|
 |
|
Click on images to enlarge |
Church of St. Monica
(Roman Catholic)
413 East 79th Street
New York, N.Y. 10021
The Roman Catholic Parish of St. Monica was established in 1879 to serve Catholics living and working on the far east side of Manhattan. Until that time, Catholics in the area attended services at St. Lawrence O'Toole Church (later named St. Ignatius Loyola) on East 84th Street between Fourth and Fifth Avenues. Father James J. Dougherty, St. Monica's first pastor, purchased an old feed store on East 78th Street and in six weeks had converted it into a church seating 250 people. Total cost of the land and church was $7,000.
In 1881, Father Dougherty bought the present property on East 79th Street, just east of First Avenue. Although the corner lot was then available, it is thought that Father Dougherty feared that the noise from traffic along First Avenue would disrupt church services. Later that year, the cornerstone was laid for a new church, and in 1883 the Lower Church was completed and dedicated.
On May 7, 1905, the cornerstone for the present church was laid, and construction began around and above the original church. Designed by Schickel & Ditmars, the new Gothic-style church of brick with limestone trim was finished in 1907. On August 18, 1953, a fire destroyed the roof of the church and caused considerable water damage to the interior. The church was quickly repaired and redecorated. |
|
|
|
|
|
|
|
|
Timothy Fink & Company, Inc.
Port Chester, N.Y. (2008)
Electro-pneumatic action
3 manuals, 52 registers, 44 stops, 53 ranks
In the early 1990s, a reconstruction of the Hall organ
was begun by Mann & Trupiano
of Brooklyn, who provided new chests, some new pipework,
and a new terraced drawknob console built by Harris Organs,
Inc., of Whittier, Calif. In
the new arrangement, the Choir is in the left tower, with
the Swell in the right tower. The Great and Pedal divisions
are behind the center case
in front of the window. In front of the Pedal are the new
Great and Pedal treble chests. After several starts and
stops on the project, organbuilder
Timothy Fink completed the organ as financial resources
become available. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes
|
16 |
|
Double Open Diapason |
61 |
2 2/3 |
|
Twelfth |
61 |
16 |
|
Lieblich Gedackt |
SO |
2 |
|
Fifteenth |
61 |
8 |
|
Open Diapason |
61 |
|
|
Mixture IV ranks |
244 |
8 |
|
Stopped Diapason |
61 |
|
|
Acuta III ranks |
183 |
8 |
|
Harmonic Flute [1-12 St. Diap.] |
49 |
8 |
|
Trumpet |
61 |
8 |
|
Gedackt |
SO |
|
|
Great Unison Off |
|
8 |
|
Viola da Gamba |
61 |
8 |
|
Tuba Mirabilis |
SO |
4 |
|
Octave |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
|
|
|
|
Mixture V ranks |
305 |
8 |
|
Open Diapason |
61 |
16 |
|
|
8 |
|
Stopped Diapason |
61 |
8 |
|
Harmonic Trumpet |
61 |
8 |
|
Harmonic Flute [1-17 St. Diap.] |
44 |
8 |
|
Oboe |
61 |
8 |
|
Salicional |
61 |
8 |
|
Vox Humana |
61 |
8 |
|
Voix Celeste (TC) |
49 |
4 |
|
Harmonic Clarion |
61 |
4 |
|
Principal |
61 |
|
|
Swell Unison Off |
|
4 |
|
Flute Traverso |
61 |
|
|
Tremulant |
|
2 |
|
Flautino |
61 |
8 |
|
Tuba Mirabilis |
SO |
|
|
|
|
|
|
|
|
Solo Organ (Manual I) – 61 notes, enclosed
|
16 |
|
Lieblich Gedackt |
73 |
2 |
|
Harmonic Piccolo |
61 |
8 |
|
Diapason |
61 |
1 3/5 |
|
Tierce |
61 |
8 |
|
Concert Flute |
61 |
1 1/3 |
|
Quint |
61 |
8 |
|
Dolce |
61 |
8 |
|
Clarinet |
61 |
8 |
|
Dolce Celeste (TC) |
49 |
|
|
Solo Unison Off |
|
4 |
|
Octave |
61 |
|
|
Tremulant |
|
4 |
|
Rohr Flute |
61 |
8 |
|
Tuba Mirabilis |
61 |
2 2/3 |
|
Nazard |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
|
32 |
|
|
8 |
|
Gemshorn |
32 |
16 |
|
Grand Open Diapason |
32 |
4 |
|
Super Octave |
32 |
16 |
|
Open Diapason |
GT |
|
|
Mixture IV ranks |
preparation |
|
16 |
|
Bourdon |
32 |
32 |
|
|
16 |
|
Lieblich Gedackt |
SO |
16 |
|
Trombone |
32 |
8 |
|
Octave |
32 |
8 |
|
Trumpet |
32 |
8 |
|
Echo Flute |
SO |
8 |
|
Tuba Mirabilis |
SO |
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal |
|
|
Solo to Swell |
|
|
Swell to Pedal 8', 4' |
|
|
Great to Swell |
|
|
Solo to Pedal 8', 4' |
|
|
Swell to Solo |
|
|
Swell to Great 16', 8' |
|
|
Great to Solo |
|
|
Solo to Great |
|
|
|
|
|
|
|
|
|
Adjustable Combinations
|
|
|
Swell Organ |
Pistons 0-1-2-3-4-5-6-7-8 (thumb) |
Great Organ |
Pistons 0-1-2-3-4-5-6-7-8 (thumb) |
Solo Organ |
Pistons 0-1-2-3-4-5-6-7-8 (thumb) |
Pedal Organ |
Pistons 0-1-2-3-4-5-6 (thumb) |
Entire Organ |
Pistons 0-1-2-3-4-5-6-7-8-9-10-11-12 (thumb & toe) |
|
Pistons 13-14-15-16 (thumb) |
|
Set (thumb) |
|
|
|
|
|
|
|
Reversibles
|
|
|
Great to Pedal (thumb & foot paddle) |
|
Tuba on Great (thumb) |
|
|
Swell to Pedal (thumb & foot paddle) |
|
Tuba on Swell (thumb) |
|
|
Solo to Pedal (thumb & foot paddle) |
|
Tuba on Solo (thumb) |
|
|
Swell to Great (thumb) |
|
Tuba on Pedal (thumb) |
|
|
Solo to Great (thumb) |
|
Reeds Off (thumb & toe stud) |
|
|
Swell to Solo (thumb) |
|
Mixtures Off (piston & toe stud) |
|
|
32' Bourdon (foot paddle) |
|
Sforzando 1 (thumb & foot paddle) |
|
|
32' Trombone (foot paddle) |
|
Sforzando 2 (thumb & foot paddle) |
|
|
|
|
|
|
Pedal Movements
|
|
|
Balanced Solo Pedal |
|
|
|
|
|
Balanced Swell Pedal |
|
|
|
|
|
Balanced Crescendo Pedal |
|
|
|
|
|
|
|
|
|
Indicator Lights
|
|
|
Reeds Off |
|
|
Sforzando 1 |
|
|
Mixtures Off |
|
|
Sforzando 2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hall Organ Company Ad (1931) |
Hall Organ Company
West Haven, Conn. – Opus 590 (c.1931)
Electro-pneumatic action
3 manuals, 35 registers, 31 stops, 33 ranks
About 1931, the Hall Organ Company rebuilt the organ at St. Monica's Church, providing new windchests, a new console and some pipe work, but also incorporating pipes from the previous organs built by J.H. & C.S. Odell and Hilborne L. Roosevelt. The Hall organ used electro-pneumatic chest action but had mechanical swell pedals. In the left tower were located the Great and Choir divisions, with the Swell on the right and the Pedal in the center.
On August 18, 1953, a fire broke out in the attic above the organ, and the organ suffered extensive water damage. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, partially enclosed with Choir
|
16 |
|
Diapason * |
61 |
8 |
|
Doppel Flute |
61 |
8 |
|
Diapason * |
61 |
4 |
|
Octave * |
61 |
8 |
|
Gamba |
61 |
4 |
|
Harmonic Flute |
61 |
8 |
|
Gamba Celeste |
61 |
8 |
|
Trumpet |
61 |
|
|
|
|
|
|
* unenclosed |
Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
|
Bourdon |
61 |
4 |
|
Gambetta |
61 |
8 |
|
Diapason |
61 |
|
|
Mixture III ranks [12-15-17] |
183 |
8 |
|
Salicional |
61 |
8 |
|
Cornopean |
61 |
8 |
|
Aeoline |
61 |
8 |
|
Oboe |
61 |
8 |
|
Quintadena |
61 |
8 |
|
Vox Humana |
61 |
8 |
|
Stopped Diapason |
61 |
|
|
Tremulant |
|
4 |
|
Flauto Traverso |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed
|
8 |
|
Viole d'Orchestre |
61 |
4 |
|
Rohr Flute |
61 |
8 |
|
Dolce |
61 |
2 |
|
Piccolo |
61 |
8 |
|
Unda Maris |
61 |
8 |
|
Clarinet |
61 |
8 |
|
Concert Flute |
61 |
|
|
Tremulant |
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
|
32 |
|
Contra Bass (resultant) |
— |
16 |
|
Bourdon |
44 |
16 |
|
First Diapason |
44 |
8 |
|
Diapason (fr. 1st Diap.) |
— |
16 |
|
Second Diapason |
GT |
8 |
|
Flute (fr. Bourdon) |
— |
16 |
|
Violone |
32 |
4 |
|
Octave |
32 |
|
|
|
|
|
|
|
|
Couplers
|
|
|
Great to Pedal 8' |
|
|
Swell to Great 16', 8', 4' |
|
|
Swell to Pedal 8', 4' |
|
|
Choir to Great 16', 8', 4' |
|
|
Choir to Pedal 8', 4' |
|
|
Swell to Choir 16', 8', 4' |
|
|
Swell to Swell 16', 4' |
|
|
Choir to Choir 16', 4' |
|
|
|
|
|
|
|
|
|
|
J.H. & C.S.
Odell & Co.
New York City (c.1907)
Unknown action
The original organ in the Upper Church was built by J.H. & C.S. Odell of New York City. However, as this organ does not appear on the Odell opus list, it is possible that the organ may have been a second-hand instrument. Specifications for this organ have not yet been located. |
|
|
|
|
|
|
|
|
|
|
Continuo Organ
Georg Westenfelder
Lintgen, Luxembourg (1960s)
Mechanical action
1 manual, 5 stops, 5 ranks
This five-stop continuo instrument, built by Georg Westenfelder of Luxembourg, was used for many years while the gallery organ was unplayable. The nameplate inside the case does not indicate a date, but it is believed the organ may have been built in the 1960s. There are five unlabled stops, each having two slides to activate the treble and bass ranges of the 53-note manual keyboard that divides at tenor B (B24) and middle C (C25). The manual can be transposed one-half step by sliding the keyboard. The blower is contained in the base of the case. |
|
|
|
|
|
|
|
|
Manual – 53 notes (stops are divided at B24 / C25)
|
8 |
|
[Gedeckt] |
53 |
|
|
Stopped flute – wood & metal |
4 |
|
[Rohrflöte] |
53 |
|
|
Chimney flute – metal |
|
2 |
|
[Hohlflöte] |
53 |
|
|
Open flute – metal |
|
1 1/3 |
|
[Quinte] |
53 |
|
|
Open flute – metal |
|
8 |
|
[Regal] |
53 |
|
|
1/4 length reed – metal |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Organ in Lower Church:
Hilborne L. Roosevelt
New York City – Opus 105 (1883)
Mechanical action
2 manuals, 19 stops
In 1883, Hilborne L. Roosevelt of New York City built an organ for the Lower Church. This organ was later incorporated into an organ for the Upper Church built c.1931 by the Hall Organ Company. Specifications for this organ have not yet been located. |
|
|
|
|
|
|
|
|
|
|
Sources:
"Blaze Destroys Roof of East Side Church," The New York Times (Aug. 19, 1953).
"Church Cornerstone Laid," The New York Times (May 8, 1905).
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
Organ Fundraising booklet, published by St. Monica's Church, c.1990.
"St. Monica Church Marks 75th Year," The New York Times (Oct. 25, 1954).
Shelley, Thomas J. The Bicentennial History of the Archdiocese of New York 1808-2008. Strasbourg: Éditions du Signe, 2007.
Trupiano, Larry. Specifications of Hall organ (c.1931).
Illustrations:
The American Organist (March? 1931). Hall Organ Company advertisement. Courtesy Jonathan Bowen.
Lawson, Steven E. Exterior; interior; Timothy Fink & Co. Organ (2008); Georg Westenfelder Continuo. |
|
|
|
|
|
|
|
|
|
|
|