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Click on images to enlarge |
Church of St. Jean Baptiste
(Roman Catholic)
184 East 76th Street at Lexington Avenue
New York, N.Y. 10021
http://stjeanbaptisteny.org/
In the early part of 1800, a large number of French-speaking people resided in New York City. A Mr. Gabriel Franchère, who came from Montreal, Canada, as one of the secretaries of the Pacific Fur Company founded by John Jacob Astor, reports: "In 1810 there were in New York City 32 churches, two of which were Catholic. The population was up to ninety thousand, of whom ten thousand were French-speaking." In 1841, St. Peter's Church, on Barclay Street, established a mission to the French Catholic population by building St. Vincent de Paul Church on Canal Street. As the French population moved northward, a new St. Vincent de Paul was built on West 23rd Street in 1867. St. Vincent de Paul Church was quite a distance from the Yorkville section of the city where a fairly large group of French Canadians had settled. They had the choice of using the slow-moving horse-drawn trolley along Third Avenue or the more expensive trains of the Harlem Railroad with its open tracks along the northern part of Fourth Avenue, now called Park Avenue.
The Societé Saint Jean Baptiste, founded in 1850, established L'Eglise de St. Jean Baptiste in 1882, at first meeting in a stable at 202 East 77th Street while a church was built in 1882-85 at 159 East 76th Street. In 1892, St. Jean Baptiste became a shrine to St. Anne with the presentation of a relic from Sainte-Anne-de-Beaupré in Quebec, and the resulting crowds regularly overflowed the church.
The construction of the present church building was due, in large part, to the contributions of Thomas Fortune Ryan and his wife. Ryan, a devout and wealthy man of unassuming ways, preferred St. Jean's to the large and showy parishes near his Fifth Avenue home, and the Blessed Sacrament Fathers served as his wife's private chaplains at the Ryan's country home in Suffern, New York. One day he arrived late for mass and found that there was standing room only. At the conclusion of the service, he approached the officiating priest and asked how much it would cost to build a new church. The priest answered, apparently off the top of his head, "$300,000." Ryan replied, "Get some plans and I will pay for it."
The new church, completed in 1913, was designed by Nicholas Serracino in the Italian Baroque style, with a massive, freestanding Corinthian portico, twin bell towers, and a magnificent dome which rises 175 feet over the crossing of the nave and transepts. The stained glass windows of the church are some of the finest in the city, having been crafted in Chartres, France, before the outbreak of World War I. Its total cost was ultimately close to $600,000.
By the 1960s, the demographics had changed and French masses were no
longer offered. The vast Lower Church, as large as the main church
above, was reconfigured to be the parish Community Center with meeting
rooms and a theater. In the 1990s, after selling its air rights to
the adjacent Siena apartment tower, the church began a program to restore
the building's crumbling exterior. The interior, which was originally
somber, was renovated and redecorated in vivid colors by Felix Chavez,
Inc. of New York City.
In 1969, the Church of St. Jean Baptiste was designated by the New York City Landmarks Preservation Commission. |
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Console located in south transept |
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Console when located in lower gallery |
Wicks Organ Company
Highland, Ill. – Opus 6388 (2000)
Direct-Electric key action
Solid State combination action
4 manuals, 122 registers, 67 stops, 81 pipe ranks
As part of the renovation of St. Jean Baptiste Church, the Wicks Organ Company of Highland, Ill., was commissioned in 1999 to replace the 1913 Murray M. Harris organ which had become unplayable by the 1990s. The resulting instrument is a "hybrid" or "combo" organ that combines 81 ranks of pipes with 42 digital stops. Wicks reworked many stops and the facade from the Murray Harris organ. The organ's 11 divisions are playable from a movable four-manual console that was originally located in the lower gallery.
In 2010 the console was moved to a newly created choir area in the south transept. |
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UPPER GALLERY |
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Great Organ (Manual II) – 61 notes
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16 |
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Double Open Diapason * |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Principal |
61 |
2 |
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Fifteenth |
61 |
8 |
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Open Diapason * |
61 |
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Mixture IV ranks |
244 |
8 |
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Gedeckt * |
61 |
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Cymbal IV ranks |
digital |
8 |
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Gamba * |
61 |
8 |
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Trumpet |
61 |
4 |
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Octave |
61 |
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Great Unison Off |
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4 |
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Flute |
61 |
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Solo Melody to Great |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt * |
73 |
16 |
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Contra Oboe * |
73 |
8 |
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Violin Diapason * |
61 |
8 |
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Trumpet * |
61 |
8 |
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Clarabella * |
61 |
8 |
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Oboe (fr. 16') * |
— |
8 |
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Stopped Diapason (fr. 16') * |
— |
8 |
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Vox Humana * |
61 |
8 |
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Salicional * |
61 |
4 |
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Clarion * |
61 |
8 |
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Voix Celeste (TC) * |
49 |
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Tremulant |
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4 |
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Octave * |
61 |
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Vox Humana Tremulant |
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4 |
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Wald Flute * |
61 |
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Swell 16' |
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2 2/3 |
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Nazard |
61 |
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Swell Unison Off |
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2 |
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Piccolo |
61 |
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Swell 4' |
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1 3/5 |
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Tierce |
61 |
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Mixture IV ranks * |
244 |
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Cymbelstern |
digital |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Principal * |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Rohr Flute |
85 |
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Mixture III ranks * |
183 |
8 |
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Viole de Gamba |
61 |
8 |
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Clarinet * |
61 |
8 |
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Gamba Celeste (TC) |
49 |
8 |
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Cromhorne |
digital |
8 |
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Flauto Dolce |
61 |
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Tremulant |
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8 |
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Flute Celeste (TC) |
49 |
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Choir 16' |
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4 |
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Choral Principal * |
61 |
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Choir Unison Off |
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4 |
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Harmonic Flute |
61 |
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Choir 4' |
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2 |
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Flautino (fr. Rohr Flute) |
— |
8 |
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Fanfare Trumpet |
SO |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Grand Diapason * |
61 |
16 |
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English Horn |
digital |
8 |
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Doppelflöte |
61 |
8 |
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Tuba Mirabilis * |
61 |
8 |
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Gross Gamba * |
61 |
8 |
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Fanfare Trumpet |
digital |
8 |
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Gamba Celeste * |
61 |
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Tremulant |
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8 |
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Dulciana/Unda Maris II ranks * |
122 |
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Solo 16' |
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4 |
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Octave * |
61 |
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Solo Unison Off |
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4 |
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Flute * |
61 |
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Solo 4' |
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Cornet V ranks |
digital |
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Great to Solo 8' |
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Pedal Organ – 32 notes
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32 |
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Principal |
digital |
5 1/3 |
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Quint |
32 |
32 |
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Bourdon * |
32 |
4 |
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Super Octave * |
32 |
32 |
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Violone |
digital |
4 |
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Flauto Major |
SO |
16 |
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Open Wood * |
32 |
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Grand Cornet IV ranks |
digital |
16 |
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Open Metal |
digital |
32 |
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Posaune |
digital |
16 |
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Open Diapason |
GT |
16 |
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Ophicleide * |
32 |
16 |
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Violone * |
32 |
16 |
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Bombarde |
digital |
16 |
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Dulciana * |
32 |
16 |
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Contre Trompette |
digital |
16 |
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Bourdon * |
32 |
16 |
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Contra Oboe |
SW |
16 |
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Lieblich Gedeckt |
SW |
8 |
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Tromba * |
32 |
8 |
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Octave * |
32 |
8 |
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Trompette |
SW |
8 |
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Gedeckt |
SW |
4 |
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Clairon * |
32 |
8 |
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Violoncello |
GT |
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LOWER GALLERY |
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Grande Orgue (Manual II) – 61 notes, unenclosed
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16 |
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Bourdon |
digital |
2 |
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Doublette |
61 |
8 |
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Montre |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Bourdon |
61 |
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Plein Jeu IV ranks |
244 |
8 |
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Flûte Harmonique |
digital |
16 |
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Basson |
digital |
8 |
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Salicional |
digital |
8 |
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Trompette |
61 |
4 |
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Prestant |
61 |
4 |
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Clairon |
digital |
4 |
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Flûte Ouverte |
digital |
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Chimes |
digital |
2 2/3 |
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Quint |
digital |
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Grande Orgue Unison Off |
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Récit (Manual III) – 61 notes, enclosed
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8 |
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Principal Conique |
61 |
8 |
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Cor Anglais |
digital |
8 |
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Flûte Traversière |
61 |
8 |
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Hautbois |
61 |
8 |
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Viole de Gambe * |
61 |
8 |
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Trompette Harmonique |
digital |
8 |
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Voix Céleste |
digital |
4 |
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Clairon |
digital |
4 |
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Flûte Octaviante |
61 |
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Tremblant |
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1 1/3 |
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Larigot |
61 |
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Récit Unison Off |
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Plein Jeu V ranks |
digital |
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Pédale – 32 notes
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16 |
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Contrebasse |
digital |
4 |
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Flûte |
digital |
16 |
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Soubasse |
digital |
16 |
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Petite Bombarde |
digital |
8 |
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Octave |
digital |
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Chimes |
G.O. |
8 |
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Flûte |
G.O. |
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TRIFORIUM (North transept) |
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Grande Orgue (Manual II) – 61 notes
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8 |
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Montre |
digital |
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Triforium to Great 16' |
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8 |
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Bourdon |
digital |
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Triforium to Great 8' |
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4 |
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Prestant |
digital |
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Triforium to Great 4' |
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Plein Jeu III ranks |
digital |
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Récit (Manual III) – 61 notes, expressive
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8 |
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Flûte Harmonique |
digital |
8 |
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Hautbois |
digital |
8 |
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Viole de Gambe |
digital |
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Tremblant |
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8 |
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Voix Céleste |
digital |
8 |
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Trompette de Fanfare |
digital |
4 |
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Flûte Octaviante |
digital |
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Récit Unison Off |
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Pédale – 32 notes
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16 |
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Bourdon |
digital |
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16 |
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Basson |
digital |
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* ranks from 1913 Murray Harris organ |
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digital stops by Walker Technical Company |
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MIDI
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16 knobs (in two columns) controlling dedicated MIDI stops |
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Couplers and Controls (tablets on nameboard)
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Great to Pédale 8' |
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Solo to Choir 16', 8', 4' |
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Swell to Pédale 8', 4' |
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Récit to Choir 16', 8' |
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Choir to Pédale 8' |
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Great to Choir 8' |
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Solo to Pédale 8', 4' |
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Choir to Swell 8' |
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Grande Orgue to Pédale 8' |
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Solo to Swell 8' |
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Récit to Pédale 8' |
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Récit to Solo 8' |
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Swell to Great 16', 8', 4' |
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Choir to Great 16', 8', 4' |
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Ventil Gallery Mute |
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Solo to Great 16', 8', 4' |
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Ventil Triforium Mute |
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Récit to Great 16', 8' |
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Manual Transfer I - II |
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Swell to Choir 16', 8', 4' |
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Récit Gallery Shades Off |
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Adjustable Combinations
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Great Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Solo Organ |
Pistons 1-2-3-4-5-6-7-8-0 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5-6-7-8 (toe) |
Grande Orgue |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Récit |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Triforium Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
Entire Organ |
Pistons 1-2-3-4-5-6-7-8-9-10-11-12 (thumb & toe) |
Entire Organ |
Pistons 13-14-15-16-17-18-19-20-21-22-23-24 (thumb only) |
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General Cancel |
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Set Piston |
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Reversibles and Sequencer Controls
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Great to Pedal (thumb & toe) |
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Swell to Choir (thumb) |
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Swell to Pedal (thumb & toe) |
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Tutti I (thumb & toe) |
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Choir to Pedal (thumb & toe) |
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Tutti II (thumb & toe) |
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Solo to Pedal (thumb & toe) |
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Principal 32' (toe) |
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Grande Orgue to Pedal (thumb & toe) |
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Posaune 32' (toe) |
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Récit to Pedal (thumb) |
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Bourdon 32' (toe) |
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Swell to Great (thumb) |
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Violone 32' (toe) |
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Choir to Great (thumb) |
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Cymbelstern (thumb) |
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Solo to Great (thumb) |
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Previous (toe) |
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Solo Melody to Great (thumb) |
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Next (toe) |
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Balanced Expression Pedals
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Three assignable swell pedals to control Swell, Solo, Choir and Récit divisions |
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Crescendo Pedal |
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Murray Harris facade and Kilgen console |
Murray M. Harris Company
Los Angeles, Calif. – Opus 104 (1913)
Electro-pneumatic action
4 manuals, 60 registers, 50 stops, 53 ranks
The original organ in the present church was built
in 1913 by Murray M. Harris of Los Angeles, and was
a gift from Mr. Thomas F. Ryan. This organ was perhaps the last instrument
designed by Murray
Harris, as the contract was completed by the Johnston
Piano and Organ Company. The specification and scaling of the instrument
were carried
out by Arthur Scott Brook in collaboration with Murray
Harris. Mr. Brook had most recently finished designing an instrument for
the Hon. William
A. Clarks' Fifth Avenue mansion. The Italian Renaissance
facade, which stands today, follows the case design of the organ in the
16th century
Church of Santa Maria della Scala in Siena, Italy.
The organ was blessed on Sunday, January 4, 1914, and first used that
evening in a recital given
by Gaston M. Dethier (1875-1958), Professor of Organ
at The Juilliard School.
In the 1940s, the Kilgen Organ Company of St. Louis, Mo., installed a new four-manual console. The instrument continued to serve the parish until it became unplayable in the early 1990s.
The following stoplist was transcribed from the original relay. Pipecounts were not noted, but are suggested, based on other Murray M. Harris organs of the era. |
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Great Organ (Manual II) – 61 notes
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16 |
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Double Open Diapason |
73 |
4 |
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Principal |
61 |
8 |
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First Open Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Open Diapason (fr. 16') |
— |
4 |
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Harmonic Flute |
61 |
8 |
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Dopple Flute |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Gamba |
61 |
2 |
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Fifteenth |
61 |
8 |
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Viola d'Amour |
61 |
8 |
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Trumpet |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt |
85 |
4 |
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Octave |
73 |
8 |
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Open Diapason |
73 |
4 |
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Wald Flute |
73 |
8 |
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Violin Diapason |
73 |
2 |
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Harmonic Piccolo |
61 |
8 |
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Salicional |
73 |
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Mixture IV ranks |
244 |
8 |
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Viol Celeste (TC) |
61 |
16 |
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Contra Oboe |
73 |
8 |
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Viol d'Orchestre |
73 |
8 |
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Horn |
73 |
8 |
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Lieblich Gedeckt (fr. 16') |
— |
8 |
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Orchestral Oboe |
73 |
8 |
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Clarabella |
73 |
4 |
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Clarion |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Double Dulciana |
73 |
8 |
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Dulciana (fr. 16') |
— |
8 |
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Geigen Principal |
61 |
8 |
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Viola |
61 |
8 |
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Flauto Traverso |
61 |
4 |
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Flute d'Amour |
61 |
8 |
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Quintadena |
61 |
8 |
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Clarinet |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Grand Diapason |
73 |
8 |
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Philomela |
73 |
8 |
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Saxophone [labial?] |
73 |
8 |
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Flauto Major |
73 |
8 |
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Gross Gamba |
73 |
8 |
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Tuba Mirabilis |
73 |
8 |
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Vox Seraphic |
73 |
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Echo Organ – 61 notes, enclosed
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8 |
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Keraulophon |
61 |
8 |
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Vox Seraphic |
61 |
8 |
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Rohr Flute |
61 |
8 |
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Unda Maris (TC) |
49 |
8 |
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Vox Mystica (TC) |
49 |
4 |
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Nachthorn |
61 |
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Pedal Organ – 32 notes
[possibly "Augmented" as suggested]
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32 |
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Contra Bourdon |
56 |
16 |
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Dulcet Bass |
SW |
16 |
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Open Diapason |
44 |
8 |
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Octave (fr. 16' Op. Diap.) |
— |
16 |
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Contra Basso |
GT |
8 |
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Gedeckt (fr. 32') |
— |
16 |
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Violone |
44 |
8 |
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Violoncello (fr. 16') |
— |
16 |
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Bourdon (fr. 32') |
— |
4 |
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Carillon [Bells?] |
|
16 |
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Dulciana |
CH |
16 |
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Trombone |
32 |
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Organ in the Choir Room:
M. P. Möller, Inc.
Hagerstown, Md.
Electro-pneumatic action
2 manuals
The Choir Room contains a second-hand Möller "Artiste" organ of undetermind size. Specifications of this organ have not yet been located. |
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Organ in the Lower Church:
M. P. Möller, Inc.
Hagerstown, Md. – Opus 7581 (1947)
Electro-pneumatic action
2 manuals, 20 registers, 9 stops, 9 ranks
The M.P. Möller Factory Specification (Mar. 1, 1947) shows that their Op. 7581 was entirely enclosed in a single expression chamber and had a detached two-manual stop-key console. Möller reused six stops from the previous Möller organ, Op. 1404 of 1912. The entire organ was voiced on 4" wind pressure. |
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Great Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason * |
85 |
4 |
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Flute |
— |
8 |
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Clarabella * |
85 |
4 |
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Dulcet |
— |
8 |
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Dulciana |
85 |
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Tremolo |
|
4 |
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Octave |
— |
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Swell Organ (Manual II) – 61 notes, enclosed
|
16 |
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Bourdon |
97 |
4 |
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Flute d'Amour |
— |
8 |
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Geigen Principal * |
73 |
2 2/3 |
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Nasard |
— |
8 |
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Viole d'Gamba * |
73 |
2 |
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Flautino |
— |
8 |
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Voix Celeste (TC) * |
61 |
8 |
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Trumpet |
73 |
8 |
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Gedeckt |
— |
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Tremolo |
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Pedal Organ – 32 notes, enclosed
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16 |
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Bourdon * |
44 |
8 |
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Gedeckt |
SW |
16 |
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Lieblich Gedeckt |
SW |
4 |
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Flute |
SW |
8 |
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Flute (fr. 16' Bourdon) |
— |
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* using pipes from Moller, Op. 1404 (1912) |
Couplers
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Great to Pedal |
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Great 16', Unison, 4' |
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Swell to Pedal |
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Swell 16', Unison, 4' |
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Swell to Great 16', 8', 4' |
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Adjustable Combinations
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Great & Pedal |
Pistons 1-2-3 (thumb) |
Swell & Pedal |
Pistons 1-2-3 (thumb) |
Full Organ |
Pistons 1-2-3 (thumb) |
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Pedal Movements
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Balanced Expression Pedal |
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Sforzando Reversible |
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Balanced Crescendo Pedal |
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Great to Pedal Reversible |
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Accessories
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Expression Indicator (light) |
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Sforzando Indicator (light) |
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Crescendo Indicator (light) |
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Action Current Indicator (light) |
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Organ in the Lower Church:
M. P. Möller, Inc.
Hagerstown, Md. – Opus 1404 (1912)
Electro-pneumatic action
2 manuals, 15 stops, 15 ranks
The Agreement (April 3, 1912) between M.P. Möller and St. Jean Baptiste Church states that Möller would install a two -manual organ having 15 stops for a consideration of $3,000. Möller indicated that the organ would be complete and ready for use on or before Dec. 25, 1912 or as soon thereafter as possible. At the bottom of the page is a notation: "12/24/12 Organ shipped". |
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Great Organ (Manual I) – 61 notes
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8 |
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Open Diapason |
61 |
8 |
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Dulciana |
61 |
8 |
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Doppel Floete (wood) |
61 |
8 |
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Gemshorn |
61 |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon (wood) |
73 |
8 |
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Clarabella (wood) |
73 |
8 |
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Horn Diapason |
73 |
4 |
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Flute Harmonique |
73 |
8 |
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Gamba |
73 |
4 |
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Octave |
73 |
8 |
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Aeoline |
73 |
8 |
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Trumpet |
73 |
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Pedal Organ – 30 notes
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16 |
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Open Diapason (wood) |
30 |
8 |
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Bass Flute (wood) |
30 |
16 |
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Bourdon (wood) |
30 |
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Couplers
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Great to Pedal |
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Swell Octave to Great |
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Swell to Pedal |
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Swell Octaves |
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Swell to Great |
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Adjustable Combinations
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Swell & Pedal |
Pistons No. 1-2-3 |
Great & Pedal |
Pistons No. 1-2 |
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Mechanicals
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Swell Tremolo |
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Wind Indicator |
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Crescendo Indicator |
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Pedal Movements
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Great to Pedal Reversible |
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Balanced Swell Pedal |
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Grand Crescendo Pedal |
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Sources:
Brown, Kyler. Document with specifications of the organs at the Church of St. Jean Baptiste.
Church of St. Jean Baptiste web site: http://stjeanbaptisteny.org/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks. Hoboken: John Wiley & Sons, Inc., 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Kloda, Barry. Specification of Wicks Organ,
Op. 6388 (2000).
Smith, David Lennox (ed. by Orpha Ochse). Murray M. Harris and Organ Building in Los Angeles, 1894-1913. Richmond: The Organ Historical Society, 2005.
Trupiano, Larry. Agreement & Specification
(Apr. 3, 1912) of M.P. Möller organ, Op. 1404.
Trupiano, Larry. Factory Specifications of M.P. Möller Organ, Op. 7581 (1947).
Illustrations:
Lawson, Steven E. Wicks organ console in south transept.
St. Jean Baptiste web site. Exterior and interior.
Wicks Organ Company. Interior view of rear gallery, Wicks organ console. |
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