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West End Presbyterian Church
165 West 105th Street at Amsterdam Avenue
New York, N.Y. 10025
http://www.westendchurchnyc.org/
West End Church's origins date back to a Sunday School begun in 1887. The Presbyterian Extension Committee in New York City leased a lot on West 104th Street on which it put a temporary building made of prefabricated metal parts. Early growth of the church was rapid. In 1904, an article in the New York Herald stated, "The Church . . . was organized only sixteen years ago with 69 members, and now numbers 1,864 communicants. In the sixteen years 2,996 persons have been received into membership. The Sunday School has shown corresponding growth and now numbers 1,366 pupils and teachers. Their property, worth $300,000 entirely free of debt, supports seven home and foreign missionaries, and carries on extensive sociological work . . . It is the largest of the Presbyterian body in New York and the fifth largest in the country.”
West End's numerical growth was matched by a series of building projects. On Christmas Day 1888, the new church's trustees resolved to purchase property on the northeast corner of 105th Street and 10th Avenue, the present church site, where a building to replace the original “Little Tin Chapel” was erected. This “Second Chapel” was a beautiful marble structure but had serious problems. Nevertheless, it remained in place until the present Parish House was built on its site in 1913. By 1891, the church officers decided to build the “Main Church,” today's church building that was designed by Henry S. Kilburn, a noted church architect.
The West End sanctuary was refurbished in 1966, when its heavy dark wood was given a new lighter color. At that time, the sanctuary's lighting was improved by placing a crystal and bronze chandelier over the choir loft. The chandelier is one of a pair from the Fifth Avenue mansion of Thomas Fortune Ryan, purchased in memory of Mrs. Francis MacDonald Sinclair who had died not long before and who had left an endowment to the church. |
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J.H. & C.S. Odell
Yonkers, N.Y. – Opus 608 (1953)
Electro-pneumatic action
3 manuals, 28 stops, 30 ranks
In 1952-53, as part of a complete church renovation program, the M.P. Möller organ from 1913 was rebuilt by the J.H. & C.S. Odell Company. The console, which reused the old shell, was fitted with new keyboards, stop tabs, and an all-electric remote control, capture-type combination system. Odell provided new universal wind chests with pitman stop action, but overhauled the existing swell shades and shade actions. All old pipework retained for the new instrument was rebuilt and revoiced to blend with the revised tonal ensemble. The contract did not include rehabilitation of the existing Chimes and Harp actions. The organ was placed in chambers which speak into both the chapel and church sanctuaries, and the console can be moved into either location. The Articles of Agreement (Feb. 13, 1951) stated that Odell would complete the work within three years of signing the contract, for a total consideration of $21,850. |
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Great Organ (Manual II) – 61 notes
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8 |
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Open Diapason |
61 |
4 |
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Harmonic Flute |
61 |
8 |
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Gamba |
61 |
2 2/3 |
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Twelfth * |
61 |
8 |
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Doppel Flute |
61 |
2 |
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Fifteenth * |
61 |
8 |
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Gemshorn [24 new] |
85 |
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Mixture 3 ranks * |
183 |
4 |
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Octave * |
61 |
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Cathedral Chimes |
20 bells |
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Swell Organ (Manual III) – 61 notes, enclosed
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8 |
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Violin Diapason [12 new] |
73 |
1 3/5 |
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Tierce * |
61 |
8 |
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Salicional [49 new] |
61 |
16 |
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Tuba Major [unit] |
85 |
8 |
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Voix Celeste [TC] |
49 |
8 |
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Tuba [ext.] |
— |
8 |
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Lieblich Gedeckt [12 new] |
61 |
8 |
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Oboe Horn |
61 |
8 |
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Rohr Flute |
61 |
8 |
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Vox Humana [sep. box] |
61 |
4 |
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Violina [ext. Vln. Diap.] |
— |
4 |
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Tuba Clarion [ext.] |
— |
4 |
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Gemshorn |
GT |
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Blank Stop Tab |
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2 2/3 |
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Quint [from Gemshorn] |
GT |
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Blank Stop Tab |
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2 |
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Flageolet [from Gemshorn] |
GT |
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Tremulant |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Dulciana [TC, unit] |
80 |
4 |
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Dulcet [ext.] |
— |
8 |
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Viol d'Orchestre |
61 |
2 2/3 |
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Dolce Quint [ext.] |
— |
8 |
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Gross Flute |
61 |
2 |
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Piccolo * |
61 |
8 |
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Dulciana [ext.] |
— |
8 |
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Clarinet |
61 |
8 |
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Unda Maris [TC] |
49 |
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Tremulant |
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4 |
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Fugara |
61 |
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Harp ["Left out by request'] |
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4 |
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Flute d'Amour |
61 |
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Blank Stop Tab |
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Pedal Organ – 32 notes
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16 |
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Open Diapason [2 new] |
44 |
8 |
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Gemshorn |
GT |
16 |
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Sub Bass [in CH, 2 new] |
44 |
4 |
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Super Octave [Vln. Diap.] |
SW |
16 |
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Bourdon [ext. SW Lieb. Ged.] |
12 |
16 |
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Tuba Major |
SW |
8 |
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Choral Bass [ext. Sub Bass] |
— |
8 |
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Tuba |
SW |
8 |
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Principal [Vln. Diap.] |
SW |
4 |
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Tuba Clarion |
SW |
8 |
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Bass Flute [ext. Op. Diap.] |
— |
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Blank Stop Tab |
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* new pipes in 1953 |
Couplers
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Swell to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Great to Pedal 8' |
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Great to Great 4', Unison Off |
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Choir to Pedal 8', 4' |
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Swell to Swell 16', 4', Unison Off |
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Swell to Great 16', 8', 4' |
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Choir to Choir 16', 4', Unison Off |
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Choir to Great 16', 8', 4' |
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Piston Combinations ("All electric Remote Control, Capture type system")
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Swell stops and Couplers |
Pistons 1-2-3-4-5 (thumb) |
Great stops and Couplers |
Pistons 1-2-3-4-5 (thumb) |
Choir stops and Couplers |
Pistons 1-2-3-4-5 (thumb) |
Pedal stops and Couplers |
Pistons 1-2-3-4-5 (toe) |
Generals |
Pistons 1-2-3-4-5 (thumb & toe) |
General Cancel |
(thumb & toe) |
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Pedal Movements
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Balanced Swell Pedal |
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Great to Pedal Rev. (thumb & toe) |
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Balanced Choir Pedal |
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Swell to Pedal Rev. (thumb & toe) |
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Balanced Crescendo Pedal |
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Choir to Pedal Rev. (thumb & toe) |
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Sforzando Piston (toe) |
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Accessories
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Wind Indicator Light |
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Fluorescent Console Light |
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Crescendo Indicator Light |
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30 Amp. Rectifier for Organ current |
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Sforzando Indicator Light |
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M.P. Möller, Inc.
Hagerstown, Md. – Opus 1608 (1913)
Electro-pneumatic action
3 manuals, 18 stops, 18 ranks
The contract dated June 6, 1913, states that M.P. Möller agreed to build a three-manual-and-pedal organ that would be installed on or before September 15, 1913 (the organ was shipped on October 6, 1913). Total cost of the organ was $6,000, less a $2,000 allowance for the old organ. The Great, Solo and Pedal Organs were installed in a tower chamber in a rear corner of the gallery, while the Choir Organ was installed in the basement below the pulpit, speaking through tone registers around the edge of the platform. The console, located with the choir behind the pulpit, was mounted on a track, allowing it to be moved between the church and the adjoining chapel. |
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Great Organ (Manual II) – 61 notes, enclosed with Solo
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16 |
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Bourdon |
61 |
8 |
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Viol d'Orchestre |
61 |
8 |
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Open Diapason [unenc.] |
73 |
4 |
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Flute Harmonic |
61 |
8 |
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Diapason Phonon |
61 |
16 |
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Tuba Major |
85 |
4 |
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Octave [ext. Op. Diap.] |
— |
8 |
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Tuba Mirabilis |
— |
8 |
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Doppel Flöte |
61 |
4 |
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Tuba Clarion |
— |
8 |
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Gemshorn |
61 |
8 |
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Oboe Horn |
61 |
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Solo Organ (Manual III) – 61 notes, enclosed with Great
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8 |
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Diapason Phonon |
GT |
8 |
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Gross Flöte |
CH |
8 |
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Doppel Flöte |
GT |
8 |
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Viol d'Gamba |
CH |
8 |
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Viol d'Orchestre |
GT |
4 |
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Dolce |
CH |
8 |
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Viol Celeste |
61 |
8 |
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Flute d'Amour |
CH |
8 |
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Gemshorn |
GT |
8 |
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Clarinet |
CH |
4 |
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Flute Harmonic |
GT |
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Tremolo |
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8 |
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Oboe Horn |
GT |
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Choir Organ (Manual I) – 61 notes, enclosed
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Under Chancel Platform: |
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In Gallery: (preparation) |
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8 |
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Violin Diapason |
61 |
8 |
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Rohr Flöte |
— |
8 |
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Gross Flöte |
61 |
8 |
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Aeoline |
— |
8 |
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Viol d'Gamba |
61 |
8 |
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Unda Maris |
— |
8 |
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Dolce |
61 |
8 |
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Vox Humana |
— |
4 |
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Flute d'Amour |
61 |
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Cathedral Chimes |
— |
8 |
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Clarinet |
61 |
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Concert Harp |
— |
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Tremulant |
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Pedal Organ – 30 notes, enclosed in Gallery except as noted
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16 |
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Sub Bass [Chancel] |
42 |
8 |
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Octave |
— |
8 |
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Bass Flute [Chancel] |
— |
16 |
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Tuba Major |
GT |
16 |
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Open Diapason |
42 |
8 |
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Tuba Mirabilis |
GT |
16 |
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Bourdon |
GT |
4 |
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Tuba Clarion |
GT |
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Couplers
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Great to Pedal |
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Choir to Great 16', 8', 4' |
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Solo to Pedal |
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Solo to Choir |
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Choir to Pedal |
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Choir 16', 4' |
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Solo to Great 16', 8', 4' |
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Solo 16', 4', Unison Off |
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Mechanicals
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Wind Indicator |
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Crescendo Indicator |
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Adjustable Combination Pistons
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Pistons No. 1-2-3-4 |
affecting Great Organ |
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Pistons No. 1-2-3-4 |
affecting Solo Organ |
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Pistons No. 1-2-3 |
affecting Choir Organ |
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Pistons No. 1-2-3 |
affecting Pedal Organ |
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Pedal Movements
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Great to Pedal Reversible |
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Balanced Choir Expression Pedal |
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Balanced Swell Expression Pedal |
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Grand Crescendo Pedal |
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George Jardine & Son
New York City – Opus 1046 (c.1892)
Unknown action
2 manuals
The original organ in West End Presbyterian Church was built c.1892 by George Jardine & Son of New York City. Specifications of this organ have not yet been located.
This organ was replaced by a larger instrument built by M.P. Möller In 1913. The Jardine organ was then rebuilt by Möller (1913, Op. 1625) to have two manuals and twenty-five stops, and was installed in St. Francis of Assisi Roman Catholic Church of Newburgh, N.Y.
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Sources:
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Farnam, Lynnwood. "Organ Notebook," p.1638. Specification of M.P. Möller organ, Op. 1608. John de Lancie Library, The Curtis Institute of Music, Philadelphia; Sally Branca, archivist. Courtesy Jonathan Bowen.
Smith, Nathan. Electronic mail (Nov. 12, 2010) regarding M.P. Möller organ, Op. 1625 (1913) as installed in St. Francis of Assisi R.C. Church, Newburgh, N.Y.
"Three Manual By Odell For West End Presbyterian, N.Y.," The Diapason (June 1, 1952). Stoplist of J.H. & C.S. Odell organ, Op. 608 (1953). Courtesy Jeff Scofield.
Trupiano, Larry. Factory Specifications and Articles of Agreement of J.H. & C.S. Odell organ, Op. 608 (1953).
Trupiano, Larry. Factory Specifications of M.P. Möller organ, Op. 1608 (1913).
"Unusual Scheme Solves A Problem," The Diapason (Nov. 1, 1913). Stoplist of M.P. Möller organ, Op. 1608 (1913). Courtesy Jeff Scofield.
West End Presbyterian Church web site: http://www.westendchurchnyc.org/
Illustrations:
Lawson, Steven E. Color exterior.
Welke, Robert A. 1892 photo-lithograph. Architecture and Building (Vol. XVI, No. 19, May 7, 1892). |
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