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Immanuel Lutheran Church (Evangelical Lutheran Church in America)
122 East 88th Street at Lexington Avenue
New York, N.Y. 10128
http://www.immanuelnyc.org
The present Immanuel Lutheran Church was erected by German immigrants in 1886. The church was constructed in a Gothic style reminiscent of church architecture prevalent in northern Europe in the latter years of the 19th century. The interior is 100 ft. x 60 ft. and 75 ft. high to the rafters. Of particular note in the interior are the ornate and irreplaceable chancel wood carvings which were hand-carved in the Black Forest of Germany. Immanuel's stained-glass windows, installed in 1973, were designed by Mr. Benoit Gilsoul, a Belgian-born artist living and working in New York City. They were fabricated of faceted glass by Mr. Helmut Schardt of East Northport, Long Island. The various windows are a visual meditation on the verses of the ancient Christian hymn, Te Deum Laudamus. The three bells in the 200 foot tower were cast in 1886 by G.E. Gollen von C. Dob & Son of Stettin, Germany, and are inscribed Glaube, Hoffnung, and Liebe (Faith, Hope, and Charity); they were a gift to the new congregation from the Empress Auguste-Victoria of Germany in the late 1800s. |
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John L. Randolph Pipe Organs
Leonia, N.J. (1989)
Direct-Electric ® action
Solid-State combination action
3 manuals, 58 stops, 55 ranks
In 1989, the Wicks organ from 1953 was tonally rebuilt by John L. Randolph of Leonia, N.J. Work included the addition of a new German-style Trompete stop; a new Mixture IV; and rescaling of the principal chorus on the Great. In the Swell Organ, Randolph added independent mutation stops (Nazard and Tierce); revoiced the reeds in the brilliant French style, and rescaled the strings. In the Choir Organ, the 4' Flute, Dulciana and Unda Maris were rescaled, and the Clarinet was revoiced in the French style. New reed stops at 16', 8' and 4' pitches were added to the Pedal Organ. Several additional ranks were donated by the builder to "round out" the specifications, as follows: (Swell) 2' Plein Jeu IV, 8' Voix Humaine, replacement of part of the 2' Flute; (Choir) 1/2' Scharff III, 2-2/3' Twelfth and 1-1/3' Nineteenth; (Pedal): 2-2/3' Mixture IV. Randolph also installed a larger combination action in the 1953 Wicks console. The organ and choir are located in the rear gallery and enjoy a resonant acoustic. |
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Great Organ (Manual II) – 61 notes
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16 |
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Gedeckt |
61 |
2 2/3 |
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Twelfth |
61 |
16 |
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Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Diapason |
61 |
1 1/3 |
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Mixture IV ranks |
244 |
8 |
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Doppel Flute |
61 |
8 |
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Trompete |
61 |
8 |
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Harmonic Flute |
61 |
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Tremulant |
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8 |
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Gamba |
61 |
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Chimes (Mayland) |
25 tubes |
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4 |
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Octave |
61 |
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Great to Great 16' |
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4 |
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Flute |
61 |
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Great to Great 4' |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
2 |
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Plein Jeu IV ranks |
244 |
8 |
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Montre |
61 |
16 |
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Basson |
61 |
8 |
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Bourdon |
61 |
8 |
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Trompette |
61 |
8 |
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Viole |
61 |
8 |
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Hautbois |
61 |
8 |
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Voix Celeste (TC) |
49 |
8 |
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Voix Humaine |
61 |
4 |
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Prestant |
61 |
4 |
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Clairon |
61 |
4 |
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Flute Ouverte |
61 |
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Tremulant |
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2 2/3 |
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Nazard |
61 |
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Swell to Swell 16' |
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2 |
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Flute |
61 |
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Swell Unison Off |
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1 3/5 |
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Tierce |
61 |
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Swell to Swell 4' |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason |
61 |
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Nineteenth |
61 |
8 |
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Chimney Flute |
61 |
2/3 |
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Sharp Mixture III ranks |
183 |
8 |
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Concert Flute |
61 |
8 |
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Clarinet |
61 |
8 |
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Dulciana |
61 |
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Tremulant |
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8 |
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Unda Maris (TC) |
49 |
8 |
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Trompete |
GT |
4 |
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Principal |
61 |
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Choir to Choir 16' |
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4 |
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Chimney Flute |
61 |
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Choir Unison Off |
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2 2/3 |
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Twelfth |
61 |
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Choir to Choir 4' |
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2 |
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Fifteenth |
61 |
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Pedal Organ – 32 notes
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16 |
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Open Diapason |
32 |
4 |
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Fifteenth |
32 |
16 |
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Principal |
32 |
4 |
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Flute |
32 |
16 |
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Subbass |
32 |
2 |
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Mixture IV ranks |
128 |
16 |
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Bourdon |
32 |
16 |
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Posaune |
32 |
16 |
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Violone [in Choir] |
32 |
16 |
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Basson |
SW |
10 2/3 |
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Quint |
— |
8 |
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Trompete |
32 |
8 |
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Octave |
32 |
4 |
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Clarion |
32 |
8 |
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Bass Flute |
32 |
4 |
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Clarinet |
CH |
8 |
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Cello [ext.] |
12 |
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Adjustable Combinations
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Great Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
General |
Pistons 1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16 (thumb & toe) |
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General Cancel (thumb) |
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Setter (thumb) |
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Pedal Movements
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Swell Expression Pedal |
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Great to Pedal Revers. (thumb & toe) |
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Choir Expression Pedal |
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Swell to Pedal Revers. (thumb & toe) |
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Crescendo Pedal |
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Choir to Pedal Revers. (thumb & toe) |
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Sforzando (thumb & toe) |
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Accessories
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Wind Indicator |
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Crescendo Indicator |
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Sforzando Indicator |
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Wicks Organ Company
Highland, Ill. – Opus 3370 (1953)
Direct-Electric ® action
Electric combination action
3 manuals, 46 stops, 33 ranks
In 1953, the Wicks Organ Company rebuilt the Odell Organ and enlarged it to 33 ranks. A new three-manual stop-key console was installed, and provision was made for additional ranks to be added at a future date. Most of the reworked pipework was original to the Odell Organ, but portions of some ranks were replaced. A set of Mayland Chimes, given as a memorial to Maximilian Hollenberg by his wife Martha, was installed. The dedicatory recital was given on November 22, 1953 by Pastor George Wehmeyer and the choirs of Immanuel Church.
As this was Wicks' first large installation in Manhattan, a window and light were included in the side of the Great windchest so that their patented Direct-Electric ® Action could be viewed. Many prospective clients were brought to Immanuel to hear the organ and see its mechanism in action.
During the major renovation of the church in 1969-1970, the rear gallery was enlarged and the console moved from the front of the organ case to its present detached position. |
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Great Organ (Manual II) – 61 notes, enclosed
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16 |
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Open Diapason |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Open Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Doppelflote |
61 |
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Mixture IV ranks |
244 |
8 |
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Gamba |
61 |
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Chimes (Mayland) |
25 tubes |
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4 |
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Octave |
61 |
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Great to Great 16' |
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4 |
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Harmonic Flute |
61 |
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Great to Great 4' |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblichbourdon [unit] |
85 |
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Cornet III ranks |
183 |
8 |
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Diapason |
73 |
16 |
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Contra Fagotto [unit] |
85 |
8 |
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Flute |
— |
8 |
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Oboe |
— |
8 |
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Salicional |
73 |
8 |
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Cornopean [unit] |
85 |
8 |
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Voix Celeste (TC) |
61 |
4 |
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Clarion |
— |
4 |
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Hohl Flute [unit] |
73 |
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Tremolo |
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4 |
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Principal |
73 |
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Swell to Swell 16' |
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2 2/3 |
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Nazard |
— |
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Swell Unison Off |
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2 |
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Flautino |
— |
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Swell to Swell 4' |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Geigen Diapason |
73 |
2 |
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Piccolo |
— |
8 |
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Concert Flute |
73 |
1 3/5 |
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Tierce |
— |
8 |
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Dulciana |
73 |
8 |
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Clarinet |
73 |
8 |
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Unda Maris (TC) |
61 |
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Tremolo |
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4 |
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Fugara |
73 |
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Choir to Choir 16' |
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4 |
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Rohr Flute [unit] |
73 |
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Choir Unison Off |
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2 2/3 |
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Nazard |
— |
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Choir to Choir 4' |
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Pedal Organ – 32 notes
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16 |
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Double Open Diapason |
32 |
8 |
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Bourdon |
— |
16 |
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Open Diapason |
GT |
8 |
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Flauto Dolce |
SW |
16 |
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Bourdon [unit] |
44 |
8 |
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'Cello |
— |
16 |
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Lieblichbourdon |
SW |
4 |
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Choral Bass [16' Open Diap.] |
GT |
16 |
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Violone [unit, in Choir] |
44 |
16 |
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Contra Fagotto |
SW |
10 2/3 |
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Quint [Lieblichbourdon] |
— |
8 |
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Cornopean |
SW |
8 |
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Octave [16' Open Diap.] |
GT |
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Couplers
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Great to Pedal 8', 4' |
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Swell to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Choir to Great 16', 8', 4' |
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Choir to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Adjustable Combinations
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Great Organ |
Pistons 1-2-3-4-5-6-0 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-0 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6-0 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6-0 (thumb) |
General |
Pistons 1-2-3-4-5-6 (thumb & toe) |
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General Cancel (thumb) |
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Setter (thumb) |
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Pedal Movements
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Great Expression Pedal |
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Great to Pedal Revers. (thumb & toe) |
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Swell Expression Pedal |
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Swell to Pedal Revers. (thumb & toe) |
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Choir Expression Pedal |
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Choir to Pedal Revers. (thumb & toe) |
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Crescendo Pedal |
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Sforzando (thumb & toe) |
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Accessories
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Wind Indicator |
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Crescendo Indicator |
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Sforzando Indicator |
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J.H. & C.S. Odell & Co.
New York City – Opus 330 (1895); inst. by Hutchings-Votey (1907)
Electro-pneumatic action
3 manuals, 34 stops, 36 ranks
The second organ at Immanuel Lutheran Church was built in 1895 by J.H. & C.S. Odell of New York City for the 500-seat chapel of the Presbyterian Building at 156 Fifth Avenue (20th Street). Immanuel purchased the organ in 1907, and it was then moved and installed by the Hutchings-Votey Organ Company of Boston. |
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Great Organ (Manual II) – 58 notes
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16 |
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Double Open Diapason |
58 |
4 |
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Flute Harmonique |
58 |
8 |
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Open Diapason |
58 |
2 2/3 |
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Octave Quint |
58 |
8 |
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Viola da Gamba |
58 |
2 |
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Super Octave |
58 |
8 |
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Doppel Flöte |
58 |
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Mixture IV ranks |
232 |
4 |
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Octave |
58 |
8 |
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Trumpet |
58 |
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Swell Organ (Manual III) – 58 notes, enclosed
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16 |
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Bourdon |
58 |
2 |
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Flautina |
58 |
8 |
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Open Diapason |
58 |
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Cornet III ranks |
174 |
8 |
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Salicional |
58 |
8 |
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Cornopean |
58 |
8 |
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Vox Celestis (TC) |
46 |
8 |
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Oboe |
58 |
8 |
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Clarinet Flute |
58 |
8 |
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Vox Humana |
58 |
4 |
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Violina |
58 |
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Tremulant |
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4 |
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Hohl Flöte |
58 |
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Choir Organ (Manual I) – 58 notes, enclosed
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8 |
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Geigen Principal |
58 |
4 |
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Rohr Flöte |
58 |
8 |
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Keraulophon |
58 |
4 |
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Fugara |
58 |
8 |
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Dolce d'Amour |
58 |
2 |
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Piccolo |
58 |
8 |
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Concert Flute |
58 |
8 |
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Clarinet |
58 |
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Pedal Organ – 30 notes
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16 |
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Open Diapason |
30 |
16 |
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Violone |
30 |
16 |
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Bourdon |
30 |
8 |
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Violoncello |
30 |
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Couplers
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Swell to Great |
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Great to Pedal |
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Choir to Great |
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Swell to Pedal |
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Swell to Choir |
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Choir to Pedal |
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Combinations
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16 thumb pistons |
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Hilborne L. Roosevelt
New York City – Opus 340 (1886)
Mechanical action
2 manuals, 28 registers, 15 stops, 17 ranks
The original organ in the present church was built in 1886 by Hilborne L. Roosevelt of New York City. This was a Roosevelt "Style Thirty" organ with the addition of a Great to Pedal Reversible coupler. In the Inaugural Recital programme we read Roosevelt's description of the organ, in part:
"The Organ stands in the gallery opposite the altar and is divided in two parts, the Pedal Organ being located at the right of the large window and the remaining departments, including the key-boards, at the left.
"The cases of the two parts are alike, the Gothic detail of the design harmonizing admirably with the surroundings and presenting a rich and imposing appearance. They are made of ash, finely finished, with upper sections composed solely of front pipes, excepting the posts and bands which hold them in place, the former being tastefully grouped and handsomely decorated. In appearance the dimensions of each division are width 13', depth 6' 9" and height 22', though the keyboards and organist's seat projects 3' 8" and that part of the organ extends 3' back of the wall, giving a body depth of 9' 9" or a total depth of 13' 4"."
At eight o'clock on Tuesday evening, November 23, 1886, the new organ was presented in an Inaugural Recital by Mr. Frank Taft (Clinton Avenue Congregation Church, Brooklyn), organist, assisted by Miss H. Kammerer, Mr. J. Orth, and Mr. P.J. Steiner (vocalists), and the Immanuel Choir. The programme included vocal arias, anthems and organ solos, ending with the congregation invited to join in singing "Old Hundred" by Franze.
Following are the specifications taken from the Inaugural Recital programme. The Roosevelt stoplist was also recorded in an "Organ Scrapbook" by Rev. F.R. Webber (1887-1963), a Lutheran pastor and organ historian. Webber noted that "the organ was moved about the year 1930 to St. Peter's Lutheran Church, Brooklyn, and was succeeded at Immanuel, New York, by a three manual Odell." |
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Great Organ (Manual I) – 58 notes
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8 |
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Open Diapason |
58 |
4 |
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Gemshorn |
58 |
8 |
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Salicional * |
46 |
2 2/3 |
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Octave Quint |
58 |
8 |
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Doppel Flöte |
58 |
2 |
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Flageolet |
58 |
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* lowest 8ve grooved to Doppel Flöte |
Swell Organ (Manual II) – 58 notes, enclosed
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16 |
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Bourdon (split knob, treble & bass) |
58 |
4 |
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Flute Harmonique |
58 |
8 |
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Violin Diapason |
58 |
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Cornet, 3 ranks |
174 |
8 |
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Dolce ** |
46 |
8 |
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Oboe |
58 |
8 |
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Stopped Diapason |
58 |
** lowest 8ve grooved to Stopped Diapason |
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Pedal Organ – 27 notes
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16 |
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Bourdon |
27 |
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8 |
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Violoncello |
27 |
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Couplers
("On" and "Off" thumb pistons, placed beneath the Great keyboard, except in the case of the Swell to Pedal coupler which is placed under the Swell manual.)
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Swell to Great |
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Swell to Pedal |
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Swell to Great Octaves |
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Great to Pedal |
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Mechanical Accessories
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Swell Tremulant |
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Eclipse Wind Indicator |
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Bellows Signal |
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Pedal Movements
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Great Organ Forte Pedal |
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Swell Organ Piano Pedal † |
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Great Organ Piano Pedal † |
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Great to Pedal Reversible Coupler |
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Swell Organ Forte Pedal |
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Balanced Swell Pedal |
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† double acting |
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Sources:
"A Short History of the Organ at Immanuel Lutheran Church on the occasion of the Dedication of the Organ, June 4, 1989". Courtesy of Charles Schramm, Jr., Organist/Director of Music at Immanuel Lutheran Church for over 30 years until his retirement to Maine in 2000. Additional information from Karen Rombey of Immanuel Church.
The Diapason (Sep. 1953). Specifications of Wicks organ, Op. 3370 (1953). Courtesy Jeff Scofield.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Haberstroh, Richard. The German Churches of Metropolitan New York: A Research Guide. New York: The New York Genealogical & Biographical Society, 2000.
Immanuel Lutheran Church website: http://www.immanuelnyc.org
Inaugural Recital programme (Nov. 23, 1886) of Hilborne L. Roosevelt organ, Op. 340 (1886). Courtesy Larry Trupiano.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977. Specifications of J.H. & C.S. Odell organ, Op. 330 (1895).
Webber, F.R. "Organ scrapbook" at Organ Historical Society Archives, Princeton, N.J. Specifications of Hilborne L. Roosevelt organ, Op. 340 (1886). Courtesy Jonathan Bowen.
Wicks Organ Company. Factory Specifications (Apr. 14, 1953) of Wicks Organ, Op. 3307 (1953). Courtesy Jeff Scofield.
Illustrations:
Lawson, Steven E. Exterior.
Rust, John. Interior and 1989 organ console. |
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