St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)
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St. Mark's United Methodist Church

55 Edgecombe Avenue at West 137th Street
New York, N.Y. 10030
http://stmarksharlemumc.org


Organ Specifications:
55 Edgecombe Avenue (since 1926)
IV/57 Casavant Frères, Op. 1159 (1925); alt. (1974-75)
231 West 53rd Street (1895-1926)
II/22 George Jardine & Son (c.1870)
139 West 48th Street (1889-1895)
• unknown
65 West 35th Street (1873-1889)
• unknown


Born out of a dispute between a Pastor and a Bishop, St. Mark's Methodist Episcopal Church was founded after splitting from Mother A.M.E. Zion Church, and was organized in June 1871 by the Reverend William F. Butler. The society's first location was Washington Hall on Broadway, between 37th and 38th Streets. In 1873, the congregation moved to 65 West 35th Street, purchasing the former Church of the Resurrection for $50,000. They would remain at this location for sixteen years.

In 1889, the congregation moved to the former All Souls Church at 139 West 48th Street. New growth in the membership caused the congregation to move in 1895 to the former St. John's Methodist Church at 231 West 53rd Street. During this time St. Mark's organized new churches in other parts of the city, including Salem Methodist Episcopal Church and Brooks Memorial M.E. Church. By the 1910s, the African-American community had begun to move from midtown to Harlem, and St. Mark's made plans to follow its members. During the pastorate of Dr. Brooks from 1897-1923, real estate properties were acquired and subsequently sold with the proceeds going toward the $43,000 cost of the current site.

The present church facilities are located on a "island" plot that is bounded by Edgecombe and St. Nicholas Avenues, and 137th and 138th Streets. Groundbreaking ceremonies were held on October 22, 1922, for a Gothic-style building designed by Sibley & Fetherston of New York City. With its stone facing and massive square central tower, the edifice harmonizes with the Collegiate Gothic buildings of the City College campus, located up the hill across St. Nicholas Avenue. St. Mark's building includes a large sanctuary that is very wide with a large curved gallery, and an attached community house. The cornerstone was laid on September 9, 1924, and the completed church was dedicated on December 5, 1926.
           
  Casavant Frères organ, Op. 1159 (1925) in St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)
   
  St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)
Casavant Frères, Limitée
St. Hyacinthe, Canada – Opus 1159 (1925); alt. (1974-75)
Electro-pneumatic action
4 manuals, 55 stops, 57 ranks





The organ in St. Mark's Church was built in 1925 by Casavant Frères of St. Hyacinthne, Québec, Canada, and originally had 55 stops and 55 ranks. Casavant installed the organ in two widely separated chambers located at the front corners of the sanctuary; each has two pipe façades that mask tone openings into the gallery and toward the choir loft. In the left chamber are the Swell, Choir and Solo divisions; and in the right chamber are the Great and Pedal divisions. The four-manual drawknob console has a pneumatic combination action, and is located in front of and slightly under the pulpit platform; wide steel plates on either side of the pedalboard floor indicate that the console may be rolled forward for maintenance.

Tonal changes were made by Casavant in 1974 when several new ranks were added. In the Great, the 8' 2nd Open Diapason and 8' Dolce were replaced by an 8' Rohrflöte and a 2-2/3' Nazard, and the 2' Super Octave and Mixture V were replaced with new ranks of the same names. In the Swell, a new Sesquialtera II (TC) replaced the 16' Bourdon. Also listed with this contract is an 8' Pédale Principal, but it was marked through and not installed. Additional changes were made by Casavant in 1975, when the 8' Aeoline and Cornet V on the Swell were replaced by a 1' Flûte à bec (engraved Sifflöte) and a Scharf V. At the same time, a new 4' Choralbass (with a knob incorrectly engraved Choralbass IV) replaced the Pedal 16' Gedeckt which was duplexed from the former Swell 16' Bourdon. Upon completion of these revisions, the organ had a total of 55 stops and 57 ranks.

A site visit in 2012 found the 87-year-old organ to be in generally poor condition yet somewhat playable. Hopefully, this historic and noble-sounding Casavant organ may someday be rebuilt.
               
Great Organ (Manual II) – 61 notes
    Original 1925 Stops       Stops with 1974 & 1975 Alterations
16
  Double Open Diapason *
61
16
  Double Open Diapason *
61
8
  1st Open Diapason
73
8
  1st Open Diapason
73
8
  2nd Open Diapason
73
8
  Hohlflöte
73
8
  Hohlflöte
73
8
  Rohrflöte †
73
8
  Dolce
73
4
  Octave
73
4
  Octave
73
4
  Harmonic Flute
73
4
  Harmonic Flute
73
2 2/3
  Nazard †
61
2
  Super Octave
61
2
  Super Octave †
61
    Mixture V ranks
365
1 1/3
  Mixture V ranks †
305
8
  Trumpet
73
8
  Trumpet
73
4
  Clarion
73
4
  Clarion
73
    Chimes
SO
    Chimes
SO
    Celesta
CH
    Celesta
CH
           
* 1-12 from Pedal
Swell Organ (Manual III) – 61 notes, enclosed
    Original 1925 Stops       Stops with 1974 & 1975 Alterations
16
  Bourdon
73
8
  Open Diapason
73
8
  Open Diapason
73
8
  Clarabella
73
8
  Clarabella
73
8
  Stopped Diapason
73
8
  Stopped Diapason
73
8
  Viola da Gamba
73
8
  Viola da Gamba
73
8
  Voix Céleste
73
8
  Voix Céleste
73
4
  Principal
73
8
  Aeoline
73
4
  Flauto Traverso
73
4
  Principal
73
2
  Piccolo
73
4
  Flauto Traverso
73
1
  Sifflöte (Flûte à bec) †
61
2
  Piccolo
61
2 2/3
  Sesquialtera II ranks [TC] †
96
    Cornet V ranks
365
2 2/3
  Scharf V ranks †
305
16
  Contra Posaune
73
16
  Contra Posaune
73
8
  Cornopean
73
8
  Cornopean
73
8
  Oboe
73
8
  Oboe
73
8
  Vox Humana
73
8
  Vox Humana
73
4
  Clarion
73
4
  Clarion
73
    Tremulant       Tremulant  
    Chimes
SO
    Chimes
SO
    Celesta
CH
    Celesta
CH
               
Choir Organ (Manual I) – 61 notes, enclosed with Solo
16
  Contra Gamba
73
16
  Contra Fagotto
73
8
  Open Diapason
73
8
  Clarinet
73
8
  Concert Flute
73
    Tremulant  
8
  Dulciana
73
   
Celesta
61 bars
4
  Flute d'Amour
73
    Celesta Sub (Harp)
2
  Flageolet
61
    Chimes
SO
               
Solo Organ (Manual IV) – 61 notes, enclosed with Choir
8
  Stentorphone
73
8
  Tuba Mirabilis [15" w.p.]
73
8
  Grossflöte
73
8
  Orchestral Oboe
73
8
  Gamba
73
    Tremulant  
8
  Viole d'Orchestre
73
   
Chimes
25 tubes
8
  Viole Céleste
73
    Celesta
CH
4
  Concert Flute
73
       

     

     
Pedal Organ – 32 notes
    Original 1925 Stops       Stops with 1974 & 1975 Alterations
32
  Double Open Diapason +
32
  Double Open Diapason +
16
  Open Diapason
44
16
  Open Diapason
44
16
  Violone
44
16
  Violone
44
16
  Bourdon
44
16
  Bourdon
44
16
  Gedeckt
SW
8
  Flute [ext. Open Diap.]
8
  Flute [ext. Open Diap.]
8
  Diapason [not installed]  
8
  Diapason [not installed]  
8
  Bourdon [ext.]
8
  Bourdon [ext.]
8
  Violoncello [ext.]
8
  Violoncello [ext.]
4
  Choralbass †
32
16
  Trombone [unit]
56
16
  Trombone [unit]
56
16
  Posaune
SW
16
  Posaune
SW
8
  Trumpet [ext.]
8
  Trumpet [ext.]
4
  Clarion [ext.]
4
  Clarion [ext.]
    Chimes
SO
    Chimes
SO
           
new in 1974 or 1975
           
+ acoustic bass
Couplers
    Great to Pedal 8'   Swell to Choir 16', 8', 4'
    Swell to Pedal 8', 4'   Solo to Choir 16', 8', 4'
    Choir to Pedal 8'   Great to Solo 8'
    Solo to Pedal 8, 4'   Swell to Solo 8'
    Swell to Great 16', 8', 4'   Great 16', 4', Unison Off
    Choir to Great 16', 8', 4'   Swell 16', 4', Unison Off
    Solo to Great 16', 8', 4'   Choir 16', 4', Unison Off
    Solo to Swell 8'   Solo 16', 4', Unison Off
               
Combination Couplers (by knobs at bottom of left jamb)
    Pedal Pistons to Great   Pedal Pistons to Choir
    Pedal Pistons to Swell   Pedal Pistons to Solo
               
Adjustable Combination Pistons
   
Solo Organ Pistons 1-2-3 (thumb)
Swell Organ Pistons 1-2-3-4-5-6 (thumb)
Great Organ Pistons 1-2-3-4-5 (thumb)
Choir Organ Pistons 1-2-3 (thumb)
Pedal Organ Pistons 1-2-3-4-5-6 (thumb)
Entire Organ Pistons 1-2-3-4 (foot)
  Great Reeds On and Off
               
Reversible Pistons
    Solo to Pedal   Swell to Great
    Swell to Pedal   Choir to Great
    Great to Pedal   Solo to Great
    Great to Pedal (foot)   Swell to Choir
    Choir to Pedal   Full Organ (foot)
               
Balanced Pedals
    Balanced Pedal to Swell    
    Balanced Pedal to Choir    
    Balanced Pedal to Solo    
    Crescendo Pedal    
               
Indicators
    Crescendo          
    Wind          
    Full Organ          
               
   
    Casavant Frères organ, Op. 1159 (1925) in St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)    
         
Casavant Frères organ, Op. 1159 (1925) in St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)   Casavant Frères organ, Op. 1159 (1925) in St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)   Casavant Frères organ, Op. 1159 (1925) in St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)
         
    Casavant Frères organ, Op. 1159 (1925) in St. Mark's United Methodist Church - New York City (photo: Steven E. Lawson)    
           
Organ in church at 231 West 53rd Street:

George Jardine & Son
New York City (c.1870)
Mechanical action
2 manuals, 20 stops, 22 ranks


The George Jardine & Son organ built for St. John's Methodist Episcopal Church probably dates from the opening of their building in 1870. In 1895, the building and organ were sold to St. Mark's Methodist Episcopal Church, which remained at this location until 1926. The specification below is from the files of Louis F. Mohr & Co., a local organ service firm, who noted that in 1913 the Swell Nachthorn had been replaced by an Aeoline.
               
Great Organ (Manual I) – 61 notes
8
  Open Diapason
61
2 2/3
  Twelfth
61
8
  Salicional
61
2
  Flageolet
61
8
  Melodia
61
8
  Trumpet
61
4
  Principal
61
4
  Clarion
61
4
  Wald Flute
61
       

     

     
Swell Organ (Manual II) – 61 notes, enclosed
16
  Bourdon
61
4
  Night Horn *
61
8
  Open Diapason
61
    Cornet, 3 ranks
183
8
  Stopped Diapason
61
8
  Hautboy
61
8
  Dulciana
61
    Tremolo  
4
  Violina
61
   
* changed to 8' Aeoline in 1913

     

     
Pedal Organ – 29 notes
16
  Open Diapason
29
8
  Violoncello
29
16
  Bourdon
29
       
               
Couplers
    Great to Pedal       Swell to Great  
    Swell to Pedal          
               
Accessories
    Swell Pedal [hook-down]        
    Electric Motor, also pumped by foot on left hand
           
Sources:
     Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
     Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
     St. Mark's United Methodist Church web site: http://stmarksharlemumc.org
     Scheer, Stanley. Factory Specification (Dec. 30, 1925) of Casavant Frères organ, Op. 1159 (1925). Contracts (June 27, 1974 and Mar. 11, 1975) for additions & changes.
     Mohr, Louis F. & Co. Specifications of George Jardine & Son organ (c.1870; rev. 1913). Courtesy Larry Trupiano.

Illustrations:
     Lawson, Steven E. Exterior; Interior, Casavant Frères organ, Op. 1159.