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Marble Collegiate Church
(Reformed Church in America)
1 West 29th Street at Fifth Avenue
New York, N.Y. 10001
http://www.marblechurch.org
The Collegiate Reformed Protestant Dutch Church of the City of New York was organized in 1628 under Peter Minuit, Director General of the New Netherland. It has the distinction of being the oldest Protestant denomination with a continuous ministry, and was also the first corporation in the United States. The first church, officially named St. Nicholas but known as the Stone Church, was completed in 1642 on a dusty lane (now Pearl Street) in The Fort of New Amsterdam. In 1692 it was taken over by the British troops, used as a military garrison, and eventually burned. A new church was built on Garden Street (now Exchange Place) in 1693. Known as the Garden Street Church, it was later called the Old South Church because of its geographical location in relation to the other Collegiate churches. In 1696, William III King of England granted a Charter to the church, thus ensuring religious liberty in the new colony. Along with the charter, the crown presented the church with nearly 500 acres of land located in what is now part of the Bronx, in New York City, and a section of Bronxville just north of the present city limits in Westchester County. In 1723, John Harpending, a pioneer tanner and shoemaker, gave an irregular tract of rolling farmland known as Shoemaker's Meadow. This property, which stretches between Maiden Lane and Ann Street and Broadway and William Street, today provides substantial income for the Collegiate Corporation.
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Interior, ca. 1856 |
Recognizing the northward expansion of the population, which by the 1850s had swelled to more than one million, the Consistory decided to build a new church at the corner of Fifth Avenue and West 29th Street at a time when Fifth Avenue was a dirt road, and the city limit was six blocks south at 23rd Street. Architect Samuel A. Warner designed an Early Romanesque Revival church with Gothic trim, which was built between 1851-54 of Tuckahoe marble blocks quarried in Hastings-on-Hudson, floated down the Hudson River, and then carted across town on large horse-drawn wagons. The 215-foot Wren-like steeple is topped by a gilded weathercock, a symbolic reminder of Peter's denial of Christ. The bell tower originally contained a Seth Thomas clock that had to be hand-wound once a week; it was later converted to electricity. The church interior featured free-hanging galleries on three sides, possibly the first example of this architectural device in the country. Known at first as the Fifth Avenue Collegiate Church and later as the Twenty-ninth Street Church, its name was officially changed in 1906 for the material of which it is made.
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During its first 18 years, the church relied on the rotating service of four
ministers, a practice imported from Holland known as the "collegiate system."
This system was discontinued in 1871 when the church called its first permanent
minister. As the city expanded northward, the church benefited from being in
the midst of a prosperous and fashionable residential neighborhood. By the 1930s,
however, the city had moved farther uptown, and the church was in a serious decline;
this was abruptly reversed in 1932 with the beginning of Norman Vincent Peale's
52-year tenure as minister. Dr. Peale's books and televised services brought
national fame to Marble Church.
Since its founding in 1628, the Collegiate Church built a total of 22 different
churches and chapels on Manhattan Island. Today, there remain four Collegiate
churches: Marble, Middle, West End, and Fort Washington. |
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Sebastian
M. Glück
New York City – Opus 20 (2015)
Electro-pneumatic action
4 manuals, 122 registers, 80 stops, 101 ranks
In 2014, the church commissioned Sebastian M. Glück of New
York City to build a new organ. Glück incorporated
many pipes from the 1984 Austin organ (Op. 2689) and
the 1988 Odell/Austin
organ
that was removed from Middle Collegiate Church in 2008. Several
new ranks were added, and all heritage pipes were rescaled and
revoiced
to fit the new tonal scheme. Glück retained the 1853 Hall & Labagh
case in the rear gallery, refinished the formerly gold matte paint
of the façade
pipes with silver, and applied gold leaf decorations to both the
pipes and case. At the front of the sanctuary, two new cases replaced
the
1891 Odell
pipe
screens
on
either side
of the chancel arch.
The old chancel chambers, unused since 1984, were rebuilt to accomodate
the Chancel and Apse divisions. Glück provided a new
movable four-manual drawknob console that is located in the rear
gallery. The church also reconfigured the choir seating in the
rear gallery by installing a level floor and open railing.
The organ was dedicated at the morning service on Sunday, October
18, 2015, and the inaugural recital was played by Ken Cowan
on Tuesday, October 27th. The inaugural series continued with recitals
by Richard Elliott on March 10, 2016, and Diane Bish on April
29, 2016. |
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GALLERY ORGAN
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Great Organ (Manual II) – 61
notes
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16
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Double Open Diapason |
73
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2
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Spire Flute |
61
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8
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First Open Diapason |
61
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1 3/5
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Tierce |
61
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8
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Second Open Diap. (fr. 16') |
—
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Mixture IV-V ranks |
245
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8
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Violoncello |
61
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Cymbal II ranks |
122
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8
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Harmonic Flute * |
49
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8 |
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Trumpet |
73 |
8
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Bourdon |
61
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4
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Clarion (fr. Trumpet) |
—
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4
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Octave |
61
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Tremulant |
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4
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Orchestral Flute |
61
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Chimes (in Apse) |
20 tubes
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2 2/3
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Nazard |
61
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Great Silent |
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2 |
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Super Octave |
61 |
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* 1-12 from Second Open Diap. |
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Swell Organ (Manual III) – 61
notes, enclosed
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16
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Bourdon |
73
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1 3/5 |
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Seventeenth |
61
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8
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Principal |
61
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Chorus Mixture III-V ranks |
237
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8
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Viole de Gambe |
61
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16
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Bombarde |
61
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8
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Voix Céleste |
61
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8
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Trompette |
61
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8
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Open Wood Flute ** |
49
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8
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Basson-Hautbois |
61
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8
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Stopped Diapason (fr. 16') |
—
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4
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Clairons I-II ranks |
80
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4
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Octave |
61
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Tremulant |
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4
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Harmonic Flute |
61
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Swell to Swell 16' |
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2 2/3
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Twelfth |
61
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Swell Silent |
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2
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Harmonic Piccolo |
61
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Swell to Swell 4' |
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** 1-12 from Stopped Diapason |
Choir Organ (Manual I) – 61
notes, enclosed
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8 |
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Principal |
61 |
1 |
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Fife |
61
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8 |
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Viola |
61 |
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Sharp Mixture III-IV ranks |
225
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8 |
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Viola Céleste (FF) |
56 |
16 |
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Basset Horn |
73 |
8 |
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Unda Maris II ranks |
AP |
8 |
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English Horn |
61
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8 |
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Stopped Diapason |
61 |
8 |
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Clarinet
(fr. Basset Horn) |
— |
4 |
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Octave |
61 |
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Tremulant |
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4 |
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Chimney Flute |
61 |
8 |
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Celesta Sub (TC) |
— |
2 2/3 |
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Nazard |
61 |
4 |
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Celesta (in Apse) |
61 bars
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2 |
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Fifteenth |
61 |
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Chimes |
GT
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2 |
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Recorder |
61 |
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Choir to Choir 16' |
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1 3/5 |
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Tierce |
61 |
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Choir Silent |
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1 1/3 |
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Larigot |
61 |
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Choir to Choir 4' |
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Solo Organ (Manual IV) – 61
notes
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8 |
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Diapason Major (ext. PD) |
29 |
8 |
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Celesta Sub (TC) |
CH |
8 |
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Doppelflöte (1-12 fr. PD) |
49 |
4 |
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Celesta (in Apse) |
CH |
8+4 |
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Rinforzo I-II ranks (TC) * |
49 |
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Zimbelstern |
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8 |
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Unda Maris II ranks |
AP |
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Apse Tremulant |
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8 |
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English Horn |
CH |
16 |
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Tuba Magna (TC, fr. 8') |
— |
8 |
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Hautboy |
AP |
8 |
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Tuba Major |
73 |
8 |
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Clarinet |
CH |
4 |
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Tuba Clarion (fr. 8') |
— |
8 |
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Kirschholz Krummhorn |
CL |
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Solo Silent |
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8 |
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Vox Humana |
AP |
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Swell Reeds on Solo |
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Chimes |
GT |
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* draws Diapason Major
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Pedal Organ – 32
notes
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32 |
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Double Diapason ** |
— |
4 |
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Night Horn |
32 |
32 |
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Untersatz *** |
12 |
2 |
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Koppelflöte |
32 |
16 |
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Montre (façade) |
32 |
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Mixture IV ranks |
128 |
16 |
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Open Diapason Wood |
32 |
32 |
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Double Ophicleide |
68 |
16 |
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Open Diapason Metal |
GT |
16 |
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Trombone |
32 |
16 |
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Violone |
44 |
16 |
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Ophicleide (fr. 32') |
— |
16 |
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Sub Bass |
44 |
16 |
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Bombarde |
SW |
16 |
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Bourdon |
SW |
16 |
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Basset Horn |
CH |
8 |
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Principal |
32 |
8 |
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Trompette (fr. 32') |
— |
8 |
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Diapason (fr. GT Dbl. Open) |
GT |
8 |
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Clarinet |
CH |
8 |
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Violoncello (fr. Violone) |
— |
4 |
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Clairon (fr. 32') |
— |
8 |
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Bourdon (fr. Sub Bass) |
— |
4 |
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Rohrschalmei |
32 |
8 |
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Stopped Diapason |
SW |
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Gallery Pedal Silent |
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4 |
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Fifteenth |
32 |
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** Resultant
from Open Wood
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*** twelve
10 2/3' pipes + Sub Bass |
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CHANCEL ORGAN
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Chancel Organ (Manual II) – 61
notes
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16 |
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Infrabass |
AP |
4 |
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Spire Flute |
61 |
8 |
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Open Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Chimney Flute |
61 |
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Mixture II-IV ranks |
220 |
8 |
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Gemshorn |
AP |
8 |
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Kirschholz Krummhorn |
61 |
8 |
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Unda Maris |
AP |
8 |
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Trumpet |
AP |
4 |
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Principal |
61 |
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Chancel Silent |
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Apse Organ (Manual III) – 61
notes, enclosed
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8 |
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Gemshorn |
61 |
8 |
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Trumpet |
61 |
8 |
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Unda Maris (TC) |
49 |
8 |
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Hautboy (fr. Bassoon) |
— |
8 |
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Stopped Flute |
61 |
8 |
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Vox Humana |
61 |
8 |
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Flauto Dolce |
61 |
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Tremulant |
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4 |
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Principal |
61 |
8 |
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Celesta Sub (TC) |
CH |
4 |
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Open Wood Flute |
61 |
4 |
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Celesta |
CH |
2 2/3 |
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Quinte Conique (TC) |
49 |
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Apse to Apse 16' |
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2 |
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Recorder |
61 |
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Apse Silent |
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Acuta II-III ranks |
143 |
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Apse to Apse 4' |
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16 |
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Bassoon |
73 |
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Chancel Pedal Organ – 32
notes
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16 |
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Gemshorn (ext. AP) |
12 |
16 |
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Bombarde (ext. AP Trumpet) |
12 |
16 |
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Bourdon |
32 |
16 |
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Bassoon |
AP |
8 |
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Principal |
44 |
8 |
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Trumpet |
AP |
8 |
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Gemshorn |
AP |
8 |
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Bassoon |
AP |
8 |
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Bourdon |
AP |
4 |
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Kirschholz Krummhorn |
CL |
4 |
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Fifteenth (fr. 8' Principal) |
— |
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Chancel Pedal Silent |
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Couplers
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Great to Pedal 8' |
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Great to Choir 8' |
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Swell to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Choir to Pedal 8', 4' |
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Chancel to Choir 8' |
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Solo to Pedal 8' |
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Apse to Choir 16', 8', 4' |
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Apse to Pedal 8' |
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Solo to Choir 8' |
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Chancel to Pedal 8' |
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Pedal to Choir 8' |
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Swell to Great 16', 8', 4' |
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Great to Solo 8' |
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Choir to Great 16', 8', 4' |
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Swell to Solo 8' |
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Apse to Great 16', 8', 4' |
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Apse to Solo 8' |
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Solo to Great 8' |
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Chancel to Solo 8' |
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Choir to Swell 8' |
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Solo to Swell 8' |
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Great and Choir Reversed |
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Combination Action
(Peterson ICS-4000)
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Solo Organ |
Pistons 1-8 (thumb) |
Swell Organ |
Pistons 1-8 (thumb) |
Great Organ |
Pistons 1-8 (thumb) |
Choir Organ |
Pistons 1-8 (thumb) |
Pedal Organ |
Pistons 1-6 (thumb & toe) |
General |
Pistons 1-18 (1-18 thumb; 1-12 toe) |
Chancel Organ |
Pistons 0,1-3 (thumb) |
Apse Organ |
Pistons 0,1-3 (thumb) |
Chancel Pedal |
Pistons 0,1-3 (thumb) |
Chancel General |
Pistons 0,1-3 (thumb) |
Set |
(thumb) |
General Cancel |
(thumb) |
Division Cancels |
Division nameplates |
Memory Up & Down |
Buttons on Great keycheeks, bass and treble
ends |
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Reversibles
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Solo to Pedal (thumb & toe paddle) |
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Tutti (thumb & toe) |
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Swell to Pedal (thumb & toe paddle) |
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All Swells (thumb) |
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Great to Pedal (thumb & toe stud) |
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Zimbelstern (thumb & toe) |
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Choir to Pedal (thumb & toe paddle) |
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32' Ophicleide (right outrigger) |
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Chancel to Pedal (thumb & toe paddle) |
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32' Diapason (right outrigger) |
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Apse to Pedal (thumb & toe paddle) |
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32' Untersatz (right outrigger) |
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Piston Sequencer
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For Performer: |
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For Page Turner / Registrant: |
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NEXT: (8) thumb, (1) toe |
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NEXT & PREV pistons on left and |
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PREV: (2) thumb |
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   right sides of console
shell |
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Accessories
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Balanced Swell Pedal (with
8 indicator lights) |
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Indicator light – Tutti |
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Balanced Choir Pedal (with
8 indicator lights) |
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Indicator light – All Swells to Swell |
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Balanced Apse Pedal (with 8 indicator lights) |
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Signal light – Telephone |
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Crescendo Pedal (with 8 indicator lights) |
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Signal light – Broadcast |
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Digital readout – Memory Level |
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Signal light – Narthex |
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Digital readout – Last Piston |
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Signal light – Apse |
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Austin Organs Inc.
Hartford, Conn. – Opus 2689 (1984)
Electro-pneumatic action
3 manuals, 79 registers, 62 stops, 83 ranks
By 1983, the organ was in need of urgent attention, and the decision was made
to award a contract to Austin for an entirely new instrument (Opus 2689). At
this time, the choir and organ console were returned to their original gallery
location. The instrument had 83 ranks over seven divisions, two of which
were in free-standing cases flanking the chancel. The tonal concept, designed
by then-Music Director Kevin Walters, is neo-Classic French style. Located in
the ornate gallery case are the Récit and Choeur divisions on the lowest
level, with the Pédale and Grande-Orgue divisions above. Austin retained
the Flute Celeste from the E.M. Skinner chancel organ. The organ was dedicated
on January 23, 1985, by Simon Preston; the dedicatory series continued with a
recital by William Whitehead, and a concert for organ, brass and choir conducted
by Jack Ossewaarde, with Kevin Walters as organist.
This organ was removed to storage ca. 2010 during repairs to the sanctuary ceiling
and construction in the buildings. |
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GALLERY ORGAN |
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Grand-Orgue (Manual II) – 61 notes
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16 |
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Montre |
73 |
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Cornet III ranks * |
122 |
8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Montre (fr. 16') |
— |
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Cymbale III ranks |
183 |
8 |
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Bourdon |
61 |
8 |
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Trompette |
61 |
8 |
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Flûte harmonique |
61 |
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Tremblant |
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4 |
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Prestant |
61 |
8 |
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Trompette en chamade |
61 |
4 |
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Flûte à cheminée |
61 |
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2 |
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Doublette |
61 |
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Muet |
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2 |
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Flûte conique |
61 |
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* also draws 2' Flûte conique |
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Récit (Manual III) – 61
notes, enclosed
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16 |
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Bourdon doux (ext. 8' Fl.) |
12 |
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Sesquialtera II ranks (TC) |
98 |
8 |
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Montre |
61 |
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Plein jeu V ranks |
305 |
8 |
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Flûte à cheminée |
61 |
16 |
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Basson (ext. Hautbois, L/2) |
12 |
8 |
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Viole de gambe |
61 |
8 |
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Trompette |
61 |
8 |
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Voix céleste |
61 |
8 |
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Hautbois |
61 |
8 |
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Flûte douce |
61 |
8 |
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Voix humaine |
61 |
8 |
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Flûte céleste (TC) |
49 |
4 |
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Clairon |
61 |
4 |
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Prestant |
61 |
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Tremblant |
|
4 |
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Flûte octaviante |
61 |
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Récit 16' |
|
2 |
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Octavin |
73 |
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Muet |
|
1 1/3 |
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Larigot |
61 |
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Récit 4' |
|
1 |
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Flageolet (fr. Octavin) |
— |
8 |
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Trompette en chamade |
GO |
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Choeur (Manual I) – 61 notes,
enclosed
|
16 |
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16 |
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Cor anglais (1-12 L/2) |
61 |
8 |
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Bourdon en bois |
61 |
8 |
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Cromorne (mahogany) |
61 |
8 |
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Viole |
61 |
4 |
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Chalumeau à cheminée |
61 |
8 |
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Viole céleste (TC) |
49 |
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Tremblant |
|
4 |
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Principal |
61 |
8 |
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Harpe (TC) |
— |
4 |
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Flûte à pointe |
61 |
4 |
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2 2/3 |
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Nasard |
61 |
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Choeur 16' |
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2 |
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Quarte de nasard |
61 |
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Muet |
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1 3/5 |
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Tierce (TC) |
49 |
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Choeur 4' |
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Cymbale IV ranks |
244 |
8 |
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Trompette en chamade |
GO |
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Pédale – 32 notes
|
32 |
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Contre Bourdon (ext. Soub.) * |
8 |
2 |
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Flûte (fr. Cor de Nuit) |
— |
16 |
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Contre Basse |
32 |
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Fourniture IV ranks |
128 |
16 |
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Soubasse |
32 |
32 |
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Contre Bombarde (1-12 L/2) |
68 |
16 |
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Montre |
GO |
16 |
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Bombarde (fr. 32') |
— |
16 |
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Quintaton |
CH |
16 |
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Basson |
RÉC |
16 |
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Bourdon Doux |
RÉC |
16 |
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Cor anglais |
CH |
8 |
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Octavebasse |
32 |
8 |
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Trompette (fr. 32') |
— |
8 |
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Bourdon |
32 |
4 |
|
Clairon (fr. 32') |
— |
8 |
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Flûte à cheminée |
RÉC |
4 |
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Chalumeau à cheminée |
CH |
4 |
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Basse de chorale |
32 |
8 |
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Trompette en chamade |
GO |
4 |
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Cor de Nuit |
44 |
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* Notes 1-4 resultant |
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CHANCEL ORGAN |
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Antiphonal (Manual II) – 61 notes
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8 |
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Montre |
61 |
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Fourniture III ranks |
183 |
4 |
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Prestant |
61 |
8 |
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Petite Trompette |
61 |
2 |
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Doublette |
61 |
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Muet |
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Positif (Manual I) – 61 notes
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8 |
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Flûte à cheminée |
61 |
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Cymbale III ranks |
183 |
4 |
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Flûte à fuseau |
61 |
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Tremblant |
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2 |
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Flûte à bec |
61 |
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Muet |
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1 1/3 |
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Quinte |
61 |
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Clochettes |
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Pédale – 32 notes
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16 |
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Bourdon |
32 |
4 |
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Octave (fr. 8') |
— |
8 |
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Principal |
44 |
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Couplers
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Grand-Orgue to Pédale 8' |
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Positif to Grand-Orgue 8' |
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Récit to Pédale 8', 4' |
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Antiphonal to Récit 8' |
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Choeur to Pédale 8', 4' |
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Positif to Récit 8' |
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Antiphonal to Pédale 8' |
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Grand-Orgue to Récit 8' |
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Positif to Pédale 8' |
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Récit to Choeur 16', 8', 4' |
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Récit to Grand-Orgue 16', 8', 4' |
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Antiphonal to Choeur 8' |
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Choeur to Grand-Orgue 16', 8', 4' |
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Grand-Orgue to Choeur 8' |
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Adjustable Combinations
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Récit |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Grand-Orgue |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Choeur |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Pédale |
Pistons 1-2-3-4-5-6 (thumb & toe) |
General |
Pistons 1-2-3-4-5-6-7-8-9-10-11-12 (thumb & toe) 13-14-15 (thumb) |
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Reversibles
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G.O. to Pédale (thumb & toe) |
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Antiphonal to Récit (thumb) |
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Récit to Pédale (thumb & toe) |
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Positif to Récit (thumb) |
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Choeur to Pédale (thumb & toe) |
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Récit to Choeur (thumb) |
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Antiphonal to Pédale (thumb) |
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Tutti I (thumb & toe) |
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Positif to Pédale (thumb) |
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Tutti II (thumb & toe) |
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Récit to G.O. (thumb) |
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32' Contre Bourdon (toe) |
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Choeur to G.O. (thumb) |
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32' Contre Bombarde (toe) |
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Antiphonal to G.O. (thumb) |
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Expression
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Balanced Swell Pedal – Récit |
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Balanced Swell Pedal – Choeur |
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Crescendo Pedal |
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Austin Organs Inc.
Hartford, Conn. – Opus 2006 (1937); alt. (1959, Opus 2329)
Electro-pneumatic action
3 manuals, 31 stops
In 1937, the Austin Organ Company of Hartford, Conn. rebuilt
and enlarged the entire instrument again (Opus 2006), installing
new windchests throughout and a new console. The 1853 Hall
& Labagh case was retained. Minor tonal alterations were
made by Austin in 1959 as Opus 2329.
Specifications for this organ have not yet been located. |
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Skinner Organ Company
Boston, Mass. – Opus 525 (1925)
Electro-pneumatic action
14 stops, 14 ranks, 909 pipes
Chancel divisions and new 3-manual console
In 1925, Marble Church commissioned the Skinner Organ Company to replace the existing chancel divisions (J.H. & C.S. Odell, 1891, Op. 296) and provide a new three-manual drawknob console. The following specification, with console details provided by Charles Scharpeger, shows the existing gallery divisions alongside the new chancel divisions. The Skinner chancel divisions were removed in 1937-38 by Ernest M. Skinner & Son Organ Company, and most of the pipes were moved to St. John's Evangelical Lutheran Church in Allentown, Penn. |
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Great Organ (Manual II) – 61 note keyboard
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Gallery (existing Odell): |
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Chancel (new Skinner): |
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16 |
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Double Open Diapason |
58 |
8 |
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Diapason |
61 |
8 |
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Open Diapason |
58 |
8 |
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Waldflöte |
61 |
8 |
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Viol de Gamba |
58 |
8 |
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Gedeckt |
SW |
8 |
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Gross Floete |
58 |
8 |
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Flute Celeste |
SW |
4 |
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Octave |
58 |
4 |
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Octave |
61 |
2 2/3 |
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Twelfth |
58 |
4 |
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Flute |
SW |
2 |
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Piccolo |
58 |
8 |
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Corno d'Amore |
SW |
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Mixture 4 ranks |
232 |
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8 |
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Trumpet |
58 |
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Chimes |
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Swell Organ (Manual III) – 61 note keyboard
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Gallery (existing Odell): |
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Chancel (new Skinner): |
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16 |
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Bourdon Bass |
12 |
16 |
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Bourdon |
73 |
16 |
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Bourdon Treble |
46 |
8 |
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Diapason |
73 |
8 |
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Open Diapason |
58 |
8 |
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Gedeckt |
73 |
8 |
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Salicional |
58 |
8 |
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Salicional |
73 |
8 |
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Stopped Diapason |
58 |
8 |
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Voix Celestes |
73 |
4 |
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Violina |
58 |
8 |
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Flauto Dolce |
73 |
2 |
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Flageolet |
58 |
8 |
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Flute Celeste (TC) |
61 |
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Cornet 3 ranks |
174 |
4 |
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Flute |
61 |
8 |
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Vox Humana |
58 |
16 |
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Fagotto |
61 |
8 |
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Oboe |
58 |
8 |
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Corno d'Amore |
61 |
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Tremolo |
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Tremolo |
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Choir Organ (Manual I) – 61 note keyboard
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Gallery (existing Odell): |
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8 |
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Geigen Principal |
58 |
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8 |
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Dulciana |
58 |
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8 |
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Concert Flute |
58 |
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4 |
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Forest Flute |
58 |
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8 |
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Tuba [moved from Chancel] |
58 |
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8 |
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Clarinet |
58 |
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Pedal Organ – 32 note pedalboard
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Gallery (existing Odell): |
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Chancel (new Skinner): |
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16 |
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Double Open |
30 |
16 |
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Bourdon |
44 |
16 |
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Bourdon |
30 |
16 |
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Echo Lieblich |
SW |
10 2/3 |
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Quint |
30 |
8 |
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Gedeckt (fr. 16' Bourdon) |
— |
8 |
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Violoncello |
30 |
8 |
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Still Gedeckt |
SW |
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Chimes |
GT |
16 |
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Fagotto |
SW |
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Couplers
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Gallery: |
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Chancel: |
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Swell to Pedal 8, 4 |
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Swell to Pedal 8, 4 |
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Great to Pedal |
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Great to Pedal |
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Choir to Pedal |
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Swell to Great 16, 8, 4 |
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Swell to Great 16, 8, 4 |
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Great to Great 4 |
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Choir to Great 16, 8 |
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Swell to Swell 16, 4 |
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Swell to Choir 16, 8, 4 |
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Great to Great 4 |
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Swell to Swell 16, 4 |
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Choir to Choir 16, 4 |
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Adjustable Combinations
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Gallery: |
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Swell Organ |
Pistons 1-2-3-4 |
Great Organ |
Pistons 1-2-3-4 |
Choir Organ |
Pistons 1-2-3-4 |
Pedal Organ |
Pistons 1-2-3 |
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Gallery Cancel |
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Chancel: |
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Swell Organ |
Pistons 1-2-3-4 |
Great Organ |
Pistons 1-2-3 |
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Pedal Organ |
Pistons 1-2-3 |
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Chancel Cancel |
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Expression & Mechanicals
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Gallery: |
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Chancel: |
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Gallery Choir Expression |
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Chancel Swell Expression |
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Gallery Swell Expression |
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Chancel Crescendo |
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Gallery Crescendo |
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Chancel Great to Pedal Rev. |
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Gallery Great to Pedal Reversible (toe) |
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Chancel Sforzando |
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Gallery Sforzando |
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Chancel Crescendo Ind. Light |
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Gallery Crescendo Ind. Light |
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Chancel Sforzando Ind. Light |
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Gallery Sforzando Ind. Light |
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Mechanical push buttons in the Great left cheek: |
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• Release |
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• Gallery |
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• Both |
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• Chancel |
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J.H. & C.S. Odell
New York City – Opus 296 (1891)
Electro-pneumatic action
3 manuals, 37 stops, 42 ranks
In 1891, in conjunction with repairs and improvements to the church, the original
1836/1853 Erben organ was enlarged and electrified. Two chancel divisions and
two free-standing cases were added, and the console and choir were moved from
the
gallery to the chancel. The following specification was recorded in an organ
notebook by Lynnwood Farnam (1885-1930), noted concert organist of the early
20th century. |
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Great Organ (Manual II) – 58 notes
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Gallery: |
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Chancel: |
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16 |
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Double Open Diapason |
58 |
8 |
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English Diapason |
58 |
8 |
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Open Diapason |
58 |
8 |
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Quintadena |
58 |
8 |
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Viola da Gamba |
58 |
8 |
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Melodia |
58 |
8 |
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Gross Flöte |
58 |
4 |
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Salicet |
58 |
4 |
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Octave |
58 |
8 |
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Tuba |
58 |
2 2/3 |
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Twelfth |
58 |
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2 |
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Piccolo |
58 |
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Mixture 4 ranks |
232 |
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8 |
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Trumpet |
58 |
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Bellows Signal |
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Swell Organ (Manual III) – 58 notes, enclosed
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Gallery: |
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Chancel: |
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16 |
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Bourdon Bass |
12 |
8 |
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Vox Celeste |
58 |
16 |
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Bourdon Treble (TC) |
46 |
8 |
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Dolce |
58 |
8 |
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Open Diapason |
58 |
8 |
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Cremona |
58 |
8 |
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Salicional |
58 |
4 |
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Flute Harmonique |
58 |
8 |
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Stopped Diapason |
58 |
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4 |
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Violina |
58 |
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2 |
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Flageolet |
58 |
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Cornet 3 ranks |
174 |
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8 |
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Vox Humana |
58 |
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8 |
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Oboe |
58 |
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Tremulant |
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Choir Organ (Manual I) – 58 notes
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Gallery: |
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8 |
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Geigen Principal |
58 |
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8 |
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Dulciana |
58 |
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8 |
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Concert Flute |
58 |
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4 |
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Forest Flute |
58 |
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8 |
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Clarinet |
58 |
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Pedal Organ – 30 notes
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16 |
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Sub Bass |
30 |
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16 |
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Double Open |
30 |
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16 |
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Bourdon |
30 |
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10 2/3 |
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Quint |
30 |
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8 |
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Violoncello |
30 |
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Couplers, etc. (above Swell manual)
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Great to Pedal |
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Swell to Great |
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Choir to Pedal |
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Swell to Great octave |
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Swell to Pedal |
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Great to Choir |
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Choir to Great |
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Swell to Choir |
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Chimes |
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Henry Erben
New York City (1836) – moved to Fifth Avenue Reformed Church
(1853)
Mechanical action
3 manuals, 40 stops
The American Musical Directory of 1861 states that the "Fifth Avenue
[Reformed Dutch Church], c W. 29th st." had an organ with "3 banks
keys, 40 stops, 2 octaves pedals. Built by H. Erben; revoiced and enlarged by
Hall & Labagh, in 1854." In fact, the Henry Erben organ was built in
1836 for the North Reformed Dutch Church. In 1853, Hall & Labagh
of
New
York
City
were
contracted to move the Erben organ to
the
Fifth
Avenue
(Marble)
Church, and provide a new "modern" case that fit with the architecture..
Specifications for this organ have not yet been located. |
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Sources:
Aeolian-Skinner Archives website: http://aeolianskinner.organsociety.org/
American Musical Directory. New York: Thomas Hutchinson, 1861.
Bowen, Jonathan. Specification of Skinner Organ, Op. 525 (1925).
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Farnam, Lynnwood. "Organ Notebook," p. 1364. Specification of 1891 J.H. & C.S. Odell organ, Op. 296. John de Lancie Library, The Curtis Institute of Music, Philadelphia; Sally Branca, Archivist. Courtesy Jonathan Bowen.
Glück, Sebastian. Specification of Austin Organ, Op. 2689 (1984).
Kinzey, Allen, and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List. New Rev. Ed. Richmond: The Organ Historical Society, 1997.
Marble Collegiate Church website: http://www.marblechurch.org
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
J.H. & C.S. Odell & Company brochure, "Metropolitan Churches," 1896. Courtesy Jeff Scofield.
Pinel, Stephen L. "Tracing a Dutch Organ Case in
Eighteenth- and Nineteenth-Century New York City."
Scharpeger, Charles. Console details of Skinner Organ Company, Op. 525 (1925). Courtesy Larry Trupiano.
Ward, Emory. Faith of Our Fathers Living Still: The Story of Marble Collegiate Church. New York: Marble Collegiate Church, 1978.
Illustrations:
American Organ Archive, Organ Historical Society. B&W photo of organ case.
http://holy-ny.blogspot.com. Exterior.
Lawson, Steven E. Color photos of Austin organ,
Op. 2689
(1984)
and
interior.
Marble Collegiate Church. Black & white interior;
photos of Sebastian Glück organ, Op. 20 (2015).
"Metropolitan Churches" (1896), J.H. & C.S. Odell & Co., New York City. Chancel cases of J.H. & C.S. Odell organ, Op. 296 (1891). |
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