1930s view of St. Nicholas Collegiate Church - New York City
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St. Nicholas Collegiate Church
(Reformed Church in America)

600 Fifth Avenue at 48th Street
New York, N.Y. 10022


Organ Specifications:
Second building (1872-1949):
• IV/93 Austin Organ Company, Op. 1275 (ca.1926)
IV/60 Hutchings-Votey Organ Co. (1914)
V/54 J.H. & C.S. Odell & Co., Op. 368 (1899)
III/43 Labagh & Kemp (1872)
First building (1847-1872):
• Hall & Labagh (1847)


St. Nicholas Collegiate Church - New York City (photo: Bryon Company, 1923)  
St. Nicholas Church in 1923
 
   
St. Nicholas Collegiate Church was known originally as the Fifth Avenue, or Forty-eighth Street, Church. The first building was erected in 1847.

In 1872, a new church was built on the same site. Designed by W. Wheeler Smith and built from 1869-72, its exhuberant Gothic architecture was marked by a disproportionately large steeple, flying buttresses, and a gabled roof. Theodore Roosevelt and his family occupied Pew No. 39.

Following World War II, the property had greatly increased in value and was desired for the expansion of Rockefeller Center. Despite initial assurances from the Collegiate Corporation that St. Nicholas Church would not be sold, the building was ultimately demolished in 1949, and the land leased to Rockefeller Center.
               
  1949 photo showing dismantling of St. Nicholas Collegiate Church - New York City
  Dismantling of organ and church (1949)
Austin Organ Company
Hartford, Conn. – Opus 1275 (ca.1926)
Electro-pneumatic action
4 manuals, 93 stops





Specifications of this organ have not yet been located.
               
  Console of Hutchings-Votey Organ (1914) at St. Nicholas Collegiate Church - New York City (photo: The Diapason)
Hutchings-Votey Organ Co.
Boston, Mass. (1914)
Electro-pneumatic action
4 manuals, 58 stops, ~60 ranks



In 1914, the Hutchings-Votey Company rebuilt the 1899 Odell organ. Hutchings-Votey provided a new four-manual, batwing-style console.
               
PULPIT DIVISION
               
Great Organ (Manual II)
16
  Diapason  
8
  Doppel Flute  
8
  Diapason  
4
  Octave  
8
  Gamba  
2
  Fifteenth  
8
  Dulciana  
8
  Trumpet  

     

     
Swell Organ (Manual III), enclosed
16
  Bourdon  
2
  Flautino  
8
  Diapason       Cornet III ranks  
8
  Viol d'Orchestre  
16
  Contra Fagotto  
8
  Stopped Diapason  
8
  Cornopean  
8
  Aeoline  
8
  Oboe  
8
  Vox Celestis  
8
  Vox Humana  
4
  Violina  
  Tremolo  
4
  Flute Traverso          
               
Choir Organ (Manual I), enclosed
8
  Diapason  
4
  Rohr Flute  
8
  Dolce  
2
  Piccolo  
8
  Melodia  
8
  Clarinet  
8
  Salicional  
  Tremolo  
8
  Unda Maris          

     

     
Pedal Organ
32
  Contra Bourdon  
8
  Diapason  
16
  Diapason  
8
  Gedacht  
16
  Bourdon  
     
               
GALLERY DIVISION
               
Great Organ (Manual II)
8
  First Diapason  
8
  Concert Flute  
8
  Second Diapason  
4
  Octave  
               
Swell Organ (Manual III), enclosed
8
  Diapason  
8
  Vox Celestis  
8
  Gemshorn  
4
  Flute Harmonique  
8
  Hohl Flute       Tremolo  
8
  Muted Viol          
               
Solo Organ (Manual IV), enclosed
8
  Stentorphone [unenc.]  
8
  Gross Flute  
8
  Wald Flute  
8
  Tuba Mirabilis  
               
Pedal Organ
16
  Bourdon  
8
  Violoncello  
16
  Double Bass  
16
  Trombone  
16
  Violone          
               
Echo Organ, enclosed
8
  Vox Humana  
4
  Flute d'Amour  
8
  Vox Angelica       Cathedral Chimes  
8
  Unda Maris       Tremolo  
               
J.H. & C.S. Odell & Co.
New York City – Opus 368 (1899)
Electro-pneumatic action
5 manuals, 50 stops, 54 ranks


The following specification was recorded by F.R. Webber, whose "Organ Scrapbooks" are in the possession of The Organ Historical Society Archives in Princeton, N.J.
               
Great Organ (Manual II) – 61 notes
    Gallery Division       Chancel Division  
16
  Diapason
61
8
  First Diapason
61
8
  Diapason
61
8
  Second Diapason
61
8
  Gamba
61
8
  Concert Flute
61
8
  Dulciana
61
4
  Octave
61
8
  Doppel flöte
61
       
4
  Octave
61
       
2
  Fifteenth
61
       
8
  Trumpet
61
       

     

     
Swell Organ (Manual III) – 61 notes, enclosed
    Gallery Division       Chancel Division  
8
  Diapason
61
16
  Bourdon
61
8
  Gemshorn
61
8
  Diapason
61
8
  Hohl flöte
61
8
  Viol d'orchestre
61
8
  Muted Viol
61
8
  Stopped Diapason
61
8
  Vox Celestis [TC]
49
8
  Aeoline
61
4
  Flute Harmonique
61
8
  Vox Celestis [TC]
49
    Tremolo  
4
  Violina
61
       
4
  Flute Traverso
61
       
2
  Flautino
61
            Cornet, 3 ranks
183
       
8
  Cornopean
61
       
8
  Oboe
61
       
16
  Contra Fagotto
61
       
8
  Vox Humana
61
            Tremolo  
               
Choir Organ (Manual I) – 58 notes, enclosed [located in chancel]
       
8
  Diapason
61
       
8
  Dolce
61
       
8
  Melodia
61
       
8
  Salicional
61
       
4
  Rohr Flute
61
       
2
  Piccolo
61
       
8
  Clarinet
61
            Tremolo  
               
Solo Organ (Manual IV) – 58 notes, enclosed [located in gallery]
8
  Tuba Mirabilis
61
       
8
  Wald Flute
61
       
8
  Gross Flute
61
       
8
  Stentorphone
61
       
               
Echo Organ (Manual V) – 58 notes, enclosed [located in gallery]
8
  Vox Humana
61
       
8
  Vox Angelica
61
       
8
  Unda Maris [TC]
49
       
4
  Flute d'Amour
61
       
    Chimes          
    Tremolo          
               
Pedal Organ – 30 notes
    Gallery Division       Chancel Division  
16
  Bourdon
30
32
  Contra Bourdon
30
16
  Double Bass
GT?
16
  Diapason
30
16
  Violone
30
16
  Bourdon
30
8
  Violoncello
30
8
  Diapason
12?
16
  Trombone
30
8
  Gedeckt
12?
               

Labagh & Kemp
New York City (1872)
Mechanical action
3 manuals, 39 stops, 43 ranks


The original organ in the second church was built in 1872 by Labagh & Kemp, successors to Hall & Labagh of New York City. Labagh & Kemp moved and rebuilt the 1847 Hall & Labagh organ from the first church building. This organ was described in the New York Weekly Review (Dec. 28, 1872):

In the construction of this instrument the problem to be solved by the builders was to obtain a quality of tone that would fill the large building in which it is placed, without appearing rough or boisterous to the listeners; and to accomplish this the largest scales throughout the organ have been used, avoiding anything like forced voicing, and the result has been successful. It is not so powerful as others of the same class, but there is in the tone a mellowness that amply compensates for the power lost. The entire instrument is located in a chamber that was, we believe, specially constructed for it. The bellows is located in a room above the organ chamber, and distant twenty-five feet. This necessitated the use of additional wind reservoirs, placed immediately under the chests to obtain steadiness of tone. Every register in the organ extends throughout the entire compass, and all the metal pipes from a four-feet length are of forty-five per cent tin and fifty-five per cent lead. The case is of a design strikingly beautiful and novel, full in keeping with the architecture of the church, which is one of the most substantial and costly that has ever been constructed in this country.
               
Great Organ (Manual II) – 58 notes
16
  Double Open Diapason
58
3
  Twelfth
58
8
  Open Diapason
58
2
  Fifteenth
58
8
  Open Diapason (string tone)
58
    Sesquialtera, 3 ranks
174
8
  Melodia (wood)
58
    Cornet, 2 ranks
116
4
  Principal
58
8
  Trumpet
58
4
  Night Horn
58
4
  Clarion
58

     

     
Swell Organ (Manual III) – 58 notes, enclosed
16
  Bourdon (wood)
58
2
  Piccolo
58
8
  Open Diapason
58
    Cornet, 2 ranks
116
8
  Stopped Diapason (wood)
58
8
  Trumpet
58
8
  Dulciana
58
8
  Hautbois
58
4
  Principal
58
8
  Vox Humana
58
4
  Harmonic Flute
58
4
  Clarion
58
               
Choir Organ (Manual I) – 58 notes
8
  Open Diapason
58
4
  Violano
58
8
  Clarabella (wood)
58
3
  Twelfth
58
8
  Dulciana
58
2
  Fifteenth
58
8
  Salicional
58
8
  Cremona and Bassoon
58
4
  Rohr Flöte (wood)
58
       
               
Pedal Organ – 29 notes (CCC to E)
16
  Double Open Diapason (wood)
29
8
  Violoncello
29
16
  Double Gamba
29
12
  Stopped Quint (wood)
29
16
  Bourdon (wood)
29
16
  Trombone
29
               
Couplers
    Swell to Great   Swell to Pedal
    Swell to Great Octaves   Great to Pedal
    Swell to Choir   Choir to Pedal
               
Composition Pedals
    Three Composition Pedals to Great Organ    
    Two Composition Pedals to Swell Organ    
    Two Composition Pedals to Choir Organ    
               
Organ in previous church:

Hall & Labagh
New York City (1847)
Mechanical action


Specifications of this organ have not yet been located.
               
Sources:
     "Collegiate Church Split By Defection of St. Nicholas Unit," The New York Times (Jan. 3, 1947).
     Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
     Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
     "St. Nicholas Group Has Final Meeting," The New York Times (Jan. 15, 1947).
     "St. Nicholas Organ As It Was Rebuilt,"The Diapason (Apr. 1, 1914).
     "The Organ," New York Weekly Review (Dec. 28, 1872). Specifications of Labagh & Kemp organ (1872). Courtesy Larry Trupiano.
     Webber, F.R. "Organ scrapbook" at Organ Historical Society Archives, Princeton, N.J. Stoplist of J.H. & C.S. Odell organ, Op. 368 (1899). Courtesy Jonathan Bowen.

Illustrations:
     Byron Company (New York, N.Y.). Photo (1923) of exterior.
     The Diapason (Apr. 1, 1914). Console of Hutchings-Votey organ (1914). Courtesy Jonathan Bowen.
     Lewis, James. Photo (1949) showing dismantling of organ and church interior.