|
 |
|
Click on images to enlarge |
West Side Unitarian Church
550 West 110th Street, near Broadway
New York, N.Y. 10027
Organ Specifications:
550 West 110th Street near Broadway (1921-1931)
► IV/42 M.P. Möller, Op. 4207 (1925)
221 Lenox Avenue at 121st Street (1891-1919)
► II/12 Reuben Midmer & Sons
• II/10 Frank Roosevelt, Op. 508 (1891)
72 East 128th Street near Fourth Avenue (1886-1891)
• unknown |
 |
|
Lenox Avenue Unitarian Church (1891-1919) |
|
The fifth Unitarian society in New York City was organized in March 1886 as the Unity Congregational Society. After meeting in various locations for several years, the society purchased property on the northwest corner of Lenox Avenue and 121st Street in Harlem. On this site the first church was built from 1889-91, and the society became familiarly known as Lenox Avenue Unitarian Church. Designed by Charles B. Atwood, architect of many Vanderbilt houses, the structure was in the Romanesque style but included Gothic details.
By 1919, membership in the Lenox Avenue society had declined substantially, due in part to the rapidly changing demographics of the neighborhood that caused many residents to move away. The building was sold to Congregation Chebra Ukadisha B'nai Israel (Holy Sons of Israel from Kalwarie, Lithuania), who remained until 1942, when it was acquired by the Ebenezer Baptist Tabernacle.
After leaving Lenox Avenue, the society met for many months in Earl Hall of Columbia University. In time, five lots were purchased on West 110th Street (Cathedral Parkway), east of Broadway, and ground was broken on October 28, 1921, for a new church designed by Hoppin & Koen that would cost $400,000. The Christian Register (June 16, 1921) described the new facility:
The Colonial meeting-house as planned will afford a new and interesting solution of the problem of the city church plant. On a frontage of 125 feet there will be erected a church and a parish house. The westerly 75 feet will be for the church building, and the rest for the parish house. The building will face north: consequently, the west will be to the right as one looks at the picture. [See upper right corner.] Architectural unity is achieved by a single dignified Colonial façade surmounted by a graceful cupola tower.
"The church auditorium will be on the street level, and with the galleries will seat six hundred people, all of whom will have an unimpeded view of the chancel. The seating capacity can be increased to one thousand by opening doors to another hall on the first floor of the parish house. ... Below the church auditorium there will be a large hall with adequate facilities for the social life of the church.
"The parish-house section will contain complete equipment for the church school, with a large assembly-room and separate class-rooms. There will be chapter-room for the Laymen's League, the Women's Alliance, and the Unity Club. A complete gymnasium including bowling-alleys is planned. Modern offices for the minister and assistants are to be located on the first floor, accessible both from the church and the parish house."
Unfortunately, the society experienced financial difficulties in its new location and the planned parish house was never built. With the onset of the Depression, the situation became dire and in Spring of 1931 the society began to meet with the Church of the Divine Paternity. Although the members contemplated a union (rather than a merger) with that society, plans did not materialize. In October 1931, the society agreed to merge with the much larger Community Church, located on 35th Street near Park Avenue.
The building on West 110th Street has been home to Congregation Ramath Orah since 1942. |
|
|
|
|
|
|
|
M.P. Möller, Inc.
Hagerstown, Md. – Opus 4207 (1925)
Electro-pneumatic action
4 manuals, 56 registers, 40 stops, 42 ranks
The following specification was recorded (c.1975) by Sebastian M. Glück,
who noted that this organ was installed in side chambers and was playable from
a theatre-style "horseshoe" console located in the front gallery. This
organ was eventually parted-out and removed. |
|
|
|
|
|
|
|
|
Great Organ (Manual II) – 61 notes, enclosed
|
16 |
|
Diapason |
61 |
|
|
Great Unison Off |
|
8 |
|
Diapason |
61 |
|
|
Great to Great 16' |
|
8 |
|
Second Diapason |
61 |
|
|
Great to Great 4' |
|
8 |
|
Clarabella |
61 |
|
|
Swell to Great 16' |
|
8 |
|
Violoncello |
61 |
|
|
Swell to Great 8' |
|
4 |
|
Octave |
61 |
|
|
Swell to Great 4' |
|
4 |
|
Doppel Flute |
61 |
|
|
Choir to Great 16' |
|
2 2/3 |
|
Twelfth |
61 |
|
|
Choir to Great 8' |
|
2 |
|
Fifteenth |
61 |
|
|
Choir to Great 4' |
|
8 |
|
Trumpet |
61 |
|
|
Solo to Great 16' |
|
|
|
|
|
|
Solo to Great 8' |
|
8 |
|
Harp |
CH |
|
|
Solo to Great 4' |
|
4 |
|
Harp |
CH |
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
|
Lieblich Gedeckt |
73 |
|
|
Mixture III ranks |
183 |
8 |
|
Diapason |
73 |
16 |
|
Contra Fagotto |
73 |
8 |
|
Bourdon |
73 |
8 |
|
French Horn |
73 |
8 |
|
Flauto Traverso |
73 |
8 |
|
Oboe |
73 |
8 |
|
Gamba |
73 |
8 |
|
Vox Humana |
61 |
8 |
|
Voix Celeste (TC) |
61 |
|
|
Swell Unison Off |
|
8 |
|
Muted Viole |
73 |
|
|
Swell to Swell 16' |
|
8 |
|
Muted Viole Celeste |
73 |
|
|
Swell to Swell 4' |
|
4 |
|
Harmonic Flute |
73 |
|
|
Solo to Swell 8' |
|
1 3/5 |
|
Tierce |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Choir Organ (Manual I) – 61 notes, enclosed
|
8 |
|
Violin Diapason |
73 |
8 |
|
Concert Harp (TC) |
61 bars |
|
8 |
|
Concert Flute |
73 |
|
|
Harp Dampers On and Off |
|
8 |
|
Quintadena |
73 |
|
|
Choir Unison Off |
|
8 |
|
Dulciana |
73 |
|
|
Choir to Choir 16' |
|
8 |
|
Unda Maris |
73 |
|
|
Choir to Choir 4' |
|
4 |
|
Wald Flute |
73 |
|
|
Swell to Choir 16' |
|
2 |
|
Piccolo |
61 |
|
|
Swell to Choir 8' |
|
16 |
|
English Horn (TC) |
— |
|
|
Swell to Choir 4' |
|
8 |
|
Clarinet |
73 |
|
|
Solo to Choir 8' |
|
8 |
|
English Horn |
73 |
|
|
|
|
|
|
|
|
|
|
|
|
Solo Organ (Manual IV) – 61 notes, enclosed
|
8 |
|
Quintadena |
CH |
8 |
|
English Horn |
CH |
8 |
|
Dulciana |
CH |
8 |
|
Trumpet |
GT |
8 |
|
Unda Maris |
CH |
8 |
|
Stentorphone [hi-press.] |
61 |
8 |
|
Diapason |
GT |
8 |
|
Orchestral Oboe |
61 |
8 |
|
Clarabella |
GT |
8 |
|
Tuba [hi-press.] |
61 |
8 |
|
Violoncello |
GT |
|
|
Solo Unison Off |
|
16 |
|
English Horn |
CH |
|
|
Solo to Solo 16' |
|
8 |
|
Clarinet |
CH |
|
|
Solo to Solo 4' |
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
|
16 |
|
Diapason |
44 |
16 |
|
Trombone (ext. SO Tuba) |
12 |
16 |
|
Bourdon |
44 |
|
|
Great to Pedal 8' |
|
16 |
|
Lieblich Gedeckt |
SW |
|
|
Swell to Pedal 8' |
|
16 |
|
Violone |
44 |
|
|
Swell to Pedal 4' |
|
8 |
|
Flute (fr. 16' Diap.) |
— |
|
|
Choir to Pedal 8' |
|
8 |
|
Bourdon (fr. 16') |
— |
|
|
Solo to Pedal 8' |
|
8 |
|
Violoncello (fr. 16') |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Adjustable Combinations
|
|
|
Solo Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Great Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Choir Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5 (thumb & toe) |
Entire Organ |
Pistons 1-2-3-4-5-6-7-8 (thumb) |
|
General Cancel (thumb) |
|
|
|
|
|
|
|
|
|
Accessories
|
|
|
Great Expression Pedal |
|
Great Organ Tremulant |
|
|
Swell Expression Pedal |
|
Swell Organ Tremulant |
|
|
Choir Expression Pedal |
|
Choir Organ Tremulant |
|
|
Solo Expression Pedal |
|
Solo Organ Tremulant |
|
|
Register Crescendo Pedal |
|
All Swells to Great Ped. Rev. (toe) |
|
|
Great to Pedal Reversible (toe) |
|
Pedal Separation |
|
|
Sforzando Reversible (thumb & toe) |
|
Pedal Divide |
|
|
|
|
|
|
|
|
Organ in church on Lenox Avenue:
Reuben Midmer & Sons
Merrick, N.Y.
Electro-pneumatic action
2 manuals, 13 registers, 12 stops, 12 ranks
This organ is extant but unplayable.
|
|
|
|
|
|
|
|
|
Great Organ (Manual I) – 61 notes
|
8 |
|
Open Diapason |
61 |
8 |
|
Melodia |
61 |
8 |
|
Dulciana |
61 |
4 |
|
Octave |
61 |
|
|
|
|
|
|
|
|
Swell Organ (Manual II) – 61 notes, enclosed
|
8 |
|
Violin Diapason |
61 |
8 |
|
Aeoline |
61 |
8 |
|
Stopped Diapason |
61 |
4 |
|
Flute Harmonique |
61 |
8 |
|
Salicional |
61 |
8 |
|
Oboe |
61 |
8 |
|
Vox Celeste |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 32 notes
|
16 |
|
Bourdon |
44 |
|
|
|
|
8 |
|
Flute (fr. 16') |
— |
|
|
|
|
|
|
|
|
|
|
|
|
Organ in church on Lenox Avenue:
Frank Roosevelt
New York City – Opus 508 (1891)
Tracker-pneumatic action
2 manuals, 10 stops
The first organ in the original Lenox Avenue Unitarian Church was built in 1891 by Frank Roosevelt of New York City. Specifications of this organ have not yet been located. |
|
|
|
Sources:
"Building for Service," The Christian Register (June 16, 1921):570-71.
"Church Dedication at Harlem," The New York Times (Nov. 5, 1869).
"Community Church Agrees on Merger," The New York Times (Oct. 24, 1931).
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
"86, She Lays Cornerstone," The New York Times (Oct. 29, 1921).
Glück, Sebastian. Specifications of M.P. Möller organ, Op. 4207 (1925).
"Installing a Pastor," The New York Times (Dec. 28, 1887).
"New Unitarian Society," The New York Times (Mar. 30, 1886).
Stern, Robert A.M., Thomas Mellins, and David Fishman. New York 1880: Architecture and Urbanism in the Gilded Age. New York City: The Monacelli Press, 1999.
New From the Field: New York. The Unitarian (Vol. I, July 1886):202.
"Unitarians Open Church," The New York Times (June 11, 1922).
Illustrations:
The Christian Register (June 16, 1921):570-71. Drawing (1921) by Hoppin & Koen Architects, New York City.
Lenox Avenue Unitarian Church (c.1891). Courtesy New York Historical Society Collection. |
|
|
|
|
|
|
|
|
|