Martin Beck
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Martin Beck Residence

166 East 64th Street
New York, NY 10021



Martin Beck, the famous theatrical entrepreneur, was a native of Liptovský Mikuláš, Austria (today Slovakia) who went to school in Vienna and performed Shakespeare with a traveling troupe. In 1883, he and a troupe of actors emigrated to the U.S. Martin Beck worked as a waiter in a Chicago beer garden and in the early 1890s went to San Francisco with the Schiller Vaudeville Company. While there, Beck became friends with the owner of the San Francisco Orpheum Theater and became its manager; when it was bought by Morris Meyerfeld in 1899, he helped Morris expand by acquiring other theaters. Eventually, the Orpheum circuit numbered at least sixty theatres that dominated the variety scene west of Chicago.

In the spring of 1899, twenty-five-year-old Harry Houdini met Beck at a beer hall in St. Paul, Minnesota where Houdini was performing. Beck telegraphed Houdini from Chicago: "You can open Omaha March twenty sixth sixty dollars, will see act probably make you proposition for all next season." Houdini wrote at the bottom of telegram, "This wire changed my whole Life's journey."

By 1905, Beck was head of the Orpheum circuit organization, which extended from Chicago to San Francisco, a position he held for twenty-seven years. A bald and fat little man known for his undying sense of humor, Beck had achieved fortune and some fame when he moved to New York in 1907 to establish himself as a leading figure in the Broadway theatre. In 1913, he built the Palace Theatre on Broadway, precipitating a war with the Keith-Albee circuit that was resolved when the Palace began taking Keith acts, with Mr. Beck directing the shows and the bookings. Headliners at the Palace included the legendary French actress, Sarah Bernhardt, whose appearances contributed to the early success of the theatre, and Ed Wynn, Charlie Chaplin, Buster Keaton, Beatric Lillie, Fannie Brice, Sophie Tucker, and many others. The Palace Theatre soon became the Mecca of audiences and the paradise of actors.

Martin Beck Residence - New York City  
166 East 64th Street  
In 1923, Mr. Beck decided to "retire" and give up his active interests in the Palace Theatre. After taking a trip around the world, he returned to Broadway and announced that he was going to build a theatre on the west side of Eighth Avenue, at the time considered to be theatrical suicide. As designed by G. Albert Lansburgh, the Martin Beck Theatre had one of the city's largest stages, dressing rooms for 200 actors, and a seating capacity of nearly 1,300. It opened on November 11, 1924 with a production of Madame Pompadour, starring Wilda Bennett and produced by Mr. Beck and Charles Dillingham. Martin Beck owned the building and until his death liked to boast that he was the only manager in the world without a mortgage on his theatre. On June 21, 2003, it was renamed the Al Hirschfeld Theatre in honor of the caricaturist famous for his drawings of Broadway celebrities.

He returned to vaudeville in 1932, running the booking office at RKO. In 1934, he brought the D'Oyly Carte Opera Company to America for the first time, ensconcing them at the Martin Beck Theatre.

Martin Beck lived in a four-story townhouse at 166 East 64th Street, between Lexington and Third Avenues. He was married twice and had two daughters. Mr. Beck died at Mount Sinai Hospital in Manhattan on November 16, 1940, at the age of about 71 (his exact birth date was never known). More than 400 persons, including leading figures of the theatre industry, attended the funeral service held at the Frank Campbell Funeral Chapel on Madison Avenue. He was buried in the Martin Beck Mausoleum in the Salem Field Cemetery in the Cypress Hills section of Brooklyn.
             
 
Welte Philharmonic Pipe Organ console in Martin Beck Residence - New York City
Welte-Mignon Corp.
Poughkeepsie, N.Y. (1920)
Electro-pneumatic action
2 manuals, 14 stops, 7 ranks
Automatic Player



The New York City residence of Martin Beck included a Welte Philharmonic Organ, installed in 1920 by the Welte-Mignon Corp. of Poughkeepsie, N.Y.

Pipecounts given below are suggested, based on similar Welte Organs of the era.
               
Manual I – 61 notes, enclosed
8
  Open Diapason
73
4
  Vienna Flute
73
8
  Cor de Nuit
73
8
  Orchestral Oboe
73
8
  Viol d'Orchestre
73
    Manual I 16'  
8
  Voix Celeste
61
    Manual I 4'  

     

     
Manual II – 61 notes, enclosed
8
  Open Diapason  
4
  Vienna Flute  
8
  Cor de Nuit  
8
  Orchestral Oboe  
8
  Viol d'Orchestre       Manual II 16'  
8
  Voix Celeste       Manual II 4'  

     

     
Pedal – 32 notes
16
  Bourdon
44
    Chimes  
8
  Bass Flute
    2 Blank tablets  
    Manual I to Pedal          
    Manual II to Pedal       Tremolo  
               
Accessories
    Chimes (Manual II)          
    Harp (Manual I)          
             
Sources:
     "Martin Beck Dies; Theatre Veteran," New York Times (Nov. 17, 1940).
     "Martin Beck Theater," Wikipedia web site: http://en.wikipedia.org/wiki/Martin_Beck_Theater.
     "Theatre Leaders at Beck Funeral," New York Times (Nov. 19, 1940).
     Welte-Mignon Corp. Brochure (c.1928). Specifications of Welte Organ (1927). Courtesy James Lewis.

Illustration:
     Welte-Mignon Corp. Brochure (Sept..1923). Courtesy James Lewis.