|
 |
|
Click on most images to enlarge |
Rivoli Theatre
1620 Broadway at 49th Street
New York, N.Y. 10019
The 2,270-seat Rivoli Theatre, a Greek Revival building designed by Thomas W. Lamb, first opened to the public on December 28, 1917, with the Douglas Fairbanks movie, "A Modern Musketeer," supported by a "live" program featuring musical soloists, the organ and house orchestra. Loge seats were $1 at all times. General admission was 60 and 30 cents for evening performances, and 30 cents at matinees.
The Rivoli was conceived as a sister theater for the Rialto and a place where, as at the Rialto and other Roxy theaters, music would be featured. Noted for its acoustics, the Rivoli auditorium was originally designed to showcase Dr. Hugo Riesenfeld's fifty-piece orchestra, plus a once-a-week performance by the combined orchestras of the Rialto and Rivoli, called the Rothapfel Symphony Orchestra, after theater impresario S. L. "Roxy" Rothapfel, who managed both it and the Rialto. After opening the Rialto in 1916, Roxy had quickly noted the importance of music in his programming, especially the popularity of soloists, the organ, and the orchestra. Though other movie palaces of the 1910s and 1920s had stages to present stage shows and elaborate dramatic acts, the Rivoli originally had no stage. It had three proscenia – a center one for a screen and side ones for soloists and an orchestra. A full stage was not built until 1926, when it was used to accommodate the sorts of stage show presentations that had become popular in the 1920s.
In its middle years, the Rivoli was one of New York City's finest 'roadshow' theaters and was converted to 70mm Todd-AO with a deeply curved screen by Michael Todd in the 50s for his feature, "Around the World in 80 Days." Many other 70mm films played there including "West Side Story." In 1963, Fox put up an Egyptian façade on the building for "Cleopatra" which was kept until the 80s when it was altered to avoid the building being landmarked. Sadly, the theatre was demolished in 1987. |
|
|
|
|
|
|
Wurlitzer – Hope-Jones Unit Orchestra
North Tonawanda, N.Y. – Opus 839 (1924)
Electro-pneumatic action
Style "260 Special"
3 manuals, 15 ranks, 7 tuned percussions, 14 traps
Wurlitzer's Op. 839 has a factory date of June 2, 1924. |
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
|
32 |
|
Diaphone |
|
|
|
Bass Drum |
|
16 |
|
Ophicleide |
|
|
|
Kettle Drum |
|
16 |
|
Diaphone |
|
|
|
Snare Drum |
|
16 |
|
Tibia Clausa |
|
|
|
Crash Cymbal |
|
16 |
|
Bourdon |
|
|
|
Cymbal |
|
8 |
|
Tuba Horn |
|
|
|
Great to Pedal |
|
8 |
|
Octave |
|
|
|
Solo to Pedal |
|
8 |
|
Tibia Clausa |
|
|
|
|
|
8 |
|
Clarinet |
|
|
|
Pedal 2nd Touch |
|
8 |
|
Saxophone |
|
32 |
|
Diaphone - Pizzicato |
|
8 |
|
String |
|
16 |
|
Ophicleide - Pizzicato |
|
8 |
|
Cello |
|
|
|
|
|
8 |
|
Flute |
|
|
|
1st Touch & 2nd Touch Traps Switch |
4 |
|
Flute |
|
|
|
|
|
16 |
|
Piano |
|
|
|
3 Adjustable Comb. Toe Pistons |
|
|
|
|
|
|
|
|
Accompaniment Organ (Manual I) –- 61 notes
|
16 |
|
Contra Viol (TC) |
|
|
|
Chrysoglott |
|
16 |
|
Bourdon |
|
|
|
Snare Drum |
|
16 |
|
Vox Humana (TC) |
|
|
|
Tambourine |
|
8 |
|
Tuba Horn |
|
|
|
Castanets |
|
8 |
|
Diaphonic Diapason |
|
|
|
Chinese Block |
|
8 |
|
Tibia Clausa |
|
|
|
Tom Tom |
|
8 |
|
Clarinet |
|
|
|
Sand Block |
|
8 |
|
Saxophone |
|
|
|
Accomp. Octave |
|
8 |
|
String |
|
|
|
Solo to Accomp. |
|
8 |
|
Viol d'Orchestre |
|
|
|
|
8 |
|
Viol Celeste |
|
|
|
Accompaniment 2nd Touch |
8 |
|
Oboe Horn |
|
8 |
|
Tuba Horn |
|
8 |
|
Quintadena |
|
8 |
|
Tibia Clausa |
|
8 |
|
Flute |
|
|
|
Cathedral Chimes |
|
8 |
|
Vox Humana |
|
|
|
Sleigh Bells |
|
4 |
|
Viol |
|
|
|
Xylophone |
|
4 |
|
Octave Celeste |
|
|
|
Triangle |
|
4 |
|
Flute |
|
|
|
Solo to Accomp. |
|
4 |
|
Vox Humana |
|
|
|
Solo to Accomp. - Pizzicato |
2 2/3 |
|
Twelfth |
|
|
|
|
2 |
|
Piccolo |
|
|
|
10 Double Touch Adj. Comb. Pistons |
16 |
|
Piano |
|
|
|
|
8 |
|
Piano |
|
|
|
Suitable Bass & Release |
4 |
|
Piano |
|
|
|
Auto Horn - key cheek button |
|
|
Mandolin |
|
|
|
Bell - key cheek button |
|
|
Harp |
|
|
|
Sostenuto - rocker tablet, left key cheek |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes
|
16 |
|
Ophicleide |
|
16 |
|
Piano |
|
16 |
|
Diaphone |
|
8 |
|
Piano |
|
16 |
|
Tibia Clausa |
|
4 |
|
Piano |
|
16 |
|
Clarinet (TC) |
|
|
|
Marimba (re-it) |
|
16 |
|
Saxophone (TC) |
|
|
|
Harp |
|
16 |
|
Contra Viol (TC) |
|
|
|
Bells |
|
16 |
|
Bourdon |
|
|
|
Sleigh Bells |
|
8 |
|
Trumpet |
|
|
|
Xylophone |
|
8 |
|
Tuba Horn |
|
|
|
Glockenspiel |
|
8 |
|
Diaphonic Diapason |
|
|
|
Chrysoglott |
|
8 |
|
Tibia Clausa |
|
|
|
Cathedral Chimes |
|
8 |
|
Orchestral Oboe |
|
|
|
Sub Octave |
|
8 |
|
Kinura |
|
|
|
Octave |
|
8 |
|
Clarinet |
|
|
|
Solo to Great |
|
8 |
|
Saxophone |
|
|
|
|
|
8 |
|
String |
|
|
|
Great 2nd Touch |
|
8 |
|
Viol d'Orchestre |
|
16 |
|
Ophicleide |
|
8 |
|
Viol Celeste |
|
8 |
|
Tibia Clausa |
|
8 |
|
Flute |
|
|
|
Octave |
|
8 |
|
Vox Humana |
|
|
|
Solo to Great |
|
4 |
|
Clarion |
|
|
|
Solo to Great - Pizzicato |
|
4 |
|
Piccolo |
|
|
|
|
|
4 |
|
Viol |
|
|
|
10 Double Touch Adj. Comb. Pistons |
4 |
|
Octave Celeste |
|
|
|
|
4 |
|
Flute |
|
|
|
Suitable Bass & Release |
2 2/3 |
|
Twelfth |
|
|
|
Sostenuto - rocker tablet, left key cheek |
2 |
|
Fifteenth |
|
|
|
Surf - key cheek button |
2 |
|
Piccolo |
|
|
|
Bird #1 - key cheek button |
1 3/5 |
|
Tierce |
|
|
|
|
|
|
|
|
|
|
|
|
|
Solo Organ (Manual III) – 61 notes
|
16 |
|
Ophicleide |
|
8 |
|
Quintadena |
|
8 |
|
Trumpet |
|
4 |
|
Clarion |
|
8 |
|
Tuba Horn |
|
4 |
|
Piccolo |
|
8 |
|
Diaphonic Diapason |
|
|
|
Xylophone |
|
8 |
|
Tibia Clausa |
|
|
|
Glockenspiel |
|
8 |
|
Orchestral Oboe |
|
|
|
Orchestral Bells (re-it) |
|
8 |
|
Kinura |
|
|
|
Cathedral Chimes |
|
8 |
|
Clarinet |
|
|
|
|
|
8 |
|
Saxophone |
|
|
|
10 Double Touch Adj. Comb. Pistons |
8 |
|
String |
|
|
|
|
8 |
|
Oboe Horn |
|
|
|
Suitable Bass & Release |
|
|
|
|
|
|
|
|
Tremulants (6)
|
|
|
Main |
|
|
|
Vox Humana |
|
|
|
Solo |
|
|
|
Tuba |
|
|
|
Tibia Clausa |
|
|
|
Diapason |
|
|
|
|
|
|
|
|
|
General
|
|
|
Crescendo Pedal |
|
|
Balanced Expression Pedal – Main – with indicator key |
|
|
Balanced Expression Pedal – Solo– with indicator key |
|
|
General Expression Pedal (Piano Sustain Button) |
|
|
One Double Touch Sforzando Pedal - Piano Pedal
• 1st Touch: Full stops (wind)
• 2nd Touch: Everything |
|
|
One Double Touch Sforzando Pedal - Piano Pedal
• 1st Touch: Snare Drum
• 2nd Touch: Bass Drum and Cymbal |
|
|
|
|
|
|
|
|
Effects (operated by toe pistons)
|
|
|
Steamboat Whistle |
|
Fire Gong |
|
|
Bird #2 |
|
Horse Hoofs |
|
|
|
|
|
|
|
|
|
 |
|
Austin console at Central
Lutheran Church, Minneapolis, Minnesota |
Austin
Organ Company
Hartford, Conn. –Opus 709 (1917)
Electro-pneumatic action
4 manuals, 52 registers, 36 stops, 36 ranks
The original organ in the Rivoli Theatre was built in 1917 by the Austin Organ
Company for the "Triumph Theatre," the planned name for what ultimately
opened as the Rivoli. When the Wurlitzer organ was installed in 1924, the Austin
organ was moved to the John Lingrend residence in Minneapolis, Minn. In 1928,
the organ was moved by Harry Oliver Iverson, organ builder of Minneapolis, to
Central
Lutheran Church in Minneapolis. The following specification is from the Dedicatory
Recital program (March 4, 1928) of the organ in Central Lutheran Church, Minneapolis.
It is not known if the organ was altered since its installation in the Rivoli
Theatre. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61
notes, enclosed
|
16
|
|
Diapason (unenclosed) |
61
|
8
|
|
Dulciana |
61
|
8
|
|
Diapason |
61
|
8
|
|
Unda Maris |
61
|
8
|
|
Gross Flute |
61
|
4
|
|
Principal |
61
|
8
|
|
Melodia |
61
|
8
|
|
Trumpet |
61
|
|
|
|
|
|
|
|
|
Swell Organ (Manual
III) – 61 notes, enclosed
|
8
|
|
Diapason Phonon |
73
|
4
|
|
Flute Transverso |
73
|
8
|
|
Doppel Flute |
73
|
4
|
|
Violina |
73
|
8
|
|
Salicional |
73
|
16
|
|
Contra Fagotto |
73
|
8
|
|
Celeste (TC) |
61
|
8
|
|
Horn |
73
|
8
|
|
Vox Seraphique |
73
|
8
|
|
Vox Humana (sep. chest) |
73
|
8
|
|
Quintadena |
73
|
|
|
Tremolo |
|
|
|
|
|
|
|
|
|
Choir and Orchestral Organ (Manual
I) – 61 notes, enclosed with Great
|
8
|
|
Major Flute |
SO
|
4
|
|
Harmonic Flute |
GT
|
8
|
|
Gross Flute |
GT
|
4
|
|
Flute Overte |
SO
|
8
|
|
Concert Flute |
73
|
8
|
|
Oboe |
73
|
8
|
|
Flute Celeste (TC) |
61
|
8 |
|
Clarinet |
73
|
8
|
|
Gamba |
SO
|
8
|
|
English Horn |
SO
|
8
|
|
Gamba Celeste |
SO
|
|
|
Tremolo |
|
8
|
|
Dulciana |
GT
|
|
|
Chimes |
|
8
|
|
Unda Maris |
GT
|
|
|
Harpe "Celeste" |
|
|
|
|
|
|
|
|
|
Solo Organ (Manual
IV) – 61 notes, enclosed
|
8 |
|
Major Flute |
73 |
8 |
|
Tuba Magna |
73 |
8 |
|
Gamba |
73 |
8 |
|
English Horn |
73 |
8 |
|
Gamba Celeste |
73 |
|
|
Tremolo |
|
4 |
|
Flute-Overte |
73 |
|
|
Harpe "Celeste" |
CH |
|
|
|
|
|
|
|
|
String Organ (floating) – 61
notes, enclosed
|
8 |
|
VIol d'Orchestra |
73 |
8 |
|
Nitsua * |
73 |
8 |
|
Celeste (sharp, TC) |
61 |
8 |
|
Celeste * (TC) |
61 |
8 |
|
Celeste (flat, TC) |
61 |
|
|
* tapered Gamba
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes (Augmented)
|
32 |
|
Resultant |
— |
8 |
|
Dolce Flute (fr. Bourdon) |
— |
16 |
|
Open Diapason |
32 |
8 |
|
'Cello |
SO |
16 |
|
Bourdon |
44 |
16 |
|
Tuba (ext. SO Tuba) |
12 |
16 |
|
Violone (ext. SO Gamba?) |
12 |
16 |
|
Fagotto |
SW |
8 |
|
Gross Flute |
GT |
|
|
|
|
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8' |
|
|
Solo to Swell 8' |
|
|
Swell to Pedal 8' |
|
|
String to Swell 8' |
|
|
Choir to Pedal 8' |
|
|
Choir to Choir 16', 4', Unison Off |
|
|
Solo to Pedal 8' |
|
|
Swell to Choir 16', 8', 4' |
|
|
String to Pedal 8' |
|
|
Solo to Choir 8' |
|
|
Great to Great 16', 4', Unison Off |
|
|
String to Orchestral 8' |
|
|
Swell to Great 16', 8', 4' |
|
|
Solo to Solo 16', 4', Unison Off |
|
|
Choir to Great 16', 8', 4' |
|
|
Swell to Solo 8' |
|
|
Solo to Great 16', 8', 4' |
|
|
Great to Solo 8' |
|
|
Swell to Swell 16', 4', Unison Off |
|
|
String to Solo 8' |
|
|
|
|
|
|
|
|
Combination Pistons
(adjustable at console)
|
|
|
Solo stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Swell stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Great stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Choir stops & couplers |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Generals |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Generals |
Pistons 9-10-11-12-13-14 (toe) |
|
|
|
|
|
|
|
|
|
Pedal Movements
|
|
|
Swell expression pedal |
|
Great to Pedal Reversible |
|
|
Solo expression pedal |
|
Sforzando Pedal |
|
|
Great & Choir expression pedal |
|
|
|
|
Crescendo pedal |
|
|
|
|
|
|
|
|
|
|
Sources:
AJWB Collection. Specification of Wurlitzer
Organ, Op. 839 (1924).
Belton, John. "The Rivoli," "in 70mm," (Issue 59, Dec. 1999).
Cinema Treasures web site: http://cinematreasures.org/theaters/555
Dedicatory
Recital program with specification (Mar. 4, 1928) of
Austin organ, Op. 709. Courtesy Jeff Scofield.
Joe Coco Collection of New York Theatres, Theatre Historical Society of America: http://www.historictheatres.org/
Junchen, David L., comp. and ed. by Jeff Weiler. The WurliTzer Pipe Organ – An Illustrated History. Chicago: The American Theatre Organ Society, 2005.
Kaufmann, Preston J. Encyclopedia of the American Theatre Organ, Vol. 3. Pasadena: Showcase Publications, 1995.
Melnick, Ross, and Andreas Fuchs. Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul, MN: MBI Publishing Company, 2004.
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Illustrations:
Cinema Treasures web site. Interiors.
Central Lutheran Church, Minneapolis, Minnesota.
Console of Austin organ, Op.
709. Courtesy Mark Kieffer.
Joe Coco Collection of New York Theatres. Exterior.
Greenwood, William P. Console of Wurlitzer Organ, Op. 839 (1924). |
|
|
|
|
|
|
|
|
|