |
Pistons 1-2-3-4-5-6-7-8 |
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Pedal Organ |
Pistons 1-2-3-4-5 (toe) |
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Mechanicals
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Balanced Swell Expression Pedal |
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Great to Pedal Reversible |
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Balanced Choir–Solo Expression Pedal |
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Sforzando |
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Balanced Crescendo Pedal |
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Cancel |
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