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Louis Comfort Tiffany Residence
Madison Avenue at 72nd Street
New York, N.Y. 10021
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Louis Comfort Tiffany |
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Louis Comfort Tiffany was born in 1848, the youngest son of Charles Lewis Tiffany, who was a founder and principal owner of Tiffany & Company, and Harriet Olivia Avery Young. His older brother, Charles Comfort Tiffany, became the Episcopalian archdeacon of New York.
Before the 1880s, Louis Tiffany lived in an apartment
building on 26th Street, while his father maintained a house
on Madison Avenue near 38th. In 1882, Charles Tiffany contracted
with McKim, Mead & White
to design a new residence on the southwest corner of Madison
Avenue and 72nd Street, across from the Rhinelander Mansion.
Louis assumed control of the project, working intensively with
architect Stanford White to create one of the most unusual
residences in New York. The 57-room mansion was completed in
1885, and while it is generally referred to as Louis Tiffany's
house, there were in fact three apartments. The first, on the
first and second floors, was frequently said to be for Charles,
although he never occupied it. The second apartment, taking
up the third floor, was for Louis's unmarried sister,
Louise. The fourth and fifth floors contained the apartment
for Louis.
The studio, on the upper floor of Tiffany's duplex, was actually
about three or four stories in total height, and featured a
large space which was open to the gables. Suspended from the
ceiling were decorative ironwork, brasses and glassware which
created a mysterious atmosphere. Near the center of the studio
was a four-hearth fireplace which rose from the floor like
an Art Nouveau tree trunk culminating in a chimney made of
concrete.
Louis Comfort Tiffany relied on the enormous financial and
entrepreneurial resources of his father's firm, Tiffany & Company. Although
Tiffany & Company and Tiffany Studios were two distinct
and separate firms, Louis Tiffany was affiliated with both
in an executive capacity. He was, therefore, able to advertise
and sell Tiffany Studios’ products at Tiffany & Company,
which proved to be a mutually advantageous arrangement, especially
for retailing lamps and small accessories. Although Tiffany
lamps, windows, and decorative accessories continued to be
made through the 1920s, the heyday of production ended at the
onset of World War I when European markets closed and tastes
changed. His father's firm, Tiffany & Company, still
continues in operation serving customers at the main store
in New York City and a host of branches throughout the world.
Louis married Mary Woodbridge Goddard on May 15, 1872, and had two sons and two daughters. After the death of his wife in 1884, he married Louise Wakeman Knox on November 9, 1886. Louis and Louise had one son and three daughters. In 1905, Tiffany built Laurelton Hall, a luxurious country estate in Oyster Bay, L.I., where he had the room to carry out his decorative ideas more fully. Although he spent less time in New York after Laurelton Hall was built, he died in the 72nd Street house in 1933. The Tiffany mansion was demolished in 1936 and replaced by a large apartment building. |
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Estey
Organ Company
Brattleboro, Ver. – Opus 1584 (1917)
Electro-pneumatic action
2 manuals
CHAPEL OF THE HOLY SPIRIT
In 1917 the Estey Organ Company built a two-manual organ for the "Chapel
of the Holy Spirit" in the Tiffany residence. This organ was
moved at an unknown time to St. Martha's Episcopal Chapel in The
Bronx. Specifications for this organ have not yet been located. |
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Aeolian Company
New York City – Opus 925 (1902); enlarged 1907
Electro-pneumatic action
2 manuals, 19 stops, 23 ranks
The Aeolian organ in Tiffany's Manhattan townhouse was installed on a balcony in the fifth floor studio, with the console located on the main floor of the 45-foot tall room. This organ did not have a pipe screen, and the console case was designed by Tiffany. Originally built in 1902 with 12 ranks, the organ was enlarged in 1907 with the addition of an 11-rank Echo division, plus harp and chimes, for a total of 23 ranks. |
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Manuale I – 61 notes, enclosed (3½" pressure)
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8 |
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Principal Grande |
61 |
4 |
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Flauto Ottava |
61 |
8 |
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Violetta Marina |
61 |
8 |
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Trombetta |
61 |
8 |
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Flauto Primo |
61 |
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Manuale II – 61 notes, enclosed (3" pressure)
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8 |
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Violono Primo |
61 |
8 |
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Flauto Lontano |
61 |
8 |
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Viola d'Amore |
61 |
8 |
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Oboe di Caccia |
61 |
8 |
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Voce Angelica (TC) |
49 |
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Tremolo |
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Echo Organ (playable from
Manuale I) – 61 notes (3½" pressure)
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8 |
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Pastorita |
61 |
4 |
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Flauto d'Amore |
61 |
8 |
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Violino |
61 |
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Serafieno Dolce (5 ranks) |
275 |
8 |
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Violino Distante |
61 |
8 |
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Voce Umana (in sep. box) |
61 |
8 |
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Violino Distante Celeste |
61 |
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Tremolo |
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Pedale – 30 notes (3" pressure)
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16 |
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Contra Basso |
30 |
8 |
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Flauto Grande |
30 |
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Percussions (playable from Manuales I and II)
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8 |
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Arpa Grande – 49 notes |
8 |
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Campanetta – 20 notes |
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Couplers
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Manuale I to Manuale II 8' 4'
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Manuale I to Pedale |
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Manuale II to Pedale |
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Combination Pistons
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Manuals I and II: Piano, Mezzo, Forte |
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Pedal Movements
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Manuale I to Pedal reversing
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Balanced Swell Pedal, Manuale II
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Balanced Swell Pedale, Manuale I
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Balanced Crescendo Pedal
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Sources:
Gray, Christopher. "The Mansion That Got Away," The New York Times (Oct. 29, 2006).
Smith, Rollin. The Aeolian Pipe Organ and its Music. Richmond: The Organ Historical Society, 1998.
Trupiano, Larry. Factory Specification of
Aeolian Organ, Op. 925 (1902).
Illustrations:
Exterior: New York Architecture Images website: http://www.nyc-architecture.com
Studio: Organ Historical Society |
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