RKO 58th Street Theatre - New York City (photo: Warren G. Harris)
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RKO Proctor's 58th Street Theatre

154 East 58th Street at Lexington Avenue
New York, N.Y. 10122








This spectacular Thomas Lamb atmospheric first opened on December 20th, 1928, on the same site as Proctor's Pleasure Palace & Palm Gardens, which dated back to 1895 and was demolished to make way for what F.F. Proctor termed his "Greatest Triumph."

Grand Lobby of RKO 58th Street Theatre - New York City (photo: AJWB Collection)  
   
Grand Lobby of RKO 58th Street Theatre - New York City (photo: AJWB Collection)  
The theatre had two entrances and two marquees: one on East 58th Street and the other in mid-block facing the Third Avenue El. Tunnel-like lobbies connected them to the theatre's high-vaulted Grand Foyer, which had ornate staircases at each end that lead to the mezzanine promenade and balcony. The Spanish Renaissance auditorium with its "midnight sky" ceiling was similar to that of Lamb's Keith-Albee in Flushing, Queens, which was built simultaneously with the 58th Street and opened five days later. The 58th Street was especially notable for its huge balcony, which had almost as many seats as the orchestra floor and rose from above the latter's 12th row to afford good views of the stage attractions. That was unfortunate for patrons sitting further back in the orchestra because they could only see the balcony's underbelly and were cut off from the sky effects on the ceiling.

Proctor's 58th Street opened with vaudeville and a feature movie that was first-run for its neighborhood but had already been shown in one of the Broadway-Times Square showcases. There was a complete change of program twice a week. Perhaps because it was the first atmospheric theatre to be built in Manhattan, the 58th Street drew crowds for several months, but once the novelty wore off, attendance plummeted.

In 1929, the aged F.F. Proctor decided to retire and sold all his theatres to the RKO circuit. Out of respect, RKO kept his name on the 58th Street Theatre, and it remained RKO Proctor's 58th Street for a couple of decades before being shortened to the RKO 58th Street. RKO soon dropped the vaudeville and switched to double features, which were still first-run for that neighborhood. The nearest theatres on the East Side showing the same movies as the 58th Street were the Academy of Music on 14th Street and the RKO 86th Street.

Situated in a busy shopping district that included Bloomingdale's department store, the 58th Street did good business but rarely enough to fill its 3,163 seats. In 1956, RKO did some modernizing and reduced the seating capacity to about 2,000. However, that was still too large for that area of Third Avenue, where it had to compete with several new art theatres of 600 seats or less. Its operating costs were too high, and the value of its underlying ground was sky-rocketing.

In 1966, RKO closed the 58th Street and put a sign on the marquee that said "Go to the RKO 86th Street for the Best in Entertainment." The 58th Street was sold and demolished for a 39-story luxury building. To make up for its loss, RKO built a new twin cinema on 59th Street, which is now also ancient history.
               
  RKO 58th Street Theatre - New York City (photo: Warren G. Harris)
Wurlitzer Organ Company
North Tonawanda, N.Y. – Opus 1442 (1926)
Electro-pneumatic action
Style H Special
3 manuals, 14 ranks, 6 tuned percussions, 14 traps




Although the detailed specifications of Wurlitzer's Op. 1442 have not yet been located, the original 1926 organ had the standard 10 ranks of a two-manual "Style H" but the following modifications made the specification a "Style H Special":
 
• There was a three-manual console with a double stop rail and Crescendo Pedal
• There was no piano
• The first 18 notes of the 16' Diaphone were of wood instead of metal
• Two 61-note ranks were added: an 8' Oboe Horn and an 8' Brass Trumpet

Normally in a Style H, the Tuba and Vox Humana would be in the Solo chamber, but Wurlitzer put the Brass Trumpet where the Tuba would be and the Oboe Horn where the Vox Humana would be. The Tuba and Oboe Horn were installed in Main chamber, giving it a total of seven ranks instead of the usual five.

In 1928, Wurlitzer added an 8' Brass Saxophone and an 8' Quintadena on a new two-rank chest in the Solo chamber, enlarging the organ to fourteen ranks: seven in the Solo and seven in the Main chamber on the other side of the theatre.

Opus 1442 had a factory date of September 7, 1926, and the later additions had a factory date of September 28, 1928.
           
STOP & CHAMBER ANALYSIS
     
Main Chamber
16
  Diaphonic Diapason * +
85 pipes
16
  Concert Flute
97 pipes
8
  Viol d'Orchestre
61 pipes
8
  Viol Celeste
61 pipes
8
  Vox Humana
61 pipes
8
  Clarinet
61 pipes
16
  Tuba +
85 pipes
    Chrysoglott
49 notes
 
* notes 1-18 wood
+ 15" pressure
 
 
 
Solo Chamber
16
  Tibia Clausa
97 pipes
8
  Oboe Horn
61 pipes
8
  Brass Trumpet
61 pipes
8
  Orchestral Oboe
61 pipes
8
  Kinura
61 pipes
8
  Saxophone **
61 pipes
8
  Quintadena **
61 pipes
    Xylophone
37 notes
    Glockenspiel
37 notes
    Cathedral Chimes
25 notes
    Sleigh Bells
25 notes
    All non-tonal traps & effects
 
** added in 1928
               
Sources:
     Cinema Treasures web site: www.cinematreasures.org
     Junchen, David L. The WurliTzer Pipe Organ – An Illustrated History. Compiled and edited by Jeff Weiler. Chicago: The American Theatre Organ Society, 2005.
     
Kaufmann, Preston J. Encyclopedia of the American Theatre Organ, Vol. 3. Pasadena: Showcase Publications, 1995.
     AJWB Collection. Stop analysis and chamber information of Wurlitzer Organ, Op. 1442 (1926).

Photos:
     AJWB Collection. Grand Foyer; Proscenium.
     Cinema Treasures web site. RKO 58th Street Theatre marquee. Courtesy Warren G. Harris.
     WF Collection. Console of Wurlitzer Organ, Op. 1442 (1926).