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St. George's Church
(Episcopal)
209 East 16th Street at Stuyvesant Square
New York, N.Y. 10003
http://www.calvarystgeorges.org/
St. George's Episcopal Church is part of the parish of Calvary-St. George's, which has been active in New York since before the Revolutionary War. The church, on Manhattan's lower east side, was the location of Geo. Jardine's most famous organ of the late 19th century. One of America's first unencased instruments, the four-manual organ in the rear gallery featured flared reeds around a clock. The Jardine organ was replaced by an Austin, which in turn yielded to the Möller, designed by Ernest White. |
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M.P. Möller, Inc.
Hagerstown, Md. – Opus 9127 (1958)
Electro-pneumatic action
4 manuals, 86 registers, 71 stops, 96 ranks
The present organ in St. George's Church was installed in 1958 by M.P. Möller of Hagerstown, Md., replacing the two 1928 Austin organs that were undoubtedly out of favor with the neo-Baroque tonal ideals of the "Organ Reform Movement" then in full swing. Möller installed the main divisions of the organ at both sides of the chancel, with smaller divisions (including the two Pedal 32' stops) in the rear gallery.
As reported in The New York Times (Sept. 20, 1958), the new organ cost $125,000, and was dedicated at 10:30 A.M. on Sunday, September 21, 1958, with a litany led by the Rev. Edward O. Miller, the rector, in place of the regular sermon. The Times continued:
"Constructed with the aid of written suggestions from Dr. Albert Schweitzer, many of the new instrument's pipes have been placed along the walls of the church and above and behind the choir stalls. A new trend in organ building, this approach is said to place the instrument in a more favorable acoustical location.
"The St. George's organ has eighty-eight stops, ninety-five ranks and 5,373 indivisual pipes. ...
"Charles N. Henderson, organist and choirmaster at the church, hailed the new instrument as a 'landmark among American church organs, continuing St. George's long tradition as a leader in the field of music.' "
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CHANCEL ORGAN |
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Great Organ (Manual II) – 61 notes
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16 |
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Quintaton |
61 |
2 2/3 |
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Sesquialtera II ranks |
122 |
8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Bourdon |
61 |
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Cornet II ranks |
122 |
4 |
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Octave |
61 |
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Scharf III ranks |
183 |
4 |
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Rohrflöte |
61 |
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Tremulant |
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2 2/3 |
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Quint |
61 |
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Great Unison Off |
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2 |
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Doublette |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Flute conique |
61 |
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Plein Jeu III ranks |
183 |
8 |
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Flute à chiminée |
61 |
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Cymbale II ranks |
122 |
8 |
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Viole de Gambe |
61 |
16 |
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Fagot |
61 |
8 |
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Viole Céleste |
61 |
8 |
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Trompette |
61 |
8 |
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Flauto Dolce |
61 |
8 |
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Musette |
61 |
8 |
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Flauto Dolce Celeste |
61 |
4 |
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Hautbois |
61 |
4 |
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Prestant |
61 |
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Tremulant |
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4 |
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Flute ouverte |
61 |
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Swell to Swell 16' |
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2 2/3 |
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Nazard |
61 |
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Swell Unison Off |
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2 |
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Octavin |
61 |
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Swell to Swell 4' |
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1 3/5 |
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Tierce |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Erzähler |
73 |
16 |
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Rohrschalmei |
61 |
8 |
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Gedeckt |
61 |
8 |
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Krummhorn |
61 |
8 |
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Viola |
61 |
4 |
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Oboe Schalmei |
61 |
8 |
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Erzähler (fr. 16') |
— |
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Tremulant |
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8 |
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Erzähler Celeste |
61 |
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4 |
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Principal |
61 |
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4 |
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Koppelflöte |
61 |
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Choir to Choir 16' |
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2 |
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Oktav |
61 |
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Choir Unison Off |
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Scharf III ranks |
183 |
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Choir to Choir 4' |
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Zimbel II ranks |
122 |
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Positiv Organ (Manual IV) – 61 notes
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8 |
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Quintflöte |
61 |
1 1/3 |
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Quint |
61 |
4 |
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Prinzipal |
61 |
1 |
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Prinzipal |
61 |
4 |
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Rohrflöte |
61 |
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Acuta III ranks |
183 |
2 2/3 |
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Nasat |
61 |
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Tremulant |
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2 |
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Blockflöte |
61 |
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Positiv to Positiv 16' |
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1 3/5 |
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Terz |
61 |
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Positiv Unison Off |
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Chancel Pedal Organ – 32 notes
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16 |
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Violone |
32 |
4 |
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Nachthorn |
44 |
16 |
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Bourdon |
32 |
2 |
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Octavin |
32 |
16 |
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Quintaton |
GT |
2 |
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Nachthorn (fr. 4') |
— |
16 |
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Flute conique |
SW |
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Mixture III ranks |
96 |
16 |
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Erzähler |
CH |
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Harmonics III ranks |
96 |
8 |
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Principal |
32 |
16 |
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Trumpet |
56 |
8 |
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Bourdon |
32 |
16 |
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Fagot |
SW |
8 |
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Flute conique |
SW |
8 |
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Trumpet (fr. 16') |
— |
8 |
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Erzähler |
CH |
4 |
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Trumpet (fr. 16') |
— |
4 |
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Octave |
32 |
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GALLERY ORGAN |
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Gallery I Organ – 61 notes
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8 |
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Principal |
61 |
2 |
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Octavin |
61 |
4 |
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Octave |
61 |
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Mixture IV ranks |
244 |
2 2/3 |
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Quint |
61 |
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Gallery II Organ – 61 notes
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Harmonics IV ranks |
244 |
8 |
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Trompette harmonique |
61 |
16 |
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Bombarde |
61 |
4 |
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Clairon harmonique |
61 |
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Gallery Pedal Organ – 32 notes
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32 |
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Bourdon |
56 |
4 |
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Octave (fr. 8' Principal) |
— |
16 |
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Bourdon (fr. 32') |
— |
32 |
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Bombarde |
56 |
8 |
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Principal |
44 |
16 |
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Bombarde (fr. 32') |
— |
8 |
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Bourdon (fr. 32') |
— |
8 |
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Bombarde (fr. 32') |
— |
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Couplers
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Great to Pedal 8' |
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Positiv to Swell 8' |
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Swell to Pedal 8', 4' |
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Gallerly I to Swell 8' |
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Choir to Pedal 8', 4' |
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Gallery II to Swell 8' |
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Positiv to Pedal 8' |
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Great to Choir 8' |
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Gallery I to Pedal 8' |
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Swell to Choir 16', 8', 4' |
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Gallery II to Pedal 8' |
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Positiv to Choir 16', 8' |
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Swell to Great 8' |
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Gallery I to Choir 8' |
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Choir to Great 8' |
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Gallery II to Choir 8' |
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Positiv to Great 16', 8' |
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Great to Positiv 8' |
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Gallery I to Great 8' |
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Swell to Positiv 8' |
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Gallery II to Great 8' |
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Choir to Positiv 8' |
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Great to Swell 8' |
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Adjustable Combinations
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Chancel Great |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Chancel Swell |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Chancel Choir |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Chancel Positiv |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Chancel Pedal |
Pistons 1-2-3-4-5-6-7-8 (thumb & toe) |
Gallery I |
Pistons 1-2-3 (thumb) |
Gallery II |
Pistons 1-2-3 (thumb) |
Gallery Pedal |
Pistons 1-2-3-4 (thumb & toe) |
Generals |
Pistons 1-2-3-4-5-6-7-8-9-10 (thumb & toe) |
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General Cancel (thumb) |
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Setter (thumb) |
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Reversibles
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Great to Pedal (thumb & toe) |
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Gallery II to Pedal (thumb & toe) |
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Swell to Pedal (thumb & toe) |
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Ped. 32' Bourdon (thumb & toe) |
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Choir to Pedal (thumb & toe) |
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Ped. 32' Bombarde (thumb & toe) |
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Positiv to Pedal (thumb & toe) |
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Full Organ (thumb & toe) |
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Gallery I to Pedal (thumb & toe) |
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On or Offs
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Chancel Pedal |
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Gallery Organ |
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Gallery Pedal |
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Gallery I |
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Chancel Organ |
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Gallery II |
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Expression
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Balanced Swell Pedal |
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Balanced Choir Pedal |
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Crescendo Pedal |
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Gallery Case, Austin Op. 1549 |
Austin Organ Company
Hartford, Conn.
Chancel Organ: Opus 1530 (1928)
Gallery Organ: Opus 1549 (1928)
Electro-pneumatic action
4 manuals, 147 registers, 120 stops, 135 ranks
Two contracts were awarded in 1927 to the Austin Organ Company for a divided organ which would replace the two George Jardine & Sons organs of 1869 and 1884. The Chancel Organ, opus 1530, cost $24,350 and was a memorial to Cornelia Garrison Chapin and Martha Anne Leavitt; and the Gallery Organ, opus 1549, cost $54,650 and was given by the Morgan family in memory of John Pierpont and Frances Tracy Morgan. Both organs were controlled by one four-manual console, located in the chancel. Austin's design for the Gallery case incorporated the famous radiating trumpets from the 1869 George Jardine & Son organ which it replaced. Fernando Germani, organist at St. Peter's Basilica in Rome, gave the inaugural recitals on December 19 and 26, 1928. |
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CHANCEL ORGAN |
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Great Organ (Manual II) – 61 notes, enclosed
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16 |
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Violone * |
61 |
8 |
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Violoncello |
61 |
8 |
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Open Diapason 1 |
61 |
8 |
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Octave |
61 |
8 |
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Open Diapason 2 |
61 |
8 |
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Waldflöte |
61 |
8 |
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Melodia |
61 |
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Mixture III ranks |
183 |
8 |
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Gemshorn |
61 |
8 |
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Tuba Harmonic |
61 |
8 |
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Grossflöte |
61 |
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* unenclosed |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
2 2/3 |
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Super Quint Viole * |
61 |
8 |
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Open Diapason |
73 |
2 |
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Super Octave Viole * |
61 |
8 |
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Clarabella |
73 |
1 3/5 |
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Tierce Viole * |
61 |
8 |
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Gedeckt |
73 |
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Mixture V ranks [draws * stops] |
— |
8 |
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Salicional |
73 |
16 |
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Contra Fagotto |
73 |
8 |
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Viole d'Orchestre |
73 |
8 |
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Cornopean |
73 |
8 |
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Viole Celeste |
73 |
8 |
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Oboe |
73 |
8 |
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Aeoline |
73 |
8 |
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Corno d'Amore |
73 |
8 |
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Unda Maris |
73 |
8 |
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Vox Humana |
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5 1/3 |
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Quint * |
61 |
4 |
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Clarion |
73 |
4 |
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Orchestral Flute |
73 |
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Tremolo |
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4 |
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Violina * |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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English Diapason |
73 |
8 |
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Quintadena |
73 |
8 |
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Concert Flute |
73 |
8 |
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Flute d'Amour |
73 |
8 |
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Flute Celeste |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Dulciana |
73 |
8 |
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Clarinet |
73 |
8 |
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Vox Angelica |
73 |
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Tremolo |
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Chancel Pedal Organ – 32 notes
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32 |
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Resultant Diapason [wood] |
— |
8 |
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Octave (fr. 16' Open Diap.) |
— |
32 |
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Resultant Violone [wood] |
— |
8 |
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Violoncello (fr. 16' Violone) |
— |
16 |
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Open Diapason |
44 |
8 |
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Dolce Flute (fr. 16' Bourdon) |
— |
16 |
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Violone |
44 |
16 |
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Tuba Profunda (ext. GT) |
12 |
16 |
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Bourdon |
44 |
16 |
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Contra Fagotto |
SW |
16 |
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Lieblich Gedeckt |
SW |
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GALLERY ORGAN |
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Great Organ (Manual II) – 61 notes
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16 |
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Double Open Diapason |
61 |
4 |
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Harmonic Flute |
61 |
16 |
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Bourdon |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Open Diapason 1 |
61 |
2 |
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Fifteenth |
61 |
8 |
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Open Diapason 2 |
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Mixture VI ranks * |
366 |
8 |
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Open Diapason 3 * |
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16 |
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Double Trumpet |
61 |
8 |
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Doppelflöte |
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8 |
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Tromba |
61 |
8 |
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Viola d'Gamba |
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4 |
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Clarion |
61 |
8 |
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Gemshorn |
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String Organ |
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4 |
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Octave |
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* enclosed |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Melodia |
73 |
4 |
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Violina |
73 |
8 |
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Open Diapason |
73 |
2 |
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Flageolet |
61 |
8 |
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Stopped Flute |
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Mixture V ranks |
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8 |
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Hohlflöte |
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Dolce Cornet III ranks |
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8 |
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Viole d'Orchestre |
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16 |
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Contra Posaune |
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8 |
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Viole Celeste (TC) |
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8 |
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Posaune |
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8 |
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Vox Seraphique |
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8 |
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French Trumpet |
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4 |
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Octave |
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4 |
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Clarion |
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4 |
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Orchestral Flute |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Contra Gamba |
73 |
1 3/5 |
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Tierce |
61 |
8 |
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Violin Diapason |
73 |
1 1/7 |
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Septieme |
61 |
8 |
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Concert Flute |
73 |
8 |
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Saxophone |
73 |
8 |
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Flute Celeste (TC) |
61 |
8 |
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Cor Anglais |
73 |
8 |
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Spitzflöte |
73 |
8 |
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Vox Humana |
61 |
8 |
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Viola |
73 |
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Tremolo |
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4 |
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Chimney Flute |
73 |
8 |
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Tuba |
SO |
2 |
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Piccolo |
61 |
8 |
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Harp (TC)
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— |
2 2/3 |
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Nazard |
61 |
4 |
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2 |
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Fifteenth |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Stentorphone |
73 |
8 |
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Tuba Mirabilis |
73 |
8 |
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Philomela |
73 |
8 |
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Tuba |
73 |
8 |
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Gross Gamba |
73 |
8 |
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French Horn |
73 |
8 |
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Gamba Celeste |
73 |
4 |
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Clarion |
61 |
4 |
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Doppelflöte |
73 |
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Tremolo |
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16 |
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Ophicleide |
73 |
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String Organ (floating) – 61 notes, enclosed
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8 |
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String No. 1 |
73 |
2 2/3 |
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Nazard [repl. by 8' Dulciana] |
61 |
8 |
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String No. 2 |
73 |
2 |
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Flautino |
61 |
8 |
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String No. 3 |
73 |
1 3/5 |
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Tierce [repl. by 8' Unda Maris] |
61 |
5 1/3 |
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Quint [repl. by String No. 4] |
73 |
8 |
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Vox Humana |
73 |
4 |
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Quintadena |
73 |
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Tremolo |
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4 |
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Salicet |
73 |
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Pedal Organ – 32 notes
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32 |
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Double Open Diapason |
68 |
8 |
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Octave (fr. 32') |
— |
32 |
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Resultant Diapason |
— |
8 |
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Violoncello (fr. 16' Violone) |
— |
32 |
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Resultant Violone |
— |
8 |
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Gedeckt (fr. 16' Bourdon) |
— |
32 |
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Contra Bourdon |
32 |
8 |
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Flute |
SW |
16 |
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Open Diapason 1 |
32 |
4 |
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Super Octave (fr. 32') |
— |
16 |
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Open Diapason 2 (fr. 32') |
— |
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Mixture III ranks |
96 |
16 |
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Open Diapason 3 |
GT |
32 |
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Contra Bombarde [unit] |
44 |
16 |
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Bourdon |
44 |
16 |
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Trombone [unit] |
56 |
16 |
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Violone |
44 |
16 |
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Posaune |
SW |
16 |
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Gamba |
CH |
16 |
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Bombarde |
— |
16 |
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Melodia |
SW |
8 |
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Tromba |
— |
10 2/3 |
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Quint |
— |
4 |
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Clarion |
— |
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Cole & Woodberry
Boston, Mass. – Opus 241 (1907)
Electro-pneumatic action
4 manuals, 72 stops, 77 ranks
Cole & Woodberry of Boston rebuilt the Jardine organs in 1904, 1907, and 1910. Following is the specification in 1907. |
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Great Organ (Manual II) – 58 notes
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Gallery |
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Chancel |
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16 |
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Double Open Diapason |
58 |
16 |
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Double Open Diapason |
58 |
8 |
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Grand Open Diapason |
58 |
8 |
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English Open Diapason |
58 |
8 |
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Open Diapason |
58 |
8 |
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Open Diapason |
58 |
8 |
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Stopped Diapason |
58 |
8 |
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Gamba |
58 |
8 |
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Gamba |
58 |
8 |
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Doppel Flute |
58 |
4 |
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Geigen Principal |
58 |
8 |
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Clarabella |
58 |
2 2/3 |
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Twelfth |
58 |
4 |
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Principal |
58 |
2 |
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Fifteenth |
58 |
4 |
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Harmonic Flute |
58 |
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Mixture, 4 ranks |
232 |
8 |
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Trumpet |
58 |
8 |
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Trumpet |
58 |
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4 |
|
Clarion |
58 |
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Swell Organ (Manual III) – 58 notes, enclosed
|
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Gallery |
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Chancel |
|
16 |
|
Bourdon |
58 |
16 |
|
Bourdon |
58 |
8 |
|
Open Diapason |
58 |
8 |
|
Open Diapason |
58 |
8 |
|
Stopped Diapason |
58 |
8 |
|
Stopped Diapason |
58 |
8 |
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Clariana |
58 |
8 |
|
Viole d'Gamba |
58 |
8 |
|
Dolce |
58 |
8 |
|
Voix Celeste |
58 |
4 |
|
Principal |
58 |
8 |
|
Viole d'Orchestre |
58 |
4 |
|
Echo Flute |
58 |
8 |
|
Dulciana |
58 |
2 |
|
Piccolo |
58 |
4 |
|
Principal |
58 |
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Cymbal, 3 ranks |
174 |
8 |
|
Oboe |
58 |
8 |
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Cornopean |
58 |
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Tremolo |
|
8 |
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Posaune |
58 |
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Choir Organ (Manual I) – 58 notes, enclosed (Gallery)
|
16 |
|
Bourdon |
58 |
4 |
|
Violina |
58 |
8 |
|
Gamba |
58 |
4 |
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Vienna Flute |
58 |
8 |
|
Lieblich Gedeckt |
58 |
2 |
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Piccolo |
58 |
8 |
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Dulciana |
58 |
8 |
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Bassoon |
58 |
8 |
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Voix Celeste |
58 |
8 |
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Cremona |
58 |
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Solo Organ (Manual IV) – 58 notes (Gallery)
|
8 |
|
Doppel Flute |
58 |
4 |
|
Harmonic Flute |
58 |
8 |
|
Vox Angelica |
58 |
8 |
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Tuba |
58 |
4 |
|
Gemshorn |
58 |
8 |
|
French Horn |
58 |
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Echo Organ – 58 notes
|
16 |
|
Pedal Bourdon |
30 |
8 |
|
Viol d'Orchestre |
58 |
8 |
|
Open Diapason |
58 |
8 |
|
Vox Humana |
58 |
8 |
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Stopped Diapason |
58 |
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Echo Tremolo |
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Pedal Organ – 30 notes
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Gallery |
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Chancel |
|
32 |
|
Open Diapason |
30 |
16 |
|
Open Diapason |
30 |
16 |
|
Open Diapason |
30 |
16 |
|
Bourdon |
30 |
16 |
|
Bourdon |
30 |
16 |
|
Lieblich Gedeckt |
30 |
16 |
|
Violone |
30 |
8 |
|
Violoncello |
30 |
8 |
|
Violoncello |
30 |
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4 |
|
Octave |
30 |
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16 |
|
Trombone |
30 |
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Couplers
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Gallery (tilting tablets) |
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Chancel |
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Ventil On Off |
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Swell on |
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Swell to Great |
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Great on |
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Choir to Great |
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Pedal on |
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Solo to Great |
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Swell to Choir |
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Swell to Pedal |
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Great to Pedal |
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Choir to Pedal |
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Solo to Pedal |
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Combinations
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Four combinations (pistons) affecting Great Organ |
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Four combinations (pistons) affecting Swell Organ |
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Three combinations (pistons) affecting Choir Organ |
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Three combinations (pistons) affecting Solo Organ |
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Pedal Movements
|
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Great Piano |
|
Great to Pedal Reversible |
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Great Forte |
|
Balanced Swell Pedal |
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Swell Forte |
|
Balanced Choir Pedal |
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Swell Piano |
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Mechanicals
|
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Crescendo Indicator |
|
Wind Indicator |
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1909 photo showing Jardine Chancel Organ |
Chancel Organ
George Jardine & Son
New York City (1884)
Electro-pneumatic action
2 manuals, 21 stops, 23 ranks
In 1883, the church decided to move the choir from the gallery to the chancel. Jardine was contracted to build a chancel organ and to electrically connect it to the gallery organ. At the same time, Jardine made alterations to the gallery organ. |
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Great Organ – 58 notes
|
16 |
|
Open Diapason |
58 |
4 |
|
Principal |
58 |
8 |
|
Open Diapason |
58 |
4 |
|
Flute Harmonique |
58 |
8 |
|
Doppel Flöte |
58 |
|
|
Mixture, 2 ranks |
116 |
8 |
|
Melodia |
58 |
8 |
|
Trumpet |
58 |
8 |
|
Bell Gamba |
58 |
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Swell Organ – 58 notes, enclosed
|
16 |
|
Bourdon |
58 |
4 |
|
Principal |
58 |
8 |
|
Open Diapason |
58 |
2 |
|
Flageolet |
58 |
8 |
|
Dulciana |
58 |
|
|
Cornet, 2 ranks |
116 |
8 |
|
Stopped Diapason |
58 |
8 |
|
Oboe |
58 |
8 |
|
Salicional |
58 |
|
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|
Pedal Organ – 30 notes
|
16 |
|
Open Diapason |
30 |
16 |
|
Violone |
30 |
16 |
|
Bourdon |
30 |
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Gallery Organ
George Jardine & Son
New York City (1869)
Mechanical action
Changed to electro-pneumatic action (1886)
4 manuals, 53 stops, 65 ranks
Following the fire of 1865, St. George's Church was rebuilt and opened in 1867. A contract for a new gallery organ was awarded to Geo. Jardine & Son, and the organ was completed in 1869. The organ cost about $12,000 with a $1,500 allowance for the old Hall organ. Leopold Eidlitz, architect of the church, also designed the unencased display of pipes, which were richly painted and stencilled.
The casework was built by the Herter Brothers under a separate contract. At the centerpiece was a clock face from which radiated flared reed resonators of the Tuba Mirabilas. Other Jardine organs or the era featured a similar pipe display, but St. George's organ is arguably the most famous example of this trend-setting decorative style. Jardine built an amphitheatre-style console in which the stops were "arranged in a semi-circular method, bringing them within easy reach of the organist."
The organ was winded by water power: when the organist turned a valve at the console, water would travel by gravity from a 10,000 gallon tank in one of the towers, through the feeders, and into a similar-sized tank in the tower's basement. An engineer would then engage a steam engine as required to pump the water back up to the tank in the tower. George W. Morgan exhibited the organ on December 30, 1869. |
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Great Organ (Manual II) – 58 notes
|
16 |
|
Double Open Diapason |
58 |
4 |
|
Geigen Principal |
58 |
8 |
|
Grand Open Diapason |
58 |
3 |
|
Twelfth |
58 |
8 |
|
Open Diapason |
58 |
2 |
|
Fifteenth |
58 |
8 |
|
Gamba |
58 |
|
|
Mixture, 3 ranks |
174 |
8 |
|
Stopped Diapason |
58 |
|
|
Sesquialtera, 4 ranks |
232 |
6 |
|
Gross Quint |
58 |
8 |
|
Trumpet |
58 |
4 |
|
Grand Principal |
58 |
4 |
|
Clarion |
58 |
|
|
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|
Swell Organ (Manual III) – 58 notes, enclosed
|
16 |
|
Bourdon |
58 |
|
|
Cornet, 3 ranks |
174 |
8 |
|
Open Diapason |
58 |
|
|
Cymbal, 4 ranks |
232 |
8 |
|
Dolce |
58 |
8 |
|
Cornopean |
58 |
8 |
|
Stopped Diapason |
58 |
8 |
|
Posaune |
58 |
8 |
|
Clariana |
58 |
8 |
|
Hautboy |
58 |
4 |
|
Echo Flute |
58 |
8 |
|
Vox Humana |
58 |
4 |
|
Principal |
58 |
|
|
Tremulant |
|
2 |
|
Piccolo |
58 |
|
|
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|
Choir Organ (Manual I) – 58 notes
|
16 |
|
Bourdon |
58 |
4 |
|
Vienna Flute |
58 |
8 |
|
Dulciana |
58 |
4 |
|
Violino |
58 |
8 |
|
Viol di Gamba |
58 |
2 |
|
Piccolo |
58 |
8 |
|
Vox Celestis |
58 |
8 |
|
Cremona |
58 |
8 |
|
Lieblich Gedeckt |
58 |
8 |
|
Campanella (bells) |
|
|
|
|
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|
Solo Organ (Manual IV) – 58 notes
|
8 |
|
Doppel Flute |
58 |
2 |
|
Gemshorn |
58 |
8 |
|
Vox Angelica |
58 |
8 |
|
Tuba |
58 |
4 |
|
Flute Harmonic |
58 |
8 |
|
French Horn |
58 |
4 |
|
Quintaton |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 30 notes
|
32 |
|
Double Open Diapason |
30 |
8 |
|
Violoncello |
30 |
16 |
|
Open Diapason |
30 |
4 |
|
Octave |
30 |
16 |
|
Violon |
30 |
|
|
Sesquialtera, 3 ranks |
90 |
16 |
|
Contra Bass |
30 |
16 |
|
Trombone |
30 |
12 |
|
Gross Quint |
30 |
|
|
|
|
|
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|
Mechanicals
|
|
|
Six couplers |
|
Sforzando Pedal |
|
|
Six combination knobs |
|
Bellows Signal |
|
|
Five composition pedals |
|
[Swell Pedal] |
|
|
|
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|
Organ in second St. George's Church at Stuyvesant Square:
Thomas Hall
New York City (1822) – moved to present church (1867)
Mechanical action
3 manuals, 28 stops, 37 ranks
This organ was originally built in 1822 for St. George's Church on Beekman Street, and remained there for use by it new occupants, the Church of the Holy Evangelists, when St. George's moved in 1848 to its building on Stuyvesant Square. The Church of the Holy Evangelists dissolved in 1860, and the Hall organ and church bell reverted to St. George's Church. Following the 1865 fire which destroyed St. George's and its 1856 Erben organ, St. George's rebuilt their church and moved the 1822 Hall organ to serve as a temporary organ until the new Jardine organ could be built. |
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|
Great Organ
|
16 |
|
Double Open Diapason |
|
2 |
|
Fifteenth |
|
8 |
|
Open Diapason |
|
|
|
Sesquialtera, 3 ranks |
|
8 |
|
Stop Diapason |
|
|
|
Cornet, 5 ranks [mounted] |
|
4 |
|
Principal |
|
8 |
|
Trumpet |
|
3 |
|
Twelfth |
|
4 |
|
Clarion |
|
|
|
|
|
|
|
|
|
Swell Organ
|
16 |
|
Double Stop Diapason |
|
4 |
|
Night Horn |
|
8 |
|
Open Diapason |
|
|
|
Cornet, 4 ranks |
|
8 |
|
Stop Diapason |
|
8 |
|
Trumpet |
|
8 |
|
Viol di Gamba |
|
8 |
|
Hautboy |
|
4 |
|
Principal |
|
|
|
Trimland |
|
|
|
|
|
|
|
|
|
Choir Organ
|
8 |
|
Dulceano |
|
4 |
|
Flute |
|
8 |
|
Stop Diapason |
|
2 |
|
Fifteenth |
|
4 |
|
Principal |
|
8 |
|
Bassoon |
|
|
|
|
|
|
|
|
|
Pedals
|
|
|
|
Coupler
|
16 |
|
Double Open Diapason |
|
|
|
Coupling Stopp |
|
16 |
|
Stop Diapason |
|
|
|
|
|
8 |
|
Principal |
|
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|
|
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|
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|
|
Organ in first St. George's Church at Stuyvesant Square:
Henry Erben
New York City (1852)
Mechanical action
3 manuals, 48 stops
An organ was built by Henry Erben in 1852 for the original St. George's Church at Stuyvesant Square. The 1861 American Musical Directory stated that the organ had "3 banks keys, 45 stops, 2½ octaves pedals." The Daily Union of Washington, DC (Oct. 23, 1853) reported:
LARGEST CHURCH ORGAN IN THE UNITED STATES– The large first-class organ built by Henry Erben, of this city, for Rev. Dr. Tyng's church, Sixteenth street, was performed upon last evening in the presence of a large number of ladies and gentlemen, members of the congregation. The organ was built at a cost of $10,000. The case is 54 feet high, 36 feet front, and 19 feet deep, and is in the Byzantine style of architecture. It has three rows of key, 48 stops, and nearly 3000 pipes. It has a large pedal organ, the largest pipe of which is 37 feet long, and 26 in diameter; and its dimensions are not equaled by any metal pipe if the organs in London.
Specifications for this organ have not yet been located.
This organ and the church were destroyed by fire in 1865. |
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Organ in first St. George's Church on Beekman Street:
Thomas Hall
New York City (1822)
Mechanical action
3 manuals, 28 stops, 37 ranks
Thomas Hall built this organ for St. George's Church on Beekman Street. The organ cost $3,000 and had a mahogany case 14 feet wide, 8 feet deep, and 24 feet high with gilded front pipes. This was a "G" organ with a Swell organ to "fiddle G". The Hall organ remained in its original location for use by it new occupants, the Church of the Holy Evangelists, when St. George's moved in 1848 to its building on Stuyvesant Square. The Church of the Holy Evangelists dissolved in 1860, and the Hall organ and church bell reverted to St. George's Church. This organ was later moved, in 1867, to the rebuilt St. George's Church at Stuyvesant Square. See entry above. |
|
|
|
|
|
|
|
|
Great Organ
|
16 |
|
Double Open Diapason |
|
2 |
|
Fifteenth |
|
8 |
|
Open Diapason |
|
|
|
Sesquialtera, 3 ranks |
|
8 |
|
Stop Diapason |
|
|
|
Cornet, 5 ranks [mounted] |
|
4 |
|
Principal |
|
8 |
|
Trumpet |
|
3 |
|
Twelfth |
|
4 |
|
Clarion |
|
|
|
|
|
|
|
|
|
Swell Organ
|
16 |
|
Double Stop Diapason |
|
4 |
|
Night Horn |
|
8 |
|
Open Diapason |
|
|
|
Cornet, 4 ranks |
|
8 |
|
Stop Diapason |
|
8 |
|
Trumpet |
|
8 |
|
Viol di Gamba |
|
8 |
|
Hautboy |
|
4 |
|
Principal |
|
|
|
Trimland |
|
|
|
|
|
|
|
|
|
Choir Organ
|
8 |
|
Dulceano |
|
4 |
|
Flute |
|
8 |
|
Stop Diapason |
|
2 |
|
Fifteenth |
|
4 |
|
Principal |
|
8 |
|
Bassoon |
|
|
|
|
|
|
|
|
|
Pedals
|
|
|
|
Coupler
|
16 |
|
Double Open Diapason |
|
|
|
Coupling Stopp |
|
16 |
|
Stop Diapason |
|
|
|
|
|
8 |
|
Principal |
|
|
|
|
|
|
|
|
|
|
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|
|
Earlier organ at Beekman Street location:
John Geib
New York City (ca. 1800)
Mechanical action
No stoplist of this organ is known to exist. The church and organ were destroyed by fire on January 5, 1814. |
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Sources:
"A Large Organ," The New York
Times (Dec. 30, 1869). Specification of George Jardine & Son Organ
(1869).
American Musical Directory. New York: Thomas Hutchinson, 1861.
American Organ Archives, Organ Historical
Society, Princeton, N.J. Specification of J. Woodberry & Co. organ,
Op. 241 (1907). Courtesy Jonathan Bowen.
The American Organist (Feb. 1959). Specification
of M.P. Möller Organ, Op. 9127 (1958).
Blanchard, Homer D. "The Organ in the United States: A Study in Design." Specifications of Geo. Jardine & Son Organ (1869). The Bicentennial Tracker. Richmond: Organ Historical Society, Inc., 1976.
Blanton, Joseph E. The Organ in Church Design. Albany: Venture Press, 1957. Cameron, Peter T. "A Chronology of the Organ Builders Working in New York City", The Bicentennial Tracker. Richmond: Organ Historical Society, Inc., 1976.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
The Daily Union of Washington, DC (Oct. 23, 1853) reported:
"Largest Church Organ in the United States," The Daily Union (Washington, D.C.) (Oct. 23. 1853). Ochse, Orpha. "A Glimpse of the 1860s," The American Organist (Nov. 1969).
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977.
Robinson, Albert F. "Historic American Organ Builders, Part VII," Music / The A.G.O.-R.C.C.O Magazine, July 1976.
"St. George's Rite to Accept Organ," The New York Times (Sept. 20, 1958). Courtesy Sebastian Glück.
Scofield, Jeff. Specification of Austin organs,
Op. 1530 (1928) and Op. 1549 (1928).
Scofield, Jeff. Specification
of M.P. Möller Organ, Op. 9127 (1958).
Trupiano, Larry. Console details (couplers, pedal movements, etc.) of Cole & Woodberry organ (1907).
Illustrations:
Music / The A.G.O.-R.C.C.O Magazine (July 1976). George Jardine & Son Organ (1869) in the gallery.
Blanton, Joseph E. The Organ in Church Design. Austin Organ, Op. 1530 (1928)
and Op. 1549 (1928); George Jardine & Son Organs (1869 and 1884).
Lawson, Steven E. Exterior.
Library of Congress Prints and Photographs Online. 1909 interior (A. Moore, photographer)
M.P. Möller, Inc. Brochure. B&W photos of interior. Courtesy Jeff Scofield.
Stein, Ken. Console of M.P. Möller Organ, Op. 9127 (1957); church interior. |
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