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Sigmund Romberg Residence
33 West 55th Street
New York, N.Y. 10019
Sigmund (originally Zsigmond) Romberg was born on July 29, 1887, to a Jewish family in the West-Hungarian provincial town of Nagykanizsa during the Austro-Hungarian K.u.K. Monarchy period. He went to Vienna to study engineering, but also took composition lessons while there. He moved to the United States in 1909 and, after a brief stint working in a pencil factory, was employed as a pianist in cafés. He eventually founded his own orchestra and published a few songs, which, despite their limited success, brought him to the attention of the Shubert brothers, who in 1914 hired him to write music for their Broadway theatre shows. That year he wrote his first successful Broadway revue, The Whirl of the World.
Romberg's adaptation of melodies by Franz Schubert for Blossom Time (1921, produced in the UK as Lilac Time) was a great success. He subsequently wrote his best-known operettas, The Student Prince (1924), The Desert Song (1926) and The New Moon (1928), which are in a style similar to the Viennese operettas of Franz Lehár. He also wrote Rosalie (1928) together with George Gershwin. His later works, such as Up in Central Park (1945), are closer to the American musical in style, but they were less successful. Romberg also wrote a number of film scores and adapted his own work for film.
Much of Romberg's music, including extensive excerpts from his operettas, was released on LP during the 1950s and 1960s, especially by Columbia, Capitol, and RCA Victor. Nelson Eddy and Jeanette MacDonald, who appeared in an MGM adaptation of The New Moon in 1940, regularly recorded and performed his music. There have also been periodic revivals of the operettas.
Several of Romberg's popular song hits were recorded on Aeolian Duo-Art Rolls by Lew White, who was at one time the principal organist of the Roxy Theatre and owner of the Lew White Institute of Organ, a school for theatre organists. Aeolian's Musical Comedy Fantasie contained a Sigmund Romberg medley with "I Wanna Be Loved By You" (Good Boy), "One Kiss" (New Moon), "Why Do I Love You?" (Show Boat), "Blue Shadows" (The Vanities), "Anything Your Heart Desires" (Just a Minute), and "March of the Musketeers" (The Three Musketeers). Lew White recorded another medley of tunes from Romberg's popular operetta, The New Moon, including the Introduction, "Lover Come Back to Me," "The Girl on the Prowl," "Try Her Out at Dances," "Wanting You," "Softly, as in a Morning Sunrise," "One Kiss," and the March. After the theatre organ lust its luster, Lew White was a regular organist for popular radio programs, and became involved with the Hammond Organ School of New York.
Sigmund Romberg's residence on West 55th Street included a large book-lined studio that had a grand piano which could be played from the Aeolian pipe organ. Romberg would conceive a song at the organ, then complete it on the piano. The studio was said to have "perfect acoustics" and was often used as a recording studio. After Romberg donated the Aeolian organ to the Scottish Rite Temple in Baltimore, he used a Hammond electric organ. In the 1930s, Romberg also had a residence in Beverly Hills, Calif., that had a similar studio setup.
Romberg died in 1951 in New York City and was interred in the Ferncliff Cemetery in Hartsdale, New York.
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Aeolian Company
New York City – Opus 1685 (1928)
Electro-pneumatic action
3 manuals, 35 stops, 16 ranks
The Aeolian Company Factory Specifications (May 15, 1928) show that this organ was installed in a chamber prepared for it at the end of the studio in Mr. Romberg's residence. A handwritten note (May 24, 1928) states "Piano connection added." The three-manual console had rocker tablets arranged on vertical jambs, and included Aeolian's Combination Duo-Art (automatic) and Solo (semi-automatic) Music Roll mechanism. Six Duo-Art Records were included in the sale.
At some point, Mr. Romberg donated the organ to the Scottish Rite Temple in Baltimore, Md. In 1980, the organ was acquired by Ray Brubacher of Olney, Md., who installed it in his residence. The organ was sold in 2008 to Richard Groman of Bethlehem, Penn., who plans to restore the instrument. |
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Great Organ (Manual II) – 61 notes, enclosed
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8 |
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Wood Diapason |
73 |
8 |
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Clarinet |
73 |
8 |
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String P (Gemshorn) |
73 |
8 |
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French Horn |
73 |
8 |
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Flute |
73 |
8 |
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Trumpet |
73 |
4 |
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Flute (high) |
73 |
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Harp |
} |
61.Tones |
Celesta |
} |
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2 2/3 |
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Flute (Nazard) |
— |
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2 |
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Flageolet |
— |
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Mixture 3 ranks |
— |
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Tremolo |
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Swell Organ (Manual III) – 61 notes, enclosed
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8 |
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String F |
73 |
8 |
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Vox Humana |
73 |
8 |
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String F Vibrato |
73 |
8 |
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English Horn |
73 |
8 |
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String P |
73 |
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Harp |
GT |
8 |
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String P Vibrato [TC] |
61 |
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Celesta |
GT |
8 |
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Flute (Spanish) |
73 |
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Chimes |
GT |
4 |
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Flute (high) |
GT |
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Tremolo |
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8 |
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Oboe |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
("Derived from Great")
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8 |
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Wood Diapason |
GT |
8 |
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English Horn |
SW |
8 |
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String P (Gemshorn) |
GT |
8 |
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French Horn |
GT |
8 |
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Flute |
GT |
8 |
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Vox Humana |
SW |
4 |
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Flute (high) |
GT |
8 |
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Trumpet |
GT |
2 2/3 |
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Flute (Nazard) |
GT |
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Harp |
GT |
2 |
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Flageolet |
GT |
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Celesta |
GT |
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Mixture 3 ranks |
GT |
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Chimes |
GT |
8 |
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Oboe |
SW |
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Tremolo |
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8 |
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Clarinet |
GT |
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Pedal Organ – 32 notes
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16 |
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Flute F (deep) |
32 |
8 |
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Flute F [ext. 16'] |
12 |
16 |
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Flute P (deep) |
GT |
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Chimes |
GT |
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Couplers
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Great to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Great 16', Unison Off, 4' |
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Choir to Pedal 8', 4' |
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Swell 16', Unison Off, 4' |
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Swell to Great 16', 8', 4' |
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Choir 16', Unison Off, 4' |
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Choir to Great 16', 8', 4' |
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Adjustable Combination Pistons (Visibly moving the Tablets. Set at Console)
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Six General Pistons (Acting on entire Organ and placed under Great. Also duplicated by foot pistons.) |
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All Off (Visibly puts off all Stops, Couplers, Sforzando and Tonal.) |
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Accessories
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Sforzando – Reversible by Piston and Plunger |
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Tonal (crescendo) Pedal |
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Expression Pedal for Piano and Harp |
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Expression I and II Pedal |
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Expression III Pedal |
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Great to Pedal – Reversible by Piston and Plunger |
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Swell to Pedal – Reversible by Piston and Plunger |
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Choir to Pedal – Reversible by Piston and Plunger |
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Harp and Celesta P and F |
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Harp and Celesta with and without Dampers |
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Chimes P and F |
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Choir Upper and Lower |
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The Duo-Art Player (Entirely Automatic)
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By means of the Duo-Art Player, in conjunction with Aeolian Solo Organ Records, the stops, tempo, expression, etc., are automatically operated, reproducing the playing of distinguished organists. |
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The Solo Player (Semi-Automatic)
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By means of the Solo Player, in conjunction with Aeolian Solo Organ Rolls, or Duo-Art Records, the stops, tempo, expression, etc., are controlled by the performer. (Suggestive use of stops, tempo, expression, etc., is indicated on the Music Rolls and Records.) |
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Duo-Art and Solo Music Controls
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Tempo |
} |
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Ventil |
} |
Duo-Art and Solo Music |
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Reroll |
} |
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Reroll and Repeat Duo-Art Music (permitting the automatic continuous playing of Records) |
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Normal |
} |
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Reverse |
} |
Solo Music |
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Unison |
} |
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Sources:
Brubacher, Ray (Olney, Md.). Electronic correspondence about Aeolian Organ, Op. 1685 (1928).
Everett, William A. Sigmund Romberg: The Man and His Music. New Haven: Yale University Press, 2007.
Smith, Rollin. The Aeolian Pipe Organ and its Music. Richmond: The Organ Historical Society, 1998.
Trupiano, Larry. Factory Specifications (May 15, 1928) of Aeolian Organ, Op. 1685.
http://en.wikipedia.org/wiki/Sigmund_Romberg. Biographical information.
Illustrations:
Lewis, James. Console of Aeolian Company organ, Op. 1685 (1928).
http://muppet.wikia.com/wiki/Sigmund_Romberg. Photo of Sigmund Romberg. |
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