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Click on images to enlarge |
Radio City Music Hall
1260 Avenue of the Americas at 50th Street
New York, N.Y. 10020
http://www.radiocity.com
When Radio City Music Hall was planned in the early 1930s, S.L. Roxy Rothafel, chief of architecture and construction for the hall and its sister Center Theater (at Sixth and 49th), planned to install the largest theater organ ever built. He was best acquainted with the Kimball Organ Co., having given this firm the contract for three organs at the great theater bearing his name on Seventh Avenue, so Kimball was contacted to bid on a large organ for the Music Hall. Legend has it that the Rockefeller board of trustees felt that the most prestigious theater in the country should have an organ built by the country's top theater organ company, so the contract was eventually awarded to the Wurlitzer Company of North Tonowanda, N.Y. Strange as it may seem, the Kimball specification was retained, even though the organ was built by Wurlitzer; this may have been the influence of Roxy, but what really transpired is unknown today. Although Kimball built many theater organs, they never built the pure, thoroughbred theater organ that Wurlitzer did, and their organs often retained a concert nature. A typical theater organ's Great division would contain every available stop except the loudest reeds, but Radio City's 19-rank Great (house right) resembles Kimball's concert organs, being based on an independent principal chorus with pitches from 16' to mixtures. The Orchestral division (also house right) of 23 ranks, contains a secondary principal chorus, reeds 16' and 8', and a string chorus, resembling a concert Swell division. The Solo division (house left) of 13 ranks houses the most powerful stops, including a tuba and diaphonic diapason on 25" wind, a posthorn on 15", a tibia clausa extending to 32', and a large-scale wooden bombarde 32'. The Solo also contains the tuned percussions and traps. Another unusual feature is the inclusion of an independent 16' contra bass (56 pipes) in the pedal, again following Kimball's notion of a concert organ.
The organ is played by two identical four-manual consoles which are completely independent of each other and can sustain separate registrations, unlike the more usual installation in which a second console was a slave to the first. Its 58 ranks and 4,178 pipes are installed in eight chambers divided on either side of the stage. A recent rebuilding included solid-state control systems throughout and the ability to locate either or both consoles at any point on the stage, the orchestra pit elevator, or the original alcove positions. A complete MIDI interface has been installed. (Based on an article by RCMH organist, the late David Messineo.) |
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Stage Right Console |
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Stage Left Console |
Wurlitzer Organ Company
North Tonawanda, N.Y. – Opus 2179 (1932)
Electro-pneumatic action
2 identical consoles, 4 manuals, 58 ranks |
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Pedal – 32 notes
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64 |
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Gravissima (resultant from 32' Tibia Clausa) |
4 |
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Super Octave (Contra Bass) |
32 |
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Bombarde |
4 |
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Tibia Minor |
32 |
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Sub Bass |
4 |
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Open Flute |
16 |
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English Post Horn |
4 |
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'Cello |
16 |
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Tuba Profunda |
4 |
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'Cello Celeste |
16 |
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Trombone |
4 |
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Violins (3 ranks) |
16 |
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Diaphone |
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Mixture (3 ranks) [derived, Muted Diap.] |
16 |
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Wald Horn |
16 |
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Grand Piano |
16 |
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Contra Bass |
8 |
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Grand Piano |
16 |
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Contra Tibia Clausa |
8 |
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Cathedral Chimes |
16 |
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Violone |
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Thunder Drum, stroke |
16 |
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Violin Diapason |
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Thunder Drum, roll |
16 |
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Muted Diapason |
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Bass Drum, band |
16 |
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Contra Viola |
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Bass Drum, orchestra |
16 |
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French Horn |
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Cymbals |
16 |
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English Horn |
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Snare Drum, band roll |
16 |
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Bourdon (Tibia Minor) |
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Snare Drum, orchestra roll |
16 |
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Lieblich Gedeckt |
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Accompaniment to Pedal |
10 2/3 |
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Tuba Quint (Tuba Sonora) |
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Great to Pedal |
10 2/3 |
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Quint |
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Orchestral Unison to Pedal |
8 |
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Tuba Mirabilis |
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Orchestral Octave to Pedal |
8 |
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English Post Horn |
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8 |
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Tuba Sonora |
Pedal Second Touch |
8 |
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Tromba |
32 |
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Bombarde |
8 |
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Diapason (Diaphonic Diapason) |
16 |
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Sub Bass |
8 |
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Octave (Contra Bass) |
10 2/3 |
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Tuba Quint |
8 |
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Wald Horn |
8 |
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Cathedral Chimes |
8 |
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Tibia Clausa |
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Thunder Drum, stroke |
8 |
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Violin 'Cello |
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Thunder Drum, roll |
8 |
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'Cello Celeste |
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Bass Drum, band |
8 |
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Violin Diapason |
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Tympani |
8 |
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Tibia Minor |
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Cymbals |
8 |
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Muted Diapason |
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Persian Cymbals |
8 |
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Violins (3 ranks) |
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Chinese Gong |
8 |
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Concert Flute |
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Triangle |
8 |
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Lieblich Gedeckt |
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Grand Crash |
4 |
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Cornet (Tuba Sonora) |
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Solo Unison to Pedal |
4 |
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Tromba Clarion |
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Solo Octave to Pedal |
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Accompaniment (Manual I) – 61 notes
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16 |
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Wald Horn |
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Snare Drum, band tap |
16 |
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Bass Clarinet [TC] |
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Snare Drum, band roll |
16 |
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Contra Viola |
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Snare Drum, orchestra tap |
16 |
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Lieblich Gedeckt |
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Snare Drum, orchestra roll |
16 |
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Double Dulciana [TC] |
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Tambourine |
8 |
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Tuba Sonora |
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Castanets |
8 |
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Tromba |
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Chinese Block, tap |
8 |
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Violin Diapason |
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Chinese Block, roll |
8 |
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Wald Horn |
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Tom-Tom |
8 |
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Tibia Clausa |
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Shuffle |
8 |
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Tibia Minor |
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Octave |
8 |
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Muted Diapason |
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Orchestral Unison to Accompaniment |
8 |
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Orchestral Oboe |
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Orchestral Octave to Accompaniment |
8 |
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Clarinet |
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8 |
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French Horn |
Accompaniment Second Touch |
8 |
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Kinura |
8 |
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Melophone |
8 |
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English Horn |
8 |
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English Post Horn |
8 |
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Viola |
8 |
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Tuba Sonora |
8 |
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Violins (2 ranks) |
8 |
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Tromba |
8 |
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Concert Flute |
8 |
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Diapason |
8 |
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Lieblich Gedeckt |
8 |
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Tibia Clausa |
8 |
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Dulciana |
8 |
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Basset Horn |
8 |
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Unda Maris |
8 |
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Clarinet |
8 |
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Vox Humana |
8 |
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Saxophone |
8 |
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Vox Humana (2 ranks) |
8 |
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'Cellos (2 ranks) |
4 |
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Clarion |
8 |
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English Horn |
4 |
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Muted Octave |
8 |
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Cathedral Chimes |
4 |
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Octave Viola |
2 |
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Glockenspiel |
4 |
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Violins (2 ranks) |
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Snare Drum, band roll |
4 |
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Traverse Flute (Concert Flute) |
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Snare Drum, orchestra roll |
4 |
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Flute d'Amour (Gedeckt) |
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Chinese Block, roll |
4 |
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Dulciana |
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Triangle |
4 |
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Unda Maris |
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Bird |
4 |
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Vox Humana |
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Orchestral to Accompaniment |
4 |
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Vox Humana (2 ranks) |
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Solo to Accompaniment |
2 2/3 |
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Nazard (Gedeckt) |
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2 |
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Piccolo (Concert Flute) |
Accompaniment Pizzicato |
2 |
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Flautina |
8 |
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English Post Horn |
2 |
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Dolcetin (Dulciana) |
8 |
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Tuba Sonora |
1 3/5 |
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Tierce (Gedeckt) |
8 |
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Melophone |
8 |
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Grand Piano |
8 |
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Tibia Clausa |
4 |
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Grand Piano |
8 |
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Saxophone |
8 |
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Marimba |
8 |
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'Cellos (2 ranks) |
8 |
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Marimba Harp |
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Orchestral to Accompaniment |
4 |
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Xylophone |
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Solo to Accompaniment |
2 |
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Glockenspiel |
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8 |
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Harp |
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4 |
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Celesta |
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Great (Manual II) – 61 notes
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32 |
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Double Lieblich Gedeckt [TC] |
2 |
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Glockenspiel |
16 |
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Trombone |
8 |
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Harp |
16 |
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Muted Diapason |
4 |
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Celesta |
16 |
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Lieblich Gedeckt |
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Snare Drum, band tap |
8 |
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Trumpet |
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Snare Drum, band roll |
8 |
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Tuba Sonora |
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Snare Drum, orchestra roll |
8 |
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Tromba |
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Octave |
8 |
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Diapason |
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Accompaniment Sub to Great |
8 |
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Melophone |
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Accompaniment Unison to Great |
8 |
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Open Diapason (1st) |
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Accompaniment Octave to Great |
8 |
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Open Diapason (2nd) |
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Orchestral Sub to Great |
8 |
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Violin Diapason |
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Orchestral Unison to Great |
8 |
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Tibia Clausa |
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Orchestral Octave to Great |
8 |
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Tibia Minor |
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Solo Unison to Great |
8 |
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Muted Diapason |
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Solo Octave to Great |
8 |
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French Horn |
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8 |
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Viola |
Great Second Touch |
8 |
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Concert Flute |
16 |
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English Post Horn |
8 |
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Lieblich Gedeckt |
16 |
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Tuba Profunda |
8 |
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Dulciana |
16 |
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Contra Tibia Clausa |
8 |
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Unda Maris |
16 |
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Basset Horn [TC] |
8 |
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Vox Humana |
16 |
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Bass Clarinet [TC] |
8 |
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Vox Humana (2 ranks) |
16 |
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English Horn |
4 |
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Tromba Clarion |
8 |
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Tuba Mirabilis |
4 |
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Octave |
8 |
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English Post Horn |
4 |
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Muted Octave |
8 |
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Tuba Sonora |
4 |
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Tibia Minor |
8 |
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Diapason |
4 |
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Traverse Flute (Concert Flute) |
4 |
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Tibia Flute |
4 |
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Flute d'Amour (Gedeckt) |
4 |
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Harmonic Flute |
2 2/3–2 |
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12th & 15th (2 ranks) |
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Snare Drum, band roll |
2 |
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Super Octave (Muted Diapason) |
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Snare Drum, orchestra roll |
2 |
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Flautina (Gedeckt) |
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Chinese Block, roll |
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Mixture (4 ranks) |
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Triangle |
8 |
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Grand Piano |
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Orchestral to Great |
8 |
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Cathedral Chimes |
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Solo to Great |
4 |
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Xylophone |
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Orchestral (Manual III) – 61 notes
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16 |
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Wald Horn |
8 |
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Muted Violins (2 ranks) |
16 |
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Violin Diapason |
8 |
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Concert Flute |
16 |
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Bourdon (Tibia Minor) |
8 |
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Dulciana |
16 |
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Vox Humana [TC] |
8 |
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Unda Maris |
16 |
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Vox Humana (2 ranks) [TC] |
8 |
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Vox Humana |
8 |
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English Post Horn |
8 |
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Vox Humana (2 ranks) |
8 |
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Trumpet |
4 |
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Clarion (Wald Horn) |
8 |
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Tuba Sonora |
4 |
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Octave (Violin Diapason) |
8 |
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Diapason |
4 |
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Tibia Minor |
8 |
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Melophone |
4 |
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Traverse Flute (Concert Flute) |
8 |
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Horn Diapason |
4 |
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Harmonic Flute |
8 |
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Violin Diapason |
4 |
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Flute d'Amour (Gedeckt) |
8 |
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Wald Horn |
4 |
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Vox Humana |
8 |
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Tibia Clausa |
4 |
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Vox Humana (2 ranks) |
8 |
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Tibia Minor |
2 2/3 |
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Nazard (Gedeckt) |
8 |
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Basset Horn |
2 |
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Piccolo (Tibia Minor) |
8 |
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Orchestral Oboe |
2 |
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Harmonic Piccolo |
8 |
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Clarinet |
2 |
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Flautina (Gedeckt) |
8 |
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Saxophone |
1 3/5 |
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Tierce (Gedeckt) |
8 |
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French Horn |
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Mixture (6 ranks) |
8 |
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Kinura |
8 |
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Grand Piano |
8 |
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English Horn |
8 |
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Marimba |
8 |
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Oboe Horn |
8 |
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Marimba Harp |
8 |
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Gamba |
4 |
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Xylophone |
8 |
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Gamba Celeste |
2 |
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Glockenspiel |
8 |
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Salicional |
8 |
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Harp |
8 |
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Voix Celeste |
4 |
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Celesta |
8 |
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Viola |
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Octave |
8 |
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Violin 'Cello |
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Accompaniment Unison to Orchestral |
8 |
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'Cello Celeste |
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Accompaniment Octave to Orchestral |
8 |
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Violins (2 ranks) |
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Solo Unison to Orchestral |
8 |
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Spitz Flute Celeste (2 ranks) |
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Solo Octave to Orchestral |
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Solo (Manual IV) – 61 notes
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16 |
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English Post Horn |
8 |
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Violin 'Cello |
16 |
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Tuba Profunda |
8 |
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'Cello Celeste |
16 |
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Wald Horn |
8 |
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Violins (2 ranks) |
16 |
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Contra Tibia Clausa |
8 |
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Concert Flute |
16 |
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Basset Horn [TC] |
8 |
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Vox Humana |
16 |
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Bassoon [TC] (Orchestral Oboe) |
8 |
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Vox Humana (2 ranks) |
16 |
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Bass Clarinet [TC] |
4 |
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Cornet (Tuba Sonora) |
16 |
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Bass Saxophone [TC] |
4 |
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Clarion (Wald Horn) |
16 |
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Kinura [TC] |
4 |
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Tibia Flute |
16 |
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English Horn |
4 |
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Tibia Minor |
16 |
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Violone |
4 |
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Harmonic Flute |
16 |
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Contra Viole |
4 |
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Octave Viola |
16 |
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Vox Humana [TC] |
4 |
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Cello |
16 |
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Vox Humana (2 ranks) [TC] |
4 |
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Violins (2 ranks) |
8 |
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Tuba Mirabilis |
2 2/3 |
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Tibia Twelfth |
8 |
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English Post Horn |
2 2/3 |
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Flute Twelfth (Tibia Minor) |
8 |
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Trumpet |
2 |
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Tibia Piccolo |
8 |
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Tuba Sonora |
2 |
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Piccolo (Tibia Minor) |
8 |
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Wald Horn |
2 |
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Harmonic Piccolo |
8 |
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Diapason |
8 |
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Grand Piano |
8 |
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Melophone |
4 |
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Grand Piano |
8 |
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Violin Diapason |
8 |
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Cathedral Chimes |
8 |
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Tibia Clausa |
8 |
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Marimba |
8 |
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Tibia Minor |
8 |
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Marimba Harp |
8 |
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Basset Horn |
4 |
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Xylophone |
8 |
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Orchestral Oboe |
2 |
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Xylophone |
8 |
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Clarinet |
2 |
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Glockenspiel |
8 |
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Saxophone |
2 |
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Orchestral Bells |
8 |
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French Horn |
8 |
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Harp |
8 |
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Kinura |
4 |
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Celesta |
8 |
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English Horn |
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Octave |
8 |
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Viola |
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STOP & CHAMBER ANALYSIS |
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Pitch |
Pipes |
Pressure |
GREAT |
1. |
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Contra Bass [Pedal] |
16 – 4 |
56 |
|
10" |
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2. |
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Gedeckt |
16 – 2 |
97 |
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10" |
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3. |
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Muted Diapason |
16 – 2 |
97 |
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10" |
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4. |
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Viola |
16 – 4 |
97 |
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10" |
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5. |
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Trombone/Tromba |
16 – 4 |
85 |
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15" |
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6. |
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French Horn [1-12 Diaphone] |
16 – 8 |
85 |
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10" |
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7. |
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First Open Diapason |
8 |
73 |
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10" |
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8. |
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Second Open Diapason |
8 |
73 |
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10" |
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9. |
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Concert Flute |
8 – 4 |
85 |
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10" |
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10.-11. |
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Violins (2 ranks) |
8 |
146 |
|
10" |
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12. |
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Dulciana |
8 – 4 |
85 |
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10" |
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13. |
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Unda Maris |
8 – 4 |
85 |
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10" |
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14. |
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Clarinet |
8 |
73 |
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10" |
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15. |
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Orchestral Oboe |
8 |
73 |
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10" |
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16. |
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Octave |
4 |
73 |
|
10" |
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17.-18. |
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12th & 15th (2 ranks) |
2-2/3 & 2 |
122 |
|
10" |
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19.-22. |
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Mixture (4 ranks) |
|
244 |
|
10" |
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Chrysoglott with dampers |
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49 |
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Bird |
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ORCHESTRAL |
23. |
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Violin Diapason |
16 – 4 |
97 |
|
10" |
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24. |
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Tibia Minor |
16 – 4 |
97 |
|
10" |
|
25. |
|
Wald Horn |
16 – 4 |
97 |
|
10" |
|
26. |
|
Horn Diapason |
8 |
73 |
|
10" |
|
27.-28. |
|
Spitz Flute Celeste (2 ranks) |
8 |
134 |
|
10" |
|
29. |
|
Gamba |
8 |
73 |
|
10" |
|
30. |
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Gamba Celeste |
8 |
73 |
|
10" |
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31. |
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Salicional |
8 |
73 |
|
10" |
|
32. |
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Voix Celeste |
8 |
73 |
|
10" |
|
33.-34. |
|
Muted Violin (2 ranks) |
8 |
146 |
|
10" |
|
35. |
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Brass Trumpet |
8 |
73 |
|
10" |
|
36. |
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Oboe Horn |
8 |
73 |
|
10" |
|
37. |
|
Vox Humana |
8 |
73 |
|
6" |
|
38.-39. |
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Vox Humana (2 ranks) |
8 |
146 |
|
6" |
|
40.-45. |
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Mixture (6 ranks) |
|
366 |
|
10" |
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SOLO |
46. |
|
Tuba Sonora |
32 – 4 |
109 |
|
15" |
|
47. |
|
Tibia Clausa |
32 – 4 |
109 |
|
15" |
|
48. |
|
English Post Horn |
16 – 8 |
85 |
|
15" |
|
49. |
|
Diaphonic Diapason |
8 – 4 |
85 |
|
25" |
|
50. |
|
English Horn |
16 – 8 |
85 |
|
10" |
|
51. |
|
Violone/'Cello |
16 – 4 |
97 |
|
15" |
|
52. |
|
Cello Celeste |
8 |
73 |
|
15" |
|
53. |
|
Tuba Mirabilis |
8 |
73 |
|
25" |
|
54. |
|
Melophone |
8 |
73 |
|
15" |
|
55. |
|
Brass Saxophone |
8 |
73 |
|
10" |
|
56. |
|
Kinura |
8 |
73 |
|
10" |
|
57. |
|
Brass Horn |
8 |
73 |
|
10" |
|
58. |
|
Harmonic Flute |
4 |
73 |
|
15" |
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PERCUSSION |
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Xylophone |
4 |
49 notes |
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Marimba |
8 |
49 notes |
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Glockenspiel |
2 |
37 notes |
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Chimes with dampers |
8 |
25 notes |
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Trap Assembly |
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UNENCLOSED |
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Grand Piano (9' Mason & Hamlin) |
16 – 4 |
85 notes |
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Sources:
Junchen, David L., comp. and ed. by Jeff Weiler. The WurliTzer Pipe Organ – An Illustrated History. Chicago: The American Theatre Organ Society, 2005.
Kaufmann, Preston J. Encyclopedia of the American Theatre Organ, Vol. 3. Pasadena: Showcase Publications, 1995.
Messineo, David. Document on the organ in Radio City Music Hall.
Illustrations:
Steven E. Lawson: organ consoles |
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