John Wanamaker Store - New York City (undated photo courtesy Friends of the Wanamaker Organ, www.wanamakerorgan.com)
 
John Wanamaker Annex (rear)
A.T. Stewart Store (center)
Grace Chuch (front)
John Wanamaker Store

770 Broadway at 9th Street
New York, N.Y. 10003


Organ Specifications:
IV/118 Wanamaker Organ Shop (1920) – Auditorium
IV/45 Austin Organ Company, Op. 120 (1904) – Auditorium
II/7 Austin Organ Company, Op. 192 (1904) – Showroom
II/11 Austin Organ Company, Op. 179 (1904) – Showroom
II/9 Austin Organ Company, Op. 178 (1904) – Showroom
II/8 Austin Organ Company, Op. 177 (1904) – Showroom
• II/13s Austin Organ Company, Op. 116 (1904) – Showroom




In 1862, department store magnate Alexander T. Stewart (1803-1876) opened a huge cast-iron emporium, which filled an entire block from Broadway to Fourth Avenue and from East 9th to 10th Streets. Abandoning his popular Marble Palace at Broadway and Chambers Street for what many considered an architectural monstrosity sited too far uptown, Stewart proved his critics wrong. The store was painted white inside and out with a dramatic central rotunda topped by a skylit dome, and became the anchor for "Ladies Mile." Twenty years after Stewart's death, the Philadelphia-based John Wanamaker Company bought the store.

John Wanamaker Store - New York City (1936 photo by Berenice Abbott, courtesy NYC-Architecture.com)  
In 1902, John Wanamaker built an equally large annex across 9th Street. A second-story bridge connecting the two—seen at the left of Berenice Abbott's 1936 photograph—was called "The Bridge of Progress." The annex contained the auditorium which was the site of many concerts.

Wanamaker's sold the store in 1954, at a time when Herald Square had eclipsed "Ladies Mile" as New York's shopping mecca. Just prior to its demolition in 1956, the building caught fire and burned out of control for a full day before firemen could contain the blaze. The cast-iron construction withstood the fire, only to fall to the wrecker's ball. Today, a 21-story apartment block, built in 1960 and named Stewart House, occupies the site; the 1902 Wanamaker annex is an office building.
             
  Console of Wanamake Auditorium Organ (1920) - New York City
Wanamaker Organ Shop
Philadelphia, Penn. (1920)
Electro-pneumatic key and stop action
4 manuals, 115 stops, 118 ranks, 7,422 pipes








After the 1904 Austin organ suffered damage from a fire (c.1917-18), the Wanamaker Organ Shop rebuilt and greatly enlarged the organ. The redesigned organ included a new movable console with color-coded stop tablets, and a 13-stop Echo Organ, which was located on third floor and spoke through a tone chute. In 1947 and 1948, the Aeolian-Skinner Organ Co. of Boston was contracted to provide several additions to the organ. Following the sale and closure of the Wanamaker Store in New York, the organ console was acquired by Rubin Frels, an organ builder in Victoria, Texas (see photo below).
               
Choir Organ (Manual I) – 61 notes, enclosed (tablets colored Green; wind pressure 7½")
16
  Contra Viol  
4
  Flute Harmonic  
8
  Open Diapason  
4
  Violette  
8
  Melodia  
2
  Piccolo  
8
  Concert Flute  
16
  Contra Fagotto  
8
  Quintaphone  
8
  Orchestral Oboe  
8
  Viole D'Orchestre  
8
  Clarinet  
8
  Viole Celeste  
8
  Cor Anglais  
8
  Flute Celeste       Tremolo I  
8
  Dulciana       Tremolo II  
                
Great Organ (Manual II) – 61 notes, enclosed (tablets colored White; wind pressure 10")
16
  Double Diapason  
4
  Flute Harmonic  
16
  Major Diapason  
5 1/3
  Mutation  
8
  Open Diapason I  
2 2/3
  Mutation  
8
  Open Diapason II  
2
  Mutation  
8
  Violin Principal  
1 3/5
  Mutation  
8
  Cor de Chamois       Compound Mutation IV ranks *
8
  Double Flute       Double Trumpet  
8
  Grand Flute       Trumpet  
8
  Flute Harmonic       Clarion  
8
  Gamba       Tremolo I  
8
  Viole D'Amour       Tremolo II  
4
  Principal          
4
  Octave      
* draws four preceding stops

   

     

     
Swell Organ (Manual III) – 61 notes (enclosed; tablets colored Aqua; wind pressure 10")
16
  Bourdon  
4
  Mutation  
8
  Open Diapason  
3 1/3
  Mutation  
8
  Cathedral Diapason  
2
  Mutation  
8
  Stopped Diapason  
1 1/3
  Mutation  
8
  Chimney Flute  
  Compound Mutation IV ranks *
8
  Clarabella  
16
  Double Oboe Horn  
8
  Dolce Flute  
8
  Cornopean  
8
  Nasard Gamba  
8
  Oboe  
8
  Aeolian Celeste  
8
  Musette  
8
  Vox Angelica  
8
  Vox Humana  
4
  Traverse Flute       Tremolo I  
            Tremolo II  

     

 
* draws four preceding stops
                
Solo Organ (Manual IV) – 61 notes, enclosed (tablets colored Lavender; wind pressure 15")
16
  Grand Diapason  
2
  Piccolo  
8
  Stentorphone  
16
  Tuba Profunda  
8
  Tibia  
8
  Tuba Mirabilis  
8
  Flute Harmonic  
8
  French Horn  
8
  Gamba  
8
  Grand Clarinet  
8
  Gamba Celeste  
4
  Tuba Clarion  
4
  Flute Harmonic       Tremolo I  
4
  Octave       Tremolo II  
                
Echo Organ (floating) – 61 notes, enclosed (tablets colored Yellow; wind pressure 5")
16
  Bourdon  
8
  Oboe  
8
  Open Diapason  
8
  Euphone  
8
  Stopped Diapason  
8
  Vox Humana  
8
  Salicional       Minor Chimes  
8
  Voix Celeste       Tremolo I  
8
  Gemshorn       Tremolo II  
4
  Flute D'Amour  
          Echo Pedal
2
  Piccolo  
16
  Bourdon  
                
String Organ (floating) – 61 notes, enclosed (tablets colored Brown; wind pressure 10")
8
  String 1  
8
  String 5  
8
  String 2       Tremolo I  
8
  String 3       Tremolo II  
8
  String 4          
                
Percussion (tablets colored White on the upper half, and the color of the division to which they are coupled on the lower half)
    Piano on Pedal     Chimes on Great
    Piano on Swell     Chimes on Choir
    Piano on Swell (Sustained)          (pneumatic action)
         (vacuum pneumatic action)     Harp on Great
    Celesta on Great     Harp on Swell
    Celesta on Swell     Harp on Choir
    Selesta on Choir          (pneumatic action)
         (vacuum pneumatic action)      
                
Main Pedal Organ – 32 notes (tablets colored Black; wind pressure 10" unless noted)
32
  Contra Bourdon  
8
  Cello (7½" w.p)  
16
  Open Diapason I  
8
  Flute I  
16
  Open Diapason II  
8
  Flute II  
16
  Contra Flute  
4
  Flute  
16
  Bourdon I  
32
  Contra Trombone (15" w.p.)  
16
  Bourdon II  
16
  Trombone  
16
  Violone  
16
  Fagotto  
16
  Viole  
8
  Tromba  
16
  Dulciana (7½" w.p.)  
4
  Clarion  
10 2/3
  Quint (7½" w.p)          
               
French organist Louis Vierne at the console of the Wanamaker Auditorium Organ, February 1927 (courtesy Friends of the Wanamaker Organ - www.wanamakerorgan.com)   Console of the Wanamaker Auditorium Organ (1920) - New York City (photo: David Scribner)
Louis Vierne at the Wanamaker Auditorium Organ, February 1927
 
Wanamaker Auditorium Console (1920)
now located in Rubin Frels Residence,
Victoria, Texas
             
  Wanamaker Auditorium at John Wanamaker Store - New York City (undated photo courtesy Friends of the Wanamaker Organ, www.wanamakerorgan.com)
Austin Organ Company
Hartford, Conn. – Opus 120 (1904)
Electro-pneumatic key action
Tubular stop action
Automatic player
4 manuals, 42 stops, 45 ranks





Austin Organ, Op. 120 (1904) in Wanamaker Auditorium - New York City (from Austin Organ Company Promotion Booklet, courtesy Austin Organs, Inc.)  
As construction was underway for the new store annex, Wanamaker ordered a large four-manual Austin organ for the "Concert Hall," an auditorium that would be three stories high and seat 1500 people on the main floor and gallery. Austin's Op. 120 was significant as it was their first large organ in the "theatre style" and would contain percussions and an automatic player. Wind pressures would be 5", 10", and 15", and the detached console had an A.G.O. "Willis model" pedalboard. The contract, dated July 20, 1904, specified that the organ was to be installed on or before the first day of November, 1904, and would cost a total of $18,119.40. Sometime in 1917-18, the Wanamaker Auditorium organ was damaged and was subsequently rebuilt and greatly enlarged in 1920-21 by the Wanamaker Organ Shop in Philadelphia.

Wanamaker hired George Alexander Russell (1880-1953) to be concert director and organist of the New York store. Russell was an accomplished organist, pianist and music scholar who graduated from Syracuse University in 1901, served on its faculty, and later studied in Berlin and Paris. His recitals on the Austin organ in the New York store brought additional fame to the artist and prestige to that organ as a concert instrument. In addition to playing daily recitals on the Wanamaker Auditorium organ, Russell was supervised the sale of musical instruments in the store and arranged musical performances by employees and outside groups. By 1919, Alexander Russell was in charge of arranging organ concerts at both the New York and Philadelphia stores.
               
Great Organ – 61 notes
16
  Rohr Flute
61
4
  Octave
61
8
  Magnaton
SO
4
  Harmonic Flute
61
8
  Open Diapason
61
16
  Tuba Profunda
SO
8
  Geigen Principal
61
8
  Harmonic Tuba
SO
8
  Clarabel Flute
61
4
  Tuba Clarion
SO
8
  Doppel Flute
61
   
Tubular Bells
2 octaves
8
  Viole d'Amour
61
   
Snare, Drum, Cymbals, 2 Triangles, 2 Kettle Drums
                
Swell Organ – 61 notes, enclosed
16
  Quintaton
73
  Dolce Cornet III ranks
183
8
  Grand Diapason
73
16
  Double Oboe Horn
73
8
  Gamba
73
8
  Horn
73
8
  Rohr Flute
73
8
  Oboe
73
8
  Flauto Dolce
73
4
  Clarion
73
8
  Unda Maris [TC]
61
8
  Vox Humana
73
4
  Gemshorn
73
    Tremulant to low wind stops
4
  Flute d'Amour
73
       

     

     
Orchestral Organ – 61 notes, enclosed
16
  Contra Viole
73
2
  Piccolo
73
8
  Concert Flute
73
8
  Clarinet
73
8
  Viole d'Orchestre
73
8
  Orchestral Oboe
73
8
  Viole Celeste II ranks
134?
8
  Cor Anglais
73
4
  Flauto Traverso
73
  Tremulant  
               
Solo Organ – 61 notes
16
  Magnaton [unit]
73
8
  Trumpet
61
8
  Magnaton
16
  Tuba Profunda [unit] *
85
8
  Gross Flute
61
8
  Harmonic Tuba *
4
  Hohl Flute
61
4
  Tuba Clarion *
           
* enclosed
Echo Organ – 61 notes, enclosed (on opposite side of main organ)
8
  Lieblich Gedackt
61
8
  Vox Humana
61
8
  Phoneuma
61
    Cathedral Chimes  
8
  Angelica [TC]
49
    Tremulant  
               
Pedal Organ – 32 notes
32
  Magnaton [ext. SO]
12
16
  Dulciana [ext. GT VdA]
12
16
  Magnaton
SO
16
  Contra Viole
OR
16
  First Open Diapason [unit]
44
8
  Gross Flute [1st O.D.]
16
  Second Open Diapason
12
8
  Flute Dolce
GT
         [ext. GT Geigen]  
16
  Tuba Profunda
SO
16
  Violone
32
8
  Harmonic Tuba
SO
16
  Sub Bass
GT
4
  Tuba Clarion
SO
               
Couplers and Unisons
    Great to Pedal 8'   Swell to Orchestral 16', 8', 4'
    Swell to Pedal 8', 4'   Solo and Echo to Orchestral 8'
    Orchestral to Pedal 8', 4'   Swell to Swell 16', 4'
    Solo and Echo to Pedal 8'   Orchestral to Orchestral 16', 4'
    Swell to Great 16', 8', 4'   Great Unisons Off
    Orchestral to Great 16', 8', 4'   Swell Unisons Off
    Solo to Great 8', 4'   Orchestral Unisons Off
               
Combinations
    Great to Swell Double Touch  
    Full set of composition keys and pedals moving stop keys  
               
Pedal Movements
    Balanced Swell Pedal   Great to Pedal Reversible
    Balanced Orchestral and Solo Reed Pedal   Sforzando Pedal
    Balanced Echo Pedal   Crescendo Pedal
         
Automatic Player Controls
    Great Tempo Control   Great & Orchestral Roll Coupler
    Great Re-roll   Roll Synchronizer
    Orchestral Re-roll    
           
Organ in Showroom:

Austin Organ Company
Hartford, Conn. – Opus 192 (1904)
Tubular key and stop action
Automatic player
2 manuals, 8 stops, 7 ranks


On March 12, 1904, the John Wanamaker store entered into an agreement to represent the Austin Organ Company in New York, Philadelphia, and surrounding terrority. Wanamaker ordered a total of six small organs that would range in size from eight to thirteen speaking stops. All of the organs would be suitable as "residence organs" as they had attached consoles and an automatic player. Moreover, all of the organs had identical specifications as to type of action, compass, and console controls. Five of the six organs (Op. 116, 117, 178, 179, and 192) were delivered to the New York store, and Op. 199 went to the Philadelphia store. Opus 179 and Opus 199 were identical.

Opus 192 had an attached stop key console of mahogany, a Swell box with 2½" thick walls, display pipes decorated in French leaf gold bronze, and 5" wind pressure.

The organ was sold to the Briarcliff Lodge, Briarcliff, N.Y.
               
Great Organ (Manual I) – 61 notes, partially enclosed with Swell
8
  Open Diapason *
61
8
  Concert Flute
61
8
  Muted Viole
61
   
* unenclosed
                
Swell Organ (Manual II) – 61 notes, enclosed
8
  Viol d'Orchestre
73
4
  Harmonic Flute
73
8
  Viole Celeste [TC]
61
    Tremulant  
8
  Rohr Flöte
73
     
               
Pedal Organ – 32 notes
16
  Lieblich Gedeckt [ext. SW]
12
       
               
Couplers
    Swell to Pedal 8', 4'   Great to Swell 16', 8', 4'
    Great to Pedal 8'   Great to Great 16', 4', Unison Off
    Swell to Great 16', 8', 4'   Swell to Swell 16', 4', Unison Off
               
Adjustable Combinations
    Pistons No. 1-2-3-4 affecting Great Organ stops and couplers
    Pistons No. 1-2-3-4 affecting Swell Organ stops and couplers
  Pedals No. 1-2
affecting Pedal Organ stops couplers
               
Pedal Movements
    Balanced Swell Pedal   Great to Pedal Reversible
    Crescendo Pedal (adjustable)   Sforzando Pedal
               
Automatic Player Controls
    "On" and "Off"      
    Phrasing Lever      
    Tempo Control      
           
Organ in Showroom:

Austin Organ Company
Hartford, Conn. – Opus 179 (1904)
Tubular key and stop action
Automatic player
2 manuals, 13 stops, 11 ranks
               
Great Organ (Manual I) – 61 notes
8
  Open Diapason
61
4
  Harmonic Flute
61
8
  Muted Viole
61
8
  Clarinet
61
8
  Clarabella
61
       
                
Swell Organ (Manual II) – 61 notes, enclosed
16
  Geigen Principal
73
4
  Flauto Traverso
183
8
  Viol d'Orchestre
73
8
  Horn
73
8
  Viole Celeste [TC]
61
    Tremulant  
8
  Rohr Flöte
73
     
               
Pedal Organ – 32 notes
16
  Bourdon [ext. Rohr Flöte]
12
       
16
  Contra Viole [ext. GT]
12
       
               
Couplers
    Swell to Pedal 8', 4'   Great to Swell 16', 8', 4'
    Great to Pedal 8'   Great to Great 16', 4', Unison Off
    Swell to Great 16', 8', 4'   Swell to Swell 16', 4', Unison Off
               
Adjustable Combinations
    Pistons No. 1-2-3-4 affecting Great Organ stops and couplers
    Pistons No. 1-2-3-4 affecting Swell Organ stops and couplers
  Pedals No. 1-2
affecting Pedal Organ stops and couplers
               
Pedal Movements
    Balanced Swell Pedal   Great to Pedal Reversible
    Crescendo Pedal (adjustable)   Sforzando Pedal
               
Automatic Player Controls
    "On" and "Off"      
    Tempo Control      
    Phrasing Lever      
           
Organ in Showroom:

Austin Organ Company
Hartford, Conn. – Opus Opus 178 (1904)
Tubular key and stop action
Automatic player
2 manuals, 10 stops, 9 ranks


Opus 178 had a Swell box with 2½" thick walls, display pipes decorated in French leaf gold bronze, and 5" wind pressure.
               
Great Organ (Manual I) – 61 notes, partially enclosed with Swell
8
  Open Diapason *
61
8
  Concert Flute
61
8
  Muted Viole
61
   
* unenclosed
                
Swell Organ (Manual II) – 61 notes, enclosed
8
  Viol d'Orchestre
73
4
  Harmonic Flute
73
8
  Viole Celeste [TC]
61
8
  Horn
73
8
  Rohr Flöte
73
  Tremulant  
               
Pedal Organ – 32 notes
16
  Lieblich Gedeckt
32
       
8
  Flauto Dolce
SW
       
               
Couplers
    Swell to Pedal 8', 4'   Great to Great 16', 4', Unison Off
    Great to Pedal 8'   Swell to Swell 16', 4', Unison Off
    Swell to Great 16', 8', 4'    
               
Adjustable Combinations
    Pistons No. 1-2-3-4 affecting Great Organ stops and couplers
    Pistons No. 1-2-3-4 affecting Swell Organ stops and couplers
  Pedals No. 1-2
affecting Pedal Organ stops couplers
               
Pedal Movements
    Balanced Swell Pedal   Great to Pedal Reversible
    Crescendo Pedal (adjustable)   Sforzando Pedal
               
Automatic Player Controls
    "On" and "Off"      
    Tempo Control      
    Phrasing Lever      
           
Organ in Showroom:

Austin Organ Company
Hartford, Conn. – Opus 177 (1904)
Tubular key and stop action
Automatic player
2 manuals, 8 stops, 8 ranks
               
Great Organ (Manual I) – 61 notes, partially enclosed with Swell
8
  Open Diapason *
61
8
  Concert Flute
61
8
  Muted Viole
61
   
* unenclosed
                
Swell Organ (Manual II) – 61 notes, enclosed
8
  Viol d'Orchestre
73
4
  Harmonic Flute
73
8
  Viole Celeste [TC]
61
    Tremulant  
8
  Rohr Flöte
73
     
               
Pedal Organ – 32 notes
16
  Lieblich Gedeckt
32
       
               
Couplers
    Swell to Pedal 8', 4'   Great to Great 16', 4', Unison Off
    Great to Pedal 8'   Swell to Swell 16', 4', Unison Off
    Swell to Great 16', 8', 4'    
               
Adjustable Combinations
    Pistons No. 1-2-3-4 affecting Great Organ stops and couplers
    Pistons No. 1-2-3-4 affecting Swell Organ stops and couplers
  Pedals No. 1-2
affecting Pedal Organ stops couplers
               
Pedal Movements
    Balanced Swell Pedal   Great to Pedal Reversible
    Crescendo Pedal (adjustable)   Sforzando Pedal
               
Automatic Player Controls
    "On" and "Off"      
    Tempo Control      
    Phrasing Lever      
           
Organ in Showroom:

Austin Organ Company
Hartford, Conn. – Opus 116 (1904)
Tubular key and stop action
Automatic player
2 manuals, 13 stops


Specifications for this organ have not yet been located.
             
Sources:
     Aeolian-Skinner Archives: http://home.cfl.rr.com/aeolianskinner/
     Austin Organs, Inc., Hartford, CT: http://www.austinorgans.com
     Biswanger, Ray. Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ. Philadelphia: Friends of the Wanamaker Organ Press, 1999.
     Kinzey, Allen, and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List (New Revised Edition). Richmond: The Organ Historical Society, 1997.
     Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
     Trupiano, Larry. Factory Specifications for Austin Organ Company organs, Op. 177 (1904), Op. 178 (1904), Op. 179 (1904), and Op. 192 (1904).

Illustrations:
     Abbott, Berenice. 1936 photo of John Wanamaker Store exterior.
     The American Organist, July 1946: Console of Wanamaker Organ (1920).
     Austin Organs, Inc. Austin Organ Company Promotion Booklet, showing Austin Organ Company organ, Op. 120 (1904) in Wanamaker Auditorium.
     Friends of the Wanamaker Organ (www.wanamakerorgan.com). Louis Vierne at Wanamaker Organ Console (Feb. 1927); John Wanamaker Store exterior.
     Scribner, David C. Wanamaker Organ console in Rubin Frels Residence, Victoria, Tex.