Loew's Lexington Theatre
Lexington Avenue Opera House
571 Lexington Avenue at 51st Street
New York, N.Y. 10022
The Loew's Lexington Theatre, originally known as the Lexington Avenue Opera House, was built by Oscar Hammerstein (father of the song lyricist), with William H. McElfatrick as architect. Because of a dispute that he was having at the time with the Metropolitan Opera, Hammerstein was unable to produce operas there, so he opened it on August 14, 1914 with vaudeville and movies. About a year later, he was still battling with the Met and sold the theatre to his close friend, Marcus Loew, whose circuit ran the Lexington for the rest of its existence. The theatre originally had 3,100 seats, but Loew's reduced it to about 2,500 by closing the topmost of its three balconies. The auditorium was of Beaux Arts design and also had 40 boxes, arranged in four tiers on each side of the proscenium. After the opening of the flagship Loew's State in Times Square in 1921, the Lexington dropped vaudeville and switched to double features, though it continued to be one of the circuit's top Manhattan theatres. Loew's always kept the Lexington in top condition, never changing the decor except for modernizing the entrance, lobby and lounge areas. The Lexington was demolished in 1961 to make way for the Loew's Summit Hotel. |
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Wurlitzer Organ Company
North Tonawanda, N.Y. – Opus 1555 (1927)
Electro-pneumatic action
Style "260 Special"
3 manuals, 16 ranks, 7 tuned percussions, 14 traps
This Wurlitzer organ in Loew's Lexington Theatre was termed a "Style 260 Special" because it lacked the Style 260's usual 32' Diaphone and Piano but had a second Vox Humana. In 1930, the organ was moved to the RKO Proctor's 86th Street Theatre. Opus 1555 had a factory date of January 14, 1927. |
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Pedal – 32 notes
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16 |
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Ophicleide |
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Pedal 1st and 2nd Touch |
16 |
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Diaphone |
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Bass Drum |
16 |
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Tibia Clausa |
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Kettle Drum |
16 |
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Bourdon |
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Snare Drum |
8 |
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Tuba Horn |
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Crash Cymbal |
8 |
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Diaphonic Diapason |
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Cymbals |
8 |
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Tibia Clausa |
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8 |
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Clarinet |
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Pedal Pizzicato |
8 |
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Saxophone |
16 |
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Ophicleide |
8 |
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String |
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8 |
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Cello |
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1st Touch & 2nd Touch Traps Switch |
8 |
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Flute |
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4 |
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Flute |
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3 Adjustable Combination Toe Pistons |
8 |
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Great to Pedal |
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8 |
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Solo to Pedal |
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Accompaniment (Manual I) –- 61 notes
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16 |
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Contra Viol [TC] |
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Mandolin |
16 |
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Bourdon |
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Marimba [re-it] |
16 |
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Vox Humana [TC] |
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Harp |
16 |
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Vox Humana [TC] (Solo) |
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Crysoglott |
8 |
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Tuba Horn |
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Snare Drum |
8 |
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Diaphonic Diapason |
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Tambourine |
8 |
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Tibia Clausa |
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Castanets |
8 |
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Clarinet |
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Chinese Block |
8 |
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Saxophone |
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Tom Tom |
8 |
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String |
4 |
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Octave |
8 |
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Viol d'Orchestre |
8 |
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Solo to Accomp. |
8 |
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Viol Celeste |
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8 |
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Oboe Horn |
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Accompaniment 2nd Touch |
8 |
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Quintadena |
8 |
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Tuba Horn |
8 |
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Flute |
8 |
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Tibia Clausa |
8 |
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Vox Humana (Main) |
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Cathedral Chimes |
8 |
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Vox Humana (Solo) |
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Xylophone |
4 |
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Viol |
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Triangle |
4 |
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Viol Celeste |
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Solo to Accomp. |
4 |
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Flute |
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2 2/3 |
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Twelfth |
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Accompaniment Pizzicato |
2 |
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Piccolo |
8 |
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Solo to Accomp. |
16 |
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Piano |
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8 |
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Piano |
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10 Double Touch Adjustable Pistons |
4 |
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Piano |
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Suitable Bass and Release |
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Great (Manual II) – 61 notes
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16 |
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Ophicleide |
2 2/3 |
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Flute |
16 |
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Diaphone |
2 |
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Fifteenth |
16 |
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Tibia Clausa |
2 |
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Piccolo |
16 |
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Clarinet [TC] |
1 3/5 |
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Tierce |
16 |
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Saxophone [TC] |
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Marimba |
16 |
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Contra Viol [TC] |
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Harp |
16 |
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Bourdon |
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Orchestral Bells |
8 |
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Trumpet |
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Sleigh Bells |
8 |
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Tuba Horn |
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Xylophone |
8 |
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Diaphonic Diapason |
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Glockenspiel |
8 |
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Tibia Clausa |
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Chrysoglott |
8 |
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Orchestral Oboe |
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Cathedral Chimes |
8 |
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Kinura |
16 |
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Sub Octave |
8 |
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Clarinet |
4 |
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Octave |
8 |
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Saxophone |
8 |
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Solo to Great |
8 |
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String |
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8 |
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Viol d'Orchestre |
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Great 2nd Touch |
8 |
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Viol Celeste |
16 |
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Ophicleide |
8 |
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Flute |
8 |
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Tibia Clausa |
8 |
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Vox Humana (Main) |
8 |
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Solo to Great |
8 |
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Vox Humana (Solo) |
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4 |
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Clarion |
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Great Pizzicato |
4 |
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Piccolo |
8 |
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Solo to Great |
4 |
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Viol |
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4 |
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Viol Celeste |
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10 Double Touch Adjustable Pistons |
4 |
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Flute |
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Suitable Bass and Release |
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Solo (Manual III) – 61 notes
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16 |
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Ophicleide |
8 |
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Quintadena |
8 |
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Trumpet |
4 |
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Clarion |
8 |
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Tuba Horn |
4 |
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Piccolo |
8 |
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Diaphonic Diapason |
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Xylophone |
8 |
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Tibia Clausa |
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Glockenspiel |
8 |
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Orchestral Oboe |
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Orchestral Bells |
8 |
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Kinura |
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Cathedral Chimes |
8 |
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Clarinet |
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8 |
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Saxophone |
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10 Double Touch Adjustable Pistons |
8 |
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String |
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Suitable Bass and Release |
8 |
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Oboe Horn |
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Tremulants (6)
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Main |
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Vox Humana (Main) |
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Solo |
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Vox Humana (Solo) |
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Tibia |
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Tuba |
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General
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Balanced Expression Pedal – Main |
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Balanced Expression Pedal – Solo |
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Crescendo Pedal |
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Thunder Pedal (Diaphone) – Piano Pedal |
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Thunder Pedal (Reed) – Piano Pedal |
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One Double Touch Sforzando Pedal – Piano Pedal
• 1st Touch: Full stops (wind)
• 2nd Touch: Full stops and Percussion |
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One Double Touch Sforzando Pedal – Piano Pedal
• 1st Touch: Snare Drum
• 2nd Touch: Bass Drum and Cymbal |
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Effects (operated by toe pistons)
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Auto Horn |
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Fire Gong |
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Steamboat Whistle |
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Horse Hoofs |
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Two Birds (one in each expression box) |
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STOP & CHAMBER ANALYSIS |
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Main Chamber
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32 |
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Diaphonic Diapason |
97 pipes |
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8 |
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Viol d'Orchestre |
85 pipes |
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16 |
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Bourdon-Concert Flute |
97 pipes |
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Solo Chamber
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8 |
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Orchestral Oboe |
61 pipes |
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Cathedral Chimes |
25 notes |
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All non-tonal traps & effects |
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M.P. Möller, Inc.
Hagerstown, Md. – Opus 3750 (1923)
Electro-pneumatic action
3 manuals, 93 stops, 28 ranks
In the factory contract dated June 19, 1923, the M.P. Möller company states that the organ for the Lexington Avenue Opera House would cost $17,500, and that it would be completed by October 1, 1923 "POSITIVE." Möller's three-manual mahagony console had colored stop keys and was detached and movable. Wind pressures for the organ were 7" and 12". Möller includes the following notation:
Organ to be constructed so that all string stops are playable on orchestral manual. Two stopkeys cancel all other stops from Orchestral department and all strings from Great and Solo and draw all strings on Orchestral. The purpose is that a solo on any stop (string excepted) can be played on either great or solo manual, and accompanied by all strings in chorus on orchestral manual.
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Great Organ (Center Manual) – 61 notes, enclosed with Orchestral
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8 |
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Open Diapason |
73 |
2 |
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String Fifteenth * |
— |
4 |
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Octave Principal |
— |
8 |
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Violin d'Orchestre * |
73 |
8 |
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Tibia Plena |
73 |
8 |
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Viole Celeste [TC] * |
61 |
8 |
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Doppel Flute |
73 |
16 |
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Bass Tuba |
85 |
8 |
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Clarabella |
73 |
8 |
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Tuba |
— |
8 |
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Flute Celeste [TC] |
61 |
4 |
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Clarion |
— |
8 |
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Rohr Flute |
— |
16 |
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Cor Anglais [TC] |
— |
4 |
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Solo Flute |
— |
8 |
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English Horn |
73 |
4 |
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Claribel Flute |
— |
16 |
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Corno di Bassetto [TC] |
— |
4 |
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Flute d'Amour |
— |
8 |
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French Trumpet |
73 |
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Mixture III ranks [derived] |
— |
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Cathedral Chimes |
20 notes |
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16 |
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Violin * |
97 |
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8 |
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Solo Violin * |
— |
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Tremulant |
4 |
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Violin * |
— |
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Orchestral String Tremulant |
2 2/3 |
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String Twelfth * |
— |
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Orchestral Organ (Bottom Manual) – 61 notes, enclosed with Great
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16 |
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Bourdon |
97 |
4 |
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Horn Octave |
— |
8 |
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Stopped Diapason |
— |
16 |
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Sub Vox [TC] |
— |
4 |
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Flute d'Amour |
— |
8 |
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Vox Humana |
73 |
2 2/3 |
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Octave Quint |
— |
8 |
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2 |
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Flageolet |
— |
4 |
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1 3/5 |
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Tiercena |
— |
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Glockenspiel |
8 |
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Orchestral Oboe |
— |
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Orchestral Bells |
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8 |
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Saxophone (Syn.) |
— |
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Orch. String Organ [draws * stops] |
8 |
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Flute Traverso |
73 |
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Solo String Organ [draws + stops] |
4 |
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Wald Flute |
— |
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Orchestral String Tremulant |
8 |
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Solo Violin |
— |
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Solo String Tremulant |
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4 |
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Violin |
— |
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Tremulant |
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2 2/3 |
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String Twelfth |
— |
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Snare Drum |
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8 |
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Violin d'Orchestre |
— |
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Castanets |
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8 |
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Viole Celeste [TC] |
— |
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Tambourine |
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8 |
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Tuba |
— |
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Sleigh Bells |
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8 |
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Clarinet |
73 |
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Indian Block |
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8 |
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English Horn |
— |
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Solo Organ (Top Manual) – 61 notes, enclosed
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8 |
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Stentorphone |
73 |
8 |
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Viole Celeste [TC] + |
61 |
8 |
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Gross Flute |
73 |
4 |
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Violin + |
— |
16 |
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Tibia Clausa |
97 |
8 |
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Cornopean |
73 |
8 |
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Stopped Flute |
— |
4 |
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Corno d'Amour |
— |
4 |
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Orchestral Flute |
— |
8 |
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French Horn |
73 |
2 2/3 |
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Quint |
— |
16 |
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Fagotta |
85 |
2 |
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Flautina |
— |
8 |
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Oboe |
— |
1 3/5 |
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Tiercena |
— |
4 |
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Oboe Clarion |
— |
8 |
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Concert Flute |
73 |
8 |
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Vox Humana |
73 |
4 |
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Flute Harmonic |
73 |
4 |
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Vox Octave |
— |
4 |
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Fern Flute |
— |
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2 |
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Piccolo |
— |
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Marimba [single stroke] |
— |
8 |
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Gross Gamba + |
73 |
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Solo String Tremulant |
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8 |
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Gross Gamba Celeste [TC] + |
61 |
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Tremulant |
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8 |
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Violin d'Orchestre + |
73 |
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Pedal Organ – 32 notes
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32 |
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Resultant |
— |
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Bass Drum |
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16 |
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Open Diapason |
12 |
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Snare Drum |
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16 |
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Tibia |
12 |
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Tympany Roll |
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16 |
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Contra Tibia Clausa |
— |
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Triangle |
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16 |
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Bourdon |
— |
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Cymbal |
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16 |
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Violin |
— |
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Tom Tom |
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16 |
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Tuba |
— |
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Castanets |
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16 |
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Contra Fagotta |
— |
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Tambourine |
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8 |
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Tibia Plena |
— |
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Sleigh Bells |
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8 |
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Flute Dolce |
— |
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8 |
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Cello |
— |
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8 |
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Tuba |
— |
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Affected by Toe Pistons
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Thunder Sheet |
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Indian Block |
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Cymbal Crash |
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Song Birds (2) |
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Grand Crash |
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Chinese Gong |
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Couplers
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Great to Pedal 8', 4' |
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Great 4' |
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Orchestral to Pedal 8' |
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Solo 16', 4' |
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Solo to Pedal 8' |
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Orchestral 16', 4' |
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Solo to Great 16', 8', 4' |
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Great Unison Separation [in jambs] |
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Orchestral to Great 16', 8', 4' |
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Orch. Unison Separation [in jambs] |
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Solo to Orchestral 8' |
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Solo Unison Separation [in jambs] |
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Orchestral to Solo 8' |
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Mechanicals
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Great-Orchestral Tremulant |
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Solo String Tremulant |
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Solo Tremulant |
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Great-Orchestral String Tremulant |
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Crescendo Indicator |
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Pedal Movements
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Great to Pedal Reversible |
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Orchestral to Pedal Reversible |
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Balanced Solo Pedal |
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Balanced Great-Orchestral Pedal |
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Grand Crescendo Pedal – Sub & Super Couplers Sforzando on Double Touch |
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Adjustable Combinations
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Pistons 1,2,3,4,5 & 6 |
Affecting Orchestral Stops |
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Pistons 1,2,3,4,5 & 6 |
Affecting Great Stops |
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Pistons 1,2,3,4,5 & 6 |
Affecting Solo Stops |
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Pistons 1,2,3,4,5 & 6 |
Affecting Pedal Stops |
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Pistons 1,2,3, & 4 |
Affecting Full Organ |
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M.P. Möller, Inc.
Hagerstown, Md. – Op. 1815 (1914)
Electro-pneumatic action
3 manuals, 44 stops, 33 ranks
This pipes of this organ were installed entirely in the ceiling, above the auditorium, while the movable electric console was located in the deep orchestra pit. |
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Great Organ (Manual II) – 61 notes
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16 |
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Bourdon |
61 |
8 |
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Doppel Floete |
61 |
8 |
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Open Diapason, No. 1 |
61 |
4 |
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Octave |
61 |
8 |
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Open Diapason, No. 2 |
61 |
4 |
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Flute Harmonic |
61 |
8 |
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Gamba |
61 |
16 |
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Tuba Profunda [unit] |
85 |
8 |
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Gemshorn |
61 |
8 |
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Harmonic Tuba |
— |
8 |
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Melodia |
61 |
4 |
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Harmonic Clarion |
— |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Contra Viole |
73 |
4 |
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Violina |
73 |
8 |
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Open Diapason |
73 |
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Dolce Cornet, 3 ranks |
183 |
8 |
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Salicional |
73 |
16 |
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Contra Fagotto |
73 |
8 |
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Viole Celeste [TC] |
61 |
8 |
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Cornopean |
73 |
8 |
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Viole d'Orchestre |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Aeoline |
73 |
8 |
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Vox Humana |
73 |
8 |
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Stopped Diapason |
73 |
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Tremulant |
|
8 |
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Spitz Flute |
73 |
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Vox Tremulant |
|
4 |
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Flauto Traverso |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Viol Dolce |
73 |
2 |
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Flageolet |
61 |
8 |
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Geigen Principal |
73 |
8 |
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Clarinet |
61 |
8 |
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Dulciana |
73 |
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Tremulant |
|
8 |
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Concert Flute |
73 |
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Cathedral Chimes |
|
4 |
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Flute d'Amour |
73 |
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Pedal Organ – 32 notes
|
32 |
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Harmonic Bass [resultant] |
— |
8 |
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Cello |
CH |
16 |
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Open Diapason [unit] |
44 |
8 |
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Melodia |
GT |
16 |
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Bourdon |
GT |
16 |
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Contra Fagotta |
SW |
16 |
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Viol Dolce |
CH |
16 |
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Tuba Profunda |
GT |
8 |
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Octave |
— |
8 |
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Harmonic Tuba |
GT |
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Couplers
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Great to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Great 16', 4' |
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Choir to Pedal 8', 4' |
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Swell 16', 4' |
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Swell to Great 16', 8', 4' |
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Choir 16', 4' |
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Choir to Great 16', 8', 4' |
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Pedal 8' |
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Great to Swell 16', 8', 4' |
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Swell Unison Cancel |
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Choir to Swell 16', 8', 4' |
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Choir Unison Cancel |
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Adjustable Combinations
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Pistons No. 1-2-3-4-5-6 |
Affecting Great stops |
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Pistons No. 1-2-3-4-5-6 |
Affecting Swell stops |
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Pistons No. 1-2-3-4 |
Affecting Choir stops |
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Pistons No. 1-2-3-4-5 |
Affecting Pedal stops |
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Pedal Movements
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Balanced Swell Pedal for Swell |
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Balanced Crescendo Pedal |
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Balanced Swell Pedal for Great |
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Great to Pedal Reversible |
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Balanced Swell Pedal for Choir |
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Sforzando Pedal |
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Balanced Swell Pedal moving all Swell Shades |
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Sources:
Cinema Treasures web site: www.cinematreasures.org
Jewish Virtual Library web site: http://www.jewishvirtuallibrary.org
Cinema Treasures web site: www.cinematreasures.org
Junchen, David L. The WurliTzer Pipe Organ – An Illustrated History. Compiled and edited by Jeff Weiler. Chicago: The American Theatre Organ Society, 2005.
Kaufmann, Preston J. Encyclopedia of the American Theatre Organ, Vol. 3. Pasadena: Showcase Publications, 1995.
"Lexington Avenue Opera House Organ," The Diapason (December, 1923). Courtesy Jeff Scofield.
"Moller Organ For Hammerstein's New Opera House," Music Trade Review (July 25, 1914).
"Moller Will Build for Hammerstein," The Diapason (August 1914). Courtesy Jonathan Bowen.
Trupiano, Larry. Factory Specifications for M.P. Möller organ, Op. 3750 (1923).
WF Collection. Specifications of Wurlitzer Organ, Op. 1555 (1927).
Illustrations:
Cinema Treasures web site. Undated photo of exterior. |
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