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Rialto Theatre
1481 Broadway, NW corner of 42nd Street
New York, N.Y. 10036
The Rialto Theatre, the original "Temple of the Motion Picture" and "The Shrine of Music and the Allied Arts", opened on April 21, 1916 on the site of the demolished Hammerstein's Victoria Theatre. The Rialto was built and first operated by Crawford Livingston and Felix Kahn, who hired S.L. "Roxy" Rothafel to be the managing director. Under Roxy's direction, the Rialto show ran five times daily and included the Rialto Orchestra, vocal and instrumental solos, and "accompaniment contributed by the grand organ". The success of the Rialto encouraged Livingston and Kahn to build the Rivoli, which opened in 1917, with "Roxy" Rothafel as managing director of both theatres. From 1919, the Rialto and Rivoli showed mostly Paramount releases, but that began to change in 1926, when the new Paramount Theatre opened and became the company's NYC "flagship." Paramount by that time also controlled the Criterion Theatre. There wasn't enough Paramount product for all four theatres, so the Rialto, Rivoli and Criterion began showing films from other distributors as well. With the advent of the Depression, Paramount could no longer afford to run four Broadway theatres, so the oldest of the group, the Criterion and Rialto, were sold and quickly demolished to make way for new buildings. In 1935, the Rialto was demolished and rebuilt on a smaller scale. |
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Wurlitzer Organ Company
North Tonawanda, N.Y. – Opus 520 (1922)
Electro-pneumatic action
Style 260
3 manuals, 15 ranks, 7 tuned percussions, 14 traps
Wurlitzer's Op. 520 for the Rialto Theatre has a factory date of February 25, 1922. |
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Pedal – 32 notes
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16 |
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Ophicleide |
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Bass Drum |
16 |
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Diaphone [metal] |
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Kettle Drum |
16 |
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Tibia Clausa |
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Snare Drum |
16 |
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Bourdon |
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Crash Cymbal |
8 |
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Tuba Horn |
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Cymbal |
8 |
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Octave |
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Great to Pedal |
8 |
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Tibia Clausa |
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Solo to Pedal |
8 |
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Clarinet |
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8 |
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Saxophone |
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Pedal 2nd Touch |
8 |
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String |
16 |
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Diaphone |
8 |
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Cello |
16 |
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Ophicleide – Pizzicato |
8 |
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Flute |
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4 |
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Flute |
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1st Touch & 2nd Touch Traps Switch |
16 |
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Piano |
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3 Combination Toe Pistons |
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Accompaniment (Manual I) –- 61 notes
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16 |
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Contra Viol [TC] |
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Mandolin |
16 |
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Bourdon |
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Marimba [re-it] |
8 |
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Tuba Horn |
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Harp |
8 |
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Diaphonic Diapason |
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Crysoglott |
8 |
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Tibia Clausa |
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Snare Drum |
8 |
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Clarinet |
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Tambourine |
8 |
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Saxophone |
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Castanets |
8 |
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String |
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Chinese Block |
8 |
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Viole d'Orchestre |
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Tom Tom |
8 |
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Viole Celeste |
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8 |
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Oboe Horn |
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Accompaniment 2nd Touch |
8 |
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Quintadena |
8 |
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Tuba Horn |
8 |
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Flute |
8 |
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Tibia Clausa |
8 |
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Vox Humana |
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Cathedral Chimes |
4 |
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Piccolo |
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Sleigh Bells |
4 |
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Viole |
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Xylophone |
4 |
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Octave Celeste |
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Triangle |
4 |
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Flute |
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Solo to Accomp. |
4 |
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Vox Humana |
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Solo to Accomp. –- Pizzicato |
2 2/3 |
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Twelfth |
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2 |
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Piccolo |
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10 Double Touch Adjustable |
8 |
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Piano |
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Combination Pistons |
4 |
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Piano |
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Suitable Bass |
Great (Manual II) – 61 notes
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16 |
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Ophicleide |
2 |
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Fifteenth |
16 |
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Diaphone |
2 |
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Piccolo |
16 |
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Tibia Clausa |
1 3/5 |
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Tierce |
16 |
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Clarinet [TC] |
16 |
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Piano |
16 |
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Saxophone [TC] |
8 |
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Piano |
16 |
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Contra Viol [TC] |
4 |
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Piano |
16 |
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Bourdon |
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Marimba [re-it] |
8 |
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Trumpet |
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Harp |
8 |
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Tuba Horn |
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Cathedral Chimes |
8 |
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Diaphonic Diapason |
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Xylophone |
8 |
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Tibia Clausa |
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Glockenspiel |
8 |
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Clarinet |
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Orchestral Bells [re-it] |
8 |
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Orchestral Oboe |
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Sleigh Bells |
8 |
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Kinura |
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Chrysoglott |
8 |
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Saxophone |
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Solo to Great |
8 |
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String |
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8 |
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Viole d'Orchestre |
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Great 2nd Touch |
8 |
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Viole Celeste |
16 |
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Ophicleide |
8 |
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Flute |
8 |
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Tibia Clausa |
8 |
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Vox Humana |
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Solo to Great |
4 |
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Clarion |
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Solo to Great – Pizzicato |
4 |
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Piccolo |
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4 |
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Viol |
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10 Double Touch Adjustable |
4 |
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Octave Celeste |
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Combination Pistons |
4 |
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Flute |
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2 2/3 |
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Twelfth |
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Suitable Bass |
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Solo (Manual III) – 61 notes
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16 |
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Ophicleide |
4 |
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Clarion |
8 |
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Trumpet |
4 |
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Piccolo |
8 |
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Tuba Horn |
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Cathedral Chimes |
8 |
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Diaphonic Diapason |
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Xylophone |
8 |
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Tibia Clausa |
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Glockenspiel |
8 |
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Clarinet |
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Orchestral Bells [re-it] |
8 |
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Orchestral Oboe |
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8 |
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Kinura |
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10 Double Touch Adjustable |
8 |
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Saxophone |
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Combination Pistons |
8 |
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String |
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8 |
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Oboe Horn |
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Suitable Bass |
8 |
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Quintadena |
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Tremulants (3)
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Main |
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Solo |
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Vox Humana |
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General
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Two Balanced Expression Pedals with Indicating Keys |
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One Balanced Crescendo Pedal |
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Thunder Pedal (Diaphone) – Piano Pedal |
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Thunder Pedal (Reed) – Piano Pedal |
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One Double Touch Sforzando Pedal – Piano Pedal
• 1st Touch: Full stops (wind)
• 2nd Touch: Everything |
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One Double Touch Sforzando Pedal – Piano Pedal
• 1st Touch: Snare Drum
• 2nd Touch: Bass Drum and Cymbal |
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Effects (operated by pistons)
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Auto Horn |
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Fire Gong |
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Steamboat Whistle |
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Horse Hoofs |
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Two Birds (one in each expression box) |
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STOP & CHAMBER ANALYSIS |
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Main Chamber
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16 |
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Diaphonic Diapason |
85 pipes |
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16 |
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Concert Flute |
97 pipes |
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8 |
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Viole d'Orchestre |
85 pipes |
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Solo Chamber
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8 |
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Orchestral Oboe |
61 pipes |
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Cathedral Chimes |
25 notes |
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Austin Organ Company
Hartford, Conn. – Opus 611 (1916)
Electro-pneumatic action
3 manuals, 56 stops
Originally, orchestral music functioned as a major attraction. The theater publicized its grand pipe organ, built by the Austin Organ Co. of Hartford, Conn., as the biggest organ ever to be installed in a motion picture theater. Specifications of this organ have not yet been located. |
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Sources:
Cinema Treasures web site: http://cinematreasures.org/theaters/16666
Junchen, David L. Encyclopedia of the American Theatre Organ, Vol. 1. Pasadena: Showcase Publications, 1985.
Junchen, David L., comp. and ed. by Jeff Weiler. The WurliTzer Pipe Organ – An Illustrated History. Chicago: The American Theatre Organ Society, 2005.
>Kaufmann, Preston J. Encyclopedia of the American Theatre Organ, Vol. 3. Pasadena: Showcase Publications, 1995.
The Theatre Organ Home Page: http://theatreorgans.com. Specifications of Wurlitzer "Style 260" organ.
Illustrations:
AJWB Collection. Drawings of interior; marquee. |
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