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YMCA Headquarters (1869) |
The Young Men's Christian Association (Y.M.C.A.)
Southwest corner Fourth Avenue and East 23rd Street
New York, N.Y. 10011
The Young Men's Christian Association was organized in 1852 to help develop the social, spiritual, social and physical well-being of young men. A merchant philanthropist, William E. Dodge, Jr.; financier J. P. Morgan; and a young immigrant, Robert Ross McBurney, were among the founders.
The YMCA's headquarters, located on the corner of Fourth Avenue and East 23rd Street, was a four-story, French Second Empire-style building (with an inhabited mansard) designed by Renwick & Sands. Included in the building were reception rooms, reading rooms, parlors and dressing rooms. There was a two-story, 1,640-seat lecture room, as well as smaller lecture rooms, a 12,000-volume, triple-height library, gymnasium, bowling alleys, baths, a concert hall, artist studios, and a gallery. Louis Comfort Tiffany was an early tenant, renting his first studio in the building. The building was opened for a private view, by donors and a few invited friends, on November 29, 1869; the formal opening took place the following Thursday evening. Total cost of the building and land was reported to be $487,000. |
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Kautz Family
YMCA Archives |
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Undated stereoscope image |
J. H. & C. S. Odell & Company
New York City – Opus 82 (1869)
Mechanical key and stop action
2 manuals, 31 stops, 35 ranks
For their new headquarters building, the YMCA directors selected J.H. & C.S. Odell of New York to build an organ for the lecture room. The substantial two-manual instrument was installed in a case at the left of the platform. A private exhibition of the organ was given on Monday, November 1, 1869, as described in The New York Times (Nov. 3, 1869):
"The
organ was built at a cost of about $10,000, and
combines many features
not to be found
in the instruments of any other makers, such as the
kettle-drum, beating the long roll with wonderful
accuracy; the base [sic] drum, cymbals and a chime of bells. The peculiar beauty of the instrument, if we may be permitted to single out any one feature where all is good, lies in its vox humana and
flute stops, which, for richness and deceptive similarity
to the instruments from which they derive their name,
rank among the best of their kind."
A standing capacity audience was present on November 30, 1869, when the hall and organ were formally opened. The programme included selections by organists Henry Eyre Brown, William Berge, and George W. Morgan; a piano solo was offered by Richard Hoffman; and vocal selections were heard in solo and combination by Signor G. Ronconi, Miss Nettie Sterling, Miss Clara Louise Kellogg, and William J. Hill. |
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Great Organ (Manual I) – 61 notes
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16 |
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Tenoroon |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Open Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Keraulophon |
61 |
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Sesquialtera III ranks |
183 |
8 |
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Dulce |
61 |
8 |
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Trumpet |
61 |
8 |
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Clarionet Flute |
61 |
8 |
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Cremona |
61 |
4 |
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Principal |
61 |
4 |
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Clarion |
61 |
4 |
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Flute Harmonique |
61 |
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4 |
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Meliphon |
61 |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
4 |
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Flute à Chiminu [sic] |
61 |
8 |
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Open Diapason |
61 |
2 |
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Piccolo |
61 |
8 |
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Viol de Gamba |
61 |
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Cornet III ranks |
183 |
8 |
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Dulciana |
61 |
8 |
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Cornopean |
61 |
8 |
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Stopped Diapason |
61 |
8 |
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Oboe |
61 |
4 |
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Violina |
61 |
8 |
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Vox Humana |
61 |
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Pedal Organ – 27 notes
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16 |
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Grand Double Open Diapason |
27 |
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Bass Drum |
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16 |
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Grand Bourdon |
27 |
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Storm or Military Drum |
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10 2/3 |
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Quint |
27 |
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Cymbals |
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8 |
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Violoncello |
27 |
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16 |
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Trombone |
27 |
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Couplers &c
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Swell to Great Unison |
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Swell to Great Unison Reversible |
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Swell to Great Superoctave |
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Swell to Great Superoctave Revers. |
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Swell to Pedal |
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Great to Pedal Reversible |
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Great to Pedal |
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Tremulant |
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Bass Drum to Pedal |
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Piuviale, or storm apparatus |
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Snare Drum to Pedal |
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Pneumatic Compositions on Great Organ (Patented)
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1. |
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Full Great Organ |
2. |
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Full to Sesquialtera |
3. |
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Full to Principal |
4. |
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All of the eight feet stops |
5. |
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Keraulophon, Clarionet Flute & Meliphon |
6. |
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Clarionet Flute and Dulce |
7. |
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Flute Harmonic |
8. |
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Meliphon |
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Pneumatic Compositions on Swell Organ (Patented)
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1. |
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Full Swell Organ |
2. |
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Full to Cornet |
3. |
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Full to Principal |
4. |
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All of the eight feet stops |
5. |
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Viol de Gamba, Stopped Diapason and Flute à Chimanu |
6. |
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Oboe, Stopped Diapason and Dulciana |
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Pedal Movements
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[Swell Pedal] |
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Grand Crescendo and Diminuendo Pedal (Patented) |
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Sources:
Blanchard, Homer D. "The Organ in the United States: A Study in Design," with stoplist of J.H. & C.S. Odell Organ, Op. 82 (1869). The Bicentennial Tracker. Richmond: Organ Historical Society, Inc., 1976.
"The New Building of the Young Men's Christian Association," The New York Times (Nov. 30, 1869, p.5).
Opening of the Organ programme (Nov. 30, 1869), including specifications of J.H. & C.S. Odell Organ, Op. 82 (1869). The Samuel P. Warren Collection, Library of Congress. Courtesy James Lewis.
"Private Exhibition of the New Organ at the Young Men's Christian Association Rooms," The New York Times (Nov. 3, 1869, p.2).
"Y.M.C.A. Opening of the New Hall of the Young Men's Christian Association—Grand Concert," The New York Times (Dec. 1, 1869, p.5). Includes specifications of J.H. & C.S. Odell Organ, Op. 82 (1869).
Stern, Robert A. M., Thomas Mellins, and David Fishman. New York 1880: Architecture and Urbanism in the Gilded Age. New York: The Monacelli Press, 1999.
Young Men's Christian Association web site: http://www.ymcanyc.org
Illustrations:
The Bay State Monthly, Volume I. No. VI. June, 1884. A Massachusetts Magazine. Pen and ink drawing from Project Gutenberg Online Catalog: www.gutenberg.org.
Kautz Family YMCA Archives,
University of Minnesota Libraries; Ryan Bean, Archivist. Interior of Lecture Hall showing J.H. & C.S. Odell Organ, Op. 82 (1869). Courtesy James Lewis.
Undated stereoscope
image (headon) of J.H. & C.S. Odell Organ, Op. 82 (1869).
Courtesy Larry Trupiano. |
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